/horror/ general megathread - Let's talk about movies and shit.

Every now and then I have a bug up my ass to re-watch Halloween 6. I don't know why? Perhaps nostalgia because it was one of the first of the franchise that I saw but holy fuck does absolutely nothing make any sense. And that applies to the Producer's Cut too.
It has possibly the worst ending out of them all.
 
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It has possibly the worst ending out of them all.
Both versions. It's just stunning how there was no real plot. They had ideas before they had a script and I don't buy the screenwriter's BS that his script was torn apart. The screenwriter is the same guy who wrote and directed this POS:


Halloween 6 was doomed from the beginning.
 
Both versions. It's just stunning how there was no real plot. They had ideas before they had a script and I don't buy the screenwriter's BS that his script was torn apart. The screenwriter is the same guy who wrote and directed this POS:


Halloween 6 was doomed from the beginning.
dudes a good documentarian though. I liked his work on Never Sleep Again and Crystal Lake Memories.
 
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Poor Michael Myers has had some truly unfortunate looks over the years:

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I give Rob Zombie some credit for tryin to mix things up, but he went overboard with the hobo thing

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On the other hand, Jason has somehow managed to look consistently pretty good over the years (Goes to Hell and Robo-Jason from X probably being the worst versions of the bunch, but more just goofy than outright bad).
 
Poor Michael Myers has had some truly unfortunate looks over the years:

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I give Rob Zombie some credit for tryin to mix things up, but he went overboard with the hobo thing

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On the other hand, Jason has somehow managed to look consistently pretty good over the years (Goes to Hell and Robo-Jason from X probably being the worst versions of the bunch, but more just goofy than outright bad).
yeah Xyber Jason is just sort of his own weird thing off in left field, like Stealth Voltron but not as bad
 
yeah Xyber Jason is just sort of his own weird thing off in left field, like Stealth Voltron but not as bad
I'm almost embarrassed by how cool I thought Stealth Voltron was as a kid. It's such a retarded design and a massive downgrade.

That CGI Voltron cartoon is pretty fun though. Tim Curry as Lotor is dope.
 
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I have never understood the Myers house scene in the first movie where a part of the house snaps off and breaks the window.

What is the best path to go from 1/8 screen 25% volume pussy viewer to full screen 5.1 surround sound 10pm horror lover? Do you build a tolerance for it by watching jump scare laden movies every night?
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Tubi recently added a found footage movie called "The Incel Tapes" and it's about what you'd expect from a movie called "The Incel Tapes"

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It's more boring than funny, but it may be the first movie in history where someone acts out a Wojak meme or says the word "coom" so I guess that's something.
 
Tubi recently added a found footage movie called "The Incel Tapes" and it's about what you'd expect from a movie called "The Incel Tapes"

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It's more boring than funny, but it may be the first movie in history where someone acts out a Wojak meme or says the word "coom" so I guess that's something.
There's already a docu: https://www.imdb.com/title/tt11602648/

It's okay.
 
Here’s a scary thought: Two horror powerhouses may be merging in order to create more terror.

James Wan’s Atomic Monster and Jason Blum’s Blumhouse, which between them have created horror franchises ranging from Saw and The Conjuring to Paranormal Activity and Sinister, as well as countless of other hits, are in advanced talks to merge.

The talks occur in the looming shadow of the upcoming horror movie M3GAN, which saw the two men team up as producers. They first partnered up with 2007’s Insidious, which spawned a franchise and was one of the more profitable horror movies made this century.

The merger has some unique attributes, as both companies would operate as separate labels, with each maintaining its own creative autonomy and brand identity.

Insiders say that after joining together the two brands, Atomic Monster would have a first-look deal with Universal Pictures. Blumhouse is currently under a first look with Universal as well. The studio recently released the final Halloween movie for Blumhouse and is distributing M3GAN.

Another aspect of the combination of the two companies is a deeper expansion into video games, live experiences and audio, something that both Blum and Wan are both very keen on. Blumhouse is part of Meta and NBCUniversal’s multiyear collaboration to bring franchises into the Metaverse. Wan, for his part, has seen his movies become Halloween- themed attractions and VR experiences.

Horror has proven one the few durable genres that can still consistently get people into theaters. This year especially is a strong one for scary movies, with Paramount’s No. 1 original and No. 1 horror title of the year. Blum’s The Black Phone was a critical and slow-burning box office hit, while A24’s one-two punch from director Ti West, X and Pearl, also won over critics and moviegoers.

Atomic Monster previously had a deal at Warners, where Wan is in postproduction on Aquaman and the Lost Kingdom and where his Conjuring movies and spinoffs have generated more than $2 billion in box office revenue alone. That deal expired over the summer, and observers were watching where the filmmaker would land next. Combining his shop with Blumhouse, in which he will have a substantial stake, if a deal closes, was not what most were expecting.



M3GAN, meanwhile, is shaping up to be a big draw, if social media is a metric. The film’s trailer launch became a cultural trend online spawning countless memes, fan reactions, and celebrity posts from people like Taylor Swift, Megan Thee Stallion and Halle Berry. TikTok posts that used the #M3GAN hashtag have been viewed 521.2 million times, per Blumhouse. Posts that use #M3GANDANCE are at 62.9 million.
 
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