- Joined
- Nov 11, 2016
jeez we found the one person on twitter who can have an interaction with rick and come out looking more childish
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Patrick Sean Tomlinson / @stealthygeek / "Torque Wheeler" / @RealAutomanic / Kempesh / Padawan v2.5 - "Conservative" sci-fi author with TDS, armed "drunk with anger management issues" and terminated parental rights, actual tough guy, obese, paid Quasi, paid thousands to be repeatedly unbanned from Twitter
- Thread starter Caverlock
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- Joined
- Dec 28, 2014
Imagine getting owned by Patrick Tomlinson of all people.
Suicide.
- Joined
- Jul 12, 2020
- Joined
- Apr 10, 2019
when is his next court date? pat pretending to be rich on twitter is really boring tbh. it's the most commonplace type of insecurity to photograph your waffles.
- Joined
- Jun 24, 2020
New review for Pat's Rib Place.
- Joined
- Apr 22, 2019
It's time for the next section of my ongoing review of Starship Repo. I've read chapters 8-15 and my prediction that the book couldn't get any worse has so far proven correct.
The total awfulness of the previous chapters has mellowed into a still-bad but blander fugue that elicits more of a 'meh' and turns the book into a dull, ongoing slog instead of sharp, acute torture.
TL;DR: I take the fact that this book was published as a major affront against every other wanna-be author in existence. It's low-effort slop without heart or soul.
(edit: early posted, came back and finished the post)
The total awfulness of the previous chapters has mellowed into a still-bad but blander fugue that elicits more of a 'meh' and turns the book into a dull, ongoing slog instead of sharp, acute torture.
Having gained possession of the repurposed warship, the repo men find that the previous captain had been engaged in the sexual trafficking of minors - because there are a bunch of catgirls onboard. I don't know whether that's because Rick is just so damn original, or because of his innate respect for women. Either way, they return to Junktion and the boss-man (Lorritt) says they can't report the crime because then the ship would be impounded as evidence and they wouldn't get their payday.
First then gets sent on a solo mission to repo a space-van that transports the Wolverines cover-band on their intergalactic tour. Because that reference just won't die. She dresses like a groupie and convinces security to let her on the ship. The lead singer happens upon her before she can lock the doors, and they have an almost-normal, almost tolerable interaction before First locks him in the escape pod and jettisons him into space. She brings the ship back to Junktion.
Back at base, First finds that someone broke into her apartment and was killed by her rock-based roommate, who moves in super-slow motion except for when he needs to squish interlopers. It is suggested that the event was an attempt by Soolie to threaten First. Later, we find the police have been alerted to the trafficking victims. Lorritt blames First and tries to fire her, only to have another crew member step forward and admit they were the one who snitched to the feds. In a scene that I am sure had Rick masturbating furiously as he wrote it, all the crewmembers valiantly step forward and proclaim their dislike for sex trafficking and join in solidarity with the snitcher. The boss who had put profit over virtue concedes, First keeps her job, and righteousness overcomes evil! Blah, blah, blah.
The next job is repo-ing two cruise liners. That job takes three chapters and is written well enough that a novice writer could be proud of themselves. It was nothing to write the Hugos about, but it at least had the format of a classic heist story. The real problem showing up at this point is that the lack of consistency in outcomes and threats has undercut the tension so much that it's impossible to care what's happening. Making it worse is the lack of truly engaging characters. I read the sub-plot but for the life of me, I couldn't get involved.
They make it back home, one of the characters was injured in the caper, but they're going to regrow the leg they lost and so nothing matters, there aren't any permanent consequences, and I just don't care. Lorritt has a meeting with his lawyer, and that's it.
So far, the book is a collection of unconnected, disjointed events that don't join together to give the reader a sense of rising tension. There doesn't seem to be a broader, over-arching narrative to latch onto. There have been a few hints that there's something more to First's past than we've been told, or that the local-crime-boss subplot may at some point matter, but it's done in such small, throw-away moments and so thoroughly overwhelmed by the various off-shoot jobs that it really doesn't feel like anyone's progressing anywhere.
The Wolverine bit turns out to be Rick's best constructed subplot so far. There was some foreshadowing, and the job, and then at the end, a pay-off with the end of that job helping to solve a separate problem. It's a pity that Rick has so over-done the pop culture references, because the painful, dad-joke feeling that comes along with all his lame humor tainted the subplot to the point that it couldn't be enjoyed as much as it otherwise might have.
First then gets sent on a solo mission to repo a space-van that transports the Wolverines cover-band on their intergalactic tour. Because that reference just won't die. She dresses like a groupie and convinces security to let her on the ship. The lead singer happens upon her before she can lock the doors, and they have an almost-normal, almost tolerable interaction before First locks him in the escape pod and jettisons him into space. She brings the ship back to Junktion.
Back at base, First finds that someone broke into her apartment and was killed by her rock-based roommate, who moves in super-slow motion except for when he needs to squish interlopers. It is suggested that the event was an attempt by Soolie to threaten First. Later, we find the police have been alerted to the trafficking victims. Lorritt blames First and tries to fire her, only to have another crew member step forward and admit they were the one who snitched to the feds. In a scene that I am sure had Rick masturbating furiously as he wrote it, all the crewmembers valiantly step forward and proclaim their dislike for sex trafficking and join in solidarity with the snitcher. The boss who had put profit over virtue concedes, First keeps her job, and righteousness overcomes evil! Blah, blah, blah.
The next job is repo-ing two cruise liners. That job takes three chapters and is written well enough that a novice writer could be proud of themselves. It was nothing to write the Hugos about, but it at least had the format of a classic heist story. The real problem showing up at this point is that the lack of consistency in outcomes and threats has undercut the tension so much that it's impossible to care what's happening. Making it worse is the lack of truly engaging characters. I read the sub-plot but for the life of me, I couldn't get involved.
They make it back home, one of the characters was injured in the caper, but they're going to regrow the leg they lost and so nothing matters, there aren't any permanent consequences, and I just don't care. Lorritt has a meeting with his lawyer, and that's it.
So far, the book is a collection of unconnected, disjointed events that don't join together to give the reader a sense of rising tension. There doesn't seem to be a broader, over-arching narrative to latch onto. There have been a few hints that there's something more to First's past than we've been told, or that the local-crime-boss subplot may at some point matter, but it's done in such small, throw-away moments and so thoroughly overwhelmed by the various off-shoot jobs that it really doesn't feel like anyone's progressing anywhere.
The Wolverine bit turns out to be Rick's best constructed subplot so far. There was some foreshadowing, and the job, and then at the end, a pay-off with the end of that job helping to solve a separate problem. It's a pity that Rick has so over-done the pop culture references, because the painful, dad-joke feeling that comes along with all his lame humor tainted the subplot to the point that it couldn't be enjoyed as much as it otherwise might have.
Rick originally introduces his mechanic character who has giant claws with a play on their nickname. First asks whether it's 'Sheer' as in see-through, or 'Sheer' as in 'a thing that cuts things.' If Rick knew things about words, he would know that only one of those words is spelled 'sheer.' A pair of 'shears' has an 'a' in it, and so his pun-named mechanic is running around being called 'see-through' the whole novel instead of being called Shear, which is what Rick clearly meant. This sort of laziness is obnoxious in twitter posts, it absolutely shouldn't make it into a book that theoretically had an editor.
So Rick does the bit where the natural ferocity of a deadly, alien creature is overcome by the naivety of the protagonist bit, and does it poorly.
… I’ve seen this done well. There’s a scene in The Princess Bride (the book version) where Inigo and Fezzik are breaking into the Pit of Despair and have an encounter with the deadliest spider ever. That scene was hilarious, because it was done well. The Princess Bride version took the time to clearly set up the stakes for the characters. It, without equivocation, let the reader know how much peril existed and how blindly the protagonists were blundering into it. Because of that, when the solution turned out to be ridiculously simple, the sudden release of tension was hilarious and not lame.
Look at how Rick did it – we start off with a very vague description, a ‘snarling, angry maw’ and the ridiculously abused phrase ‘of a monster of ages.’ ‘A monster of ages’ isn’t a phrase people use, and makes Rick look like he learned English as a second language. We then get six lines of dialogue, half from a character saying it’s deadly, half from a character who can’t see the danger. And the not-cat just sits there, letting them talk. The dialogue isn’t painting a clear sense of danger, and the action of the beast itself so far says ‘all bark and no bite.’
Then we have the third party to this scene, whose words and actions also say that the beast isn’t dangerous. Hashin refuses to shut the door, and has no direction reaction to the not-cat.
Given the fact that the outcome of the scene was telegraphed from First’s very first line of dialogue in the scene, and that the dramatic build-up is being constantly under-cut in the very next sentence, when we get to the point where the not-cat turns out to be just fine, the reader is left going, ‘yah, saw that coming,’ instead of, ‘that was amusingly unexpected.’
Rick goes on with the not-cat, unable to commit to its level of danger. The cat-girl sex slaves on the ship have been scratched by the thing, supposedly as punishment or torture of some sort – but they’re all still alive and fine. My cat can scratch me just fine without being a death-dealing monster of ages, so Rick again does the thing where he gives evidence of its threat only to immediately undercut it.
Now we get to the station, where port authorities take the creature into custody to ship it back home. First, being the unparalleled retard that she is, decides that sending the thing home is just unmitigated cruelty, and decides to release the thing from its transport cage. In the middle of a crowded marketplace. And Rick again does the danger/under-cut-the-danger dance when the not-cat rips off a guy’s arm, and then doesn’t hurt anybody else as it escapes down into the service tunnels on the station. And then further undercuts the stakes by making it clear that the guy who lost his arm will grow it back and end up just as healthy and fine as he was before.
There was a bit hunting down the not-cat that involved a sewer-tentacle-monster that did undercut expectations. If everything else didn’t suck so much, that part would have been fine.
… I’ve seen this done well. There’s a scene in The Princess Bride (the book version) where Inigo and Fezzik are breaking into the Pit of Despair and have an encounter with the deadliest spider ever. That scene was hilarious, because it was done well. The Princess Bride version took the time to clearly set up the stakes for the characters. It, without equivocation, let the reader know how much peril existed and how blindly the protagonists were blundering into it. Because of that, when the solution turned out to be ridiculously simple, the sudden release of tension was hilarious and not lame.
Look at how Rick did it – we start off with a very vague description, a ‘snarling, angry maw’ and the ridiculously abused phrase ‘of a monster of ages.’ ‘A monster of ages’ isn’t a phrase people use, and makes Rick look like he learned English as a second language. We then get six lines of dialogue, half from a character saying it’s deadly, half from a character who can’t see the danger. And the not-cat just sits there, letting them talk. The dialogue isn’t painting a clear sense of danger, and the action of the beast itself so far says ‘all bark and no bite.’
Then we have the third party to this scene, whose words and actions also say that the beast isn’t dangerous. Hashin refuses to shut the door, and has no direction reaction to the not-cat.
Given the fact that the outcome of the scene was telegraphed from First’s very first line of dialogue in the scene, and that the dramatic build-up is being constantly under-cut in the very next sentence, when we get to the point where the not-cat turns out to be just fine, the reader is left going, ‘yah, saw that coming,’ instead of, ‘that was amusingly unexpected.’
Rick goes on with the not-cat, unable to commit to its level of danger. The cat-girl sex slaves on the ship have been scratched by the thing, supposedly as punishment or torture of some sort – but they’re all still alive and fine. My cat can scratch me just fine without being a death-dealing monster of ages, so Rick again does the thing where he gives evidence of its threat only to immediately undercut it.
Now we get to the station, where port authorities take the creature into custody to ship it back home. First, being the unparalleled retard that she is, decides that sending the thing home is just unmitigated cruelty, and decides to release the thing from its transport cage. In the middle of a crowded marketplace. And Rick again does the danger/under-cut-the-danger dance when the not-cat rips off a guy’s arm, and then doesn’t hurt anybody else as it escapes down into the service tunnels on the station. And then further undercuts the stakes by making it clear that the guy who lost his arm will grow it back and end up just as healthy and fine as he was before.
There was a bit hunting down the not-cat that involved a sewer-tentacle-monster that did undercut expectations. If everything else didn’t suck so much, that part would have been fine.
I'm just going to focus on the boss-man for this, but Rick really doesn't realize how bad he's making some of his characters look. Lead male protagonist 1.) sets up First and holds her hostage for 24 hours, 2.) does the bit where he opens a door too quickly and makes her fall flat on her face, 3.) is never seen doing any actual work, to the point that he'll even stay behind on jobs, 4.) looks like a torture demon, 5.) skips out on a party where he knows he has public responsibilities to have disgusting sex and doesn't even lock the door, despite the place being crawling with people, 6.) doesn't report sex trafficking to the authorities. This isn't a likeable guy. There's nothing about him to like, except that he's rich.
First is an unparalleled idiot. Hashin doesn't have any sort of a character at all. Jrill and Sheer are basically the same character, the tough, no-nonsense bitch that are too shallowly fleshed out to care about. The most likeable character in this book so far is the lead singer of the Wolverines who First jettisoned in the escape pod.
First is an unparalleled idiot. Hashin doesn't have any sort of a character at all. Jrill and Sheer are basically the same character, the tough, no-nonsense bitch that are too shallowly fleshed out to care about. The most likeable character in this book so far is the lead singer of the Wolverines who First jettisoned in the escape pod.
So Lorritt meets with his lawyer to talk about legal things. They meet in a public restaurant. They talk about things they're definitely going to want covered by attorney-client privilege there in the middle of the room. And, because it was as stupid in Fat's world as it is in ours, they get overheard by the local crime-boss who can now use the information they spilled to his own benefit.
I feel like Fat couldn't decide whether he wanted to write a serious story or a comedic Hitchhiker's Guide type absurdist book. So what he ended up doing was writing a serious story, and then whenever he got to a point where something unrealistically stupid happened, he just excused it by telling himself that this was an absurdist book, and therefore can't be held to a person of reasonable intellect's standards.
I feel like Fat couldn't decide whether he wanted to write a serious story or a comedic Hitchhiker's Guide type absurdist book. So what he ended up doing was writing a serious story, and then whenever he got to a point where something unrealistically stupid happened, he just excused it by telling himself that this was an absurdist book, and therefore can't be held to a person of reasonable intellect's standards.
A little while back, I encountered the term 'deepity.'
Fat decided that he needed to display the depth of his understanding of humanity and his insight, and 'deepity' is the only word that can describe it.
Aww... doesn't that sound nice and meaningful. The duality of man! The precious, uniqueness of our existence! Until you think about it for a few minutes and determine that this is a stupid non-statement. Loritt and Hashin have met exactly one human. They're in no position to go expositing on the nature of humanity. And say that it's an apt description of humanity, what is it really saying? That humans are willing to invest in the interests of people who they invest their interest in? That's such a basic tenet of social animals that you'd really have to spend time thinking out the ramifications of living with numerous species who weren't capable of bonding with each other in meaningful ways. That society would be so radically different from ours, that we ought to have seen some evidence of that lack of 'centering' other creatures in the book.
Instead, we saw the entire crew of the repo team putting the interests of a bunch of cat-girls above their own. Oops! It's almost like they forgot where the center even is when they brought the cat-girls into their circle. It's almost like we've been shown that aliens are capable of this and do it on a regular basis.
Shut up, Fat. You don't know what you're talking about.
Fat decided that he needed to display the depth of his understanding of humanity and his insight, and 'deepity' is the only word that can describe it.
Aww... doesn't that sound nice and meaningful. The duality of man! The precious, uniqueness of our existence! Until you think about it for a few minutes and determine that this is a stupid non-statement. Loritt and Hashin have met exactly one human. They're in no position to go expositing on the nature of humanity. And say that it's an apt description of humanity, what is it really saying? That humans are willing to invest in the interests of people who they invest their interest in? That's such a basic tenet of social animals that you'd really have to spend time thinking out the ramifications of living with numerous species who weren't capable of bonding with each other in meaningful ways. That society would be so radically different from ours, that we ought to have seen some evidence of that lack of 'centering' other creatures in the book.
Instead, we saw the entire crew of the repo team putting the interests of a bunch of cat-girls above their own. Oops! It's almost like they forgot where the center even is when they brought the cat-girls into their circle. It's almost like we've been shown that aliens are capable of this and do it on a regular basis.
Shut up, Fat. You don't know what you're talking about.
TL;DR: I take the fact that this book was published as a major affront against every other wanna-be author in existence. It's low-effort slop without heart or soul.
(edit: early posted, came back and finished the post)
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- Joined
- Dec 28, 2014
Imagine trying to make a joke with a pun and the real joke is you're an illiterate moron.
- Joined
- May 30, 2021
Pat's twitter was pretty boring again today. Just more sperging about Dune and the Jan 6th capital stuff. The one interesting thing he tweeted was this:
Pretty funny that the man who filed the stupidest lawsuit in the history of the internet described the courts as "worse than no use".
Pretty funny that the man who filed the stupidest lawsuit in the history of the internet described the courts as "worse than no use".
- Joined
- Dec 28, 2014
Why would anyone need to hack this sped to send out offensive, moronic shit when he posts it voluntarily all day long already?
- Joined
- Nov 11, 2016
I can only imagine that he considers it 'worse than no use' because they told him he would have to waste his time filling out paperwork before they would waste theirs.
- Joined
- May 30, 2021
Pat is having another twitter meltdown about the fact that a black man dared to think for himself.
'Classic conservative' - there are no harmless jokes about trannies.
Pat no! Using Pat's own standards, I watched this video and came to the conclusion that Patrick S Tomlinson hates trans people and wants them all murdered.
His meltdown continues:
Patrick S Tomlinson threatened to kill his ex-wife, here he is threatening another woman
Pat breaks the irony meter
An uppity black man pops up, Pat swats him away. What a racist!
Pat states that he has provided 'all of' the value?
The meltdown continues. I'd encourage everyone to read all of it, Pat is acting completely nuts here.
Pat is called out for acting like a tyrant, has predicable response.
This woman has interacted with Pat for twenty minutes and comes to the same conclusion as everyone else who has ever encountered him on the internet.
Pat is called out for childing
Pat must be very drunk, he starts deleting tweets and is called out for it.
He deleted to get rid of a typo. If he wanted to be consistent, then he would delete most of his tweets, for a so called writer, Pat can't spell.
Doubt
"I'm quite straight, actually"
As far as I am aware none of these people were trolls. They seem to be part of the remaining TERF/GC crowd that is left on twitter. Pat has gone to war with them before and flare=ups like this happen occasionally.
Edit: Over one hour later and he's still fighting, with new people now.
Patrick S Tomlinson has threatened hundreds of people online with rape and violence. Here he is lecturing someone on empathy:
"Oh baby doll" - sounds like the way a pedophile would talk. Pat also quote tweets the guy, something he's raged about other people doing to him.
'Classic conservative' - there are no harmless jokes about trannies.
Pat no! Using Pat's own standards, I watched this video and came to the conclusion that Patrick S Tomlinson hates trans people and wants them all murdered.
His meltdown continues:
Patrick S Tomlinson threatened to kill his ex-wife, here he is threatening another woman
Pat breaks the irony meter
An uppity black man pops up, Pat swats him away. What a racist!
Pat states that he has provided 'all of' the value?
The meltdown continues. I'd encourage everyone to read all of it, Pat is acting completely nuts here.
Pat is called out for acting like a tyrant, has predicable response.
This woman has interacted with Pat for twenty minutes and comes to the same conclusion as everyone else who has ever encountered him on the internet.
Pat is called out for childing
Pat must be very drunk, he starts deleting tweets and is called out for it.
He deleted to get rid of a typo. If he wanted to be consistent, then he would delete most of his tweets, for a so called writer, Pat can't spell.
Doubt
"I'm quite straight, actually"
As far as I am aware none of these people were trolls. They seem to be part of the remaining TERF/GC crowd that is left on twitter. Pat has gone to war with them before and flare=ups like this happen occasionally.
Edit: Over one hour later and he's still fighting, with new people now.
Patrick S Tomlinson has threatened hundreds of people online with rape and violence. Here he is lecturing someone on empathy:
"Oh baby doll" - sounds like the way a pedophile would talk. Pat also quote tweets the guy, something he's raged about other people doing to him.
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- Joined
- Aug 13, 2016
'Classic conservative' - there are no harmless jokes about trannies.
Fat Rick Sean Tomlinson was walking down the street with his ugly ass wife one day when he saw a homeless man furiously masturbating to a discarded lingerie catalog. Clearly seeing how his wife was offended, Fat Rick approached the man and said "Put your dick away now or we're going to have problems."
The homeless man looked Fat in the eye and said "Come again?"
And before Fat Rick could react, the homeless guy nutted on him. Then the homeless guy smiled and said "cuz I sure did you fat fucking bitch!"
The homeless man looked Fat in the eye and said "Come again?"
And before Fat Rick could react, the homeless guy nutted on him. Then the homeless guy smiled and said "cuz I sure did you fat fucking bitch!"
- Joined
- May 30, 2021
Nearly two hours later and our special piglet is still fighting. I can't cap everything, because I am only human, but here are some more highlights.
Pat can't do logic.
He also doesn't understand satire.
"This was never a conversation" - he said this unironically after he's snarkily replied to people nearly a hundred times during the last two hours.
Pat flagellates himself for being white, for a whole 13 twitter likes.
"U just dumb" - says the college dropout and "author" who misspells every second word.
"Female penises exist, child". Thank goodness Pat doesn't have any access to his daughter.
And the imposter childs have joined the fray. I'm surprised it took them this long to get involved.
Pat can't do logic.
He also doesn't understand satire.
"This was never a conversation" - he said this unironically after he's snarkily replied to people nearly a hundred times during the last two hours.
Pat flagellates himself for being white, for a whole 13 twitter likes.
"U just dumb" - says the college dropout and "author" who misspells every second word.
"Female penises exist, child". Thank goodness Pat doesn't have any access to his daughter.
And the imposter childs have joined the fray. I'm surprised it took them this long to get involved.
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- Joined
- Apr 10, 2019
lol the fact rick's a failed comedian and chappelle is one of the greats is probably why he's freaking the fuck out rn.
@Caverlock when are you gonna share his comedy set with us
@Caverlock when are you gonna share his comedy set with us
- Joined
- Apr 22, 2019
Fat is wrong, as usual. The only people authoritarians stand up for are minorities - the small percentage of the population they believe are deserving of social largesse. Authoritarians are anti-majority.
- Joined
- Sep 4, 2019
Thanks to whichever janny fixed the thread subtitle. Really improves my rick-watching experience.
- Joined
- May 30, 2021
Tell your 47 followers all about it, child.
But seriously, I think you are completely right. Pat calls himself a comedian, but I've never seen him demonstrate any semblance of having a sense of humor. And yes, that tweet I capped is from 6 minutes ago, he is still boasting about his fake twitter following that is 99% bots.
- Joined
- May 7, 2021
Holy shit at these last few updates. This fool is that unhinged I feel like he demonstrates a level of psychopathy, devoid of empathy and reason. I'm not even right wing, yet I hope Trump 2024 becomes the death knell for him and his ilk.
You do good work, Mr Moonface.
Edit: Pat and his fixation on children definitely gives off pedophilic energy.
You do good work, Mr Moonface.
Edit: Pat and his fixation on children definitely gives off pedophilic energy.
- Joined
- May 30, 2021
He's STILL melting down at people as of around an hour ago. Someone tweeted a Carlin quote at him and Pat lost his shit.
There was a lot more, but I'm honestly done capping. He's tweeted around 150 times about this nonsense and I couldn't be bothered to get it all. What's funny is that he opened up a twitter war on two fronts, against the conservatives and the TERFs. I found it funny that two groups who are so different could quickly put aside their gripes with each other and double-team our prized pig.
I've posted around 50 of his meltdown tweets over the last two pages of this thread, so I thought I would include the best of them here for easier reading.
Pat is "quite straight, actually."
The pedophile energy that @grey area mentioned is certainly in this next one. "Baby doll."
"Delusional is the very last thing I am."
And this last one isn't from Pat, but from a TERF (woman) he was fighting with. She summed him up perfectly in one brutal sentence. Pat's response is pretty hilarious.
TreeFortRichardsTCell
kiwifarms.net
- Joined
- Oct 16, 2021
Pat is having another twitter meltdown about the fact that a black man dared to think for himself.
View attachment 2658287
'Classic conservative' - there are no harmless jokes about trannies.
Pat no! Using Pat's own standards, I watched this video and came to the conclusion that Patrick S Tomlinson hates trans people and wants them all murdered.
His meltdown continues:
View attachment 2658289View attachment 2658291View attachment 2658292View attachment 2658293
Patrick S Tomlinson threatened to kill his ex-wife, here he is threatening another woman
View attachment 2658308
Pat breaks the irony meter
View attachment 2658313
An uppity black man pops up, Pat swats him away. What a racist!
View attachment 2658314
Pat states that he has provided 'all of' the value?
View attachment 2658315
The meltdown continues. I'd encourage everyone to read all of it, Pat is acting completely nuts here.
View attachment 2658334View attachment 2658336View attachment 2658337View attachment 2658338View attachment 2658339View attachment 2658356View attachment 2658399View attachment 2658402
Pat is called out for acting like a tyrant, has predicable response.
View attachment 2658348
This woman has interacted with Pat for twenty minutes and comes to the same conclusion as everyone else who has ever encountered him on the internet.
View attachment 2658361
Pat is called out for childing
View attachment 2658398View attachment 2658404View attachment 2658405View attachment 2658450View attachment 2658454View attachment 2658455View attachment 2658498
Pat must be very drunk, he starts deleting tweets and is called out for it.
View attachment 2658424
He deleted to get rid of a typo. If he wanted to be consistent, then he would delete most of his tweets, for a so called writer, Pat can't spell.
View attachment 2658431
Doubt
View attachment 2658435
"I'm quite straight, actually"
View attachment 2658492
As far as I am aware none of these people were trolls. They seem to be part of the remaining TERF/GC crowd that is left on twitter. Pat has gone to war with them before and flare=ups like this happen occasionally.
Edit: Over one hour later and he's still fighting, with new people now.
Patrick S Tomlinson has threatened hundreds of people online with rape and violence. Here he is lecturing someone on empathy:
View attachment 2658545
"Oh baby doll" - sounds like the way a pedophile would talk. Pat also quote tweets the guy, something he's raged about other people doing to him.
View attachment 2658533
