What are you reading right now?

This is my favorite layman friendly video about the history of public perception on the string theory, if anyone is interested. I'd say she's not totally objective about some things, but neither is the other side.

I will watch this later, thanks.

Thread tax: I stopped reading American Psycho. It is undoubtedly one of the funniest books I have ever read, but the chapter describing the torture and murder of his ex-girlfriend was literally nauseating, and I've had trouble moving on. I will try to do so in the next day or two, because the book is great when it becomes a comedy of manners, and I really enjoy the contrast between Patrick Bateman's perception of himself as a gigachad sigma male who sees through everyone vs. the reality of him being a beta member of the pack just like all of his friends. The movie really does him a big favor by cutting out stuff like him being intimidated by black guys at a nighclub, or the numerous scenes where he and some of his friends make it clear that they memorize clothing catalogues and books about men's fashion, which they are unaware makes them look like gigantic homos, which is ironic since the worst-dressed man in his social circle is the only one who's gay.
 
I have recently finished The Queen of Zamba by L. Sprague de Camp. The novel centers around the quest of a private detective to retrieve the daughter of a wealthy business man, who has eloped to the far world of Krishna with her new husband. Of course, there are several catches to this simple task. First, our private eye has to go undercover as a local Krishnan. Second, he can't bring any tools of the trade. Instead having to use the same level of technology as the natives: vaguely medieval. Swords, and bows being the order of the day. Finally, and most importantly, he has absolutely no idea where the two elopers have gotten off to. What follows is his bumbling attempts to locate the girl and then somehow get her back to earth. Along the way he gets into several fights, spends some time in a dungeon, fight a duel and even gets to paint the portrait of a local king!
 
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It's nice to pretend the prequel trilogy doesn't exist and the Disney shit doesn't either. But I'm really enjoying them so far. I finished Heir to the Empire on one sitting. Been a while since a book kept me that hooked.
 
i bounce from book to book

Ass goblins of auschwitz. If your a terrible person who likes reading the most grotesque things ever. APPLE!

Richard allens skinhead books, they're old pulp books from the 70s punk scene that were popular back then. they really paint britan to be awful.

Everybody loves our town, lyrics taken from the mudhoney song 'everybody loves us', is a loose interview compilation book set around the founding of the grunge movement. I think its been a good read, lots of new bands I look out for now.

The Big Goodbye, Its about the filming of Chinatown 1974, its done in a old theatric styling like the movie. although blemishes the drama its been pretty informitave. If you like older films I'd give it a recomend.
 

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Currently reading through the Malazan series and am about to start book 4, House of Chains. This series has earned every single bit of its reputation. It is both deep and wide as an ocean and I’m enjoying it so much. I do have to space out each of the books with palate cleansers in between but I’m always eager to start the next in the series.

In between, I’m reading the Sun Eater series and I’m on book 4, Kingdom of Death. Christopher Ruocchio is going to cement his place in the science-fantasy genre with Dune and Star Wars if he pulls off the ending of the series, which I think he will. He has consistently put out good book after good book and I’ve been enjoying every minute of it, even is a lot of the elements have been taken from other series Ruocchio has read. He just manages to put them all together in a way that seems unique. It’s a good year for books, y’all.
 
I spent all day listening to Tenbond's narration of that Reddit story/ARG "Mother Horse Eyes".


Was interesting for the first half, but had to decay into the author's self-inserting bawwwing and angst over being a boozer. And the most intense story arc was unfinished with "subverted expectations" and some meta-narratives about "muh other timelines".

I should've expected such Whedonesque dross from Plebbitors. Why a venerable narrator like Tenbond (formerly Creepswork) would waste 10 hours on this is beyond me.
 
Richard allens skinhead books, they're old pulp books from the 70s punk scene that were popular back then. they really paint britan to be awful.
Thanks for the recommendation. I don't listen to punk, but writings about the scene during its heyday are fascinating. The way the movement was totally assimilated by the Borg by the 90s makes it all very poignant, too.
 
Finally got around to reading Naked Lunch. Found it to be really enjoyable, just completely fucking insane at points and if you embrace the madness and don't try to glean a clear plot out of it, you'll have a good time. The rhythm of Burrough's writing style also got really into my head, I was having dreams in the same kind of rhythm which I've never experienced before.
 
Finally got around to reading Naked Lunch. Found it to be really enjoyable, just completely fucking insane at points and if you embrace the madness and don't try to glean a clear plot out of it, you'll have a good time. The rhythm of Burrough's writing style also got really into my head, I was having dreams in the same kind of rhythm which I've never experienced before.
I read "The Ticket that exploded" a few months ago, i will just say the words "anal mucus" are repeated hundreds of times.
 
The Stranger by Albert Camus (translated by Matthew Ward). Started it with absolutely no expectations, other than knowing it's a very highly regarded book. I loved it, and am definitely going to read his other work (although his essays about why one world government is ideal I will probably skip). The writing style is very terse and there's not a wasted syllable, also it's fairly short so a very easy read.
 
This thread.

Due to a power outage I was finally able to get some time alone with The Andromeda Strain and plowed through it quicklike. It's a damn fine read.
Andromeda Strain is really good in that “the plot is an excuse to explain an idea” sort of way. Thirty years later, Chrichton took what’s essentially the same story and added actual characters to it to make Jurassic Park.
 
The Wind Began To Howl - by Laird Barron, the fourth story in the horror author's series about Isiah Coleridge, former mob enforcer now working as a PI in upstate New York, with some horror hinted at in the first couple of books, while in the third book, Worse Angels, the horror was somewhat more explicit.

In this new story, Coleridge is contacted by an old-school gangster, Marion Curtis. (“We were frenemies, as the kids say”). While Curtis knows Coleridge from his days as an enforcer, he wants to employ Coleridge as an investigator for what should be a "benign case". Curtis owns a production company/money laundry that specializes in indie films and is financially backing a new venture, the titular movie, and it's run into a snag. Director Gil Finlay needs permission to use a track in his movie from The Barnhouse Effect, a cult favorite band that's sort of "out there", consisting of two enigmatic brothers.

Gil and I were acquainted these past couple of years primarily because of our overlapping social circles. Curtis informed him I was a fellow one stored in his rolodex for a rainy day. We’d kibitzed at parties, waxing poetic over a mutual adoration of Clark Ashton Smith and Kurosawa. Tonight was our first meeting in my official capacity.

I arrived near sundown and found him at a corner table, studying his phone. Stocky. Middle-aged white boy. Buzzcut, jeans, and a Star Wars T. He was unlike the show biz types I’d met while breaking skulls for the Outfit; not Hollywood at all. More of an erudite comics nerd who somebody occasionally handed a bag of cash to make an arthouse flick. He appeared perpetually bemused by his good fortune.

It should just be a legal thing that could be settled with some phone calls or a meeting, but the Barnhouse brothers have been missing without a trace for three months. Still, it should be routine case, but Coleridge and his ex-Marine sidekick Lionel find themselves running into some weird characters as they try to locate the brothers, and end up going down some strange, sinister paths.
 
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The Stranger by Albert Camus (translated by Matthew Ward). Started it with absolutely no expectations, other than knowing it's a very highly regarded book. I loved it, and am definitely going to read his other work (although his essays about why one world government is ideal I will probably skip). The writing style is very terse and there's not a wasted syllable, also it's fairly short so a very easy read.

Funny, I came here to post that this was my next book I'm starting today. I'm in the same position you were of not knowing what to expect, only hearing that it's a classic.
 
I have just read The Terror by Dan Simons and I fucking loved the book. The atmosphere, the suspence and the way he writes the language of those seamen are beyond enjoyable and make a book a real page turner. Makes me want to read something Documental about Franklin'e expedition next time. The only tiny thing I found myself cringing about was his obsession over breasts. Like for fuck's sake each time we see Ms Silence in the scene we certianly get a description of "what her breasts doing". Totally understandable for the first couple of times but made be laugh afterwards. Again, does not make the book worse at all. Also, another thing which I did not expect to find in the book and that surprised me in a good way was his handling of homos. That is how one writes gays without making your book a woke shit.
I really enjoy Dan Simmons, I've also read his Hyperion Cantos.
However, I noticed he has a tendency to lore/exposition dump at the end of his books.
The Terror is a LONG book. Those last few chapters going over the lore of the monster could have been spread out thru the rest of the book.
I absolutely understand why he wrote it the way he did, but I would have preferred NOT knowing all the details of the spooky ooky instead of having them spelled out for me over the last few chapters.
The TV show is really good btw. I recommend you check it out.
 
I really enjoy Dan Simmons, I've also read his Hyperion Cantos.
However, I noticed he has a tendency to lore/exposition dump at the end of his books.
The Terror is a LONG book. Those last few chapters going over the lore of the monster could have been spread out thru the rest of the book.
I absolutely understand why he wrote it the way he did, but I would have preferred NOT knowing all the details of the spooky ooky instead of having them spelled out for me over the last few chapters.
The TV show is really good btw. I recommend you check it out.
I have noticed that too. The end of the book seemed a bit encyclopedical to me and all those iunuti names and terms are indeed hard to get especially when you get them all concentrated and at one place.
 
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