TGWTG Linkara / Lewis Lovhaug - HMMMMMMM? (Dead Gay Muppet Gangbang)

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I'm someone who thinks every character Rob Liefeld created was turned great by another writer.

Deadpool: Joe Kelly. Before Kelly Deadpool was a Deathstroke rip-off after Kelly he was the Merc with a Mouth.

Supreme and Youngblood were both turned into better characters thanks to Alan Moore seriously Moore turned Supreme from a nothing character into the best Superman book of the late 90's.

Cable: Various writers who turned random old man time traveler into Nathan Dayspring/Nathan Christopher Charles Summers.

But with the said Liefeld 1st showed Youngblood on a page of Megaton Comics Explosion in 1987 at age 19 or 20. He spent the next few years working for DC and more notably Marvel where his creations were expanded upon to create something great. To be fair Stan Lee created the X-Men Chris Claremont created the X-Men that became icons of the industry. While he downplays his ego and Liefeld does have an ego he also can take criticism on the cheek and even have fun with it.

Then there's Lewis who has never created anything of worth or value not even something that others could turn into something good. After creating these artistic abortions, he went on to a career where he judged others work. He's also a thin-skinned bitch. The fucker has actually created videos where he "acknowledges" past mistakes from old reviews while constantly in the videos pointing out some "Well Technically" to say he was right even if he was wrong.

Anyone who takes the piss out of Lewis for Lightbringer or Armored Angels, or his porn writings, or his Movie, or his skits or his reviews is completely justified.
 
But with the said Liefeld 1st showed Youngblood on a page of Megaton Comics Explosion in 1987 at age 19 or 20. He spent the next few years working for DC and more notably Marvel where his creations were expanded upon to create something great. To be fair Stan Lee created the X-Men Chris Claremont created the X-Men that became icons of the industry.
I feel like this is how Lewis justifies his past work. He talks about the early days of characters and creators were rough, but if they got better, so did he.
 
I feel like this is how Lewis justifies his past work. He talks about the early days of characters and creators were rough, but if they got better, so did he.
https://www.youtube.com/watch?v=tV2CDb-TdNA

The time he chastises the other members of Channel Awesome for not having as amazing make believe pretend adventures as he does, and the threats he faced were way more serious and real.
 
I'm someone who thinks every character Rob Liefeld created was turned great by another writer.
Isn't that like practically every artist ever tho?

There's a reason most comics and characters are created by a artist/ writer duo. Or they end up elevated by a good writer after some artist created them. Say how the X-Men were put on the map by Cris Clermont, and he definitely wasn't an artist or even the original creator of most of them.

It's rare someone can both draw and write well. The fact Rob Liefeld needed a writer to elevate his work is not the win Linkara thinks it is. Its cope plain and simple.
 
Isn't that like practically every artist ever tho?

There's a reason most comics and characters are created by a artist/ writer duo. Or they end up elevated by a good writer after some artist created them. Say how the X-Men were put on the map by Cris Clermont, and he definitely wasn't an artist or even the original creator of most of them.

It's rare someone can both draw and write well. The fact Rob Liefeld needed a writer to elevate his work is not the win Linkara thinks it is. Its cope plain and simple.
Finding out Liefeld's career was started as a hail mary pitch to earn enough money so he could pay for his father's brain cancer surgery, it kinda softens you on the guy big time.
 
I think @LaughJoke2.0 made a fantastic point I forgot to address. Alan Moore made a career of turning coal into to diamonds. But even he would have trouble saving Lewis work.

People have tried to redo Lighbringer out of spite to Lewis, because it isn’t that hard to do better than him, but let’s be honest, there’s nothing worth salvaging here. It’s all his playground power fantasies. Saving any of this is like trying to fix the plot a kid made up while playing with his toys. Maybe you could, but all he is doing is smashing plastic toys based on something he saw on tv. So, why bother?
 
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People have tried to redo Lighbringer out of spite to Lewis, because it isn’t that hard to do better than him, but let’s be honest, there’s nothing worth salvaging here. It’s all his playground power fantasies. Salvaging any of this is like trying to fix the plot a kid made up while playing with his toys. Maybe you could, but all he is doing is smashing plastic toys based on something he saw on tv. So, why bother?
Yeah like I don't get why people would want to make fixing Lewis' shitty webcomics. He won't accept anyone fixing it as he wants to bury it. It would be more productive to just make your own webcomic free from the stink of Linkara's slop.
 
Yeah like I don't get why people would want to make fixing Lewis' shitty webcomics. He won't accept anyone fixing it as he wants to bury it. It would be more productive to just make your own webcomic free from the stink of Linkara's slop.
it has some sort of weird name recognition?
 
Not really. Lewis is small potatoes in the grand scheme of YouTube. Maybe when Channel Awesome was in its prime. But it’s the same wall McAuliffe Media is facing with his parodies. He is parodying has beens from a bygone era that few care nowdays.

Ironically the only reviewer that has any nostalgic value is Doug. There’s little name recognition to gain from Lewis given he is barely relevant himself.
 
I think @LaughJoke2.0 made a fantastic point I forgot to address. Alan Moore made a career of turning coal into to diamonds. But even he would have trouble saving Lewis work.

People have tried to redo Lighbringer out of spite to Lewis, because it isn’t that hard to do better than him, but let’s be honest, there’s nothing worth salvaging here. It’s all his playground power fantasies. Saving any of this is like trying to fix the plot a kid made up while playing with his toys. Maybe you could, but all he is doing is smashing plastic toys based on something he saw on tv. So, why bother?
Alan Moore would have no problem salvaging Lewis’ work because Alan Moore already wrote that shit 20 years prior.
 
Alan Moore would have no problem salvaging Lewis’ work because Alan Moore already wrote that shit 20 years prior.
My points isn't that he couldn't. My point is that it's not worth it. Even Alan Moore would have to do massive rewrites to the point you might as well do something original.
 
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My points isn't that he couldn't. My point is that it's not worth it. Even Alan Moore would have to massive rewrites to the point you might as well do something original.
My point is Alan Moore already wrote Watchmen, V for Vendetta, and Killing Joke which Lewis just ripped off. In fact, anything which isn’t Doctor Who or some Power Rangers device is just flavor of Alan Moore
 
My point is Alan Moore already wrote Watchmen, V for Vendetta, and Killing Joke which Lewis just ripped off. In fact, anything which isn’t Doctor Who or some Power Rangers device is just flavor of Alan Moore
My mistake I was so narrowly focused on the mess, I forgot for a second Alan moore is one the people Lewishas plagiarized the most.
 
Lewis probably hates Doug because his show gave birth to the Linkara running meme.
And he didn't let Lewis take over the anniversary specials. And he didn't shut down his productions so Lewis could use his studio. And he didn't make Lewis the star of the 10th anniversary special that got cancelled. And that he cancelled that special.
 
Isn't that like practically every artist ever tho?

There's a reason most comics and characters are created by a artist/ writer duo. Or they end up elevated by a good writer after some artist created them. Say how the X-Men were put on the map by Cris Clermont, and he definitely wasn't an artist or even the original creator of most of them.

It's rare someone can both draw and write well. The fact Rob Liefeld needed a writer to elevate his work is not the win Linkara thinks it is. Its cope plain and simple.
My thing with Liefeld is he never gives credit to other creators Louise Simonson and Fabian Nicieza who co-creator the characters of Deadpool and Cable or someone like Joe Kelly who really turned Deadpool into the character people love. Take some like Stan Lee who people seem to love to claim took too much credit yet in every interview I ever saw of him where he mentions the origins of the FF and Spidey, he credits Kirby and Ditko man even credited his wife for giving the motivation to do FF. & Speaking of those character really by the time Stan and Kirby left the FF the characters were well developed as with Spidey by the time Ditko and especially Stan who went on to work with John Romita on the book the character was set in stone for future writers. So, when I see Leifeld talking about how he created Deadpool I kind of roll my eyes. But with all that said the man doesn't deserve some thin skinned no talented hack like Lewis taking shots at him and then thinking his work should be judgement proof.
 
I'm someone who thinks every character Rob Liefeld created was turned great by another writer.

Deadpool: Joe Kelly. Before Kelly Deadpool was a Deathstroke rip-off after Kelly he was the Merc with a Mouth.

Supreme and Youngblood were both turned into better characters thanks to Alan Moore seriously Moore turned Supreme from a nothing character into the best Superman book of the late 90's.

Cable: Various writers who turned random old man time traveler into Nathan Dayspring/Nathan Christopher Charles Summers.

But with the said Liefeld 1st showed Youngblood on a page of Megaton Comics Explosion in 1987 at age 19 or 20. He spent the next few years working for DC and more notably Marvel where his creations were expanded upon to create something great. To be fair Stan Lee created the X-Men Chris Claremont created the X-Men that became icons of the industry. While he downplays his ego and Liefeld does have an ego he also can take criticism on the cheek and even have fun with it.

Then there's Lewis who has never created anything of worth or value not even something that others could turn into something good. After creating these artistic abortions, he went on to a career where he judged others work. He's also a thin-skinned bitch. The fucker has actually created videos where he "acknowledges" past mistakes from old reviews while constantly in the videos pointing out some "Well Technically" to say he was right even if he was wrong.

Anyone who takes the piss out of Lewis for Lightbringer or Armored Angels, or his porn writings, or his Movie, or his skits or his reviews is completely justified.
not only that, but Rob Liefield has skin as thick as a rhino and doesn't let criticism faze him. Whereas Linkara is a basement-dwelling crybaby who tried (read: failed) to cancel his ex-boss out of sheer spite and started blocking people after a Flash animator did a spot-on impression of him for a meme video
 
not only that, but Rob Liefield has skin as thick as a rhino and doesn't let criticism faze him. Whereas Linkara is a basement-dwelling crybaby who tried (read: failed) to cancel his ex-boss out of sheer spite and started blocking people after a Flash animator did a spot-on impression of him for a meme video
It does on some level, but Rob took that criticism and used it to address the issues in his art and make improvements. Lewis on the other hand not only rages against the critics, but doubles down against their points, insisting that they can never be right, despite his views and money shrinking. He would rather move back in with his parents than change because then he'd have to admit that they were right. And also because he doesn't want to leave his comfort zone of doing the same thing over and over again for seventeen years.
 
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