Oh
god it was off by
miles
I am scrolling and scrolling and scrolling through
here, which only lists currently funding or funded campaigns, no failures. and at my current estimate, going from “
Sensational G-Girl #7” on December 28th all the way back to “
Fist of Justice: Monkey Business” on January 1st about 180 or so pages later, there’s got to be like
2300 in the single year of 2021, all funded or funding.
Now that
is annoying. After going through the full 160MB csv files allegedly containing every crowdfund created, "Fist of Justice" couldn't be found. So at some point I'll just have to make my own scraper if I want to use kickstarter data. It may not be worth the trouble.
The problem here is obvious: Eric is not a Comic Pro, he is a YouTube Pro. By naming this whole thing "Rippaverse" it will have no life outside of being a mild offering for fans of his channel. If he is dead serious about breaking through and if he really has something unique to say, he will ignore the early failures and press on. Every pro has to work through initial rejections and failures, but let's not pretend that if this is going to be a success it's for any reason other than being an extension of the YoungRippa/SciverfrogJr brand
It may be good, it may be bad; the end quality of the work will largely depend on the quality of the artists and editors Eric July has gathered. But since he's not talking about that in this tour among comics people, the entirety of the book's hype, and therefore its financial success or failure, will be carried completely by his personal brand. It's a stronger brand right now than anything else involved with Comicsgate so I don't doubt it will succeed, but whether it will appeal to people outside of his personal following and draw in general comic customers remains to be seen.
Having control over one's sales platform makes sense as a libertarian, removing as many points of failure as possible like having the book done already makes sense as a businessman. What doesn't really make sense to me is having gatekeepers to keep the "narcissists and bad actors" out, as if those aren't exactly the sort of people attracted to such a position in the first place. Especially while espousing a political philosophy expressly opposed to all forms of hierarchy. On the plus side, Sketch Therapy (naturally an avowed anarcho-capitalist himself) has pledged himself as the human cudgel for the Rippaverse fandom so at least there's a silver lining here.
In recent news
Richard C. Meyer put out this touching love letter to Tim Lim and Mark Pellegrini's
Kamen America franchise, starry-eyed at their ability to raise 96,000 in a single day, a feat that once upon a time Meyer himself was able to do. More interesting is the mental contortions Simple Zack gets into to explain the phenomenon of
Kamen America fans actively promoting and selling the comic, something second nature to comic fans since Stan Lee and Roy Thomas were stoking fan enthusiasm off of letter columns and mailing lists in the early 1960s. Zack, unable to reconcile his personal theories regarding the industry (that deny the existence of fandoms in favor of 'customers') with ubiquitous proven practices within comics for six decades, decides to coin the neologism
crowdselling; prognosticating to whoever still listens to him that 'crowdfunding is turning into crowdselling', When will customers start
crowdselling hit characters like that Pandemic girl or one of the shitty 499 doodle blobs the way that they do Carly Vickers remains an open question though. Continuuing the Jawbreakers franchise doesn't seem to interest him, much to Frog's chagrin, and we all know how the attempt to base his work off of "customer service" went.
In other news, what at first promised to be an unremarkable Flashcast, with host
Yellowflash discussing the du jour anti-SJW fare of the week (the G4 fiasco involving woke hostess Frosk) with luminaries like Anna TSWG and video editor for the Quartering "LoftiPixels", took an unexpected turn when Frog disavowed TheQuartering's having Frosk on for a prerecorded interview. This, argued Frog, was watching
the Zack Snyder incident repeat itself once again and that in the face of a chud denouncing Jeremy Hambley will just cuckishly stare at the floor like so much Jeremy from Geeks and Gamers and then play victim later. Frog will take the higher road and not subject his fans to such treatment. However, this did not go without notice, with Jeremy in the chat going so far as to say Yellowflash's chat is exactly what the G4 woman accuses gamers of being:
Undeterred, Frog predicted that the mentally unwell lesbian gaming show host "
is going to annihilate the Quartering and we get to learn the same lesson again", not showing a lot of confidence for his anti-woke brother in arms. Yellowflash, thoroughly intoxicated, belligerently called upon Jeremy to come on his stream and defend his plaforming of the G4 woman, levelling charges that Hambley was a mere carpetbagger in the culture war, peppered with taunts of him being a "pussy-ass bitch". Quartering however appeared content to issue his replies from the chat as well as Twitter (
now erased) that Yellowflash was just jealous that his invitation extended to Frosk was rebuffed. "Sensing that Jeremy would be too scared to come on" if he was there, Frog then offered to leave the stream.
Five minutes or so after Frog left, Jeremy, also extremely drunk, sloshed onto the stream to do battle with Yellowflash. Nobly defending himself by calling Yellowflash a pussy ass bitch in turn, this dialectic between the two culture warriors was cut short when, after calling Frog a pussy ass bitch as well and vowing to destroy him in his own livestream, Frog returned to the channel, cutting the confrontation short as Jeremy said he's not afraid of Frog and if he'd be so kind as to leave him with Yellowflash, because he'll be around to fuck him up... later and left. For those interested in a more long-form exploration of this meeting between two minds, Frog went on to patronize the channel of Jon del Arroz, one of the people
with the biggest axes to grind against the Quartering within Comicsgate ,
for an in-depth efap of the stream.