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I liked IBO in large part for that exact reason though. It was a pretty realistic handling of character death, honestly. Orga decided not only to fuck around in the shadiest and darkest of underground circles, but also decided, against all forewarnings and conventional wisdom, to shortcut the way to Tekkadan's success as much as possible. And I believe if it were any other story, most people wouldn't think twice about the fact that when you cross dangerous people, there's usually severe comeuppance sooner or later. I don't know why a lot of IBO's viewers suddenly decided this couldn't possibly be the case with Gundam, but it should have been pretty obvious (at least, it always was to me) when you looked at the entire setting objectively.

Death isn't always glamorous. Death can, and often does, come in the most inglorious and abrupt of ways, especially when its least expected. And it makes no distinctions for the importance or significance of any person, or at least from a realistic standpoint, it should, if the writing doesn't protect those individuals through some means or another.
It's not even the deaths of Tekkadan members that bothered me too much, it's killing off literally all of the Turbines completely needlessly and the fact that they all got bitch deaths whereas pretty much every Tekkadan member got a heroic death. I'm not a big Gundam guy but I'm fluent enough in it to see you can tell a good story about war without cheaply killing off all of your characters just because you can. Also, I feel like most people would choose narratively satisfying storytelling over unsatisfying yet realistic any day cause you know this shit isn't real so it has less of an excuse to suck as much as reality can.
I didn't really have a problem with it because it winds up dealing with moral absolutes. The vamps are to be detested by humans because of what they do, but obviously in their eyes they cannot help who they are - they're fulfilling their biological requirements. Likewise humans naturally want them exterminated because they threaten the community and everyone in it. I enjoy this sort of nuance because it forces you to recognize the other side has a legitimate argument even while actively seeking them dead.

It's basically the Melian debate from Thucydides in anime form where judge, jury, and executioner are your ability to physically enforce your viewpoint on the opposition.
Nigga, that grey haired dude literally asked the little girl why the Vampire niggas don't just live peacefully in coexistence with humans since they know it's possible and wouldn't be that hard and she just goes "because yolo lmao", I have no sympathy for them.
 
Proud to say that this month, I’m going to be picking up volumes for Yotsuba&!, since this marks now almost six years since I read this for the first time, and it managed to get me back into reading manga full-time.

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I post this picture here because ironically enough, it was raining today, even when it’s no longer Summer anymore. It just brings further proof that Kiyohiko Azuma’s work is the best place to read under any weather setting (Azumanga Daioh, being the second).
 
It's not even the deaths of Tekkadan members that bothered me too much, it's killing off literally all of the Turbines completely needlessly and the fact that they all got bitch deaths whereas pretty much every Tekkadan member got a heroic death. I'm not a big Gundam guy but I'm fluent enough in it to see you can tell a good story about war without cheaply killing off all of your characters just because you can. Also, I feel like most people would choose narratively satisfying storytelling over unsatisfying yet realistic any day cause you know this shit isn't real so it has less of an excuse to suck as much as reality can.
Well, Turbine was basically Tekkadan's "sponsor" and in-road into the criminal underground. So when Tekkadan started causing trouble for the rest of the organizations, of course they were going to come down on Turbine as well for basically being Tekkadan's voucher and putting them into a position where they could cause a headache in the first place. Naze himself seemed to known someone was going to make a move on him sooner or later at that.

For me, IBO was narratively satisfying as it had everyone involved suffer the consequences of their actions. I don't think I would've enjoyed it nearly as much if contrivances were made so that our protagonists would've come out on top and survived it all. The setting and the powers that be over that setting were not nearly incompetent or powerless enough to allow that to happen. But it also ended on an interesting note, showing how those who survived the world basically coming down on Tekkadan making their own respective futures, carrying on their legacy in their own ways (Kudelia and Atra raising Mikazuki's son, Ride taking his revenge for Orga's death, the reformation of Gjallerhorn), so there was a strange bit of optimism as well, even its tinted by the fact that a lot of people had to die (and in some cases, somewhat pointlessly) to achieve that.
 
Proud to say that this month, I’m going to be picking up volumes for Yotsuba&!, since this marks now almost six years since I read this for the first time, and it managed to get me back into reading manga full-time.

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I post this picture here because ironically enough, it was raining today, even when it’s no longer Summer anymore. It just brings further proof that Kiyohiko Azuma’s work is the best place to read under any weather setting (Azumanga Daioh, being the second).
Yotsuba&! is my favorite manga ever. Been reading it since I started high school like fifteen years ago. (Half my life practically!) There’s just something so timeless and beautiful about it and it pretty much influenced my desire to have kids one day.

Yeah, the chapter release schedule is sporadic, but what’s there already is all fantastic I don’t even care.

Kind want to actually buy the volumes myself, but I don’t have much space in my apartment.
 
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Where do you get manga? Amazon?
Yesasia.com tends to have cheaper prices. Otherwise amazon or your local bookstore (I'm surprised by the selection every time I visit). Though local bookstores only have the latest volumes in my experience (so if the series you're looking for has 15 volumes, they'll have volumes 13-15 on the shelf, but not the first).
 
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It's not even the deaths of Tekkadan members that bothered me too much, it's killing off literally all of the Turbines completely needlessly and the fact that they all got bitch deaths whereas pretty much every Tekkadan member got a heroic death. I'm not a big Gundam guy but I'm fluent enough in it to see you can tell a good story about war without cheaply killing off all of your characters just because you can. Also, I feel like most people would choose narratively satisfying storytelling over unsatisfying yet realistic any day cause you know this shit isn't real so it has less of an excuse to suck as much as reality can.
It was made around the height of Game of Thrones' popularity and has a similar writing style of killing off characters for shock value and the "totally realistic" ending of "HAHAHA they ALL FUCKING DIE and the villain WINS" which is then made even more stupid by the epilogue where "AKSHUALLY things get better anyway BECAUSE THEY DO" which IIRC they put in there because some exec said the ending was too dark. It's almost like Victory Gundam, but even Victory's deaths felt more meaningful given they were all for traumatizing Uso, making the villains look more evil, or giving the viewer something to cheer when said villains die. Most deaths in IBO feel like they're in there "just because" rather than serving a storytelling purpose. But unlike ASOIAF where fans of the books can imagine the story could have a great ending that makes up for it (it won't), we know exactly how IBO ends, and it ends really poorly.

At least that's how I remembered it. I'm about halfway through rewatching it and the first season is long-winded and often poorly paced (it doesn't feel like Gundam in the slightest) but pretty good, and my above criticisms don't apply (as the first season deaths are handled well).
Gundam will be yurishit.
We needed some balance since IBO was the most fujo Gundam ever, more gay than all the fujobait in Wing, Seed, and 00 combined.
 
Gundam will be yurishit.


How do we go grom the best build series to yurishit in a few years?

I just want some gundam shit
If it's made well, then I don't see anything bad about it. It's more funny for me how twitter seems to only like it solely for the yuri content, lmao. Wouldn't be surprised, if it's the same type of people who post that ''war is bad you missed the point'' gundam meme. Even though they probably never watched any gundam. Like, yeah, war is bad and everyone knows it captain obvious, but giant robots are still cool tho.
 
Gundam will be yurishit.


How do we go grom the best build series to yurishit in a few years?

I just want some gundam shit
To be fair, it looks like the main baddies are a corporation insted of a military group in this series and fags like corpo.
 
Watching some Cyberpunk, and it's pretty flashy, as to be expected from Imaishi. I'm watching it subbed since I don't trust the dubwork (not that the subs would be any better but whatever), and I'm legit pissed I can't read the small text in the messages. Would it have killed Netflix to have put down the captions for those if just for bigger font for those of us sitting in the back?
 
It was made around the height of Game of Thrones' popularity and has a similar writing style of killing off characters for shock value and the "totally realistic" ending of "HAHAHA they ALL FUCKING DIE and the villain WINS" which is then made even more stupid by the epilogue where "AKSHUALLY things get better anyway BECAUSE THEY DO" which IIRC they put in there because some exec said the ending was too dark. It's almost like Victory Gundam, but even Victory's deaths felt more meaningful given they were all for traumatizing Uso, making the villains look more evil, or giving the viewer something to cheer when said villains die. Most deaths in IBO feel like they're in there "just because" rather than serving a storytelling purpose. But unlike ASOIAF where fans of the books can imagine the story could have a great ending that makes up for it (it won't), we know exactly how IBO ends, and it ends really poorly.

At least that's how I remembered it. I'm about halfway through rewatching it and the first season is long-winded and often poorly paced (it doesn't feel like Gundam in the slightest) but pretty good, and my above criticisms don't apply (as the first season deaths are handled well).

We needed some balance since IBO was the most fujo Gundam ever, more gay than all the fujobait in Wing, Seed, and 00 combined.
Ibo was on production for seven years before even airing, so I doubt game of thrones had any effect
 
Watching some Cyberpunk, and it's pretty flashy, as to be expected from Imaishi. I'm watching it subbed since I don't trust the dubwork (not that the subs would be any better but whatever), and I'm legit pissed I can't read the small text in the messages. Would it have killed Netflix to have put down the captions for those if just for bigger font for those of us sitting in the back?
It's actually pretty good dub-wise. Surprising considering how trash all of Netflix's other dubs tend to be.
 
Halfway into the new season of Jojo, pretty kino so far. One advantage it has over part 5 is that it keeps changing locations and circumstances, making each fight a lot more unique. While you could pretty much scramble most of Part 5's around and it will be unnoticeable.
IDK man, Part 5 had a fight on a train, on a plane, on a beach and at the Roman Colisseum. Each fight in Part 5 felt unique not just stand wise but location as well. Part 6 on the other hand. All the fights are at a Prison except for one being at a swamp.

Watch Jojo part 6. Apparently, Netflix did a shit job of subtitling. Had Foo Fighters referred as they/them then say she/her in the next episode. Good job, Netflix.
I noticed that shit as well. Like I get that FF is a bunch of Plankton so it is technically more than one person but didnt everyone refer to FF as she/her in the manga? Netflix is doing a good job at fucking up JoJo.
 
I did watch a ton of anime last month what a season. Call of the Night was really good. Beatiful animation and no annoying characters. Also the girls in it are hot. I would let Nazuna turn me into a vampire.

Devil Is a Part Timer S2 was enjoyable but I hate Alas Ramus or watever her name was. I just hate cute babies in anime, they piss me off. I noticed the animation wasnt as good as S1.

DanMachi S4 Part 1 was awesome. Loved all the gore in the last few episodes. I wont spoil anything but Bell becomes a little stupid towards the last 3 episodes. (Also the mermaid was cute).

JoJo Stone Ocean Part 2 was fucking insane as I expected. Dragons Dream was the best fight imo. Cant wait for the next stupid fucking batch instead of a weekly schedule because Wokeflix is stupid.

And finally Cyberpunk Edgerunners. Another series that shouldve been weekly but no. But For 10 episodes, its damn good. Tons of gore and tits with TRIGGER given creative freedom. No holding back on the action either. The last few episodes were kind of depressing though. Good anime overall.

Right now I'm watching Cowboy Bebop, Fuuto Pi and Bastard: Heavy Metal Dark Fantasy. Then I'll give Chainsaw Man a watch.
 
IDK man, Part 5 had a fight on a train, on a plane, on a beach and at the Roman Colisseum. Each fight in Part 5 felt unique not just stand wise but location as well. Part 6 on the other hand. All the fights are at a Prison except for one being at a swamp.


I noticed that shit as well. Like I get that FF is a bunch of Plankton so it is technically more than one person but didnt everyone refer to FF as she/her in the manga? Netflix is doing a good job at fucking up JoJo.
Iirc FF is. I think in general Netflix has done a shit job at subtitling anime.
 
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