Unpopular Opinions about anime/manga

That "hyperactivity" of anime seems to be lacking in manga and maybe also Japan-style vidya though.
Well, there are certainly melodramatic manga. And it does show up in video games from time to time, usually the more anime inspired ones. The characters in Ace Attorney, for instance, can be extremely dramatic. However, manga is comic medium, not a audio visual medium influenced by theater. And video games don't use real actors (most of the time).
 
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That's just a trope of Japanese storytelling; watch a Japanese film, especially an older period piece, or Japanese theater. You'll see the exact same overdramatic acting. Its probably got its origins in Kabuki theater, which, if I remember correctly, is an entirely visual medium with little to no words.
Funny you should mention that because I don't find old Mizoguchi films grating at all, yet whenever I tried watching live-action adaptations of manga, I cringed - the bad acting is exacerbated by poor direction and editing.
 
And possibly an unpopular opinion: I like when an anime or manga series is short.

That opinion reminded me of a MAL review of the short series "I Want You To Show Me Your Panties With a Disgusted Face":

I'm scoring it high for one main reason:

With a title like "I Want You To Make a Disgusted Face and Show Me Your Underwear", it actually delivers on what it promises. What says in the title is exactly what you get on every single episode.

How many thousands of minutes will you have to watch to finally see Luffy finding One Piece? Here, in the span of 24 minutes you get all 6 girls to look directly at you with a disgusted look in their face as they pull up their skirts to show you their panties. Does exactly what it says on the tin.

What I wonder, is how people have the patience to sit through shows that last 50, 100, 200, 500, or even 1000+ episodes, without burning out.

Thread tax: The artstyle in Clannad makes me not want to watch it. Nichijou as a show gives off bad/boring feelings to point, that it makes me wonder if anyone went to Canada to request for MAID, after watching it. (Can tourists or people on VISAs to Canada, actually get MAID?)
 
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Personally I see no reason to watch shows like Sailor Moon in modern day with all the filler and bloat when there is so much better. Same reason I can never rewatch DragonBallZ, it's SO slow
Honestly, the filler was the best part of Sailor Moon for giving the girls more character. Sailor Moon Crystal was just that godawful.
 
Honestly, the filler was the best part of Sailor Moon for giving the girls more character. Sailor Moon Crystal was just that godawful.
There can be good filler, ngl, it's just about portions really. Dragon Ball Z for example, full of it. Most doesn't really do anything than help the writers keep up with the manga. That's kind of how I see a lot of long running anime from the 80s to mid 90s.
 
There can be good filler, ngl, it's just about portions really. Dragon Ball Z for example, full of it. Most doesn't really do anything than help the writers keep up with the manga. That's kind of how I see a lot of long running anime from the 80s to mid 90s.
I have a personal belief with older anime that I call "Toei pacing", where they want to be faithful to the IPs they're adapting (including the scenery panel shots), but they'll still put in filler to put enough distance between themselves and the manga. It's a common practice in general, it's just that Toei seems like they're much worse at it due to the bad pacing they put together to meet that 24-minute runtime. Dragon Ball is a great series, I just do not blame people for giving up on the anime and going to the manga instead due to its dreadful pacing and constant lingering panning shots.
 
I have a personal belief with older anime that I call "Toei pacing", where they want to be faithful to the IPs they're adapting (including the scenery panel shots), but they'll still put in filler to put enough distance between themselves and the manga. It's a common practice in general, it's just that Toei seems like they're much worse at it due to the bad pacing they put together to meet that 24-minute runtime. Dragon Ball is a great series, I just do not blame people for giving up on the anime and going to the manga instead due to its dreadful pacing and constant lingering panning shots.
I think that's pretty accurate. I only made it to season 2 of DragonBall Z, and only because I was a kid. I've tried reaching it on my old DVDs, but the first episode just kills me. The 80s and 90s in my experience are a coin toss. Either the pacing is on point, or it's getting dragged out because they're planning on a multi hundred episode series. It just kills a lot of anime I would otherwise have watched.
 
I feel like the trend after isekai will be urban fantasy dungeon crawling.

There's quite a few popular enough manga and light novels out already, dungeons suddenly popping up around Japan/Korea/the world and starting a gold rush to find magic items and stat boosts, with the mc winning the lotto some way or another. Solo Leveling is one.

Its basically taking the middle man of waiting to be reborn out, and from an armchair pov it seems pretty obvious why people might want to write their own "how i get rich quick off of selling magic orbs" book.
 
Honestly, the filler was the best part of Sailor Moon for giving the girls more character. Sailor Moon Crystal was just that godawful.
Since this is the unpopular opinions thread, I guess I should confess that I prefer Crystal to the original.
I did not grow up with the original series. I had Japanese female friends at the time that branded any guy who watched that show as a lolicon. That stigma made me avoid it.

I'm older now and I don't really give a damn what people think about me anymore. I will grant that the old one had better animation, music, and voice acting. But I did not like how the story dragged. I could just tell the filler stories even though I've never read the manga. I couldn't finish even the first season.

Crystal cuts through the chase and gets to the point. I appreciate that.

I also can't watch the uncut Dragon Ball Z anymore either. It had better music and the voice actors in their prime, but I don't have the patience to sit through all that filler. I only watch the Kai version now.
 
Bleach's world building problem, ironically, comes from not enough character design variance. So, the basic premise of the Soul Society is that they're the ghost cops of the entire world, seeing as how dying is universal. But, every event is set in what is effectively an Edo Japan setting, implying that the Soul Society only really has jurisdiction in Japan. It's further complicated by how the 13 squads are bunched up together in the same place for insufficient reasons given their organization is roughly similar to prefectural police organization. Except the reason why police are organized in that way is to supervise various territory throughout the country, which does not really exist in the Soul Society. Some have their own niches, but overall, they're very interchangeable. So, what would mostly fix this problem? Ethnic costume designs signifying where a squad comes from. Like, a squad could be based around Spanish Conquistador armor or Germanic mercenaries or Zulu warriors (who must be tanned oppai girls) and so on. Without a word of dialogue, it communicates the idea that the Soul Society covers the entire world and its capital just happens to be in Japan for plot reasons. It also gives a general idea of what each squad specializes in like the Zulu specialize in Flash step techniques or Landsknechte specialize in swordsmanship.

That's not getting into lore that never gets explained ever because power creep fights are the lifeblood of the entire story and eliminate the very idea of having squads and organizations, but that's the sort of thing Shonen Jump demands, so clever tactics and strategy is a non-starter for a battle manga.
 
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Bleach's world building problem, ironically, comes from not enough character design variance. So, the basic premise of the Soul Society is that they're the ghost cops of the entire world, seeing as how dying is universal. But, every event is set in what is effectively an Edo Japan setting, implying that the Soul Society only really has jurisdiction in Japan. It's further complicated by how the 13 squads are bunched up together in the same place for insufficient reasons given their organization is roughly similar to prefectural police organization. Except the reason why police are organized in that way is to supervise various territory throughout the country, which does not really exist in the Soul Society. Some have their own niches, but overall, they're very interchangeable. So, what would mostly fix this problem? Ethnic costume designs signifying where a squad comes from. Like, a squad could be based around Spanish Conquistador armor or Germanic mercenaries or Zulu warriors (who must be tanned oppai girls) and so on. Without a word of dialogue, it communicates the idea that the Soul Society covers the entire world and its capital just happens to be in Japan for plot reasons.

That's not getting into lore that never gets explained ever because power creep fights are the lifeblood of the entire story and eliminate the very idea of having squads and organizations, but that's the sort of thing Shonen Jump demands, so clever tactics and strategy is a non-starter for a battle manga.
i'm not really sure if this is an actual unpopular opinion
only normies and retards unironically like bleach or think it has great writing
 
i'm not really sure if this is an actual unpopular opinion
only normies and retards unironically like bleach or think it has great writing
It starts strong and then falls apart in the same way DBZ falls apart: too much power creep. When everyone is pulling out the Super Saiyan skills, it makes a lot of characters obsolete.
 
the funny thing is this occurs in Bleach's first major arc rather than far down the road
What's interesting is that part of its failure comes from character design, which is Tito Kube's strength as an artist. He's fantastic at drawing faces, but when it comes to everything else, it's all on-the-fly so nothing ever really coheres right. I don't think a skilled novelist could fix Bleach as a setting, though it is a good example of how not to world-build.
 
Jujutsu Kaisen's recent half finished fight scenes felt better than the floaty and sporadic fights in season one, at least for me.

Less unpopular but the opening felt inappropriate during Yuji's melt down scene, I couldn't help but laugh.
Sometimes, no ost is the better option. I don't care if "the lyrics speak to the situation" or "the sudden energetic jpop contrasts to the despair of the scene". I'd rather the scene/voice acting just speak for itself.
 
Jujutsu Kaisen's recent half finished fight scenes felt better than the floaty and sporadic fights in season one, at least for me.

Less unpopular but the opening felt inappropriate during Yuji's melt down scene, I couldn't help but laugh.
Sometimes, no ost is the better option. I don't care if "the lyrics speak to the situation" or "the sudden energetic jpop contrasts to the despair of the scene". I'd rather the scene/voice acting just speak for itself.
It was Sukuna dabbing all over that pathetic loser Yuji.
 
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