Let’s Spork: Mushoku Tensei - “iT’s PeAk FiCtIoN”

It's religion for NEETs now, and they have otome game/villainess versions for the girls too.
I find those more sinister* than the pedo shit. This shows the readership's unattainable fantasy is playing a good game and getting a satisfying outcome. Even the media they consoom are unsatisfying, and they have to double down on the wish fulfillment.
Good: try to succeed IRL
Cuck: give up on succeeding IRL, consoom and enjoy wish fulfillment fiction
Ultracuck: give up on succeesind IRL, consoom fiction, seethe about it, fantasize about rewriting it <- they're here.

* not the consoomers themselves, the social trends that give rise to such fiction

One of the things that I dislike the most about isekai is that they might as well just narrate the story within an actual fantasy setting rather than include an almost completely unrelated introduction before the actual plot even begins. If the guy is gonna keep his memories then it's absolutely pointless to make an isekai since one of the key driving points of the story should be the MC wanting to learn about his past life/go back to his world.
I disagree with the last sentence so hard I booted up the PC to type up a reply.

The whole point of isekai is the character goes to a completely different setting and applies himself (or herself) there. Often, he has a special, extra useful skill:
  • it can be something useless or mundane IRL (which makes the story catnip for NEETs),
    • "cynical pomo attitude" is an example
  • it may be a useful IRL skill that becomes even more useful in the other world (a classic example is the gunpowder formula)
  • or it may be a magical power that the character is granted in the other world but did not have IRL.
At its core, isekai is a funhouse mirror exaggerated distortion of the core adventure story: a normie having to apply himself to an unusual situation. (Zombie apocalypse stories are a version of this where preppers get to shine.)

(I have to point out that yes, often, in bad fiction, or in slightly oldtimey literary fiction that predates the term isekai, the isekai component is completely unnecessary: the character does not possess any special skill or insight and could just be a local. The medieval Fairy Kingdom did not have peasants, they had to go in from IRL, but later literary fantasy worlds did. A prominent "bad" example is Harry Potter: Harry Potter having been a normie is essential to marketing but does not contribute anything to the story, he brings no modern attitudes into it.)

Learning about one's past life AND going back is such an insane plot I can't even. There's no meat to such a story. If amnesiac-you are a completely different person (like it happens in fiction), you're not morally responsible for past-you, this is a solved problem, no point in sperging about it. And if you're in another world, then no one would even come after you. In that case, "regaining memories", "atoning for past sins" and "going back" is just rerolling the dice, it's what IRL cult shit is made of. A character in a fantasy world would have no more motivation to do this than a normie IRL -- unless his fantasy life sucks and he'd rather write json serializers for a living.

wouldn't it make for a more interesting and organic story if he discovered that he used to be scum along the way and had to struggle with the consequences of those mistakes? Making the MC amnesiac is overdone, but it's far more interesting to have a guy who doesn't remember who he was, whom everyone hates for reasons he can't understand
Maybe! Two of my favorite stories are this (for the record, Planescape: Torment and KJ Parker's We Wuz Vikings). But it's a completely different story, at this point you've theseus-shipped the whole premise. Your post boils down to "I don't like isekai, I'd rather read something else". Fair enough!
(And, again, "I discovered I used to be scum" is cult shit and a solved problem. It's like you, a good and upstanding person, got into a terrible accident and received a body transplant -- a simple case of mistaken identity, nothing for you to be conflicted about.)

Japan has an absolutely insane hatred for therapists.
Good. The rapy is cancer and the rapists are scum.
There should be neet handlers who'd handle neets and order them to do things. "Clean your room. Don't know where to start? Take these pizza boxes, go outside, then come back here. Now take this bucket and mop... Ok now open a job search site. Don't know any? type "job search sites". Now click on the first link..." But no the rapy.
 
This is one of the shows only the worst most transparent freaks will defend, people who defend made in abyss don't defend this piece of shit. Isekai is one of the worst blights on fiction, it's incredible out of the shit load of shows being spewed out almost none of them even reach the point of mediocrity. I can understand self insert power fantasy being popular but who wants to self insert as a loser self inserting as video game hero. The only show I've seen people actual praise is konosuba which is a soft parody comedy and even that show looks to be carried primarily by sex jokes.
Damn it Lewis why did you have to invent isekai by writing narnia.
Isekai's precursors were quite different. I just find japanese/korean/chinese isekai to be boring because it's all the same shit.

Even discounting the really old obvious precursors to isekai like Gulliver's Travels, you still have shit like the portal fantasy genre (Witch World by Andre Norton, Three Hearts- Three Lions by Poul Anderson, etc) and the John Carter of Mars books where the whole premise is similar. But the difference is that it's just so much more enjoyable to follow John Carter to Mars. The idea of winding up in another world is classic genre slop. But the japs really can't stop reinventing their own wheel and don't really do much with it beyond cranking out slop.

Is Rudeus meant to be a hero? Is he supposed to get over his mental issues from his original life? I've caught up with the manga fan translations and it's just kinda weird to me. Like, the flashbacks on him being a total retard are there, but they pop up at weird moments. It earnestly feels like this would have been so much better if they didn't make him a genius. Or, if he's a genius, then have him be more of a fuckup due to his past habits/lifestyle. This shit's just power fantasy with weird undertones.
 
I find those more sinister* than the pedo shit. This shows the readership's unattainable fantasy is playing a good game and getting a satisfying outcome. Even the media they consoom are unsatisfying, and they have to double down on the wish fulfillment.
This was mentioned in a recent thread here, and it is the core of so many problems with anime. Consuming fiction is escapist enough, but anime layers escapism on top of escapism, and there's no rock bottom in sight.
The first layer of escapism is normal, regular stories (Ideon, Harlock, Raideen) where it's irrelevant if the characters are normies because they aren't for long if they were to begin with.
The second layer of escapism is when you have non-normie characters, but try to introduce romance or sex elements (Gundam, Votoms, Xabungle), which are an anchor back to normieness since they're often things the creators/consumers wish would happen to them IRL. This is where self-insertion begins.
The third layer of escapism is when you have characters that are normies all the way through and tend to drive the story and setting rather than allowing the setting and story to drive the characters. This is most battle shonen; the entire story serves to fulfill the protagonist's dreams and desires. This is how you can tell when an anime is shonencrap; it always gives the protagonist something unnecessary they want rather than the protagonist serving the setting. This is how I could smell Wataru and Galaxy Railways being crap from a mile away. The fact that most weebs say the characters should drive the story is really indicative of their mindset; they don't care about the setting other than as a platform for the characters they self-insert into. This layer also retains the romance and sexual elements from the second layer. Most isekai and romance anime are also on this layer.
The fourth layer of escapism is moe/SOL anime, where it's subtly but not necessarily overtly sexual (think K-On foot and butt shots) and it's about a bunch of little girls doing "cute" things. Magical girl anime is also on this level. The whole point is for the consumer to pretend that the little girls are his girlfriend(s); it's all the saccharine, honeymoon parts of a relationship (sex and fluff) without anything threatening to the consumer, like male JERKS or an assertive partner. It's very escapist, but also very normie at the same time, which leads to a fifth layer of escapism: yuri, where the girls are in love with each other so that the male consumer can pretend to have girlfriend(s) who are too immature for real romance and be their first real love (this reflects Japanese attitudes on homosexuality as well as the "lesbians haven't tried the right dick yet" attitude held by the guys who would watch this) as well as pure jerkoff material for lesbian porn gooners.
Is Rudeus meant to be a hero? Is he supposed to get over his mental issues from his original life?
He is, and he's not supposed to get over his mental issues. From what I understand all of his issues are supposed to be society's fault, similar to how incels blame Chad and Stacy and DEI for not getting anywhere in life.
 
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He is, and he's not supposed to get over his mental issues. From what I understand all of his issues are supposed to be society's fault, similar to how incels blame Chad and Stacy and DEI for not getting anywhere in life.
I feel like it’s an even worse message. It’s more like: just be an open degenerate and you’ll be fine.

There’s like a single moment i can recall when someone calls him out on being a creep and he doesn’t win them over by being a badass hero.

it’s his sister, Norm i think she was called, she’s turbo religious and openly dislikes him. Eventually she just says she wants nothing to do with him and leaves him. The way this is framed obviously sets Rudy in the wrong and we are supposed to feel bad for him for this moment.


 
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The whole point of isekai is the character goes to a completely different setting and applies himself (or herself) there. Often, he has a special, extra useful skill:
  • it can be something useless or mundane IRL (which makes the story catnip for NEETs),
    • "cynical pomo attitude" is an example
  • it may be a useful IRL skill that becomes even more useful in the other world (a classic example is the gunpowder formula)
  • or it may be a magical power that the character is granted in the other world but did not have IRL.
At its core, isekai is a funhouse mirror exaggerated distortion of the core adventure story: a normie having to apply himself to an unusual situation. (Zombie apocalypse stories are a version of this where preppers get to shine.)
Isekai doesn't even have that adventure part. The journey in those stories is more on rails than a Theme Park ride. There is no discovery because it's all fucking Dragon Quest, including a system announcer that will explain everything as a video game mechanic so the idea of skill doesn't come into factor. Ditto the useful skills are either trivia, gaming or being Japanese making the MC OP (which is pretty funny when comparing to the west). It's literally coping and seething about being actually not being worthless in life.
Good. The rapy is cancer and the rapists are scum.
There should be neet handlers who'd handle neets and order them to do things. "Clean your room. Don't know where to start? Take these pizza boxes, go outside, then come back here. Now take this bucket and mop... Ok now open a job search site. Don't know any? type "job search sites". Now click on the first link..." But no the rapy.
In most cases in the west I'd agree, but in a hyper restricting "don't tell us your problems or we'll shame you for it" Japan just having someone to unwind to is probably better than not doing anything. neet is a thing entirely because even talking to your parents (who are most of the day slave waging) is non-existent and if you fucked up at study/work you are basically completely fucked.
 
I feel like it’s an even worse message. It’s more like: just be an open degenerate and you’ll be fine.

There’s like a single moment i can recall when someone calls him out on being a creep and he doesn’t win them over by being a badass hero.

it’s his sister, Norm i think she was called, she’s turbo religious and openly dislikes him. Eventually she just says she wants nothing to do with him and leaves him. The way this is framed obviously sets Rudy in the wrong and we are supposed to feel bad for him for this moment.
must be something that happens past the manga translations now. all she does is feel inferior because she keeps getting compared to him.

granted the manga scans are at. . . something involving a giant turtle and Rudeus reuniting with Roxy
 
Chapter 1

Life’s not fair, is it? You see, I, well I wanted the pedophile to be dead. And you, dear reader, shall be cursed with the knowledge that this series exists until the day you die.

Anyways, a quick recap for those who skip prologues: our “hero” was kicked out of his parent’s house after skipping their funeral to beat it to cartoon kids getting molested. And after that, he gets hit by a truck driven by a sleeping driver. Oh yeah, he pushed some junior high kids out of the way, too. But not before describing how attractive he still thinks his childhood friend is. Despite not even seeing her in decades. That's about all for anything of importance.

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Let’s get this chapter over with.
When I opened my eyes, the first thing I saw was dazzling light. It grew to encompass my entire field of vision, and I squinted in discomfort. Once my vision adjusted, I became aware of the blonde young lady gazing at me. She was one gorgeous girl—wait, no. She was definitely a woman. Who is she? I thought.
Not even a minute old and he's already hitting on his Mom.
Brown-haired and stubborn-looking? I ought to have reacted negatively the instant I saw this big oaf—but to my surprise, there was no feeling of ill will. His hair must have been dyed that color. Itwas a very fetching shade of brown.

I'm placing my bets on “his father likely reminds him of those darn dirty delinquents”.

The woman looked at me with a warm smile and spoke. Her words were oddly indistinct and difficult to make out, however. Was she even speaking Japanese? The man said something in reply, his face losing some of its tension. I likewise had no idea what he said. A third unintelligible voice joined the conversation, but I couldn’t see who was speaking. I tried getting up to figure out where I was and to ask these people who they were.
I'll give credit where it is due; at least the characters aren't conveniently speaking Japanese and he isn't able to pick up on what they're saying right away. It makes the world-building feel more believable.

And let me tell you, I may have been a shut-in, but that didn’t mean I didn’t know how to talk to people

I don't know about that one.

The brown-haired man said something else, then suddenly leaned down and picked me up. This was absurd! I weighed over a hundred kilos. How could he lift me that easily? Maybe I’d lost some weight after being stuck in a coma for a few weeks? That was a pretty nasty accident I’d been in, after all. There was a good chance I hadn’t come out of it with all of my limbs.

That's a pretty funny thought to me, not gonna lie.
For the rest of the day, I dwelled on a single thought:
My life is going to be a living hell.
Oh, you sweet summer child. If only that were the case.

Let’s jump ahead a month. Apparently, I’d been reborn. The reality of my situation had finally set in: I was a baby.I was finally able to confirm that after being picked up and having my head cradled so I could see my own body. But why did I
still have all of my memories of my prior life? Not that I was complaining, exactly, but who would imagine someone being reborn with all their memories— to say nothing of that wild delusion actually being true?
It might be redundant of me to say it at this point, but him retaining his memories is a lot worse in this context.

The two people I first saw when I came to must have been my parents. If I had to guess, I’d say they were in their early twenties. Clearly younger than I’d been in my past life, at any rate. My thirty-four-year-old self would have written them off as kids. I was jealous that they’d gotten to make a baby at that age. Early on, I’d realized that I wasn’t in Japan; the language was different, and my parents didn’t sport Japanese facial features. They also wore what appeared to be some form of old-timey clothing. I didn’t see anything that resembled home appliances; a woman in a maid outfit came by and cleaned with a rag.
I know it’s a cliche these days, but at least he goes over his first impressions of this new world and how it differentiates from Japan. It makes the “Isekai” label relevant (somewhat). I'm curious if the light novels will at least be consistent in this regard (we’ll find out sooner than later)
I had wished that I could go back and do everything over again, but being born to a family that was too poor to pay for utilities wasn’t exactly what I’d had in mind.
Suck it up you ungrateful brat. You could have been born to slave parents and already being prepped to spend an entire lifetime picking cotton for cat people.
Another half a year went by. After six months of listening to my parents conversing, I’d begun to pick up some of the language. My English grades had never been great, but I guess it’s true what they say about how sticking solely to your native tongue makes it harder to advance in your studies.
Not like you exactly have a choice but to learn while you have no obligations.

This is starting to get boring, so I’ll offer a quick summary so you guys don't get bored as well. He quickly learns that the maid isn't an aunt, just a maid. He also learns that they live out somewhere in the countryside, and are far from being broke hillbillies.

He also hates this country living, as evidenced here.

This place was way too pastoral. It grated on me, since I was used to the comforts of modern civilization. Here I was, having been reborn, practically dying to get my hands on a computer.

All I can say is, suffer more you degenerate.

Anyways, Rudeus learns to crawl and peeks out the window to see his new father training with a sword.

What in the world was he doing? He was old enough to know better than that. Was this the kind of person my dad was? Some sort of fantasy dweeb?

Who gave you the right to judge your father for swinging a sword out in the open? At least he doesn't jerk it to cartoon children as a hobby and has a real one.

Uh-oh. In my daze of astonishment, I started slipping from the chair. My underdeveloped hands grabbed the chair, but couldn’t support my weight—not with how top-heavy my head made me—and I fell. I hit the floor with a thud and immediately heard a cry of alarm. I saw my mother drop the load of laundry she was carrying, her face going pale as she brought her hand to her mouth.

It’s the litte things that give me sparks of joy upon seeing him get hurt. I hope it gets a lot worse when he's older.

So his mother does this:

She peered carefully at my head. The look on her face suggested that, injury or no, she was taking this pretty seriously. Finally, she rested her hand atop my head. “Just to be on the safe side…” she began. “Let this divine power be as satisfying nourishment, giving one who has lost their strength the strength to rise again—Healing!” What the heck? Was that this country’s version of kissing the boo-boo to make it all better?

The idea of a dorky parent doing this is pretty funny to me.
But as I thought that, my mother’s hand shone with a dim light, and the pain in my head was instantly gone.
Bwuh?
“There we go,” she said. “All better! You know, Mommy used to
be a pretty famous adventurer.” Her voice rang with pride
Oh look, an instance of “showing” and not “telling”.

So his father pokes his head through the window to ask whats going on, and his mother chides him for not paying attention. Despite the fact that his father was outside touching grass and wouldn't have been able to do much anyway. I’ll assume that people in this world have never heard of “baby proofing”.

And then this happens.
After that, my parents took me into the other room to put me to bed, then headed upstairs to make me a baby brother or sister. I could tell because I could hear the creaking and moaning coming from the second floor. I guess there was life outside the internet.
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I like how the presence of magic is only secondary to his parents fucking.
In the wake of all that, I paid extra-close attention to the
conversations my parents had with one another and the help. In so doing, I noticed them using a lot of words I wasn’t familiar with. Most of these were the names of countries and regions and territories—all clearly proper nouns that I’d never heard before.

Cool, I guess.
I didn’t want to jump to conclusions, but by this point, that could only mean one thing: I wasn’t on Earth anymore; I was in a different world. A world of swords and sorcery.
And it occurred to me: if I lived in this world, I could do all thosethings, too. After all, this was a place of high fantasy, one that didn’t obey the same rules of common sense as my past life. I could live as a typical person, doing the typical things for this world. Where I stumbled, I would get back up, dust myself off, and forged onward. My former self had died full of regret, died feeling frustrated at

his powerlessness and how he’d never accomplished anything. But now I knew all of my missteps. With all the knowledge and experience from my past life, I could finally do it.
I'm curious to know if this concept has played a role in any Japanese suicides in the last decade or so. Or weeb suicides in general.

That's it for the first chapter. I fell asleep early last night, while I was halfway done with this chapter.
 
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But now I knew all of my missteps
What missteps? It's not like he got enlightened by the experience to not be coombrained asshole. His "mistakes" referred to were literally the meme of not to being born rich, strong and good looking.

Also jfc the focus on the parents fucking. Wonder how much time until they discover the father is also a sex pest.
 
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Chapter 2

Recap from where we left off: Rudeus realizes that he's been reborn in a fantasy world and he's still a baby. Riveting story telling, I know.

Without further ado, let’s open the chapter.

Lilia used to be a royal handmaiden for the Asura Palace
harem. In addition to her usual duties as a lady-in-waiting, the role also called for her to act as a guardswoman. She’d been expected to take up arms and come to her master’s defense should the need arise. She was devoted to her duties, and carried out her job as handmaiden without flaw or fail.

Man, this alone sounds like a far more interesting plot than what we have.

It would be great if the author could have organically introduced Lilia’s backstory, whether it be via conversing with Rudy’s parents or maybe she just trauma dumps onto him.

When it came to her role as a fighter, however, her skill with a sword was merely adequate at best. As a result, Lilia found herself wholly outmatched when an assassin struck at the newborn princess, her opponent’s dagger catching her in the leg. The blade had been coated with poison, the sort meant to kill even a member of the royal family, a troublesome toxin that could not be cured by purifying magic.

Cool story, but that should be reserved for another book, no?

Thanks to the wound being promptly tended to by Healing magic, and a doctor’s attempts at neutralizing the poison, Lilia had managed to survive, but there were lingering aftereffects. They didn’t pose an impediment to her daily life, but she could no longer run at any real speed, her gait reduced to a clumsy stagger.Lilia’s life as a warrior had come to an end. The palace promptly discharged her from her position. Lilia understood why perfectly well. It only made sense to lose a job she was no longer able to perform. Although this left her unable to pay even her basic living expenses, given her position in the court, she considered herself lucky not to have been executed in secret. And so, Lilia left the capital.
You're still going with this exposition dump? And why would the court execute her for being terrible at her job so bad that she got hurt? Do they live in a dystopian kingdom that has a ruler who disregards his subjects that much?

Let’s see if this becomes relevant to the plot of this book at all.

The mastermind behind the princess’s assassination attempt was still to be found. As someone familiar with the palace harem’s inner workings, Lilia was well aware that she was a likely target. Or perhaps—had the palace set her free to lure out whoever was behind this plot? When she’d been brought into the court, she’d been curious why they’d taken on a lowborn woman such as herself. Perhaps they wanted to hire a simple maid who could easily be disposed of.

That kind of answered my earlier question, but not to my satisfaction. Also, it’s now been a full page of nothing but exposition. I’m at the point where I am wondering whether I'm reading a book or a fucking wikia page due to the way this information is being shoved down our throats.

For the sake of your time and my sanity I’ll sum up the next four pages: Lilia lives in some place called Fittoa and eventually finds a job posting in Bueno village that piques her interest. She is interested because she previously knew Paul (Rudy’s dad) and figured it'd be a great idea to work for him. He's also her former master’s top student or some shit like that.

But once he was born, the child did not cry. Lilia broke into a cold sweat. The infant’s face was expressionless, his nose and mouth having expelled amniotic fluid, and he made no sound. For a moment, he looked like he might have been stillborn. But when Lilia reached out, she could feel the baby’s warm pulse and the movements of his breathing. Still, he did not cry. Lilia remembered something she’d heard from one of the handmaidens who’d taught her: Children who didn’t cry at birth tended to have a host of abnormalities. At that very instant, however, her thoughts were interrupted.
“Ahh! Waah!”
The baby turned his face toward Lilia, his expression slack,
burbling random sounds. Relief washed over Lilia.

And we are still continuing with more exposition dumps. But this time, its just the birth scene from the last chapter told in a different point of view.

The child was given the name Rudeus, and what an unsettling child he was.

I wonder what gave that away.

once he was born, the child did not cry. Lilia broke into a cold sweat. The infant’s face was expressionless, his nose and mouth having expelled amniotic fluid, and he made no sound. For a moment, he looked like he might have been stillborn. But when Lilia reached out, she could feel the baby’s warm pulse and the movements of his breathing.Still, he did not cry. Lilia remembered something she’d heard from one of the handmaidens who’d taught her: Children who didn’t cry at birth tended to have a host of abnormalities. At that very instant, however, her thoughts were interrupted. “Ahh! Waah!”The baby turned his face toward Lilia, his expression slack, burbling random sounds. Relief washed over Lilia. She didn’t quite know why, but it seemed like things were going
to be okay.

Is there a reason this couldn't have been covered in the previous chapter? We are only in the second chapter of this peak fiction story, and already getting a recap via exposition?

The child was given the name Rudeus, and what an unsettling child he was. He never cried, and never made a fuss. It might just have been that he was physically frail, but that notion was soon proven false. Once Rudeus learned to crawl, he began to make his way anywhere and everywhere around the house—the kitchen, the back door, the supply shed, the cleaning closet, the fireplace, and so on. Sometimes, somehow, he even made his way to the second floor. As soon as anyone took their eyes off him, he was gone.

I could have sworn this was also established in the previous chapter. This chapter is starting to feel pointless aside from name dropping the maid and giving us several pages of lore dump.

Rudeus was always smiling. Whether he was in the kitchen staring at vegetables, or at the flickering of a candle in its holder, or at unwashed undergarments, he was always burbling under his breath, chuckling as an unsettling grin rose to his face. It was the kind of grin that viscerally repulsed Lilia. It reminded her of the smiles she’d gotten from a particular cabinet minister as she made her way between the harem and the royal palace in the past. He was a bald man, his smooth head gleaming in the sunlight and his corpulent belly wobbling as he walked. Rudeus’s smile
resembled the grin on the minister’s face when he eyed Lilia’s chest. A smile like that, coming from a mere baby.

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This was all I pictured as I read that paragraph. Can't tell if that makes it better or worse.

What happened when Lilia picked Rudeus up was particularly worrisome. His nostrils flared, the corners of his mouth drew up, and he’d start panting and bury his face against her bosom. His throat would twitch as he made weird, gleeful little giggles. It was enough to send a chill down Lilia’s spine, almost to the point where she wanted to reflexively hurl the boy to the floor. The child showed absolutely no affection. That smile of his was, quite simply, creepy…the same smile as that cabinet minister, who was rumored to have purchased a number of young women as slaves. And this was an infant, smiling like that. Nothing could be more unsettling. Lilia felt she was bodily at risk from a baby. She could only wonder why this child was so strange.

I'm certain that's there's a million ways that this information could have been conveyed to the reader without the lore dump. You could show us that Lilia finds the child unsettling through a variety of things… like body language and dialogue. Or she could mention it to Zenith or Paul.

Or maybe have a scene where Lilia’s nervousness is noticed by Zenith and she (Zenith) inquires as to what the problem is. Then Lilia could explain why she's in a state of unease, and then Zenith could give her a gentle reminder that Rudy is only a baby and cannot harm her. Maybe have it end on a wholesome note, with Zenith saying that she doesn't blame Lilia for finding Rudy’s exaggerated expressions uncanny.

At least it would feel like something is happening in the story.

And so, Lilia lived in fear for the first year or so. At some point, however, Rudeus’s ever-unpredictable behavior changed. Instead of disappearing and reappearing at random, he stayed holed up in Paul’s study in one corner of the second floor. Well, perhaps ‘study’ was a generous word for a simple room that housed a few books. Rudeus would shut himself in there and not come out. One day, Lilia took a quick peek and there he was, staring fixedly at a book and muttering to himself. What he was saying didn’t sound like words. Not words from the common language on the Central Continent, at least. Besides, he was too young to be talking already, and certainly nobody had taught him to read. Which meant the boy was just looking at the books—not reading them—while making random sounds.

Its getting repetitive of me to point out that this chapter is pretty much an exposition dump. But it fucking is. Unlike most fantasy books, where the lore dump at least gives us some lore, this is one is just a lot of showing and not telling.

For it to be anything else would just be weird. Even so, Rudeus sounded like he was speaking with an actual,
meaningful cadence for some reason, and it looked like he
understood the content of the book he was looking at. That’s so strange, Lilia thought as she watched secretively through the crack in the door. And yet, she strangely felt none of her usual revulsion toward him. Ever since the boy had taken to hiding away in the study, his hard-to-define, unsettling oddness had abated a fair bit. Oh, he’d still occasionally laugh or smile creepily, sure, but Lilia didn’t get chills whenever she held him anymore. He had stopped burying his face in her chest and panting. Why had she been so unsettled by him, anyway? In recent days, she’d gotten a sense of earnestness and diligence from him that she was loath to interfere with.

Thank fuck this chapter is almost over because I'm not sure how much of this I am in the mood to deal with for the day.

Lilia spoke with Zenith about it, and she’d apparently gotten the same impression. From that point on, Lilia figured, it was best to leave the boy be.

At least the author told us that happened.

In the end, Lilia decided to leave well enough alone. Any
interference might cause the boy to revert to the way he’d been before.

It’s fitting that the chapter ended on a redundant sentence, because it fits.

That's all for chapter 2. We have nine more chapters of this to go through. Maybe my expectations will be subverted and it'll tell an interesting story from here on out. My hopes aren't that high, though.

Until next time.
 
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It’s fitting that the chapter ended on a redundant sentence, because it fits.
Two chapters in and we're already getting the literary equivalent of a clip show. If this was an anime, people would whine about it like they do with SEED Destiny for muh reused animation. This is Kiss Dum levels of laziness, but even Kiss Dum looks like a masterpiece compared to this work of "peak fiction".
 
Just an observation: are we certain that Jobless Reincarnation didn't start out as a parody or satire of sorts? 'Cause it kinda reads like one: detestable loser MC in his 30s whose perversions are taken up to 11; cliché high school bullying at not-Otokojuku; Truck-kun; cliché fantasy world; maid getting creeped out by the new baby getting handsy with her; MC as a baby noticing "Oh lol I'm getting a baby brother or sister". Like legit, this reads like it's a tongue-in-cheek checklist of anime tropes. (Also isn't this the same maid who was masturbating in like the first or second episode? I didn't watch the anime, I just know that the show gets lewd.)

Given the time it came out (around 2012, which was when Sword Art Online got its anime adaptation released), I could totally envision this as a parody at first, but then the creator kept going and just forgot what he was writing and therefore became the standard. I would not be shocked if it turns out the series starts reading differently later down the road as a result, it's honestly possible that when the web novel got picked up by Kadokawa that they started meddling with it.
 
It sucks that almost everything about Mushoku Tensei is really scummy and not good in general, and the storyline is paced so slowly and disjointedly, because there are some decent characters. Most of whom Rudeus ends up banging if they are female unfortunately
Just wait until he gets to magic school and blackmails some catgirls into being his sex slaves, which includes him tying them up and leaving them tied up until they piss themselves. Or one of them does anyway. They then become his good frens because of course they do!
We're supposed to feel empathy for Rudeus because sometimes he feels really really sad and sometimes bad things happen to him and I guess he does become less self-centered (but not less pervy) as the story progresses. Or something. And he does do some good deeds. And eventually he does go on a true and honest heroic quest to kinda save the world or whatever

idk the only thing going for the animu was the animation (there's a lot of beautiful shots and sequences in season 1 for sure) and it got noticeably worse in season 2. i avoid light novels like the plague, reading snippets of the translation quoted here makes me glad for that
 
Two chapters in and we're already getting the literary equivalent of a clip show.
That's exactly what this light novel is. I wanted to give it the benefit of doubt due to the fact that it was translated from Japanese, but that would be a disservice to pretty much all literature from over there.

It sucks that almost everything about Mushoku Tensei is really scummy and not good in general, and the storyline is paced so slowly and disjointedly, because there are some decent characters. Most of whom Rudeus ends up banging if they are female unfortunately
Having watched the anime a few years ago, I can attest that there are decent characters trapped in this story. I remember the blue hair chick being an okay character, and the cat woman’s arc being intriguing (though I'm not a fan of her top, it doesn't take away from her overall character).
 
Just an observation: are we certain that Jobless Reincarnation didn't start out as a parody or satire of sorts? 'Cause it kinda reads like one: detestable loser MC in his 30s whose perversions are taken up to 11; cliché high school bullying at not-Otokojuku; Truck-kun; cliché fantasy world; maid getting creeped out by the new baby getting handsy with her; MC as a baby noticing "Oh lol I'm getting a baby brother or sister". Like legit, this reads like it's a tongue-in-cheek checklist of anime tropes. (Also isn't this the same maid who was masturbating in like the first or second episode? I didn't watch the anime, I just know that the show gets lewd.)
Even if it did start a parody, all the sex stuff is dead serious. Cross Ange being some sort of parody didn't mean the fetish crap was "ironic". It's a bunch of exaggerated anime tropes because otaku unironically like those tropes, and the tropes are so normalized they have to constantly be exaggerated for otaku to care after a while. It became the standard because it's the most extreme form of escapism currently, and that sells.
That's exactly what this light novel is. I wanted to give it the benefit of doubt due to the fact that it was translated from Japanese, but that would be a disservice to pretty much all literature from over there.
It wouldn't be a disservice to light novels. They're written as simplistically as children's picture books.
 
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