Horrorcow Zoe Quinn / Chelsea Van Valkenburg / Locke Valentine / @UnburntWitch / @Primeape / CrashOverride / Hat Box / Old Uncle Anime - Con Artist, Abuser, Sexual Harasser, Drove Alec Holowka to Suicide.

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Furries have a lot of disposable income. That’s why she’s sucking up to furries.
Her book bombed. The movie isn't happening. And she's $80k into a Kickstarter she doesn't know how to complete.

She'll get bored of the furry stuff in a couple weeks. Just like she got bored of making her FMV game. Bored of wrestling. Bored of the abuse network.
 
Her book bombed. The movie isn't happening. And she's $80k into a Kickstarter she doesn't know how to complete.

She'll get bored of the furry stuff in a couple weeks. Just like she got bored of making her FMV game. Bored of wrestling. Bored of the abuse network.
Them furry niggers spend hundreds of dollars on shitty deviantart “portraits” and disgusting fursuits. She can smell gullible fools at a great distance. It’s her only superpower. That, and being a disgusting swamp hag.
 
She knows exactly how to complete it. Just keep paying the people she paid to get the game this far.
You think she still has that money? Looks like she blew it all renting out a studio so her and some internet celebrities could record stuff in front of a green screen. Plus whatever her living expenses have been.

If she still had the money, she'd just pay someone to finish it since she's clearly bored with the project now that no one gives a shit about Chuck Tingle.
 
Aside: She had Wilmer Hale lawyers trying to shut Eron up at the same time she claimed, in her book and in interviews, to be living with Alex in an abandoned elevator shaft.

Since catching The Big Bang Theory a few times at my parents as they've adopted it into their rerun viewing habits, I'd like to posit the likelihood that this elevator factoid is simply a falsehood ripped from normie/nerd TV. Just as Chelsea changed her name to honor Harley Quinn & Cpt. Kirk from her diet of television, so too I suspect she absorbed the running gag/story element in TBBT of the apartment elevator breaking down and the cast being trapped in it a few times/attempting repair/using 3 flights of stairs because it's perpetually broken.

Also a possible cross-over to Aerosmith's "Love in an Elevator." Between the two pop-culture references, and her history of affluence and absorbent personality, it's clearly a lie wrapped in references. We know she had expensive lawyers. We know she took an extended trip to Europe. We know Alex is the trust fund kid of a billionaire arms dealer(with two prior residences in Beverly Hills rent-free under his parents' names & a $4,000/month allowance).

Likely what happened is they didn't live in an elevator, they just fucked in a rarely used/out-of-the-way one for the exhibitionist thrills and hid the truth in a "poor us" lie. Tell it long enough, it fades off in the distance far enough, and you start to believe it.

If she still had the money, she'd just pay someone to finish it since she's clearly bored with the project now that no one gives a shit about Chuck Tingle.
You only get to do that once, any more and it has to be the same guy. Otherwise everyone sees the difference between your past and current work. Looking at Depression Quest, all her shitty one-day projects, then looking at a finished FMV game, even her most loyal sycophants would be able to tell if someone good did the work for her & break the illusion.

Plus, she's clearly bad with money, spending it on absolute nonsense. This sort of person almost never uses their windfall, no matter how large, to ever solve long-term problems sensibly. The thought you posted would never form in her head, and it would slide right out even if you tried to force it in there.
 
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Since catching The Big Bang Theory a few times at my parents as they've adopted it into their rerun viewing habits, I'd like to posit the likelihood that this elevator factoid is simply a falsehood ripped from normie/nerd TV. Just as Chelsea changed her name to honor Harley Quinn & Cpt. Kirk from her diet of television, so too I suspect she absorbed the running gag/story element in TBBT of the apartment elevator breaking down and the cast being trapped in it a few times/attempting repair/using 3 flights of stairs because it's perpetually broken.

Also a possible cross-over to Aerosmith's "Love in an Elevator." Between the two pop-culture references, and her history of affluence and absorbent personality, it's clearly a lie wrapped in references. We know she had expensive lawyers. We know she took an extended trip to Europe. We know Alex is the trust fund kid of a billionaire arms dealer(with two prior residences in Beverly Hills rent-free under his parents' names & a $4,000/month allowance).

Likely what happened is they didn't live in an elevator, they just fucked in a rarely used/out-of-the-way one for the exhibitionist thrills and hid the truth in a "poor us" lie. Tell it long enough, it fades off in the distance far enough, and you start to believe it.


You only get to do that once, any more and it has to be the same guy. Otherwise everyone sees the difference between your past and current work. Looking at Depression Quest, all her shitty one-day projects, then looking at a finished FMV game, even her most loyal sycophants would be able to tell if someone good did the work for her & break the illusion.

Plus, she's clearly bad with money, spending it on absolute nonsense. This sort of person almost never uses their windfall, no matter how large, to ever solve long-term problems sensibly. The thought you posted would never form in her head, and it would slide right out even if you tried to force it in there.

Nerd Queen Quinn just lied about living a part of Le Big Bazinga for street cred


Wiggum laugh.jpg
 
Chelsea, once again, enters another project that she will inevitably forget about (or in this case, ask to leave) in the next few months. This time, it's for a gamedev company as a "narrative designer" :story:
And she tries to justify her tardiness on the Tingleverse game on needing to have multiple projects to "gain new perspective on stuff". Chelsea, you can admit that you are simply unfocused. Your lapdogs will be thrilled to hear that since they love mediocrity too.
 
I guess I'm just confused about why she hasn't released the game yet because it seems like she's done all the hardest parts. I mean, getting actors and scripts together, doing multiple retakes, creating costumes and sets... THAT'S the stuff that's super time consuming and difficult, and as far as we know she already did it. How lazy can you be to not be bothered to just trim some videos and link them together in Unity or w/e?
 
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Chelsea, once again, enters another project that she will inevitably forget about (or in this case, ask to leave) in the next few months. This time, it's for a gamedev company as a "narrative designer" :story:

Oh, like on the mobile game "Framed", where she was also hired as the "narrative designer"....and it turned out that she was fucking her (married) boss?

Who wants to bet that Chelsea also earned this spot by "narratively designing" some cocks?
 
Chelsea, once again, enters another project that she will inevitably forget about (or in this case, ask to leave) in the next few months. This time, it's for a gamedev company as a "narrative designer" :story:
And she tries to justify her tardiness on the Tingleverse game on needing to have multiple projects to "gain new perspective on stuff". Chelsea, you can admit that you are simply unfocused. Your lapdogs will be thrilled to hear that since they love mediocrity too.

That guy (those guys?) have been riding Quinns dick forever, I think she's even thanked in the credits of Hyperlight for no reason other than 'just cuz'.

Also this.

https://twitter.com/UnburntWitch/status/929545303161577472
 
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Chelsea, once again, enters another project that she will inevitably forget about (or in this case, ask to leave) in the next few months. This time, it's for a gamedev company as a "narrative designer" :story:
"Narrative designer." The proofreader of video games. When you're not as bad as Anthony Burch, but you're actively trying to. As easily as these hacks are getting work without actual writing talent, there are some verbose posters here on these very forums that honestly should be taking these jobs right out from under the troon patrol.

Also, your region is showing in your twitter screenshots. 1 retweet, 124 curtidas. More proxies!
 
I guess I'm just confused about why she hasn't released the game yet because it seems like she's done all the hardest parts. I mean, getting actors and scripts together, doing multiple retakes, creating costumes and sets... THAT'S the stuff that's super time consuming and difficult, and as far as we know she already did it. How lazy can you be to not be bothered to just trim some videos and link them together in Unity or w/e?
That's just shooting video in front of a blue screen. Time consuming, maybe a bit expensive, but doesn't require much skill.

The hardest part is taking that and making it into a functioning game that people can play. That requires some knowledge of coding which she does not have.

I think the situation is she's out of money and doesn't know how to finish the game. Waiting on some beta to ride in and do it for her like everything else in life.
 
That's just shooting video in front of a blue screen. Time consuming, maybe a bit expensive, but doesn't require much skill.

The hardest part is taking that and making it into a functioning game that people can play. That requires some knowledge of coding which she does not have.

I think the situation is she's out of money and doesn't know how to finish the game. Waiting on some beta to ride in and do it for her like everything else in life.

So she's basically Brianna Wu without the money now.

Figures.
 
Chelsea retweets a cuck who wrote a review (archive) of her book.
Cuck said:
Book review: Crash Override
2018-01-10
Over the holidays, I read Zoë Quinn's book, Crash Override. Zoë Quinn is an independent games developer. After a gigantic harassment campaign known as GamerGate targeted her, she became an activist against online hate. She then funded an association to help other victims, the Crash Override Network. In this book, she tells the story of this huge campaign, and gives her thoughts on how to prevent similar horrors from happening.

This book is eye-opening, well-written, and inspiring. Because of the difficult topic, it's not an easy read. She tells her story in a very personal way, describing what she went through when thousands of trolls were harassing her and her close ones. The book is worth a read just for this testimony. It slaps you in the face, reminding you that what happens online is as real as what happens in the physical world. It gives you a healthy dose of empathy towards people you interact with on the Internet. Even if you're not an harasser, it's so easy to forget the actual person behind the nickname or the avatar…

This intense dose of empathy is critically valuable if you build tech products, or work in tech policy. Quinn describes everything that went wrong not only with the humans, but also with the technology. It's horrifying and infuriating. Popular tech products and social networks simply suck at dealing with abuse and harassment on their platforms. Quinn is doing an excellent job at analyzing their flaws, and detailing what can be explained by cluelessness and what is the sign of truly rotten ideologies. If you're working in tech, you really really really should learn about these issues. Go read this book.

It's chilling to read Quinn's descriptions of the mass movements behind GamerGate. It serves as a good reminder of how powerful and devastating group dynamics can be. Some of the things harassers did sound completely unreal. Quinn has to explain her situation to many people, and they often don't understand nor accept it: it sounds so ridiculous. It's difficult to believe actual humans would harass people this way. Especially people they've never met, in such a violent and persistent way.

But online trolls don't see their target as human, either. Instead, victims are seen as an abstract concept of "evil". Abusers think that everything they do to their victims is well-deserved. And the more they fight evil, the more feel like "heroes", fighters on the good side in the grand scheme of things. This is nothing new: anti-immigration rhetoric is a classical example of this phenomenon. Nonetheless, GamerGate really was the symptom of something profoundly rotten in parts of society. Victims realized that, of course, but nobody listened to them…

After talking about GamerGate, Quinn explains how to efficiently fight online hate. Given her personal experience and her work as an activist, she's uniquely qualified. She developed a set of principles, and offers concrete advice both for victims, bystanders, as well as technologists.

The technical advice for victims (or for people potentially at risk, which really means everyone) is sound, but doesn't get into much detail. If that's what you're looking for, consider reading The Smart Girl's Guide to Privacy (by Violet Blue). You can also check out the resources on the Crash Override's Network website.

The "human" advice, on the other end, is quite complete and excellent. Recommendations are concrete and sound (typically not "just go offline, stupid"). Many common reactions, both for victims and bystanders, are counter-productive. Quinn does an excellent job at detailing these and explaining what to do instead.

The end of the book surprised me. Quinn writes a whole section about empathy towards harassers and abusers. She explains that there was a time where she was an angry troll, posting nasty comments to people she didn't know online. Like her own abusers, she was doing this for very normal and human reasons. Status, positive feedback from your peers, technical prowess, acceptance within a social group… Even if the result is incredibly evil, this is very normal from a psychological perspective. Especially now, with all the gamification (and financial rewards!) of social networks.

This last part of her testimony really resonated with me. I was the same when I was younger. I browsed 4chan regularly. I was only a lurker: my English was bad, so I was afraid of people mocking me. Nonetheless, I found comfort in the nihilism, the irreverence, and the sense that it was okay to be different and weird. I almost never talked to anyone, but I still felt like these were people who could understand me. All the racism, sexism, general awfulness… Even that felt okay. It was obviously ironic1, and there was also a lot of self-deprecating humor. But mostly, laughing at everything just came with the nihilism. Putting groups of people I felt like I didn't understand (especially women) in "enemy" boxes was very, very easy.

Then, my life got better and I progressively stopped going there. But reading Quinn's own account of being an online troll made me wonder: would I have taken part in GamerGate, had it been earlier? If I had had just a little bit more bottled-up anger and awkwardness? If my English had been better? I certainly wouldn't have done the right thing — even as a shy lurker, I didn't do anything right back then. This was a harsh (and unexpected) realization. For me, it was a valuable take-away. If you partly recognize yourself in what I clumsily tried to describe there, I would also advise reading this book.

Anyway, she ends the book saying that more abuse or violence towards harassers aren't going to make the hate go away. Instead, Quinn encourages speaking up in a non-confrontational way, listening and emphasizing… After everything she went through, this is nothing short of inspiring!

  1. It was not. I was extremely dumb, and extremely privileged, so I don't think I realized that. Or, more probably, I chose not to. Not seeing how wrong it was, not speaking up… This enabled real and horrific violence. I regret this time a lot, and feel ashamed when thinking of it, but there is no excuse for any of it.

He thinks that browsing 4chan as a kid enabled "real and horrific violence" :story:
 
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