Sophie Labelle Verville / Guillaume Labelle / Serious Trans Vibes Comics / Assigned Male / Candycore Comics / Pastel Sexy Times / WafflesArt - Obnoxious webcomics and horrific porn by a crazy fat pedo troon

New comic
It was previously released on Patreon
https://kiwifarms.net/threads/sophi...tel-sexy-times-wafflesart.17137/post-11515584
Screenshot 2022-04-06 at 20-38-07 Assigned Male Comics.png
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https://twitter.com/AssignedMale/status/1511719493764104197 https://archive.ph/rYb4T
https://www.facebook.com/assignedma...aUYofahCFgAC4XwU4ipbAyWouV1PGvgcd16ByRHvFGt2l
https://www.facebook.com/photo/?fbid=380902584045786&set=a.121655759970471
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Screenshot 2022-04-06 at 20-37-14 Assigned Male Comics.png
Screenshot 2022-04-06 at 20-37-50 Assigned Male Comics.png
No Poutine version

From previous Poutine comic
Screenshot 2022-04-06 at 20-41-10 Assignée Garçon BD.png
Yesterday, my four-year-old child (who really likes your comics), told me that she no longer wanted to be a boy but to be a girl. The exploration begins, it is possible! Thank you for helping me make this possible for her!
 
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InteracialBowelSyndrome said:
"Nothing can stop us from multiplying"

Well that seems like a pretty rational take...

*Checks self-die stats*

Oh. Oh dear.
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Didn't Labelle force a lot of transgender people out of a support group he was also a member of simily because they disagreed with his extreme beliefs?

If true, that means he probably has a higher death count than all of Kiwi Farms.
 
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Neon Division said:
I love how lazy and phoned in the comics are sometimes
What's the point of making a comic if you're not going to take advantage of the medium at all.

Just 4 panels with 4 random characters all saying something you could've wrote in a short Facebook post.

It doesn't even have to look good since clearly his fans don't care.
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The point is money. Labelle isn't going to put in the effort beyond the minimum necessary to have his paypigs fling money at him.
 
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Sexy Senior Citizen said:
The point is money. Labelle isn't going to put in the effort beyond the minimum necessary to have his paypigs fling money at him.
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Not "money" it's troonditional to call it "support" which, of course, is money you bigot!

<crosstroon>
Devi ever Tim is king daddy in calling it "support" . I especially like it when he yells at kids for trying to provide 'emotional support' instead of forking over cash

could be worse, could be the ADF clasic "mutual aid"
</crosstroon>

They really need to get Sally Struthers on board with some late night adverts

Mutumbo lives in Uganda and is cursed with a big fat dick. Can you please help? for just 30 cents a day you can provide Mutumbo with a sundress,
gaffer's tape for tucking and a twitter account bluecheck so he can be the pretty 6'7" little girl he's always been
ADVERTISER'S NOTE ;95% of proceeds go to trauma recovery cycling vacations to heal the psychic injury of drawing Mutumbo and his giant adult pecker
 
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Neon Division said:
I love how lazy and phoned in the comics are sometimes
What's the point of making a comic if you're not going to take advantage of the medium at all.

Just 4 panels with 4 random characters all saying something you could've wrote in a short Facebook post.

It doesn't even have to look good since clearly his fans don't care.
Click to expand...

Labelle's awful writing has been a subject of discussion before, but it is a result of how he views the art of writing in general. He thinks he is guided by fits of "inspiration" when in fact it is just laziness. Sustaining a story arc with actual characters with dimension takes work. Even the most tired newspaper strips follow story arcs to a conclusion. But that is too "hard and boring" for an artiste like Labelle. Better to scribble out whatever pops into his head any given moment. As a result, there are three kinds of comics Labelle puts out:

1.) Random statements of opinion, either by a character in a single panels or multiple randos in a 4-panel comic.

2.) Strawmen who show up to get scolded by Stephie or Sandrat, sometimes in mutiple strips, but often just one single rant.

3.) Story arcs that lead nowhere. They often begin with a bunch of strips at first when the inspiration is strong, but since Labelle never has a plan or structure in place, they peter out with no conclusion. Then Labelle returns to one of the first two flavors of comic.

I strongly disagree with Labelle's worldview, but if he knew how to craft a story I would give him credit for that. But again, that would take work, and Labelle will never put in that much effort.
 
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FriendlyNeighborhoodDaddy said:
Labelle's awful writing has been a subject of discussion before, but it is a result of how he views the art of writing in general. He thinks he is guided by fits of "inspiration" when in fact it is just laziness. Sustaining a story arc with actual characters with dimension takes work. Even the most tired newspaper strips follow story arcs to a conclusion. But that is too "hard and boring" for an artiste like Labelle. Better to scribble out whatever pops into his head any given moment. As a result, there are three kinds of comics Labelle puts out:

1.) Random statements of opinion, either by a character in a single panels or multiple randos in a 4-panel comic.

2.) Strawmen who show up to get scolded by Stephie or Sandrat, sometimes in mutiple strips, but often just one single rant.

3.) Story arcs that lead nowhere. They often begin with a bunch of strips at first when the inspiration is strong, but since Labelle never has a plan or structure in place, they peter out with no conclusion. Then Labelle returns to one of the first two flavors of comic.

I strongly disagree with Labelle's worldview, but if he knew how to craft a story I would give him credit for that. But again, that would take work, and Labelle will never put in that much effort.
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I always think “story arc” is an inaccurate term in the way Billy uses it. Really, he just creates a scenario (Frank playing soccer, Ciel manning a helpline) and sets a bunch of strips there. The actual strips themselves are really no different from the one-offs. Characters talk about being trans and trans issues, but nothing actually happens. At the end of the arc, nothing is different and the status quo is unaffected. You could reorder the strips, remove some of them, and no one would be able to tell.

Case in point, the Frank playing soccer arc. Frank is at soccer and a character asks a trans character about being trans, because his dad is trans. Then they talk about trans shit. Other characters we’ve never seen before turn out to be trans. Then the arc ends. None of these characters ever appear again except Frank. Frank never refers to these events and is unaffected by them. Neither of the main characters appear. What was the point?
 
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Tragi-Chan said:
I always think “story arc” is an inaccurate term in the way Billy uses it.
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great analysis
I guess that's a similar criticism to I hear about "wokelit" in general and it's not b/c it's woke, but that it's a GRATUITOUS self-insert.
I say it's gratuitous b/c to some extent all lit has a self-insert, you have to come from your perspective in some way BUT what the big S self-insert does is make that insert the universal reality
There is no question in it
They don't answer the question "who are you" for the reader
or explore "how did I get here"
or "where am I going"


the characters spring forth like Athena fully formed there is no growth or real conflict. Tthere is just a premise that the Self-insert overcomes or transcends without process, risk , or question

it's just a statement "but for the terriblness of the world I would be pretty/rich/happy/successful.....ad nauseum"

It's juvenile - I mean developmentally, where the ego hasn't developed an empathy : a sense that others exist as full people.
It's like how you have to lose at candyland with a young child b/c they need to win to make the game have any worth. The worst part is you have to CHEAT at candyland to lose since there's no player agency, there are no decisions - if candyland is played right, what you learn is that shit happens you cant do anything about, that's the lesson
It's something that these Self-inserts just can't handle, they are still in the loss-tantrum phase and haven't played a straight game of candyland yet

Sophie's stuff is just a revenge/power fantasy where the baddie shows up to be immediately dispatched like the crooks in A Christmas Story


When I say they are socio-psycho-sexually retarded I mean that both as an insult AND as a genuine assessment of where they are in their personal development
 
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Tragi-Chan said:
I always think “story arc” is an inaccurate term in the way Billy uses it. Really, he just creates a scenario (Frank playing soccer, Ciel manning a helpline) and sets a bunch of strips there. The actual strips themselves are really no different from the one-offs. Characters talk about being trans and trans issues, but nothing actually happens. At the end of the arc, nothing is different and the status quo is unaffected. You could reorder the strips, remove some of them, and no one would be able to tell.

Case in point, the Frank playing soccer arc. Frank is at soccer and a character asks a trans character about being trans, because his dad is trans. Then they talk about trans shit. Other characters we’ve never seen before turn out to be trans. Then the arc ends. None of these characters ever appear again except Frank. Frank never refers to these events and is unaffected by them. Neither of the main characters appear. What was the point?
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"Your drawings are pretty good, but it doesn't make any sense, okay? It's fucking stupid. Okay? What you need here is elevation. There actually has to be something that happens that's actually funny. WHAT THE FUCK IS HAPPENING HERE?"

-Anthony Michael Hall
Freddy Got Fingered
 
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