Actually, yes but this man lived most of his life in Japan. Rene Hoshino, he mostly publishes his work on Twitter and JP Twitter is a big deal.
What Frankie has to realize is that the old way of making Manga isn’t really the ideal thing it used to be. There are far superior ways to appeal to the manga market and sector. Webmanga/Twitter manga is the way to go and despite the Qualified Invoice Tax fiasco, indie and self publishing is the way to go. It will always be the way.
Hear that, Monostar? Your brother is waiting for you! You just have to make your dream a reality! Your friends at KF are cheering for you!
We all suggested he do a webcomic. Not that I really wanted to piss in his cheerios but Weekly Jump is not a starting point. It's a final destination for a career.
That and getting into Jump is hard. You need to win like two to three beginner’s awards before you even get work there. Even then, you’re still a freelancer (Which again, qualified invoice tax is a chore so good luck).
Yes.
And a lot of those people work as assistants for several years prior. Webcomics and self-employment can be a headache but it can be a great way to break into the business. It can also be an end goal within itself.
Ara is the worst character because she's fucking yellow fever incarnate.
When I first read the "UwU, I had a bad bad dream almost sex scene," my first thought was she's going to look down, be disappointed, and in disgust leave his room.
See, that's doing proper research into trends, culture and the state of Korean Peninsula.
Snoot
And their editors don't just have a little bit of leeway either, I remember a story involving an editor and this small time mangaka called Akira Toriyama, where they made him change the fucking villains of the cell saga like four? times:
