Analog Horror/World Building general - A tranny boys club deciding what should and shouldn't scare zoomers + geek out about cool projects made by people with real talent

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I don't think you guys should lose hope in the concept of Analog horror/Web horror due to this drama, a low entry level is a double edged sword. Yes there will be a large amount of bad efforts and little cliques that try to ruin people, but it also means any talented autist can do it and never bother engaging with anything else. Kane Pixels, Alluvium, Vita Carnis, Chainmail Chasers, NOC 10, there's so many lone wolf creators who may just come out of nowhere and make fantastic stuff.

I usually find such projects from the Night Mind Index, because such people tend to post their series here since they don't have any connections or interest in making them.
 
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I've posted about the Interloper series in the Nexpo/Youtube Horror thread, so I might as well post it here.
The Interloper series is another one of those Gmod/Source horror ARGs, but it's pretty well made and the idea is original, with a supposedly lost forum giving instructions on how to use a console command to create Source demos, and those demos showing NPCs with signs of AI sentience and weird beings called the Umbrella Men hunting those AIs.
However, it got pretty convoluted very fast and, for me, lost a lot of its initial scary factor.
This video by TheWhat Show is a good explanation of everything so far, and a new entry on the series was posted just 4 days ago.
 
I had some people I knew who couldn't take a hint and understand I had no interest in the Mandela Catalogue and was singularly unimpressed by the series, yet kept trying to recommend it to me. It's like "creepypasta" or any other internet based horror media trend, people who barely comprehend the basic concept try to hop on the bandwagon and insist anything that doesn't agree with their ideas about what constitutes found footage or analog horror or short stories on the internet are "reactionaries" or "mean people" - a lot of the worst people involved, a lot of "analog horror" fans tend to present themselves as we're-just-some-nice-uWu-softboys-who-appreciate-some-hecking-horror-storyinos nicey-nice people who will viciously rip into and gossip about anyone who makes or is a fan of analog horror they don't like - the same old story as seen in other "fandoms", like the "animation IS cinema" people who only seem to want to watch and boost cartoons made for children. Not surprisingly a lot of these people are low-effort MtFs of the worst stripe. You have to ignore that stuff and just watch the good analog horror.
 
This video by TheWhat Show is a good explanation of everything so far, and a new entry on the series was posted just 4 days ago.
Oh my god, I'm sorry but this dude sounds like such a faggot. Editing and general presentation is good, but the script and his voice is so goddamn grating. It feels like he's trying to make a video explaining the lore of skibidi toilet to 12 year olds rather than talk about a 'creepy' ARG. That fucking gamersupps ad read at the start really really doesn't help.
 
Originally posted by @Blonrad Blurze
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Despite being exposed on having a shapeshifting fetish
So the Mandela Catalogue was the creator's thinly disguised fetish? Wow. I didn't have that on my bingo card.

Literally the only sane person among the heavy hitters. A VFX wunderkind that made a name for himself in the Backrooms/liminal space fandom and managed to snatch a deal with A24. The OV revolves around an urban explorer being hunted by a giant puppet in an abandoned real life mall. A good buddy of Wendigoon and otherwise a functional human being.
This is likely the reason why Kane Parsons is the only person in the OP that I genuinely respect. His work with liminal spaces is outstanding and I really do hope he lives up to his promise with his future work.

AI has made impressive leaps of quality and has started to truly justify the fear it instils in the hearts of artists with nothing special in their portfolios. Unsurprisingly, the analog horror community's official stance is anti-AI. You could make the best possible story and people still wouldn't give you a chance because 'it detracts from real art' or 'they probably used ChatGPT for the story too' which means greetingsfromatomville and 4.n0m4ly_ are seen in an unironically lesser stand than shit like Dog Nightmares or the DC analog series. The creator of Midwest Angelica got in trouble for using an AI for voice acting even though he gave the reasoning as to why he had to do it.

This is perhaps best connected to the suspension of disbelief. Most AH fans are willing to sit through it for the ideas rather than the execution. It doesn't matter that the obviously photoshopped elements are implied to be real or a character uses a tape as a personal diary as long as the story gives you something to work with. AI, rather than being seen as another path for immersion is seen as the natural enemy of the community even in cases in which you can tell the creator didn't use it because they couldn't get it rather than as a statement.
It is a bit ironic that a horror community such as this would have such problems with AI. Anyone who has seen AI image generation, especially when it was first starting out some years ago, knows that there is real horror potential in the audio, visuals that AI can produce.

Kvetching over AI being used for "voice acting" is retarded. I remember when that one guy who made that Scooby Doo FNAF episode (in the style of old stop motion) caused a shit storm for using AI for the voice acting, despite his work being phenomenal (I couldn't even tell that it was done in blender). Of all the things that AI should be used for it, it really should be used for voice acting.

For audio design, visual design, story writing, I feel that AI should be used as an auxiliary or inspirational tool, but not a crutch. The way I see it, if you're doing this sort of thing for fun, which you should, practicing and getting better at these three things is a principal part of the enjoyment. Sure you could AI generate these things, like you could cheat level ups in a game, but then that'll make you wonder why you ever bothered playing. Voice acting is different though. You could write the lines, hell even deliver them, but to get the right sound, the right voice, AI is an enormously useful. One thing I learned doing Joshcore is that it's very easy to talk like a person but very difficult to sound like them, and what AI allows you to do is to speak in another's voice. Furthermore, I don't feel that it bypasses the pleasure of the practice in nearly the same way as anti-AI proponents would suggest.

The overall culture around AI use is retarded. If you're here to make art, yes, there can be some dishonor to resorting to AI unless you have some express purpose for it. But people are not usually on the Internet to make art. In fact that's very unusual. At least where I'm around. What is typically made is made for casual pleasure. It is no more an inspection or meditation than a witty remark. The feel of the artist is neither expected or desired. Who then cares if its AI? Nobody really does. For example: Look at shitposts. Look at those suno AI generated songs Kino Casino plays in their cold open, like "The Ballad of JF". We're living in the golden age of shitposting now because of AI. All the AI does is that it allows an elaborate shitpost to be made in a punctual time.

To me, art is a deeply personal endeavor. It's when you sit down and really delve into a concept, a philosophy, a sense or aesthetic and elaborate that into a work. I can say some Analog Horror, particularly Kane Parsons' work, is art in how it delves into the dreaminess of liminal space and the horror there within. But a lot of Analog Horror is schlock. It's a laugh, or rather a scare, not art. Artists must be very careful to (1) not wander up their ass and (2) check themselves asking: Am I doing a job, or am I doing art? Am I making a meme, or am I making art? Art is not something you accidentally do. It's like confession. You have to sit and reflect.

I thought the most famous horror story in Steven Universe was the fusing controversy. "Ooooh I'm gonna fuuuuuuusee!!!"
Or maybe it was the real life cross over in Lovecraft Country:
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UrbanSPOOK
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Perhaps the biggest pariah of the analog horror community. UrbanSPOOK's The Painter revolves around the hunt for two serial killers that leave paintings of their victims on the scene. The series from its very inception was celebrated by some for being viscerally raw and 'more grounded' than other analogs as it doesn't feature any explicitly supernatural elements. Spook is now deemed to be a talent-less edgelord by people who can't draw, as he had the brilliant idea of including sexual assault in his project. UrbanSPOOK Derangement Syndrome has manifested in a year long hateboner for the guy, with many smaller channels jumping to try and get some notoriety by beating the dead horse. To this day searching for Spook's channel will show you hit-pieces before anything he made. People as late as this week are still making videos about this.

Safe-edgy
The scary vs. disturbing debate kickstarted a debate of sorts if the analog horror community even likes horror as seemingly some ideas are considered out of bounds. Mass murder, abuse of the mentally disabled, conspiracy theories about big government and the subversion of childhood icons are completely fine as long as 'real life' horrors like sexual violence are out of the wholesome chungus analog horror. Genres such as splatterpunk and horror manga are now being gate-kept by zoomer tastemakers who will decide if something is good based on if the suffering shown is 'deserved', the perpetrator is 'in power' or some other similar made-up criteria. Horror can't be horrifying for the gratuity of bad things, for these people every horror has to have a very specific purpose that connects to the greater story or otherwise is just 'shock value'. Every force for evil either has a clearly set up goal or the goal is part of the mystery box.

Mystery box is a thriller subgenre known for world building through clue dropping. Many of its biggest representatives (Cloverfield, Lost, DARK) were released throughout the 2010s. Most of the AH and related communities happens to be into mystery solving either through these shows or shows that were influenced by the mystery box such as most of the Disney TV and Cartoon Network line-up for the last decade. This last example is probably worth a closer look as the reigning aesthetic for the last 15 years has been cutesy looking shows with dark stories and imagery.
Seeing UrbanSPOOK still getting shit from that drama that happened about 8 months ago. Makes me think should we have a UrbanSPOOK Derangement Syndrome, Lolcow thread? 🤔
 
r/analoghorror is a good source of autism but it may give you the zoomer tumor
here's a selection of the fine material posted there


a lot of analog horror series are made by children and autistic people, like how the internet had an influx of shitty Jeff the Killer and Sonic.exe clones when YouTubers started covering them
 
More shameless reposting of UDS from the YouTube thread.
Time for another urban spook milking

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Here is someone's thoughts on this. I'm going to wait a bit for more replies of this.
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???
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Why is the Analog Horror Community full of retards?
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Oh yeah I want to mention that there is a fag who is creating these Urban Accounts to I believe harass UrbanSPOOK. UrbanSPOOK blocks him and I think he created a new Urban Account just to see his posts.
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a lot of analog horror series are made by children and autistic people, like how the internet had an influx of shitty Jeff the Killer and Sonic.exe clones when YouTubers started covering them
You don't say lmao. When I was first watching the Mandela Catalogue and that intruder guy came on the screen and started smiling, I could not stop laughing in a fit going "amogus amogus amogus". It would've been funnier if that's how they got you. They do the sussy baka face and you George Floyd from laughing too much. Honestly, Alex Kister has no excuse not seeing that his scary face was a literal meme. He's a zoomer, this should be their shit. My stuff was "Test Screen Sonic", "Halo 2 Ghosts" and "Slenderman". I'm ancient and even I caught this shit lol.
 
When I was first watching the Mandela Catalogue and that intruder guy came on the screen and started smiling, I could not stop laughing in a fit going "amogus amogus amogus".
you might need a CAT scan
 
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