Fallout Equestria, by Kkat / Kkatman - fascist sex horses and the insane fanfic writers powering their existance

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When I formerly in the fandom, I used to see all the little fan works of this story and it's sad to see that not a single one actually looked at the concept and tried to make it a little more light hearted. Every single one tried this edgy ass shit that just smashed violently against the cartoon horses. I feel this concept could have worked an ATOM'S LENGTH better if the whole cartoony art style was dropped and just did realistic horses, albeit multicolored, and no magic.
Still wouldn't save this dog shit story, lol. I couldn't even get past the first chapter without fighting sleep.
 
I'm one of the people who had a pony phase for a while but even back then I didn't touch Fallout Equestria cause of the reputation it had for being edgy and embarrassing. At this point I'm morbidly curious to see how stupid it can get but at the same time I also don't want to waste that many hours of my life on this shit.
 
I'm one of the people who had a pony phase for a while but even back then I didn't touch Fallout Equestria cause of the reputation it had for being edgy and embarrassing. At this point I'm morbidly curious to see how stupid it can get but at the same time I also don't want to waste that many hours of my life on this shit.

Here i'll sum it up for you.

A lesbian pone traverses an unoriginal world because the author just took things from fallout and gave it pony names. The main plot is basically the Unity/Master story from Fallout with a mix of Dead Money from Fallout New Vegas. There are several other plots that one can immediately recognize from the series and there is nothing new to expect. Lesbian pone is shocked at how shitty and edgy everything is, so became a shitty and edgy person to fight it. All your favorite ponies are fucking dead and died horribly and painfully. Some of Lesbian pone's friends die because it's a cheap way to add edginess without having to actually write something subtle. Everything is terrible with rape, cannibalism, murder, slavery, madness, drug addiction, and genocide, but Lesbian Pone gets a cool gun and rubs one out thinking about her distant ancestor cause that isn't creepy at all. Problems are solved through murder and Fluttershy is a tree at one point. Lesbian Pone puts her brain in a computer to control the weather cause pegasus ponies are bastards in this. Ponies start trying to rebuild society after but they only managed to clean THEIR own country while the rest of the world is still poisoned and people still suffer. That's okay though cause the PONIES are now okay, fuck everyone else.

The end.

There I saved you a few days of reading.
 
Here i'll sum it up for you.

A lesbian pone traverses an unoriginal world because the author just took things from fallout and gave it pony names. The main plot is basically the Unity/Master story from Fallout with a mix of Dead Money from Fallout New Vegas. There are several other plots that one can immediately recognize from the series and there is nothing new to expect. Lesbian pone is shocked at how shitty and edgy everything is, so became a shitty and edgy person to fight it. All your favorite ponies are fucking dead and died horribly and painfully. Some of Lesbian pone's friends die because it's a cheap way to add edginess without having to actually write something subtle. Everything is terrible with rape, cannibalism, murder, slavery, madness, drug addiction, and genocide, but Lesbian Pone gets a cool gun and rubs one out thinking about her distant ancestor cause that isn't creepy at all. Problems are solved through murder and Fluttershy is a tree at one point. Lesbian Pone puts her brain in a computer to control the weather cause pegasus ponies are bastards in this. Ponies start trying to rebuild society after but they only managed to clean THEIR own country while the rest of the world is still poisoned and people still suffer. That's okay though cause the PONIES are now okay, fuck everyone else.

The end.

There I saved you a few days of reading.

Someone needs to write an annotated Fallout: Equestria, with links to the Fallout wiki for every concept, character, Vault/Stable, etc. that Kkat ripped off. A lot of the dialogue was taken verbatim from the games, and even the series' final line, "In a world filled with misery and uncertainty, it is a great comfort to know that in the end, there is a light in the darkness" was lifted wholecloth from Joshua Graham in Honest Hearts.
 
Someone needs to write an annotated Fallout: Equestria, with links to the Fallout wiki for every concept, character, Vault/Stable, etc. that Kkat ripped off. A lot of the dialogue was taken verbatim from the games, and even the series' final line, "In a world filled with misery and uncertainty, it is a great comfort to know that in the end, there is a light in the darkness" was lifted wholecloth from Joshua Graham in Honest Hearts.

Truth. The only thing he did was just change the names around. Stable = vault. Taint = radiation. The ones that I recognize the most were whole DLC stuff. Like The Pitt and Dead Money, along with main game plots forced together.

Ponies and Zebras destroyed each other over a resource war (Fallout series setting). Lil Pip has to leave the vault to find someone (Find ur dad, Fallout 3) and runs into The Goddess (Unity/The Master, Fallout), and deals with a whole city of slavers (The Pitt), has to break into a poison cloud filled city (Dead Money), the fight to gain control of a single place that can help the wasteland (Main plot, Fallout 3), finds out there is a device that can clean the land and make it livable (Fallout 2 main plot, finding the G.E.C.K.).

So...nothing really original here.
 
Someone needs to write an annotated Fallout: Equestria, with links to the Fallout wiki for every concept, character, Vault/Stable, etc. that Kkat ripped off. A lot of the dialogue was taken verbatim from the games, and even the series' final line, "In a world filled with misery and uncertainty, it is a great comfort to know that in the end, there is a light in the darkness" was lifted wholecloth from Joshua Graham in Honest Hearts.
There's a TV Tropes recap that retells the story without going into the details. https://tvtropes.org/pmwiki/pmwiki.php/Recap/FalloutEquestria
It has no links to Fallout counterparts but everything is super obvious, like Steel Rangers being Brotherhood of Steel, if you played at least a single classic and a single Bethesda title you should grasp the references with ease. Hell, this is so blatant it makes Exodus look subtle, and that was meant to be an official Fallout RPG before writers lost the rights and had to ctrl-F all the proper nouns.
300px-Exodus-cover.jpg
 
Truth. The only thing he did was just change the names around. Stable = vault. Taint = radiation. The ones that I recognize the most were whole DLC stuff. Like The Pitt and Dead Money, along with main game plots forced together.

Ponies and Zebras destroyed each other over a resource war (Fallout series setting). Lil Pip has to leave the vault to find someone (Find ur dad, Fallout 3) and runs into The Goddess (Unity/The Master, Fallout), and deals with a whole city of slavers (The Pitt), has to break into a poison cloud filled city (Dead Money), the fight to gain control of a single place that can help the wasteland (Main plot, Fallout 3), finds out there is a device that can clean the land and make it livable (Fallout 2 main plot, finding the G.E.C.K.).

So...nothing really original here.

Even worse, Bethesda gave a bunch of shout-outs to FIM and Fallout: Equestria in Fallout 4 via that old ghoul guy in The Slog that sends you to the Giddyup Buttercup factory, and Red Eye from the Nuka-World DLC was named after Red Eye from the fanfic.
 
What the hell is it with some bronies and wanting to cram grimdark into MLP? Seriously, I never got that. "A super colorful show about friendship? Let's make it dark and gritty and edgy as fuck!"
It just boggles my mind that so many of them seem to want to turn MLP into anything but MLP.

Sometimes playing with tonal shifts can be fun, but you gotta be careful not to start taking yourself too seriously and be aware of the inherent silliness.
 
What the hell is it with some bronies and wanting to cram grimdark into MLP? Seriously, I never got that. "A super colorful show about friendship? Let's make it dark and gritty and edgy as fuck!"
It just boggles my mind that so many of them seem to want to turn MLP into anything but MLP.
I don't remember what the exact term was, but essentially fandoms usually have a more or less opposite tone than the media itself. Fandom for a comedy might have plenty of fan works exploring serious topics, serious media might have a lot of content that isn't supposed to be taken seriously at all, grimdark stuff may have tons of cutesy fanart, and, well, cutesy ponies get a lot of dark fan works.
It's not just bronies, it's a rather common phenomenon among consumers of any media in general.
 
I could sperg about how the contrast of cute marshmallow pastel horses against a horrible and gritty radioactive setting could be interesting to work with, but I probably shouldn't.
 
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God, this was a trip down memory lane, I haven't thought about FoE in forever. I remember picking up this beautiful dumpster fire back when there was about fifteen chapters or so (which was almost nothing at the time, compared to what it turned into). so I didn't have to really marathon it to catch up. I remember being a bored High School student who stumbled upon this odd pony show that seemed to be enjoyed by grown men as well and was, admittedly, fairly enjoyable. Those where nice times, back when the term "Brony" wasn't treated to be on the same level as being a Furry yet and you could go on a fourm discussing it without feeling autistic. That was because most of the fans back then were from 4chan and most of those bastards knew that you don't bring shit from the internet into real life (I thank God everyday that I decided to keep my enjoyment of that show a secret), but of course the shows reputation spread and you all know the rest.

But enough of me reminiscing about my autism, if any of you want to know how in Gods name this shit got popular, then maybe I can shed a bit of light. FoE came out back when Bronies were just starting to be a thing and there wasn't much MLP content (outside of the show) to go around, and as they say in business; "Sometimes you don't have to make something good, you just have to make it first", and FoE was there since almost the beginning. So, yeah, everyone latched onto it, and by the time "better" shit started coming out, well, sunk-cost fallacy took place, so many people were already dozens of chapters in they figured "well, might as well see how it ends". Meanwhile, new comers to the show saw so many people reading/ talking about it they also started reading it as well because, hey, they wanted to fit in. Before long this nightmare of a fic became a staple of My Little Pony with countless spin off fics (with maybe two being any good), a tabletop game, actual Fallout mods based on the fic, and a mass shared delusion that this thing was quality writing. A God damn crossover.

As for my opinion on it, well, having read this thing in it's entirety because, like I so many others, I wanted to fit in and sunk-cost fallacy (I was stupid, I know), but I think even back then I knew deep down that it was kinda bad. But i ignored that sensible part of my brain and trucked along, never mind that I was skimming through entire paragraphs, sometimes even up to half of a new chapter when they were released, because Kkat put in waaaaaaay too many fight scenes and can't write them worth a damn (seriously, if any new writers take anything from this; don't write fight scenes like video game encounters!) and frequently found myself thinking the protagonists were kinda assholes. Seriously, Littlepip's (in fact all the characters) morality is all over the place throughout the story, and even at points where she has a bought of shitty or selfish behavior that's excusable, even justifiable, the story and all of her "friends" make her out to be an asshole. But, hey, it was popular, so that means it must be good, right? Again, I was stupid. Thank God I decided to read Metro 2033, a real book, and wake up to what actually, quality writing was again.

That being said, there was some good to it. The flashbacks showing how the happy, magic filled world of MLP turned into Fallout with ponies was actually kind of fun to read, some of it was even (dare I say) kind of good and semi-thought out, of course there was plenty of segments that were "holy shit you're actually trying to make me believe the pacifistic pony built nukes, that's hilarious", so bad it's good kinda parts. Also, to his credit, Katt is O.K-ish at world building, granted both "worlds" were already mostly built for him, but I've seen people do less with more, and by crossover fan-fic standards, Kkat did admittedly get fairly creative mashing the two together. That's not to say I recommended, far from it, but even the shittiest writer has one or two good aspects about them, and Kkat is no exception, and I'd at least say, if someone trimmed down the "fat" of this story (seriously this thing is at least twice as long as it needed to be) I'd actually recommend reading it as a "so bad it's good" sort of thing.

Wow, I didn't expect this to turn into an essay, but seeing this brought back some memories, albeit bitter-sweat. I hate myself for investing so much time reading this thing, but I can look back and laugh on some of it, and I suppose I did learn a thing or two on what not to do when writing. Probably would have learned more and in less time if I payed attention in Lit though.

When I formerly in the fandom, I used to see all the little fan works of this story and it's sad to see that not a single one actually looked at the concept and tried to make it a little more light hearted. Every single one tried this edgy ass shit that just smashed violently against the cartoon horses. I feel this concept could have worked an ATOM'S LENGTH better if the whole cartoony art style was dropped and just did realistic horses, albeit multicolored, and no magic.
Still wouldn't save this dog shit story, lol. I couldn't even get past the first chapter without fighting sleep.

And to top this all off, there was one actually; https://www.fanfiction.net/s/9815003/1/Fallout-Equestria-Duck-and-Cover

While far from a literary masterpiece, it does seem to revolve around taking the piss out of FoE , doesn't even come close to taking itself as seriously as any other of the spin-off fics, and can actually manage to be a little funny a times. I can't recommend all of it, as it does become a bit dry around the mid-way point and also starts having pacing problems around then too, but the first couple of chapters might be worth reading if you want to see someone mock Kkats work in his own setting.

Edit: Made a few small additions and grammatical changes to make my points and wording a bit more clear as I wrote this in a semi-conscious haze. Because people need to know in excruciating detail exactly why a crossover fic of My Little Pony and Fallout is autistic. Now I'm going to stop myself before I make a point-by-point analysis about why this story is dumb, because clearly no one could grasp that fact by reading the title.
 
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Someone needs to write an annotated Fallout: Equestria, with links to the Fallout wiki for every concept, character, Vault/Stable, etc. that Kkat ripped off. A lot of the dialogue was taken verbatim from the games, and even the series' final line, "In a world filled with misery and uncertainty, it is a great comfort to know that in the end, there is a light in the darkness" was lifted wholecloth from Joshua Graham in Honest Hearts.
Truth. The only thing he did was just change the names around. Stable = vault. Taint = radiation. The ones that I recognize the most were whole DLC stuff. Like The Pitt and Dead Money, along with main game plots forced together.

Ponies and Zebras destroyed each other over a resource war (Fallout series setting). Lil Pip has to leave the vault to find someone (Find ur dad, Fallout 3) and runs into The Goddess (Unity/The Master, Fallout), and deals with a whole city of slavers (The Pitt), has to break into a poison cloud filled city (Dead Money), the fight to gain control of a single place that can help the wasteland (Main plot, Fallout 3), finds out there is a device that can clean the land and make it livable (Fallout 2 main plot, finding the G.E.C.K.).

So...nothing really original here.
Holy shit it's been a while since I've read that fic but I guess I've never noticed how much stuff was just straight ripped off.
If you want another pit of fanfic autism look into The Conversion Bureau and endless autism surrounding THAT little nugget. To give you a condensed version: Humans evil bad, ponies greatest things ever, we have to turn humans into ponies against their will.
 
Holy shit it's been a while since I've read that fic but I guess I've never noticed how much stuff was just straight ripped off.
If you want another pit of fanfic autism look into The Conversion Bureau and endless autism surrounding THAT little nugget. To give you a condensed version: Humans evil bad, ponies greatest things ever, we have to turn humans into ponies against their will.
The Conversion Bureau had a short lived thread here. There was one author who was prime lolcow material but nobody ever made a thread on him.
 
The Conversion Bureau had a short lived thread here. There was one author who was prime lolcow material but nobody ever made a thread on him.
I hate that this thread reminded me of THAT particular bit of autism.

At least TCB is considered "mixed" even the standards of bronies, but there's a substantial minority following it back in 2014-ish. Probably still has.
 
From what I remember, TCB fell into these categories and nothing else.

1. Humans are the WORST with no redeeming qualities and ponies are the best. You can tell these writers legit wished to be actual ponies and hate being their pudgy neckbeard fat human selves.

2. Grimdark versions where Military Bronies flex hard and write about how THEY would keep the evil ponies from wiping out humanity cause ponies are racist and more than fine with committing genocide against an entire species.

3. Parody fics cause a couple writers realized how ridiculous the entire setting is and decided to troll the first two categories for taking it so seriously and get those sweet sweet angry tears.

4. Philosophers that try to make it into a 'what makes a human' thought fic but see no problem adding colorful ponies into a serious and often debated subject that will never be fully answered.

I personally like being the literal space orcs and terminators of the animal kingdom. Fuck being dumb horses.
 
Truth. The only thing he did was just change the names around. Stable = vault. Taint = radiation. The ones that I recognize the most were whole DLC stuff. Like The Pitt and Dead Money, along with main game plots forced together.

Ponies and Zebras destroyed each other over a resource war (Fallout series setting). Lil Pip has to leave the vault to find someone (Find ur dad, Fallout 3) and runs into The Goddess (Unity/The Master, Fallout), and deals with a whole city of slavers (The Pitt), has to break into a poison cloud filled city (Dead Money), the fight to gain control of a single place that can help the wasteland (Main plot, Fallout 3), finds out there is a device that can clean the land and make it livable (Fallout 2 main plot, finding the G.E.C.K.).

So...nothing really original here.

I've been playing through Fallout 3 and New Vegas during the quarantine and I've remembered a few more ripoffs:

There's a radio broadcaster who regales the wasteland with updates on Littlepip's adventures and plays prewar music (Three Dog/Mr. New Vegas), Derpy Hooves is a ditzy merchant (Moira Brown) and had her vocal chords cut out and can't speak (Christine Royce), some alicorns have gone nuts like the nightkin in New Vegas, and in the ending Littlepip gets sealed in the same kind of stasis chamber with mental computer interface hookups that Mr. House was sealed in.
 
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To be fair there were a few things I did like about Project Horizons: Charity the Wasteland Capitalist giving a hell of a verbal beatdown to Velvet Remedy the liberal on the problems of giving away free resources in a blasted hellscape, and socialist policies in general*; The use of Tarot Cards as foreshadowing, the philosophical dillema of cybernetics and humanity, at what point do you stop being you, and just a robot? And the Dreamscape areas where the only way to escape them was to make the continuance impossible.
I do want others to use these ideas even if the story is a dumpsterfire.

*
“How are things?” I asked as I spotted Charity, Bottlecap, and Keeper amidst so many boxes it was hard to move through the post office.

“Could be better,” Charity muttered as she scowled at a clipboard. “We need to charge these Talons an extra ten percent for bullets. They got the caps to cover it, and I think some of those featherbrains are ‘overstocking’,” Charity said to a small purple unicorn filly, who saluted and ran off quickly through the stacks. Charity shuffled another clipboard to the front. “Make sure those Society assholes don’t try and stiff us more than five caps per pound of produce. They got it in spades and if things pan out, we’re not feeding people past two days,” she said to a red earth pony colt who followed the unicorn out.

“You’re charging people for ammunition and food?” Velvet Remedy said, aghast. “At a time like this?”

Charity didn’t look up from her boards. “Yep,” she said in a level tone that made me stand back and smile.

“So you’re making a profit off this crisis,” Velvet Remedy said in angry, accusatory tones. Charity didn’t answer, but I spotted the vein pulsing in the filly’s temple. “How could you? Those ponies are scared and helpless, and you’re charging them for what they need.”

Charity slapped the board down flat on the table. “Look! There’re fifteen hundred refugees out that way. I didn’t ask them to come here, but here they are. So we’re taking care of them. Do you know what happens when you say the word ‘free’ to somepony scared and helpless? They get stupid. They get greedy. They load up on as much as they can carry, nevermind most of it will spoil before they can eat it, and then they get killed by the equally stupid, greedy pony who figures out that there’s not going to be enough for them, so better kill them and take what they can. And since everypony who happens to be a merchant knows this, the ones that really are out for the profit will be sure to cash in on the one giving away shit.

“Oh, and in addition, most scavengers don’t work for free, and we need every bullet, gun, suit of barding, and chem we can get, so I need to bring in some caps to buy it. Otherwise my stock is gone, my caps are gone, and we’re all up shit creek. If well-off groups like Talons and heroes like yourself pay more, then I can subsidize the ones who can’t. Which I do,” Charity snapped, pointing a hoof at Velvet. “One hundred caps for wasting thirty seconds of my time.” She thrust a hoof at a large, half-filled jar of caps on the counter; the label read ‘Blackjack’s Stupid People’s Comments Fee’.

“What?!” Velvet stammered, waving her forehooves wildly at the jar. “That’s outrageous! You can’t…”

“Pay the filly, Velvet,” I advised.

“Why?” she asked, glaring at the little yellow earth pony.

“Because if you don’t, I’m pretty sure you’re not buying anything in the Hoof,” I answered. I didn’t know if Charity could actually swing that, and I really didn’t want Velvet to find out the hard way.

Velvet narrowed her gaze, but then opened her saddlebags after a few seconds. “You are a horrible, detestable pony,” she almost growled.

“Then you have no problem with me leveling a ten percent surcharge,” Charity countered. “Since I’m so horrible keeping everypony fed, armored, and armed to save their lives.” She pointed towards the door. “Now, if you’re not going to buy anything, there’s the door. I got way too much going on to deal with ponies who don’t have a clue about basic business.”

“Fine! We’d never, ever shop with you in the first–” Velvet began to say when Homage popped in.

“I really need something decent if we’re going to be in a fight. How are you lined up for energy weapons?” Homage asked.

“I’m also gonna need ammo fer Spitfire,” Calamity said.

Ditzy held out a grimy purchase order that had every line filled in.

I trotted up next to the speechless Velvet. “Come on. Let the evil necessity of capitalism commence.” I guided her outside.

“That… she… how could… I can’t… ugh!” Velvet Remedy stammered, glaring at me and then back to the post office stacked high with stuff. I gave a sympathetic nod as she turned and gestured at the hundreds of ponies camped around Chapel. “That filly is deplorable. I’m going to see if I can’t heal some injuries and raise some spirits with a few songs… for free!” she shouted back into the post office.

“Don’t care!” Charity called back, the filly sounding almost happy. “Have fun!”
 
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