#Comicsgate - The Culture Wars Hit The Funny Books!

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And FWIW I consider my last post to have been more along the lines of criticism to push him to finally do the right thing, not trolling. Hell, I told him to get off of this thread and the Internet as a whole and go draw frogs. I don't want to see his posts in this thread anymore until he's caught up on his books, and I mean that sincerely. And I don't think I'm alone.
I'm somewhat sympathetic to the idea that an artist simply cannot produce quality art if they're not feeling inspired, and unfortunately those waves of inspiration don't always line up with the time we've allotted to work. I'm also not concerned with the amount of time Frog spends in this thread, as his posts are usually a sentence or two if that. He's not sitting here for 20 minutes writing big dissertations like I'm about to do. I'd suggest the real solution going forward would be for Frog to take an honest assessment of his ability to produce art, given his current lifestyle, and try to time-budget these projects more accurately. I think it's the lateness on top of the exceedingly long promotional period that compounds the "dwell time" of a project and really speeds up the embittering of backers. This could be easily resolved by refraining from announcing or even mentioning projects until they're well-underway, but there's this odd mentality within CG that partaking in anything other than a blind jump off a cliff into the arms of backers is somehow sanctimonious to the crowdfunding process.
I presume he won't have this issue with Reignbow the Brute as it uses a much simpler art style, but that project is already somewhat afflicted by the aforementioned dwell-time just because it was announced so long ago. I hate to just shit on a project that hasn't even seen the light of day, but in the time since RTB was announced, every joke about the feminizing of boys properties has already been told, every argument has been had, and it's been revealed that 95% of this is the result of tainted capitalism (ESG) rather than some grassroots ideological surge as was initially assumed. Almost every part of that idea has been displaced, re-contextualized or rendered obsolete in the time it's been floating around, yet here it comes, blundering into 2022 with the style and relevance of Steve Buscemi on a skateboard. This wouldn't be an issue if the book had come out one, maybe two years after it was announced, not five.
After that he's back to Cyberfrog, a project I'm much more fond of, but also one that is much slower to produce. Hopefully he'll have improved his time-allocation and self-estimation skills by then.
 
OUCH.......

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Edit.... newest Cyberfrog SOLD listing

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whats your view on GRADED BOOKS?
do you own any?
would you ever grade any of your own off your runs to cherry pick a 9.9 or 10 just to have for yourself?
@FROG
They're not for me, because I want to read the comics I buy and collect. That Harris Comics CYBERFROG #1 has a print run of 80,000 copies, and it's worth about $5 raw. Obviously lots of people like those slabbed comics and will pay a premium for them.
 
POULTER LAWSUIT UPDATE

For those who don't regularly follow the lawsuit thread:

1. As we approach the one year anniversary of this lolsuit, Vikki has finally filed something. She filed a Rule 60 motion to set aside the default judgement. The arguments are that she wasn't properly served, and Preston exceeded the deadline to serve her. You can read about that here. Preston has to reply by May 12th. Vikki may submit a surreply by May 27th. Which suggests this shit isn't going to get sorted until probably June at the earliest. @FROG's lawyers opine that her motion should work in clearing the default.​

2. As several people suspected, she does not live in California, but rather North Carolina. Because she basically had to "self dox" in order to file this motion, it has come to light that she has lived above a non-profit thrift shop in Wallace, NC since 2019. Speculation is that because she has no paid employment, she lives there in exchange for unpaid work running said shop (the organization that owns the shop is her landlord and submitted a statement to that effect). What's interesting is Preston apparently HAD this address, as it was the one she used to back one of his books a couple of years back. Because he had knowledge of this (and Vikki provides proof), Preston may have attempted to commit fraud upon the court by having some rando served in California in order to obtain a default judgement.​
This has been your Preston lawsuit update.
 
POULTER LAWSUIT UPDATE

For those who don't regularly follow the lawsuit thread:

1. As we approach the one year anniversary of this lolsuit, Vikki has finally filed something. She filed a Rule 60 motion to set aside the default judgement. The arguments are that she wasn't properly served, and Preston exceeded the deadline to serve her. You can read about that here. Preston has to reply by May 12th. Vikki may submit a surreply by May 27th. Which suggests this shit isn't going to get sorted until probably June at the earliest. @FROG's lawyers opine that her motion should work in clearing the default.​

2. As several people suspected, she does not live in California, but rather North Carolina. Because she basically had to "self dox" in order to file this motion, it has come to light that she has lived above a non-profit thrift shop in Wallace, NC since 2019. Speculation is that because she has no paid employment, she lives there in exchange for unpaid work running said shop (the organization that owns the shop is her landlord and submitted a statement to that effect). What's interesting is Preston apparently HAD this address, as it was the one she used to back one of his books a couple of years back. Because he had knowledge of this (and Vikki provides proof), Preston may have attempted to commit fraud upon the court by having some rando served in California in order to obtain a default judgement.​
This has been your Preston lawsuit update.
Vikki is waaaaaaaay smarter than anyone gave her credit for. 4D chess with that delayed response, Vickers. I see you.

Meanwhile, if anyone is interested in the ComicsGate Trademark case, also me vs. Poulter, here's our first discovery request filing.
 

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Vikki is waaaaaaaay smarter than anyone gave her credit for. 4D chess with that delayed response, Vickers. I see you.

Meanwhile, if anyone is interested in the ComicsGate Trademark case, also me vs. Poulter, here's our first discovery request filing.
What is the deal with you being so interested in that AZ Quote and twice ask for proof that he has a license to use it?
I mean, you do not own that IP, do you?
Is this just something you put there to fuck with this retard, point out what a retarded hypocrite he is and maybe hopefully he gets triggered and starts sperging like a turboautist?

I mean maybe you can't disclose that part of your legal attack plan, but if you get him to sperg out, Bravo Sir! We always enjoy watching autists sperg out here on this site.
 
What is the deal with you being so interested in that AZ Quote and twice ask for proof that he has a license to use it?
I mean, you do not own that IP, do you?
Is this just something you put there to fuck with this retard, point out what a retarded hypocrite he is and maybe hopefully he gets triggered and starts sperging like a turboautist?

I mean maybe you can't disclose that part of your legal attack plan, but if you get him to sperg out, Bravo Sir! We always enjoy watching autists sperg out here on this site.
You can probably draw some conclusions about what's being said to the USPTO about Poulter if you read the admissions in order. I can't comment about it just yet.
 
Vikki is waaaaaaaay smarter than anyone gave her credit for. 4D chess with that delayed response, Vickers. I see you.

Meanwhile, if anyone is interested in the ComicsGate Trademark case, also me vs. Poulter, here's our first discovery request filing.
It's a boring request for information on how he claims the gay copyright of a hate group. Should post this in LLC and please, as a screenshot instead of a Adobe file.
 
in other news, I was watching Comicsgate Kings for a little bit and it appears that Ethan and his inner circle have finally thrown JSG under the bus while they were E-Fapping his latest video about a new X Man mutant based on Jesus Christ. Apparently, JSG was going after Christians being offended over this character and that seemed to the tipping point for them. Ethan’s chat didn‘t like JSG at all because they think he’s a pedo and a grifter.
"Comicsgate Kings" always seems to be struggling to reach a kind of golden mean between the two excesses of either giving the oldtimers too much free form discussion where you get Billy Tucci and Aaron Lopresti sharing their favorite metamucil recipes, or Frog trying too hard to shoehorn these comic creators into the role of outrage peddling youtubers and you wind up with him trying to prod 72 year old Mike Baron into giving a shit that "funko pops are woke now" or whatever in futility.

However this week's show actually succeeded in hitting that sweet spot and engaging both audience and panelists, the focus on the anti-Christian sentiment of Marvel's X-Men and shitting on JSP definitely a step up from the "CG KINGS ARE COMING" stream of last week. I tend to measure the success of Frog's ensemble shows by how much carrying he has to do of everyone else; in this one he was even able to play the role of a real host as the panelists needed no prompting to take up the presented topic. Lopresti gained ~150 backers for his crowdfund by simply speaking passionately and coherently on behalf of Christian comic fans. Even if the comic industry pros give away how unfamiliar they are with comics they personally haven't made like the Hope Summers' sacrilegious "Mutant Messiah" status that has been a mainstay story driving the X-Men franchise for the past 15 years.





There was a crossover between Comicsgate and lolcow du jour @Flamenco on YellowFlash's Flashcast, the recently doxed peg porn and underage hentai enjoying former Killstream cohost joining to answer for himself to his fellow weebs. I dunno, maybe Yellowflash was trying to recapture the unforgettable performance on the Kino Casino? Whatever his goal was, guys like RagingGoldenEagle, LoftiPixels and Crow are the last people who are going to press anyone on masturbating to depictions of children so that was a wash at the onset, as Frog quickly vacated the stream without warning instead of entertaining a frank discussion on the material Flamenco pleasures himself to. Even Flam got upstaged when YellowFlash was sidetracked by going after former WC member TJ Dopeness who was heckling him from the chat.




The stream petering out Yellowflash moved on to making some video about how the Sonic 2 box office turnout "DESTROYS the Hollywood agenda" somehow while RagingGoldenEagle took the time to rally his weeb brethren around another case of woke censorship very dear to his heart - Steam removing the panty upshots of a low-poly 9 year old in Chrono Cross. Is there anything the SJWs don't consider sacred?

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Very cool RGE, very cool.





Finally, in the CG Slums



(an excellent watch)

Things began on Peter Simeti's show "Crowdfunding Presentation", where creators go on Pete's show to solicit his sober and serious analysis as the publisher and owner of Alterna Comics for 20+ years on how they could make their crowdfund campaigns more professional and successful, and Pete thinking this is entertaining content fit for public consumption for some reason.

However, the Elasi-esque format of "Indiegogo campaign page review" suddenly and without warning came into its own when Pops Van Zant of Madness Comics joined Pete's show looking for advice on how he can campaign in new fresh ways for the anthology Enter The CRoMniVerse: Anthology Vol #1 (sitting at 38 total backers). Pete asks if there's one of the stories or art panels that Pops liked in particular - Pops answers that he has no idea what will be going in the comic and he doesn't want to know until the physical printed copy is in his hands. Peter Simeti expresses his confusion about why anyone would or indeed should give the time of day to the shilling of a campaign with zero description or preview of the contents by someone who has no idea of or control over what the comic will look like. Pops, who evidently believes this can be done by force of personality alone, reiterates that he has no idea what's going on the comic and is merely a fan, but also mentions that he is fielding concern from would-be customers and shouldering responsibility for problems that the creators of the comic are coming to him with. In short, Pete does not understand the madness brudder.

Pete Simeti reiterates that describing what's in the book with at least one page of interior art is considered the bare minimum for a crowdfunded comic, so that prospective backers would have at least some idea of what they would be receiving. Pops answers that the bare minimum requirements for the campaign will be put up on 4/20 brudder (dude weed lmao), to tease out and build excitement and hype for the campaign instead of just dumping it all at once. Simeti thinks Pops isn't understanding what he's saying here and elaborates that people's first impression of a business is crucial, that the first few days are what make or break a campaign and it's "absolutely imperative" that entrepreneurs put their best foot forward. If an Alterna creator, an increasingly direct Pete adds, came to him with a pitch like "Enter the CroMniVerse", he'd order them back to the drawing board until they came back with an actually completed proposal. Was there some sort of time limit when throwing this shit together, Simeti (more tactfully) asks?

"All part of the plan" assures Pops about this project that will in all likelihood not reach its funding goal, 4/20 will come and once preview art and a synopsis of the content start to be posted the campaign will surge. Peter Simeti expresses his exasperation over someone coming to him asking for advice and arguing with him when said advice is given and concludes the consultancy with "It sounds like I'm talking to the wrong person anyway since you don't have the ability to affect the changes that need to be done".




Now, for those of you mostly familiar with the CG Kings show and similar programs, I'm sure questions have come up along the lines of "why Frog hasn't teased a crowdfund for a Cyberfrog-themed mobility walker?" or "why don't CG campaigns take AARP points?" Valid questions to be sure, but it might surprise you to learn that a group of punk snotnosed Comicsgate kids ranging from ages 18 to 30 exist, and what's more gathered to laugh at and efap the old man Pops as he's unsubtly felted by Peter Simeti to his face without even realizing it.

Taking measure of the stream, there's a number of reasons given for the youths' ill-will towards their CG elder. For one, they don't like Pops' perceived attitude that these younger creators should be deferential to him despite his only accomplishment is being alive way, way longer than they have, accusations of backroom influence peddling by Pops, and according to "Lord Crackhead33 "subtle jabs made by Pops" towards the 19 year old Black Rose over the past few weeks. There's also a number of other unresolved grievances, like Pops' dogged attacking of anyone who questioned his pals Varian and Lola Grant of IndieVolt who in fact did defraud multiple small CG creators like themselves of tens of thousands of dollars over the course of a year. Another running joke is the matter of Pops allegedly punching his dog on a livestream one time for making too much noise and then laughing about it, which seems to have not endeared him to the community either.



Michael Oden of Hybrids points out that there's a $200 deluxe tier consisting of 4 paltry variant covers like Frog's "Executive Honeycomb" package despite if you purchase all the constitutent addons separately they come out to $160. Phoenix Animation takes it further and accuses Pops of running a con like his pal Varian Grant as well as Pops giving him COVID at a convention for good measure. Oasi of Veilwalkers relates that Pops' dismissive attitude is simply typical of the old people he encounters in his day job as a clerk for medicare services, "You can't tell them shit". Everyone laughed. Well, almost everyone.



One person who wasn't laughing was DarkGift Comics, aka Anthony Romano, artist and publisher of such classics like Hunting Alice and Lightbringer who fired up a "Comicsgate Neutral Ground" stream. As always with Grift, the more pissed off he is the more "neutral" he gets.

These kids sneering about how Pops launched a campaign with no details, no preview art and a mathematically incorrect tier pricing system, that Pete Simeti flat out said was not ready to to be launched, these complaints are way off base - it's actually DarkGift's campaign. Critics BTFO. To hear Grift tell the tale, he would have done things differently if it were up to him but the project was already underway and deadlines were set when the original campaign manager had to bow out on account of illness. The proverbial burning trash vehicle was already rolling down the tarmac when Grift got there and he merely hopped in the empty driver's seat offered to him. So really, both Grift and Pops are blameless here.

And when they trash the face of the campaign and its representative who they actively dislike, did they stop to consider the creators working for him? No. There's also some damage control regarding the dogbeating incident - Grift argues that Pops' dog was in heat at the time which called for extreme measures. Point being, if these people had legitimate concerns they could have gone to him but instead they're intent on heaping shit on Pops.

"Lord Crackhead", who inherited Leroi's show is brought on to answer for taking part in the Pops efapping and how after all the promotion and friendship DarkGift offered him, he was repaid
Caught off guard, Grift sheepishly admits he didn't watch the entire video and intended on responding to it in real time. His main point defused by simply by watching further along the stream, Grift makes small talk with Crackhead about various CGers who offer printing services instead. The stream then closes with JDA and Alazmat taking advantage of the open invite link to shill some stream snipe of MechaRandon42 on Alazmat's channel for half an hour.
 
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@Mister Dongs Does Pops have some kind of mental disability or severe brain damage? Seeing him on stream is surreal. The hat, the fingerless gloves, the voice, the hands moving around at Mach 2. He's like a bargain brand Jake the Snake Roberts. Amazing.
Those fucking gloves always get me. Talk about a "how do you do fellow kids" character. He dresses up like a Billy Idol groupy to have a "crom con" to show off people's campaigns and give people advice about their campaigns. Then when he finally has his own, he lays this giant turd of a campaign.

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Pops and this campaign are a prime example of some of the people in CG. No talent, no hard work done, thinking that he needs a campaign manager(actually 2 managers) for a campaign that can only get 38 backers and finally the whole "if you make a campaign, they will back it" attitude. Then when he ask for help and someone politely is trying to give him the advice of "your campaign is shit, here is how to salvage it" he say "nah, I'm gonna do it my way, rock on!" with devil horns and those fucking fingerless gloves(I haven't seen the video yet, but Pete is usually pretty good at doing this for others).
 
"How do I get more backers on this campaign?"

"Well, do you have any finished material to show off?"

"Loldunno"

:story:

This is great. It looks like Van Zant has the same kind of absolute, autistic faith in his shitty nothing character as a Cynthia Hanson or Derek Savage. Or a Richard Meyer. Look at how he giggles and cackles when he lays out the details of his fuckups before a baffled Peter. He knew what he was doing, he just expected the popularity of his anemic Mr. Gasser standin to effortlessly burst through all these barriers.
 
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