#Comicsgate - The Culture Wars Hit The Funny Books!

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I’ve never made a comic nor do I plan to but what is a good price to put for funding?

Having no experience in publishing, I want to say 5,000$ is reasonable. If you’re just writing, you’re paying an artist as well as possibly a colorist, and letterer on top of the cost of printing and shipping. Ben Henderson’s “Offworlder” flopped hard because he set his goal at 30,000, which was never going to happen with all the snafus in getting Ravage out the door, but at the same time setting your minimum too low could ultimately fuck you in the end when you don’t have enough money to even manufacture the book.
 
@Mister Dongs would you be so kind to cover the rest of the livestream where @FROG goes on to do revisionist history as well during the livestream after he comes back a second time? Your posts are one of the only few things I'm interested in reading up on now at this point, you kind of deserve a "Mister Dongs Appreciation Thread".

I'm getting tired of @TrunksFromDragonballGT autism shitting up the thread ever since he showed back up with retarded arguments and acting like he's been around to keep up with shit yet still demanding receipts.
 
@Mister Dongs would you be so kind to cover the rest of the livestream where @FROG goes on to do revisionist history as well during the livestream after he comes back a second time? Your posts are one of the only few things I'm interested in reading up on now at this point, you kind of deserve a "Mister Dongs Appreciation Thread".

I'm getting tired of @TrunksFromDragonballGT autism shitting up the thread ever since he showed back up with retarded arguments and acting like he's been around to keep up with shit yet still demanding receipts.

sounds like a personal problem. Don’t get mad just because I have a different opinion that is ruining your anti EVS circle jerk.

Having no experience in publishing, I want to say 5,000$ is reasonable. If you’re just writing, you’re paying an artist as well as possibly a colorist, and letterer on top of the cost of printing and shipping. Ben Henderson’s “Offworlder” flopped hard because he set his goal at 30,000, which was never going to happen with all the snafus in getting Ravage out the door, but at the same time setting your minimum too low could ultimately fuck you in the end when you don’t have enough money to even manufacture the book.


I’ve heard Sweetcast say that you start getting a profit at around the 30,000 mark and that‘s cuz he set the price of his books at 15 dollars in his first campaign. I think he said he had 5,000 dollars left over when it was all said and done. So he probably made more with Wrize and Fall because he bumped up the price to 25. So I’m guessing that you can’t just go gung ho with your campaign, but you have to plan it out step by step and find a way to keep your momentum going when the campaign starts to slow down in the middle stages so you can get that big spike dring the last couple of days.
 
@Mister Dongs would you be so kind to cover the rest of the livestream where @FROG goes on to do revisionist history as well during the livestream after he comes back a second time? Your posts are one of the only few things I'm interested in reading up on now at this point, you kind of deserve a "Mister Dongs Appreciation Thread".
I actually found it the least interesting part of the stream compared to shit like J-Money spending hours denying the existence of objective reality or reinoe teamkilling the rest of the anti-Doug squad for no reason other than being reinoe. During the last half-hour of the stream after J-Money was finally booted after ordering Frog to shut the fuck up, Mike asserts that he was vindicated after he incorrectly credits Oz for posting the additional Praetorian DM logs (actually hosted on @VIkkiVerse 's channel) confirm that the CGAnon account, used to conspire with renfamous and other anti-CG SJWs against opponents of Warcampaign, was shared by all of WC and not just Praetorian. Frog replies that he was not presented with that additional information at the time and that Edwin and Mike gave him no sources with which to cross-examine what evidence was provided pre-Fall of Rome. Frog has a point in that he cannot be held to blame for not retroactively acting on information that was revealed later.

But Frog also goes on to state that prior to Mike's presenting of claims, Warcampaign announced to him that they were putting Mike, presumably after some routing doxing of Smiller, was put on "financial investigation" over possibly not being able to fulfill Lonestar and that this gave justifiable suspicions on Frog's part. It should be pointed out that in the thirteen months since this "investigation" was announced not a single scrap of evidence backing this assertion has been presented to anyone while every conservative plug of Lonestar on social media was hounded by unsolicited, unfounded smears of Lonestar's funds being embezzled by Mike (later changed to "seized by the IRS") while Cridious and Andrew Huerta and their non-fulfilled campaigns somehow escaped detection from the Warcampaign Revenue Service. So although Frog rejected the truth for some extremely suspicious allegations, he would assert that it was one party's word against another's and he went with the one that piqued his suspicions less.

Nasser voices his boredom on this subject and doesn't actually care why Mike left CG a year ago while Micah Curtis joins to defend Frog and attack Nasser by smuckling and taunting both him and Mike on the fact he is physically larger than them and would likely come out on top in a physical altercation. That, as a matter of fact, he will not shut up and that no party in the room is strong enough to physically force Micah to shut up. Doug is ecstatic over getting to be on a stream with Micah. Mike continues to push the argument that Frog should have turned against Warcampaign then based on what he knows now because he's bad at arguing until Twitless has to start handing Mike while Frog goes after BeanFromPA who is in the chat.

Oz starts to wrap the stream up as Frog continues needling Mike in the chat, hoping to get these guests on at a future date, with Oz taking particular interest in having Mike and Nasser over at a future date.
 
In other news, Ro Kabir has announced Day of the Refund upon all who turned against Warcampaign. However Frog's sold-out "Executive Honeycomb box set" tier is snatched up every time a refund is requested so I'd wager this is having the opposite effect as intended.

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Smiller sent a full stack of his comics to Liam, no doubt in gratitude for all the entertainment he's given all of us.
Liam for his part is confused. Micah suspects some sort of sinister plot on Mike's end.

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In other news, Ro Kabir has announced Day of the Refund upon all who turned against Warcampaign.

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Smiller sent a full stack of his comics to Liam, no doubt in gratitude for all the entertainment he's given all of us.
Liam for his part is confused. Micah suspects some sort of sinister plot on Mike's end.

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That Liam stream is something else. This hobby is not filled with the brightest people the world has to offer. It's depressing.
 
Kyle Ritter's Starblades is 7 months late, another one breaking that 3 month deilvery indiegogo TOS
Nearly all Comicsgate projects are funded, but since the quota for the project is usually set at something like $500 to cheat the IGG algorithm and get prominent status for having a 4956% funding rate;

Indiegogo doesn't care. EVS could shill his ribbit coins as a silver age chromium cure-all if he wanted.

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Building an audience is the hardest part, depending on what you do and what personality you have. For a writer I think it's harder because we can't write on stream. I mean, I guess we can, but it would be boring. Can't write while entertaining the viewers, while most artists can draw and entertain.
Dude, I have read a sample of your first novel and seen some of your videos: you are making the mistakes most CGers do and you double down on them.
Your main strategy is do what @FROG does, only most of you never spent 25 years creating iconic Big Two characters. People watched EVS because he was EVS. The fact that he has a big, entertaining persona is a bonus - once he hit the Jackpot with TLJ he was off to the bank.
Cyberfrog Blood Honey could sell Plotholes numbers without The Fandom Menace.

Most CG people are nobodies. Furthermore, while most of them do comics and rely on EVS streams to pitch them. You have lost access to that.
Additionally, your CG/anti-CG audience probably does not read. I'd bet David Stewart (who is CG friendly I believe and has a good following) has the same problem.

Furthermore, I was curious and read a sample of your novel and, during the scene a boy is fed his own vomit by his abusive parents I was on the floor laughing. It came too early, was too weird and had nothing to do with your blurb. That put me off reading the rest of the book. The writing/editing was also sloppy and I hope you did not pay a fortune to your editors.

I would advise you to see what other indie horror authors do on youtube. I believe most of them do book reviews because
a) they read a lot
b) they want to approach readers.
There are some huge book channels out there. Daniel Greene is way over 100K subs doing fantasy books and tv shows. Jenna Morecci is also huge doing writing advice. See what they are doing and works for them. Look up smaller creators and see what works and what not. I believe top ten lists and ultra-popular books work for them.

And, honestly, you could do well with going to the local library, borrowing a lot of horror classics and read/study them to improve your craft. Read on story structure, on writing to market and try to network with other authors. And do book reviews for the books you read. Be honest, be consistent and see what works.
Hell, do a "I read the entire bibliography of Stephen King/Clive Barker/HP Lovecraft one book at a time" or "5 slasher tropes I hate"

If you have decided you are an indie author, CG is mostly dead weight to you. Focus on what you are selling
 
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Oz Arts - Live Without Liam #16

This stream began with a fairly miserable start as both guests and the ostensible host Liam Gray bailed on attending the stream, the latter on the grounds of beefing on twitter with Frog about Frog not getting people's hopes up with offers of friendship and support he has no intent of fulfilling, to which Frog met Liam by saying he sounds like a jilted woman and "soy". While that was going on, Oz filled out his stream by talking shit about Maganificent 7, which I joined in on, and interviewing random Comicsgaters "rocket simp", "Clownfish media" and "GeekChorus". Rocket Simp seemed fairly normal, Clownfish came across as having some sort of undiagnosed mental disorder and GeekChorus, Frog's personal lounge singer, was suffering of stage nerves being interviewed on a livestream. It was about the 1 hour 55m mark when Oz Art was preparing to wrap up the stream and call it a night when Doug TenNapel, figure of platonic evil to the Comicsgate faithful, crashes the open streamyard.

Doug explained his reasons for showing up - he is doing some inking and is bored - while GeekChorus was clearly unprepared to deal with a mythological figure like Doug in his midst and bails out quickly. Oz though is game as he starts to ask questions about Doug's irregular brushwork technique, leading TenNapel to go into a diatribe about how indulging in the pleasure of freehand inking on instinct is ultimately detracting from his end output due to the absence of plodding and painstaking technique in his art, giving a bit of insight to the constant struggle with sin in Doug's mind. Oz awkwardly compares it to sex versus masturbation, slyly inferring that all this humblebragging about "just imagine how much better this would all look if I really tried" is just Doug jerking himself off while he inks (true). A number of subjects are rattled through in quick order, like Doug's experiences in the animation industry, why he didn't get into sports and his early career before starting his career as an artist.

In the second half of the one on one interview with Doug, Oz digresses towards Doug's feelings of being a pariah to Comicsgate fans; Doug's answer is gossamer-thin veiled contempt regarding the complaints' validity and that "only criticisms based on truth" get to him. The chat gets gradually more restless at why Oz isn't screaming at Doug or not asking more pertinent questions like why Doug decided to became traitor to Comicsgate. Oz instead talks about his own love of animation and ambitions to become an independent animator someday. Finally, Oz begins to question on Doug's feelings of becoming the embodiment of evil in Comicsgate. Doug says he's at peace with the demoniacal role assigned to him; he's labelled as lord of evil in all sorts of SJW groups and at least here he isn't getting fired from his job so it's all something he can accept. Doug explains that he left Comicsgate because "it is not him" but has no ill-will towards people in it. But with the slightest of prodding, Doug continues to explain that he feels that Comicsgate creators treat their customers like "paypigs" and that it fosters an environment where youtube drama and attention trump merit and quality. Most of the chat starts to chant the refrain that Doug "lost money" because he betrayed CG despite making substantially more money on his campaigns after he left CG.

There are some more questions about errors in the past like the BFB international shipping debacle (Doug didn't factor in shipping costs for his BFB campaign) which got Sketch Therapy to declare a one-man-war on Doug and that he plans to rectify this by sending all his backers a free copy of Bigfoot Bill whether they requested a refund or not. Doug complains about the selective and politically motivated outrage applied to him when people like Andrew Huerta do not claim Comicsgate and never released a book to anyone while being propped up as "CGOnly".

At around the third hour, Oz opens the floor to guests who want to cross-examine Doug, first joined by "Well Read User1", a rare species of pro-Smiller Comicsgater. Well Read wants to go over his interpretation of the history of Comicsgate with Doug which prompts Oz to duck out to take a fistful of drugs. He recalls his own mixed feelings about Frog being synonymous with Comicsgate, but says that the principle issue that divided Doug from the rest of Comicsgate was Doug not thanking Frog at San Diego ComicCon 2019. Doug's response was that he had quietly left Comicsgate with Frog's knowledge before SDCC 2019 so there was no reason for him to be promoting CG at that panel, but Frog spun this into a traitor narrative anyway; furthermore the panel was originally made to honor Billy Tucci with a bunch of other non-CG crowdfunders so he felt it would have been an breach of propriety to bring controversy like Frog into it. At some point "Twitless" (a self professed 'normie whisperer') and Dave Bowser (?) join and contribute fuck all as Doug continues laying out his perspective of events in that at some point no matter how much money Frog may have brought in for one campaign, would it purchase his permission to sit back while his friends are attacked?



At the 3:23 mark, a pro-CG defense force of the belligerent daydrunk "Berserk Guts", infamous troon gayopper reinoe and America's answer to Ryzie Lee "J-Money"/Justin McClure are brought in to defend the honor of Comicsgate. Berserk Guts, already visibly angry, is the first to go at Doug, recounting his experiences of being in high school and sticking up for nerds who read gay shit like Game of Thrones and that Twitless is a weak pussy who would have never stood up for anyone; he also wans to know if showing up on the Oz show is Doug's attempt to try and get backers for a new crowdfund. Doug says he originally joined because he wanted to raise money but left because of a conflict in values. J-Money jumps in with the argument that everyone else has formed a consensus that Doug betrayed Comicsgate after getting his money, and that Doug is "living in a different reality" by going against that consensus. Doug finds Berserk Guts' question that at least doesn't deny the existence of objective reality more interesting and answers that good customer relations are good for business. J-Money interjects by pointing out that it was bad for business for Doug to leave CG after getting his project funded and become a backstabbing ingrate traitor who doesn't appreciate his customers. Doug says that perhaps positions are being attributed to him unfairly, but J-Money pushes his assertion that turning on backers and people that trusted him is a bad business move; Doug claims inability to comprehend the profoundly retarded strawman J-Money is throwing out there and reinoe seizes this opportunity to take control of the conversation.

Reinoe's argument that attacking Comicsgate as an SJW movement was "a broadbased attack against thousand of people", to which Doug responds that he considers Frog to be Comicsgate and that calling him a homophobe was an SJW move. J-Money accuses Doug of being a grifter retroactively because of all that money Doug collected before Frog called Doug a homophobe. Doug doesn't really address this "point" and instead makes the assertion that he shows respect for the customer by ensuring they get the highest quality product possible for their $25. Berserk Guts follows this up asks if Doug had gay yaoi experiences in his youth, much to Doug's amusement.

Next up is smilingbandito, an obscure CG Sophist / WC apologist. He starts by asking Doug what makes crowdfunding possible; Doug answers that a small handful of silicon valley crowdfund companies/payment processors under constant pressure to cancel him because of his anti-gay marriage stance are. Smilingbandito sort of barrels through with his "it's the community that lets you crowdfund" lecture anyway but Berserk Guts cuts him off to compliment memer/clout chaser Deadwood Dale on his awesome Sketch Therapy and Jon Malin impersonations. Oz takes a rare intervention in the conversation to query Dale about his association in the Sketch Squad along with Adam Post in opposition to all things Liamoz Hennycuck. Dale is evasive about his dual loyalties in the Sketch-Liam war, but finds himself playing apologist for Sketch though he has attacked most of the people on the show at some point as nerkish discord infiltrator.

Reinoe wrangles the subject away from whether or not Dale is the willing thrall of Sketch Therapy (yes) by pointing out that Doug was in no position to criticize Cyberfrog: Bloodhoney for being 18 months lates when Bigfoot Bill had unfulfilled international backers, to which Doug replies that the double standard and selective outrage to those two things was actually making his point for him. Smilingbandito doubles down on reinoe's behalf by making the ridiculous claim that the two issues were criticized equally within the Comicsgate community. Next up was a question from the chat on whether Doug hates gay people or not - Doug says no. Berserk Guts asks for Doug's take on the possibility of Mike S Miller having a secret gay double life with gay prostitutes and stuff. Also no. Doug again asserts that he made more money on campaigns after leaving CG than when he was in, so how exactly did he "use and then betray a community that saved him" when their contribution to his bottom line proved marginal at best?

Before this question could be adequately explored, Doug's claim that Comicsgate calling him a "homophobe" making them a crypto-SJW movement is brought into question. Berserk Guts found it excusable because the intent was insult Doug and make him mad. J-Money claims the being slurred homophobe as a pretext to betray his CG supporters and smilingbandito engages in next level sophistry by making the vague assertion that "words aren't problems people are". Doug presses on with his claim that 'homophobia' is a term invented by SJWs to frame christianity as a mental disorder and that movements that employ their language are gay rainbow movements whether they know it or not. Reinoe says something about how the spartans were based gays, but is cut off "J-Money" again argues his democratic stance on mattes like truth and reality and that since the majority of people (within CG) think Doug is a traitor it is therefore true.

Reinoe actually breaks rank to back up the assertion that objective reality and truth exist because otherwise that would mean everything everyone says about Ya Boi Zack and Comicsgate would therefore be true. Bandito however yells "no the majority of the people sided with Zack even if the pros didn't" so consensus reality still works. Smilingbandito then throws out the additional claim that "Cecil always liked you Doug" though Cecil now drunkenly rambles about "how I saw through Doug from day one", but this gets dismissed by TenNapel off-hand. Motives for the "Dirtworm Dug" ashcan for Cecil are inquired, Doug answers that Cecil's motive was spite and intent to deal emotional harm, which was met with the panel saying with some incredulity it was just jokes and memes and no ill-intent from Cecil. Doug points out into what a weeping pussy Cecil turned into when such "jokes" were directed at him. Next up was Doug's engineering of the Ribbitcoin fiasco as intent to cancel Frog on charges of fraud; Doug says he thought it was funny to force Roiloup to buy a Ribbitcoin in exchange for original EWJ art, where he took it from there had nothing to do with Doug. At around 4:27 Reinoe is quizzed about why people in the chat are being skeptical when he wants to share screenshots. He feigns total ignorance as to why anyone would be and then rages at the shitposters who would dare impugn his reputation.

At around 4:40 Mike S Miller joins the chat to criticize my number crunching for MAGAnficent 7 at the beginning of the show, stating that 54 backers purchased invisible secret tiers not visible to the public that were available only to those on his pre-order mailing list. I corrected my mistake in assuming Mike only had 14 tiers on his campaign. The chat segues to Ya Boi Zack, calling him "cuntish", and why Zack is not subject to criticism for decisions that are not optimal towards making money; Berserk Guts is getting "mean drunk" at this point and accuses Doug of "being jelly" of Zack's (much smaller) success. It's at this point where Smiller joins the stream. He seems enthused at the results of MAGA7. Oz invites Mike onto his show but he refuses to wake up before 1 PM for peak Smiller streaming hours of 11PM-4AM, the optimal time to build one's platform to market one's product in Mike's mind. The previous tension in the room drains out as Mike's kumquat theft is discussed and then everyone is regaled with Deaadwood Dale's Malin and Sketch impersonations.

The show starts on a new, weird dimension as Mike regales about the CG Christian Fellowship he headed with his program Cross Examinations which Sketch and Liam were both part of until Mike began feuding with Warcampaign which resulted in the both of them leaving. Doug chides "Smiller" for daring to impugn the faith of either upstanding Comicsgater. Even Reinoe is feeling the love and attempts to bond by saying Warcampaign selfdestructed harder then Mike ever did. Berserk Guts and Deadwood Dale go so far as to try and pressure Mike to declare himself Comicsgate again. Mike questions the worth of joining a group that has no agreed upon definition and J-Money responds by asking why does Mike hate customers. Doug joins in asking Mike that question. However this brief interlude with comity is broken up by Dale who doggedly sealions Smiller demanding sources for Frog's reaction to the "Pride is a sin" tweet was based on him saying that expressing Christian sentiments was divisive. This goes on for some bit until Doug stands up for Mike saying that the argument that Comicsgaters should self-censor in the name of preventing the alienation of potential customers is a false one given the silence surrounding Frog's regular offensive and sacrilegious statements against Christians, who are customers.

Dale and J-Money however remain fixated on the argument that because Doug and Mike distanced themselves from CG and cost themselves (well, Mike) money, they were in the wrong. This debate on the existence of non-prosperity based morality goes on for some time until Reinoe breaks the stalemate at around 5:41 by turning on teammate Berserk Guts for no real reason other that he's arguing that Mike should "be himself" while simultaneously complaining about Mike being himself (a "douchebag troll") which devolves into a shouting match between the two. Reinoe gets a surprise assist from Warcampaign in defense of Mike S Miller's right to make political comics as up is down and black is white, the words "faggot" and "retard" are flung freely between the former allies. His/her mission complete, reinoe takes xis leave.

Next on the table is the matter of free association between Doug TenNapel and contact with other members of Comicsgate. Doug points out that he talks regularly with Antonio Brice of Ikari Press. J Money corrects Doug by saying that Brice has left Comicsgate and is "no longer with us". Brice, who was in the chat, states that "J-Money is fucking lying". J-Money doubles down that Brice is not a member of Comicsgate because he got angry during a livestream, he could no longer be considered CG. Doug gets increasingly annoyed at this, but J-Money is incapable of admitting error and is can only press forward in his retardation. Frog appears at this point to give an update that New Jersey is under attack from a storm and half the city is suffering from a power outage and he's broadcasting from his SUV, but nothing is going to keep him out of a drama stream of this magnitude as he rushes home from the local KFC through hurricane winds. He adds that Comicsgaters should be able to make whatever comics they want, political or not, but it's generally a suboptimal approach with a max draw of ~$30K. But if Mike wants to do that it's fine. Doug brings up Richard C Meyer now dedicating his time to political hot takes with works like Pandemic and the Ballad of No and that artists just want to create.

Antonio Brice joins the stream after Frog leaves to clear up "Mister Dolla's bullshit". J-Money accuses Brice of the experience of being a creator having changed him Brice argues that he in fact has not changed and will not take shit from anyone for any reason and fuck the idea that he's supposed to let people get away with lying about him because they're a "customer". For some reason Antonio is concerned with KiwiFarms talking about him and talking shit about why Brand 2 failed to fund. Nasser slips in at this point but doesn't have much to add. Doug joins in and says if money is a metric of success, well he raised 230k on his last campaign and 800k on the one before that without CG so what does J-Money the "dress wearing, juicebox drinking crybaby weirdo little weirdo with a lollypop" have to say to that? Dan Fraga is the only one supporting J-Money from the chat at this point. J-Money denies he ever said Antonio Brice left Comicsgate, which sends Brice into a fit. J-Money expresses outrage that creators like Brice and Doug and Miller that once they get funded start calling "the customer" (him) liars and dismissing "the customer" (him) as retards and idiots. Berserk Guts enters the "weepy drunk" stage and bemoans why Mike won't be himself but also not create apolitical content.

Edit:

During the last half-hour of the stream after J-Money was finally booted after ordering Frog to shut the fuck up, Mike asserts that he was vindicated after he incorrectly credits Oz for posting the additional Praetorian DM logs (actually hosted on @VIkkiVerse 's channel) confirm that the CGAnon account, used to conspire with renfamous and other anti-CG SJWs against opponents of Warcampaign, was shared by all of WC and not just Praetorian. Frog replies that he was not presented with that additional information at the time and that Edwin and Mike gave him no sources with which to cross-examine what evidence was provided pre-Fall of Rome. Frog has a point in that he cannot be held to blame for not retroactively acting on information that was revealed later.

But Frog also goes on to state that prior to Mike's presenting of claims, Warcampaign announced to him that they were putting Mike, presumably after some routing doxing of Smiller, was put on "financial investigation" over possibly not being able to fulfill Lonestar and that this gave justifiable suspicions on Frog's part. It should be pointed out that in the thirteen months since this "investigation" was announced not a single scrap of evidence backing this assertion has been presented to anyone while every conservative plug of Lonestar on social media was hounded by unsolicited, unfounded smears of Lonestar's funds being embezzled by Mike (later changed to "seized by the IRS") while Cridious and Andrew Huerta and their non-fulfilled campaigns somehow escaped detection from the Warcampaign Revenue Service. So although Frog rejected the truth for some extremely suspicious allegations, he would assert that it was one party's word against another's and he went with the one that piqued his suspicions less.

Nasser voices his boredom on this subject and doesn't actually care why Mike left CG a year ago while Micah Curtis joins to defend Frog and attack Nasser by smuckling and taunting both him and Mike on the fact he is physically larger than them and would likely come out on top in a physical altercation. That, as a matter of fact, he will not shut up and that no party in the room is strong enough to physically force Micah to shut up. Doug is ecstatic over getting to be on a stream with Micah. Mike continues to push the argument that Frog should have turned against Warcampaign then based on what he knows now because he's bad at arguing until Twitless has to start handing Mike while Frog goes after BeanFromPA who is in the chat.

Oz starts to wrap the stream up as Frog continues needling Mike in the chat, hoping to get these guests on at a future date, with Oz taking particular interest in having Mike and Nasser over at a future date.
I'm glad you decided to cover that video Dongs, I'm still mentally drained after my two post review of the now infamous Panboy vs @FROG Oz Arts stream. Great analysis too, I still haven't finished the stream I'm about six hours into it.
Hey there, True Believers!

Welcome back to another edition of JDA’s soapbox.

We’ve been quite busy over in the ol’ Rislandia Books Bullpen, coming out with comics MORE than monthly since we last spoke. Out on the Amazon Market, we’ve dropped The Cosmic Warrior #2, the follow up to the fan-favorite and CG-beloved first issue, with a tale which will wow and dazzle you even more than the first!

All the stops have been pulled out because we listened to what you wanted – even more action! Artist Cloves Rodriguez did a bang-up job and you’ll never believe how this world’s developing. It’s everything that made comics great back when Stan and Jack were making books, done with a modern flare. Not for the faint of heart! Only real comic readers who can handle the suspense should pick up this book. Issue #3 is going to give a lot of background on the character and take the series in a bold direction, so you'll want to catch up now!

But we’ve also delivered on not one but TWO crowdfunds since we last spoke. Yes, Dynamite Thor, the explosion man, is out to backers. And moreover, the most talked-about book in comics has also shipped, Robotoad: Rekt Manlet. While our Distinguished Competition can’t even get a 48-page book out in a year, we’ve delivered our books in just over a month! Readers are hootin’ and hollerin’ about the hilarious ashcan, Tales from GammaTube Live!

Look at how happy Preston Poulter is to hold the book in his hands:

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If we stopped there, our team would have been one of the most, if not the most, prolific group in indie comics, but we have so many more hard-hitting stories for you to enjoy coming down the pipeline.
Spectacular Comics #2 will be out next week – featuring an ICE Agent hero! Issue #3 will be close behind, ETA September.

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Flying Sparks / Punchline crossover is done with the art, getting lettered now, should hit Amazon in August. And to help you out so you can get on board with Flying Sparks, we’ve started to release episodes for FREE on webtoon. You can start to catch up on the most exciting characters in indie comics here.

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Clockwork Dancer #2 is almost done with layouts, and we’re shooting for October for an Amazon release – the most researched for historical accuracy and with a crazy twist, you won’t want to miss this.

For our crowdfunds, we will have 3 of them coming soon: The Elven Princess, a fantasy manga-style book by a lovely artist, Deus Vult – a story of a crusader’s search for the grail, and of course, the LONG-AWAITED Flying Sparks Volume 4, which I won't spoil but our early readers have told us it's going to be the best volume of JDA comics yet.

Whew! So much to work on and so little time. We’d better get back to it. We’re so proud to have the best readers on the planet, people who truly love comics, and there’ll be no slowing down any time soon. Together, we are making comics great again!

Excelsior


Jon Del Arroz

The Leading Hispanic Voice
Congratulations on getting verified Jon. Try making your images smaller in future so they don't take up half my screen, also blatantly shilling your own material while "dear diary" threadposting is exactly what got your pal Preston Poulter thread banned.

Just some friendly advice.
what project did Tyne have that failed to fund?
you are the one who brought up Tyne and told me that there are failed CG campaigns. It’s on you to come up with the receipts instead of goofy pictures of seals.
It was called SWAY, we talked about it pretty recently. For some reason Liam blames @NasserRabadi13 for it's failure, which Nasser disputes. There was a response video by Jshiro Finney and Nasser's original stream which were posted in this thread about a month ago which proves Nasser's innocence in the project failing.
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I can't remember any other Comicsgate books failed to fund, I think Orgasm Girl and The Offworlder were two. I'm certain there were more but I just can't remember them now.
I’ve never made a comic nor do I plan to but what is a good price to put for funding?
I asked Nasser a similar question a few days ago, I'll post his response below:
Well if we're talking black and white comics (reducing the production and print costs significantly) $2,000 would get you around 26 pages if you're spending roughly $75 a page, which is a solid amount of pages, and Stardust was around that length, but most guys want to do color comics and most guys want to do a series or a really long graphic novel. If someone with a 20 page comic won the $2,000 then that wouldn't be bad at all, but they'd have to be doing a one shot black and white book to make it work, and I don't see many of those happening these days.

Cards, bookmarks, etc. vary in price, but on the Trixie campaign we spent $500 on various amounts of cards. We had 4 different designs and I overprinted (some a lot, some not so much), so you could definitely get a couple thousand cards for $500, depending on a few different things like the cut, the gloss, etc.

Postage seems to go up every day so that's hard to judge; Gemini mailers are $550ish for 1,000 of them. Most people probably don't need that many, but I always suggest it, since you'll save money in the long run.

Bags and boards and tape are typically just out of my own pocket.

Formatting varies; I've seen people charge anywhere from $150-600. I've paid on the high end of that for comics, but for my novels typically it's cheaper because there's not as much to do, and it mostly ends up being resizing the Word doc and changing a few things.

Biggest thing overlooked is fees. You'll be paying 8% plus $0.30 per backer to indiegogo and stripe, as well as igg holding 5% for 6 months (which they just started last yr).

Printing really depends, and on Trixie we spent over $4,600 on 300 Stardust 2nd prints and 1,050 Trixie 1st prints.

TL;DR $2,000 would be good just to get the art paid for on a super small black and white comic, but I doubt most people will be entering one, and would want to pitch their full color ongoing 96 page superhero epic.
 
I actually found it the least interesting part of the stream compared to shit like J-Money spending hours denying the existence of objective reality or reinoe teamkilling the rest of the anti-Doug squad for no reason other than being reinoe. During the last half-hour of the stream after J-Money was finally booted after ordering Frog to shut the fuck up, Mike asserts that he was vindicated after he incorrectly credits Oz for posting the additional Praetorian DM logs (actually hosted on @VIkkiVerse 's channel) confirm that the CGAnon account, used to conspire with renfamous and other anti-CG SJWs against opponents of Warcampaign, was shared by all of WC and not just Praetorian. Frog replies that he was not presented with that additional information at the time and that Edwin and Mike gave him no sources with which to cross-examine what evidence was provided pre-Fall of Rome. Frog has a point in that he cannot be held to blame for not retroactively acting on information that was revealed later.

But Frog also goes on to state that prior to Mike's presenting of claims, Warcampaign announced to him that they were putting Mike, presumably after some routing doxing of Smiller, was put on "financial investigation" over possibly not being able to fulfill Lonestar and that this gave justifiable suspicions on Frog's part. It should be pointed out that in the thirteen months since this "investigation" was announced not a single scrap of evidence backing this assertion has been presented to anyone while every conservative plug of Lonestar on social media was hounded by unsolicited, unfounded smears of Lonestar's funds being embezzled by Mike (later changed to "seized by the IRS") while Cridious and Andrew Huerta and their non-fulfilled campaigns somehow escaped detection from the Warcampaign Revenue Service. So although Frog rejected the truth for some extremely suspicious allegations, he would assert that it was one party's word against another's and he went with the one that piqued his suspicions less.

Nasser voices his boredom on this subject and doesn't actually care why Mike left CG a year ago while Micah Curtis joins to defend Frog and attack Nasser by smuckling and taunting both him and Mike on the fact he is physically larger than them and would likely come out on top in a physical altercation. That, as a matter of fact, he will not shut up and that no party in the room is strong enough to physically force Micah to shut up. Doug is ecstatic over getting to be on a stream with Micah. Mike continues to push the argument that Frog should have turned against Warcampaign then based on what he knows now because he's bad at arguing until Twitless has to start handing Mike while Frog goes after BeanFromPA who is in the chat.

Oz starts to wrap the stream up as Frog continues needling Mike in the chat, hoping to get these guests on at a future date, with Oz taking particular interest in having Mike and Nasser over at a future date.
Boredom was that there was no actual debate happening and they were both just repeating "NO ALL WC KNEW" "NO JUST PRAETORIAN" back and forth, and it was cringe to listen to.
Dude, I have read a sample of your first novel and seen some of your videos: you are making the mistakes most CGers do and you double down on them.
Your main strategy is do what @FROG does, only most of you never spent 25 years creating iconic Big Two characters. People watched EVS because he was EVS. The fact that he has a big, entertaining persona is a bonus - once he hit the Jackpot with TLJ he was off to the bank.
Cyberfrog Blood Honey could sell Plotholes numbers without The Fandom Menace.

Most CG people are nobodies. Furthermore, while most of them do comics and rely on EVS streams to pitch them. You have lost access to that.
Additionally, your CG/anti-CG audience probably does not read. I'd bet David Stewart (who is CG friendly I believe and has a good following) has the same problem.

Furthermore, I was curious and read a sample of your novel and, during the scene a boy is fed his own vomit by his abusive parents I was on the floor laughing. It came too early, was too weird and had nothing to do with your blurb. That put me off reading the rest of the book. The writing/editing was also sloppy and I hope you did not pay a fortune to your editors.

I would advise you to see what other indie horror authors do on youtube. I believe most of them do book reviews because
a) they read a lot
b) they want to approach readers.
There are some huge book channels out there. Daniel Greene is way over 100K subs doing fantasy books and tv shows. Jenna Morecci is also huge doing writing advice. See what they are doing and works for them. Look up smaller creators and see what works and what not. I believe top ten lists and ultra-popular books work for them.

And, honestly, you could do well with going to the local library, borrowing a lot of horror classics and read/study them to improve your craft. Read on story structure, on writing to market and try to network with other authors. And do book reviews for the books you read. Be honest, be consistent and see what works.
Hell, do a "I read the entire bibliography of Stephen King/Clive Barker/HP Lovecraft one book at a time" or "5 slasher tropes I hate"

If you have decided you are an indie author, CG is mostly dead weight to you. Focus on what you are selling
Could you elaborate on "you are making mistakes most CGers do" please?"
You're right though, most of my audience does not read. My latest book, Inner Demons, has sold 7 copies. I put $2,000 into making that book. All my books on Amazon/Kindle are in the negative. I'd have made more money never publishing any of them.
That scene you dislike does have to do with the blurb, it mentions Brandon having a tortured life.
I've tried doing reviews but I suck at them. Not to keep complaining, but I have no idea what videos to do. I said this in an earlier post, but I hate doing YouTube. I'm only on it to promote my books, but I'm sort of clueless at what videos to do. I want to do videos that I like doing, but I don't like doing any, so I'm in this weird area where I know it's the best promotional tool for books, but I have no clue how to utilize it.
I'm glad you decided to cover that video Dongs, I'm still mentally drained after my two post review of the now infamous Panboy vs @FROG Oz Arts stream. Great analysis too, I still haven't finished the stream I'm about six hours into it.

Congratulations on getting verified Jon. Try making your images smaller in future so they don't take up half my screen, also blatantly shilling your own material while "dear diary" threadposting is exactly what got your pal Preston Poulter thread banned.

Just some friendly advice.


It was called SWAY, we talked about it pretty recently. For some reason Liam blames @NasserRabadi13 for it's failure, which Nasser disputes. There was a response video by Jshiro Finney and Nasser's original stream which were posted in this thread about a month ago which proves Nasser's innocence in the project failing.
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I can't remember any other Comicsgate books failed to fund, I think Orgasm Girl and The Offworlder were two. I'm certain there were more but I just can't remember them now.

I asked Nasser a similar question a few days ago, I'll post his response below:
Yeah, I have no clue why liam blames me for that book failing. I had him on my channel to promote. I think his failure comes down to his super high goal, the fact that the writing on the sample pages were pure cringe, and the fact that he had no audience.
In other news, Ro Kabir has announced Day of the Refund upon all who turned against Warcampaign. However Frog's sold-out "Executive Honeycomb box set" tier is snatched up every time a refund is requested so I'd wager this is having the opposite effect as intended.

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Smiller sent a full stack of his comics to Liam, no doubt in gratitude for all the entertainment he's given all of us.
Liam for his part is confused. Micah suspects some sort of sinister plot on Mike's end.

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CG can't complain about refunds--Jon Malin was so adamant about it when I told him (and Ethan and all the others) about the mass refunds WC kept doing to screw with my campaign, and how they'd back me to get me to a certain goal then refund me.
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Could you elaborate on "you are making mistakes most CGers do" please?"
Alright, you produce boring content that tries to emulate @FROG - streams, petty drama, introspection on the movement.
To me, people who want to sell their book should emulate YBZ: daily 10-20 minute videos about something you feel strong about.

Best example, to me, is Sweetcast. He has what, 5 thousand subs? He also has the personality of a stoned potato. Yet he makes videos every day about the comicbook industry. He has a small following of people who are into comics and they are the ones buying comics. About 1/5 supported him.

Another fave was JSG: He did a video a week, but he scripted it and it felt like the highlights of 4 YBZ videos edited together. Now he does the same with YF, only he is actually charismatic and smart.

Comics By Perch, while not CG, does the babbling comicstalk every day. He is a former comicbook shop owner and has great insight into the industry, where YBZ was just guessing.

At its most basic, YBZ is that well adjusted weird friend who calls you every day and tells you about his day and the comic he read or something he read in the news.

What makes you passionate and want to talk about?

You're right though, most of my audience does not read. My latest book, Inner Demons, has sold 7 copies. I put $2,000 into making that book. All my books on Amazon/Kindle are in the negative. I'd have made more money never publishing any of them.
That scene you dislike does have to do with the blurb, it mentions Brandon having a tortured life.
Dude, this sucks. But you get 2 bucks out of each book sold. Unless Eternity sells more than 1000 copies, there is no way in hell you will break even on a sequel. Have you tried running a discount/free promotion for book 1 in hopes it will drive sales to book 2?

And ok, this scene has to do with the blurb (btw, the blurb for Eternity is killer!) , but I was not going to read that, and I am into horror. It went too weird too fast.

I've tried doing reviews but I suck at them. Not to keep complaining, but I have no idea what videos to do. I said this in an earlier post, but I hate doing YouTube. I'm only on it to promote my books, but I'm sort of clueless at what videos to do. I want to do videos that I like doing, but I don't like doing any, so I'm in this weird area where I know it's the best promotional tool for books, but I have no clue how to utilize it.
If you hate doing Youtube, don't do it. You fail at Youtube because you hate it. Plain and simple. Try bookstagram, reddit or upload your next book on wattpad or Royal Road and see if you can funnel reader from there.
Do a reader magnet and newsletter swaps. Or have narration channels read some of your stories.

Or, if you want to do youtube, script your videos and see if it works better. Find other authors on YT and invited for a livestream, you have a platform already. I have watched some of your videos and you come off as awkward and too pushy. Find your passion and speak about it
 
Alright, you produce boring content that tries to emulate @FROG - streams, petty drama, introspection on the movement.
To me, people who want to sell their book should emulate YBZ: daily 10-20 minute videos about something you feel strong about.

Best example, to me, is Sweetcast. He has what, 5 thousand subs? He also has the personality of a stoned potato. Yet he makes videos every day about the comicbook industry. He has a small following of people who are into comics and they are the ones buying comics. About 1/5 supported him.

Another fave was JSG: He did a video a week, but he scripted it and it felt like the highlights of 4 YBZ videos edited together. Now he does the same with YF, only he is actually charismatic and smart.

Comics By Perch, while not CG, does the babbling comicstalk every day. He is a former comicbook shop owner and has great insight into the industry, where YBZ was just guessing.

At its most basic, YBZ is that well adjusted weird friend who calls you every day and tells you about his day and the comic he read or something he read in the news.

What makes you passionate and want to talk about?


Dude, this sucks. But you get 2 bucks out of each book sold. Unless Eternity sells more than 1000 copies, there is no way in hell you will break even on a sequel. Have you tried running a discount/free promotion for book 1 in hopes it will drive sales to book 2?

And ok, this scene has to do with the blurb (btw, the blurb for Eternity is killer!) , but I was not going to read that, and I am into horror. It went too weird too fast.


If you hate doing Youtube, don't do it. You fail at Youtube because you hate it. Plain and simple. Try bookstagram, reddit or upload your next book on wattpad or Royal Road and see if you can funnel reader from there.
Do a reader magnet and newsletter swaps. Or have narration channels read some of your stories.

Or, if you want to do youtube, script your videos and see if it works better. Find other authors on YT and invited for a livestream, you have a platform already. I have watched some of your videos and you come off as awkward and too pushy. Find your passion and speak about it
Well, I haven't talked about the drama until recently when donal refused to credit me for my work, and it became apparent I wasn't going to get paid. He's still making excuses--his latest one is he can't even give me an estimate because "international shipping went up", which, if it did, doesn't he know what it went up to? Why is that stopping him from making any sort of estimate? I did videos exposing him and might comment on some things here and there, but look back at the BULK of my content from the past year, and I've remained silent 99% of the time.

Yes, I've done many discounts and free promos, nothing has gotten me any traction. I've tried free book advertising websites, which are people with Amazon affiliate links who post your books on their website for free because they'll get a cut of it, and nothing worked for me with any of those.

You know, I think you're right. There were pacing issues with Eternity. Eternity was my first ever horror novel I completed, and I had only written comics at that time, and had not read as many novels as I've read now, so my craft wasn't very good back then. I think Eternity ended up okay, but I've written so many better books by now that I just have no budget for.

I also have tried Wattpad, but I got no traction there either.

I also agree with you that if I hate doing YouTube, I'll fail. I've always hoped to somehow do so good on another platform that I could quit YouTube, but I haven't done well on any platform, so I keep trying to see if I can make traction on YouTube.

The hard part is all my subs came from Ethan and CG, so they're all comic people. I have a few people that have come in from my book and horror movie related videos, but they're not active whatsoever. And so if I do a comic video, or a CG related video, I get tons of views. If I do ANYTHING about books or movies, I get no interaction, no views, and it doesn't go anywhere in the algorithm. Makes me think I almost need to create a new channel, but I'm already monetized, and even though I make no money on my videos, it's always good to have the possibility.

The other downside to all the comic subs is I really don't want to do comics anymore. CG has just ruined it for me. Any passion I had for comics is gone. I spent my day trying to write a comic today, and actually made it 25 pages in, but I rage quit. I just can't write comics anymore, they've completely drained the passion from me. But all my subs and all my "fans" really want me to do another comic, and I don't know if I can. I just don't have it in me.

I want to finish Trixie book 2, and I'd love to run SCP successfully to pay Jason for the work he did, but other than that, I don't think I'll do a comic again. And I know if I launch either, neither will be successful.

Honestly, I'm just hoping I could get $5,000-10,000 from Brutas like donal always claimed we each would, so I can put out some more books on Amazon. I think if I can successfully sell through Amazon ads and Twitter, I could completely ditch YouTube.

I will say though, the movie haul videos I upload the 1st of every month aren't that bad to do, but I'm just not a talker, so even doing those bugs me a little. I understand why I come off as awkward and pushy--I'd literally be anywhere else than making a video. Streaming with friends is fun I guess, but I can't make a channel off of that.

EDIT: The 25 pages of a comic is actually a record for me since quitting. Before that, I'd get anywhere from 2-6 pages in before rage quitting. And we're talking about someone who has had days where he would write 100+ pages of comics.
 
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Well, I haven't talked about the drama until recently when donal refused to credit me for my work, and it became apparent I wasn't going to get paid. He's still making excuses--his latest one is he can't even give me an estimate because "international shipping went up", which, if it did, doesn't he know what it went up to? Why is that stopping him from making any sort of estimate? I did videos exposing him and might comment on some things here and there, but look back at the BULK of my content from the past year, and I've remained silent 99% of the time.

Yes, I've done many discounts and free promos, nothing has gotten me any traction. I've tried free book advertising websites, which are people with Amazon affiliate links who post your books on their website for free because they'll get a cut of it, and nothing worked for me with any of those.

You know, I think you're right. There were pacing issues with Eternity. Eternity was my first ever horror novel I completed, and I had only written comics at that time, and had not read as many novels as I've read now, so my craft wasn't very good back then. I think Eternity ended up okay, but I've written so many better books by now that I just have no budget for.

I also have tried Wattpad, but I got no traction there either.

I also agree with you that if I hate doing YouTube, I'll fail. I've always hoped to somehow do so good on another platform that I could quit YouTube, but I haven't done well on any platform, so I keep trying to see if I can make traction on YouTube.

The hard part is all my subs came from Ethan and CG, so they're all comic people. I have a few people that have come in from my book and horror movie related videos, but they're not active whatsoever. And so if I do a comic video, or a CG related video, I get tons of views. If I do ANYTHING about books or movies, I get no interaction, no views, and it doesn't go anywhere in the algorithm. Makes me think I almost need to create a new channel, but I'm already monetized, and even though I make no money on my videos, it's always good to have the possibility.

The other downside to all the comic subs is I really don't want to do comics anymore. CG has just ruined it for me. Any passion I had for comics is gone. I spent my day trying to write a comic today, and actually made it 25 pages in, but I rage quit. I just can't write comics anymore, they've completely drained the passion from me. But all my subs and all my "fans" really want me to do another comic, and I don't know if I can. I just don't have it in me.

I want to finish Trixie book 2, and I'd love to run SCP successfully to pay Jason for the work he did, but other than that, I don't think I'll do a comic again. And I know if I launch either, neither will be successful.

Honestly, I'm just hoping I could get $5,000-10,000 from Brutas like donal always claimed we each would, so I can put out some more books on Amazon. I think if I can successfully sell through Amazon ads and Twitter, I could completely ditch YouTube.

I will say though, the movie haul videos I upload the 1st of every month aren't that bad to do, but I'm just not a talker, so even doing those bugs me a little. I understand why I come off as awkward and pushy--I'd literally be anywhere else than making a video. Streaming with friends is fun I guess, but I can't make a channel off of that.

EDIT: The 25 pages of a comic is actually a record for me since quitting. Before that, I'd get anywhere from 2-6 pages in before rage quitting. And we're talking about someone who has had days where he would write 100+ pages of comics.
Do you really need to pay $2000 per amazon book? What are you paying for?
 
Do you really need to pay $2000 per amazon book? What are you paying for?
$500 (roughly) for a cover.
$1,200-1,500 for an editor.
$150 for my formatter to make both files the correct sizes for print and ebook.

I don't see any way around it. At the very least, I could cut it down to roughly $650 per book, but then I'd have no editor. I'd rather put something out with an editor. I've asked around before for "beta readers" to catch typos and tell me what they like and dislike, and to all act as mini editors I guess. But it never works well. Most people never read it, and those who do never listen to my instructions of how to highlight typos and things, and most of them end up replying with "Hey man the book was good. No dislikes, no real feedback. But yeah it was good. Oh and I caught 2 typos in chapter 6, that was all."

:/
 
$500 (roughly) for a cover.
$1,200-1,500 for an editor.
$150 for my formatter to make both files the correct sizes for print and ebook.

I don't see any way around it. At the very least, I could cut it down to roughly $650 per book, but then I'd have no editor. I'd rather put something out with an editor. I've asked around before for "beta readers" to catch typos and tell me what they like and dislike, and to all act as mini editors I guess. But it never works well. Most people never read it, and those who do never listen to my instructions of how to highlight typos and things, and most of them end up replying with "Hey man the book was good. No dislikes, no real feedback. But yeah it was good. Oh and I caught 2 typos in chapter 6, that was all."

:/
OK, got it.
 
OK, got it.
More people than you think do this full time selling books on Amazon and Kindle, but I don't know how they do it. A lot of them put a lot of money into Amazon ads, but I've had no luck with those. They all just say "have nice covers and do a series" but I don't know, I thought my covers were pretty good.
 
Mike continues to push the argument that Frog should have turned against Warcampaign then based on what he knows now
Frog knew that Gat was operating Praetorian and the anon account. He saw all the receipts before The Fall of Rome and showed them on stream. The idea that he didn't know or that it wasn't true is pure gaslighting on FROG's part.

For example Ethan said in regards to Bean that there is no acceptable length of time to harass customers with dildo memes during TFoR but 2 days later WarCampaign "did nothing wrong", it was all Praetorian and a couple months later he said Bean deserved it because she refunded all the CG books. (A claim she proved false.)

Mike claimed that Ethan should have done last year what he did last month based on the knowledge EVS had at the time but denied.

Ethan's known about WarCampaign's dirty gay ops at least since TFoR and has been gaslighting his audience about it.

It was called SWAY, we talked about it pretty recently.
Stick to mocking sea lions. Feeding them is sub-optimal.

"NO ALL WC KNEW" "NO JUST PRAETORIAN"
That was frustrating. Ethan knew that it was more than just Praetorian but Mike never managed to say, "You saw the reciepts proving Gat Hanzo was giving direction to Praetorian and pretended it never happened."

Mike gets excited when he argues and forgets to lay out his points.

I've tried doing reviews but I suck at them. Not to keep complaining, but I have no idea what videos to do. I said this in an earlier post, but I hate doing YouTube. I'm only on it to promote my books, but I'm sort of clueless at what videos to do.
You're looking at what works for other people with the idea that it might work for you and that generally is not a bad strategy. The problem is that it doesn't work for you. Your personality isn't geared toward the creation of that type of content. Johnny Knoxville probably shouldn't do analysis of Stephen Hick's philosophical attacks on post modernist (J-Money) thought. He should do "Jack-ass" and the screwball comedies that made him millions. You shouldn't make YouTube content it doesn't interest you to make. Rather you should be asking yourself what you could make that might entertain you. Leave nothing off limits and don't copy the formula of people you don't want to just because they had success.

Frog's hot take videos about TLJ or Captain Marvel worked for him because they were topical and tapped into his audiences angst but more importantly because he enjoyed bitching about stuff enough to make it entertaining to his spergs. Quit thinking about content that might build your channel and think about building your channel around the content you would enjoy creating.

And don't expect success or failure instantly. Most people work for a long time before they catch on. Why should you be any different. At least if you can enjoy making videos you won't have to hate your life until something catches on. So do rant videos, cat videos or fucking make-up tutorials if that's what's interesting to you but quit doing stuff you hate hoping others will like it. The audience can feel your apathy and they will feel no need to reward it.

They all just say "have nice covers and do a series" but I don't know, I thought my covers were pretty good.
Nasser, you're like 12teen yrs old and you've managed to sell your writing on the internet. You are a success.

Are you making a profit yet? Clearly not. Are you selling enough to satisfy you? Definitely not.

But you are ahead of more than 90% of all aspiring writers and pretty much 100% ahead of aspiring writers your age. Your impatience is annoying. CG is over for you so you don't have Ethan's marketing pipeline to paypigs who might rage buy your work and not read it.

Good. Most of those buys you didn't earn anyway.

Take what you learned from the experience and move on instead of trying to duplicate it. Make use of the resources available to you like Doug or even Mike. Figure out your next step and take it. If you really want to be a writer accept that most fiction writers write for free for at least a decade before they turn a profit. You're ahead of the curve. You aren't making a profit but you are publishing, being read and writing material that's hopefully improving your craft.

If you want to quit if you don't turn a profit this year you should just quit now since it rarely works that way for anyone who becomes successful in writing or art. If you aren't willing to write for free or even pay to get better and get your work out no one is going to make it easy for you.
 
If you're sick of giving your money to grifters yet, and you missed the ROBOTOAD: REKT MANLET CAMPAIGN (which by the way, already 100% fulfilled just like all of my campaigns which makes for 24 issues of comics while the people you constantly talk about are just stirring up shit on youtube and literally doing nothing), you can get in on the limited edition variant cover campaign here:

http://igg.me/at/rektsashi

We might do a line art campaign.

And a 2nd chance campaign.

And a custom POGs with real silver marker on them campaign.
 
Frog knew that Gat was operating Praetorian and the anon account. He saw all the receipts before The Fall of Rome and showed them on stream. The idea that he didn't know or that it wasn't true is pure gaslighting on FROG's part.
If this were so, why did Mike Miller thank Oz (Vikki & Mecha McCheese) for showing the additional "receipts" on his stream that vindicated his contention that additional people operated the CG Anon account?

Smiller sent a full stack of his comics to Liam, no doubt in gratitude for all the entertainment he's given all of us.
Liam for his part is confused. Micah suspects some sort of sinister plot on Mike's end.
In other Smiller news, Mike clarifies that he didn't send any free stuff to Liam and that infers that in truth Liam is a crusader against "Anti-CG" while secretly being a deeply closeted fan of Mike's work. Adorable.
 
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If you're sick of giving your money to grifters yet, and you missed the ROBOTOAD: REKT MANLET CAMPAIGN (which by the way, already 100% fulfilled just like all of my campaigns which makes for 24 issues of comics while the people you constantly talk about are just stirring up shit on youtube and literally doing nothing), you can get in on the limited edition variant cover campaign here:

http://igg.me/at/rektsashi

We might do a line art campaign.

And a 2nd chance campaign.

And a custom POGs with real silver marker on them campaign.
God dammit Jon, I can see you getting thread banned faster than Poulter did at this rate. Make sure to a-log @FROG here before the mods nuke you, I'd like to see a kiwi grudge match between the two of you for my own amusement.

Also if you're going to shill at least put some effort in and show off Sashi's beautiful art.
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So whats with the difference in price of the JDA complete collection?
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You knocked it down $25 for the newer campaign but removed the Ember War and added Cosmic Warrior 1&2 and Spectacular comics 2?
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Don't you feel that might piss off the 7 backers who backed the JDA complete collection on the original Rekt Planet campaign?
 
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