#Comicsgate - The Culture Wars Hit The Funny Books!

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It's a measure of how much money was raised by each creator individually over the month of September, not their entire campaigns.
I'll add a "Total Funds raised" column for clarity's sake.
 
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Liam Grey has now apologized this morning to Elasi Affairs based on the urgings of his wife. His wife apparently watched that 10 hour video from her hospital bed.


Starting at 31:49
Everyone needs a hero.

Edit... inserting a Mr. Yonofui variant cover
 

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I've been taking an extended break from Comicsgate due to it being rather monotonous and boring lately, especially when there are far more interesting topics dominating the site, something I think other users unconsciously agree with given the lack of activity in this thread. I've noticed even Mister Dongs has been notably absent with his reporting lately, I assume he finds himself in the same quagmire I do.

I've been preoccupied lately, but even if I wasn't there isn't a lot going on that a fellow Kiwi user would consider very interesting. Innovation and change (and content) are inherently born of conflict and there's been very little of that going on lately in Comicsgate. I'll try:


Is this a new all-time low for comicsgate?
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EDIT: Based on deleted tweets there's a chance her boyfriend dumped her over this incident. Can't say I blame him if true. Imagine going homeless so some random schmuck in a mask can satisfy his piss fetish. Nice friends you've got there Frog.
Haha, remember Heather Antos and those "milkshake girls"? Me neither.
When is Witten or pisspot girl going to draw a cover for Dynamite? And will @FROG promote it on his show?
Other than the urination incident, this was just another JACK show - nothing of note happened.











In other news, Jon "Build Your Platform" Malin ended his campaign for Godlike in much the same manner in which he opened it: by going on ComicArtistPro Secrets so Frog can promote his campaign for him. What happened? Did Jon Malin launch a Godlike campaign on Kickstarter so now he can't promote it on his own platform? This was a tour of force of all the "inner circle" pulling out all the stops for the Man of Oar.


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Anna did her part to contribute by cosplaying as Rogue from the X-Men.




Jon Malin got into things by cosplaying as a heroin addict from Trainspotting, really getting into character with his haunted thousand-mile stare into nothing through his sunken in, black ringed eyes.

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Billy Tucci, Aaron Lopresti, Andy Smith and Graham Nolan also attended this grand closing by infusing some much needed "old" to the proceedings.
Also there was Cecil, Gabe Eltraeb, Art Thibert, Cecil, Dan Fraga, Shane Davis and a @Kelsey who wanted to made sure the audience knows he got a cool new HD camera by making sure every pore on his face is visible in fine detail.

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So what was discussed over the course of the following eight hours? Oh, many things. Much of it was Frog expressing puzzlement that many of his favorite pop stars and singers from the 1950s and 60s like Frankie Avalon are "really old now" for some reason. Billy Tucci especially sympathized on this point, he for one was flabbergasted when he learned that a lot of his faves like the Rolling Stones were getting up there in years. Better content from streams of years gone by was reminisced over, like when Frog called Lonestar gay when Mike was on stream. One of Shane's rambling, pointless unbroken sentences that went on for several minutes was efapped. A Newsweek article about a drunken Turkish man that went on a search party to find himself was read. Some more teasing of Shane Davis was had. This was followed by reading Bill Cosby's take on the R Kelly verdict (Malin staunchly standing with R Kelly). Also read was an article about a livestream by Raz0rfist advocating for public domain IPs, a youtube video of a guy wrestling a gator into a trash can, something about mummies, Fell co-creator and co-cancelled Ben Templesmith tweeting about passing out drunk in a bathroom, Flynt Flossy, a Perth Comics video and closing with an appearance by Magic Cop creator Phill Diaz giving a tour of some warehouse to show his favorite classic arcade machines.

And so, what is in all likelihood the top-selling comic in 2021 closes out.


In other news,

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Richard C. Meyer took a begrudging break from his onerous personal schedule of loitering in strip mall parking lots, dicking around in his yard and "finding peace with himself" to do the trivial chore, that much like a Jawbreakers script could probably be done in a single day by a teenager, of putting the dog tags that have been sitting in his house for half a year into mylar goodie bags and mail them to his secret fulfillment company. The 'Fulfillment Center" in New Jersey, that has been waiting on him to do this incredibly simple task for over a year since he won't pay them an exorbitant rate to do it, will begin fulfillment immediately. Allegedly. Meyer's been known to lie about the status of his crowdfunds in the past.


Finally, in outside comics news:

https://www.gamesradar.com/todd-mcfarlane-diamond-dc-marvel-idw/?utm_campaign=socialflow

Todd McFarlane thinks DC, Marvel, and IDW leaving Diamond might be shortsighted​


By Michael Loran, Don Pitts 28 September 2021
Comic book icon Todd McFarlane drops some f-bombs offering his take on DC, Marvel, and IDW leaving Diamond Comic Distributors



Image Comics president and comic book icon Todd McFarlane has spoken out about the break-up of the dominant Diamond Comic Distributors era in the comic book Direct Market - the network of retail comic book shops that make up the bulk of comic book periodical sales.

DC left Diamond in 2020 for a new national distributor it helped establish called Lunar, followed by Marvel Comics and then IDW publishing both for exclusive deals with Penguin Random House Publisher Services this year.

DC and Marvel's split with Diamond after 25 and 24 years, respectively, were both shocks to the longstanding system of comic book distribution in North America.

Image Comics, which McFarlane co-founded and is home of his publishing imprint, remains exclusively aligned with Diamond - both for comic book shop and booktrade distribution - and has publicly expressed loyalty to the company.

"I think it's pretty much what makes the world go round and that's people think they can make more money doing it another way," McFarlane tells Newsarama in a wide-ranging new interview, asked about the surprising exit of three major publishers.

"I wish the world we live in is based on loyalty, but I can't say that. So if somebody says to you, 'well if you do it this way we can save 4%,' that's 4% off a huge amount of money. These are big companies and they just make economic decisions, good, bad, or indifferent."

But while reserved to their respective reasoning, McFarlane is not convinced the publishers made the right decision in the long run.

"...let me just say this," McFarlane continues, "every big company, every CEO who make these decisions, they're not fucking right all the time. They're big, powerful, and have success at certain times, but if people in big companies were so fucking smart then even PanAm would be around today. Just take a look at the Dow Jones from 1965 and a third of those companies aren't even around anymore; they don't even exist on this planet.

"I'm sure people at that time thought they were so smart and made all the right decisions, but that's not always what happens. So I think they're doing what they think is smart for today, and history will show us what happens next."

Image Comics Founder and Spawn creator Todd MacFarlane took to Newsarama (once part of the 'new wave' of online content mills that replaced print comic journalism, now bought out by and a subsidiary of generic game news site GamesRadar) to complain about the impeding collapse of the former Diamond Distribution that has, until now, held a monopoly the distribution of Western comics from printers to local comic shops since late 80s. That state of affairs has effectively ended now that Marvel, DC and IDW (Boom Studios and Avatar working with Barnes and Noble since a decade ago). That status quo for the previous three decades was certainly good to Todd and its end has left him upset and unsure about where the future for comics will lead. So far though the only mention of Todd in Comicsgate I heard lately was last week, when Jon Malin vividly called MacFarlane "a coward piece of shit" for "bending the knee to SJWs" for declaring that his creation Spawn must have a black writer to correctly represent the black experience, and nothing about Diamond or the direct market.
 
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"on Malin vividly called MacFarlane "a coward piece of shit" for "bending the knee to SJWs" for declaring that his creation Spawn must have a black writer to correctly represent the black experience, and nothing about Diamond or the direct market."

Does Malin know that his daddy keeps a picture of Todd "Fonzerelli" McFarlane in his spank bank? Careful what you say about Zach or Todd, Jon.
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Grab an oar fucko's.

Good stuff.
 
I agree, but you get an I for all the leg work.

Man, Thomas comes off as a butt hurt faggot. This just sounds like, 'wah! Why don't you talk/buy my webcomics?" Because they aren't very good? Add to that using Manga and implying that Superheroes are declining because of Manga. :lit:

Then bringing up One Punch Man. What an idiot.
See, I actually don't know what you're talking about because I simply CAN'T make it through a full Roiloup stream without my eyes glazing over and rolling into the back of my head. Mea Culpa.

If he's saying manga is outselling American capeshit, he's not wrong, but I'm guessing based upon your response here that it's significantly more autistic than just that.

A lot of manga and anime have people with superpowers. They've even created their own subgenres like mahou shoujo (lit. magical girls). Basically, high school girls who have the ability to transform into costumed superheroines and fight evil, or crime, or some shit. Kamen America is basically a mashup of mahou shoujo, tokusatsu (i.e. Kamen Rider), and American comics. You've got something of a circle jerk going on there (albeit a fun one).

You know what they call the programming block that Kamen Rider airs on? スーパーヒーロータイム --> Sūpā Hīrō Taimu --> Super Hero Time.

I don't attribute the success of manga to it's lack of superheros. That's fucking retarded. They have plenty. Japan was under U.S. military occupation from 1945 to 1952, and their media was profoundly and irrevocably influenced by (among other things) "Golden Age" comics. You see the DNA even today. Indeed, there's actually a little bit of Wonder Woman (1941) in every Sailor Moon.

What's killing American comics is SJW faggotry, and shit like that...
 
"on Malin vividly called MacFarlane "a coward piece of shit" for "bending the knee to SJWs" for declaring that his creation Spawn must have a black writer to correctly represent the black experience, and nothing about Diamond or the direct market."

Does Malin know that his daddy keeps a picture of Todd "Fonzerelli" McFarlane in his spank bank? Careful what you say about Zach or Todd, Jon.

Jon Malin worked for Image Comics under a utopian belief that it was a publisher that stood up for creators and carries with him deep, undying bitterness and resentment about it that only the genuinely betrayed and disillusioned true believer has. Frog never worked for Image Comics himself and has his own, special disillusionment with working in mainstream comics.


If Malin calling Lispy Todd a coward piece of shit is a point of concern, then this opus of him blasting everyone on the Image Comics executive board one by one with deeply personal insults for an hour and a half is uh, a point for concern. One of his best streams; thoroughly recommend if you have to watch one of his shows.

So people may not understand how Image works, so there's uh the publisher of Image Comics. I worked there. I used to work with Eric, uh I worked there when Jim Lee was or, I'm sorry, Jim Valentino was the publisher. He was a good man, he brought in good books, he did a really fantastic job. Eric Stephenson, Erik Larsen in my opinion, along with probably Robert Kirkman worked to oust uh Jim Valentino and put Erik Larson in temporarily to where the reigns could then be handed off to this fucking halfwit Eric Stephenson. Eric Stephenson is a trend chaser. He always wanted to be the fucking, I don't know, sixth fucking Beatle?

He's a fucking worthless, useless piece of shit. No one even knew what the fuck he did there, uh when he was the I think he's the marketing director? So yeah, I think he'd go out and smoke cigarettes with Jim every now and then and that was about it. But everyone knew he's a worm. Everyone knew he's a little snake in the fucking grass. Eric Stephenson just, you can't trust Eric Stephenson and he is just, is such a fucking little phony little wannabe hipster. So when uh they ousted Jim Valentino they eventually relocated the offices up to San Francisco, Oakland area because it was trendy. Then when that shine wore off, Eric wanted to relocate to fucking Portland apparently, Oregon because that was the new trendy spot to be. So he can up Image as a publisher in his suitcase apparently when he wants and use it, just move it along with him wherever he wants to live. He can move the publishing offices, meanwhile upending other people's lives who work in the offices, that may not be able to go from Orange County, California to San Francisco, or from San Francisco to Portland, Oregon. So you know there- there are lives that are being, you know, impacted every time this company makes a move. Because of Eric Stephenson, the great Eric Stephenson, who's really contributed barely anything to this company as publisher in what is now, I don't know, 15 years?

...

This is in 2021, I that is what's so crazy guys I didn't live- I didn't spend 20 years in this industry so I didn't have this bubble. I was out working blue-collar jobs and dealing with real people all the time. Different races, different backgrounds. This is where I came from. And when I got into comics, when I finally thought "I did it hey", and I realized what was going on in here, this insane clique culture of political correctness. I mean, it's just mind-blowing what is now considered normal, that this bubble must have gotten so small now. That what Warren Ellis did to these puritans, these saints and and examples of all men and women and children. Like Mags Visaggio, Scott Snyder uh you know who else is out there that's condemned people. Condemn these people well I guess we'll probably find out, because they'll probably be in the Bleeding Cool article. These saints among us, these perfect human beings, flawless in every way that now expect people to bow down and suck their dicks or whatever they have for genitals.
 
If Malin calling Lispy Todd a coward piece of shit is a point of concern, then this opus of him blasting everyone on the Image Comics executive board one by one with deeply personal insults for an hour and a half is uh, a point for concern.
Nah, the rotund frog only has eyes for The Fonz. He couldn't give a fuck about "the board".

I'm sure Malin got an earful or maybe not. Who cares?

It was a joke.

There's a reward if you find the locket with these pictures inside. Please send it COD to the New Jersey PO box from the unboxing videos. The sentimental value is off the charts.

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"on Malin vividly called MacFarlane "a coward piece of shit" for "bending the knee to SJWs" for declaring that his creation Spawn must have a black writer to correctly represent the black experience, and nothing about Diamond or the direct market."

Does Malin know that his daddy keeps a picture of Todd "Fonzerelli" McFarlane in his spank bank? Careful what you say about Zach or Todd, Jon.
View attachment 2590997View attachment 2591010

Grab an oar fucko's.

Good stuff.

McFarlane and Ethan couldn't have had two more opposite careers.

* Todd produced half of his woefully limited work from his thirty plus year career in a six year period in the eighties churning out comics and meeting monthly deadlines. Ethan's never been able to do monthly work.

* Todd has never stopped crying for going on thirty years that Marvel did him dirty. He loves to tell how Marvel didn't even give him a watch. :\ For the record, Todd 'co-created' one successful character for Marvel. He wasn't even exclusively at Marvel, he was always open about being a merc. Ethan, conversely spent most of his time exclusively at DC, created dozens of successful characters, and was extremely loyal.

* Even despite Lispy trashing them at every chance, Marvel has still tried to open doors to him. DC would sooner shoot its own arm off than work with Frog.

See, I actually don't know what you're talking about because I simply CAN'T make it through a full Roiloup stream without my eyes glazing over and rolling into the back of my head. Mea Culpa.

If he's saying manga is outselling American capeshit, he's not wrong, but I'm guessing based upon your response here that it's significantly more autistic than just that.

A lot of manga and anime have people with superpowers. They've even created their own subgenres like mahou shoujo (lit. magical girls). Basically, high school girls who have the ability to transform into costumed superheroines and fight evil, or crime, or some shit. Kamen America is basically a mashup of mahou shoujo, tokusatsu (i.e. Kamen Rider), and American comics. You've got something of a circle jerk going on there (albeit a fun one).

You know what they call the programming block that Kamen Rider airs on? スーパーヒーロータイム --> Sūpā Hīrō Taimu --> Super Hero Time.

I don't attribute the success of manga to it's lack of superheros. That's fucking retarded. They have plenty. Japan was under U.S. military occupation from 1945 to 1952, and their media was profoundly and irrevocably influenced by (among other things) "Golden Age" comics. You see the DNA even today. Indeed, there's actually a little bit of Wonder Woman (1941) in every Sailor Moon.

What's killing American comics is SJW faggotry, and shit like that...

Yeah. It's just another edgy try hard latching on to actually successful people to own his twitter enemy. Which is repulsive because Japanese have been thru enough living next to China. They don't deserve Roilup.

Jon Malin worked for Image Comics under a utopian belief that it was a publisher that stood up for creators and carries with him deep, undying bitterness and resentment about it that only the genuinely betrayed and disillusioned true believer has. Frog never worked for Image Comics himself and has his own, special disillusionment with working in mainstream comics.


If Malin calling Lispy Todd a coward piece of shit is a point of concern, then this opus of him blasting everyone on the Image Comics executive board one by one with deeply personal insults for an hour and a half is uh, a point for concern. One of his best streams; thoroughly recommend if you have to watch one of his shows.

I guess. I always assumed that no one was gullible to buy that BS Image peddled in the 90s.
 
Good luck telling these cunts apart.
 

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If Malin calling Lispy Todd a coward piece of shit is a point of concern, then this opus of him blasting everyone on the Image Comics executive board one by one with deeply personal insults for an hour and a half is uh, a point for concern. One of his best streams; thoroughly recommend if you have to watch one of his shows.
I'll check it out. I always thought McFarlane was a bit of a nutter, and I'd like to know Malin better.

I remember in the late 90s, I was kicking around one the the rec.arts.anime newsgroups, and there was a news item that dropped where McFarlane claimed his Spawn Animated Series* was going to be better than anime because (and I swear these were his exact words) "Spawn has balls."

Even at the time, when anime was still semi-underground, I was like "Yeah... okay Todd."

I wonder what Todd is up to these days.... Oh, he's got My Hero Academia, Tokyo Ghoul, and Attack on Titan figures in his shop. Nice! Well, I guess Todd ain't completely stupid. :smug:

*TBF, it wasn't horrible. I think they used much of the creative staff from Batman: The Animated Series, and many people (including me) have very fond memories of watching that as kids.
 
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Anybody keeping track of Dirtworm? He's running an NFT store, from the looks of it he's made around $300K in the past couple weeks selling JPEGs. How does this guy keep failing upward? https://opensea.io/collection/neverhood-eternal-klay
Watching trends and jumping on them while they're hot isn't exactly rocket science.

I think NFT's are stupid and I don't think anyone should buy them. On the other hand. I'm not up 300K over the last few months.
 
Anybody keeping track of Dirtworm? He's running an NFT store, from the looks of it he's made around $300K in the past couple weeks selling JPEGs. How does this guy keep failing upward? https://opensea.io/collection/neverhood-eternal-klay

That Neverhood stuff has always had its own unique following going back decades. A rather "arty" following that are the perfect target for NFTs right now. NFTs are stupid, but there is alot of money to be made off selling them right now.
But its more Doug monetizing his past rather than falling upward.
 
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