masterstocking
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- Jan 5, 2021
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Until 2020 practically no one knew of Nijisanji in the west, same for Hololive, Hololive started to blow up in the oversea market with talents like Fubuki and Coco going viral overseas.
Nijisanji didn't have that Coco/Fubuki figure that paved the inroads to the market
I've been pretty vocal about how much I enjoy EN-JP interacting, so suffice to say I am loving this.Its been 20 seconds, I am already laughing at Miko and Korone English, this is either going to be a train wreck and I'm going to be crying with laughter. This is probably the most English your going to get out of this 24 hour stream. Feel free to witness it yourself:
FUCKING HELL THIS IS GOLD ALREADY
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Shark brain was already exhausted from trying to de-elite.Uh oh big brain Gura moment!? Can she pull a Choco?
edit: oo That was actually pretty damn close.
I see you attributing a bunch of things to "hololive" instead of the talents . This is literally the connor "if you're in hololive you're automatically successful and are obviously a talent less hack with a brand behind you doing all the work" thing .Fubuki's primary contribution to Hololive being a big success in the English speaking word is some cover of Scatman or whatever, and Miko saying a slur habing no idea what it means is approximately similar in impact.
Coco has a lot of experience in the Western world to be that actual bridge, which then spawned a ton of clippers that added to the momentum of it.
Before Hololive reached high success, Tokino Sora herself had less success than Dennou Shojo Siro, and even today isn't among the more popular Hololive members in spite of high recognition.
Meanwhile, the Hololive brand alone somehow got people all over Mano Aloe who barely even got to do anything before quitting, Ayame is Ayame and retains her numbers regardless, and now it's lost its overseas thunder enough for people in here to keep bringing up Tsukumo Sana not recovering after bailing for like a month because of her dog not long after debut.
Then we have holoX printing money with far less time to do their thing than anyone else in the company. Is that because most of the other Holo talents can't shape up compared to them? It's obviously just because a hype train gave them enough to keep growing.
So you're saying people still crying about Mano Aloe even now every now and then is because she was just that amazing in the what, one stream she had?I see you attributing a bunch of things to "hololive" instead of the talents . This is literally the connor "if you're in hololive you're automatically successful and are obviously a talent less hack with a brand behind you doing all the work" thing .
As far as I see it the people printing money are the third and fifth gen mostly (not counting 4th cause coco had the graduation where she pulled completely retarded numbers). Hell pekora still rapes everyone in view hours and her "hype train" was years ago .Every gen has it's honey moon period . It's normal . Is it getting better with time? Yes obivously , cover does banger after banger and people want to be there from the start. But a weaker talent can easily not do anything with it . Look at Sana and Lui. Their gens were super successful and there they are just being mid .
What?So you're saying people still crying about Mano Aloe even now every now and then is because she was just that amazing in the what, one stream she had?
That Tokino Sora deserved to not be much more popular than a 2 view indie when she was starting out because back then she just didn't have what it takes?
That Ayame barely showing up still warrants her audience numbers because every time she does she strikes gold?
Well obivously to some people. Cause the fans she has now were all diehard enough to stay with her post holo.So you're saying people still crying about Mano Aloe even now every now and then is because she was just that amazing in the what, one stream she had?
Back then it was more complicated, vtubers were not as much of a thing yet and the big one was doing scripted content. She was ahead of her time (not talent wise) but even today sora is not that special. She is more of a company hallmark than that good of a talent.That Tokino Sora deserved to not be much more popular than a 2 view indie when she was starting out because back then she just didn't have what it takes?
Again I don't see how this is a hololive thing. It's not like they promote their talents that much . She clearly has her dedicated simps and those will wait till she needs more money.That Ayame barely showing up still warrants her audience numbers because every time she does she strikes gold?
LMAO,well those nijifags have the reason to get mad at you or maybe they just wont admit it because its true? whatever lol,why they should mad at you? well u said that niji dont have fans in the west or outside of japan,NO they have a TONS of fans outside of japan,the thing is,there is a clear difference between holo fans and niji fans that lead to why holo become more successfull globally outside of japan even with holo JP(like miko,korone,fubuki,coco etc).Honestly I think touting Nijisanji's renown in Japan as a factor in their EN branches success or failure is misguided at best.
Not to say it has zero effect because it will affect it to a degree, but Japanese brand recognition doesn't mean fuck all in markets outside of Japan. "Brand recognition" only matters in markets where that brand recognition exists, and outside of Japan Nijisanji does not command the renown that they have domestically. Like if if the Lawsons of Family Mart convenience stores from japan suddenly opened in the US they wouldn't recieve some massive boost despite being household names in Japan, they would probably fail here to competition that is better recognized in the market.
"Man Nijisanji EN is really underperforming, I thought Nijisanji was the big name in Vtubers" is pulling metrics from one market to compare it to another different one.
Until 2020 practically no one knew of Nijisanji in the west, same for Hololive, Hololive started to blow up in the oversea market with talents like Fubuki and Coco going viral overseas, getting them brand recognition there, and then they capitalized on that recognition and launched an EN branch.
Nijisanji didn't have that Coco/Fubuki figure that paved the inroads to the market and Nijisanji remained relatively unknown to probably the majority of overseas viewers. They might be popular in Japan, but they didn't have that brand recognition and thus momentum behind them when Nijisanji EN began. (bear in mind communities like here aren't very representative of the broader public, we're the people autistic enough to argue about this niche bullshit and pay attention to it, most people are not)
It is because the whole "well they aren't doing as well as hololive so they aren't doing well" shtick is just stupid.
It's like looking at someone winning the silver medal at the Olympics and going "wow they really under performed"
They're still a "world class runner" they're just in second place.
point taken, although I believe the example still illustrates the point I was trying to make regardless of the distinction.
So people sympathizing with someone and getting overly attached to them when something bad happens and is broadcasted over the internet is unique to Hololive, not like that could happen to anyone else.So you're saying people still crying about Mano Aloe even now every now and then is because she was just that amazing in the what, one stream she had?
That Tokino Sora deserved to not be much more popular than a 2 view indie when she was starting out because back then she just didn't have what it takes?
That Ayame barely showing up still warrants her audience numbers because every time she does she strikes gold?
This shit started from "Nijisanji just doesn't have good talents thats why Hololive wins."What?
get a mirror and say that again in front of the mirror,your welcome.oh dont forget to wear clown mask first.@Becomezet I’m not reading all that faggot. You have a lot of time on your hands to write absolutely nothing.