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I don't actually know which "literally me" show I would recommend more, way more or NHK.
I overall like NHK more but I kinda see watomote as more normies/weeb friendly (although I have seen a few anons complain that the more recent chapters or nothing but CGDCT, but I haven't seen past that anime so I don't know where it goes)
NHK is a hard sell and not just because it's a mid 00s gainax show that's visually aged like milk in some places. I'm mainly thinking about some of the jokes like the punchline when sato gets addicted to online porn, to the serious parts, specifically Mikasa's whole motivation to "save" a 22 year old hikikimori.
I watched it because I saw clip of Mikasa saying "nyaa". Don't know why it's such a hard sell. OP's really good too. When selling an anime, you just have to trick someone into watching the first episode.

EDIT: Rewatching the first episode. It really has a strong first scene and the audio mix is really good.
 
They aren't allowed to make them like Cromartie anymore, because they say "faggots" and whatnot in cromartie, which is """dangerous""".
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I mean, Cromartie's humor isn't really offensive at all like 98% of the time. Shows are better off being able to use whatever language they want but if it was never there in the first place, I don't think we'd be missing all that much.
 
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No offence man, but just read a plot synopsis. There's more to a story than just plot progression.
Sure, I'm sure some people were satisfied with Berserk becoming a quarterly artbook by Miura. But when I start reading a narrative driven manga about a man seeking revenge I want my narrative driving. In the best possible timeline Miura would have realized that his diminishing interest was a problem that he couldn't solve with Idolm@ster and writing a short manga about a wrestler fighting an evil empire with the power of drinking 1000 year old loli pee and would have stepped aside to an adversary position to someone else like Akira Toriyama did for Dragonball Super.
 
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I dont know if this is meant for here but what are the manga which Kuninobu keeps in his room in the Battle Royale movie? When I rewatched it I noticed that hes reading one and has couple more on a shelf. The cover looks like Haikyu or Slam Dunk but Im not sure, Im surprised there are no places on the internet especially preddit which have caught this.
It's Slam Dunk volume 30. Most of the cover is blocked by a paper jacket, but you can see the guy's head.
 
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Sure, I'm sure some people were satisfied with Berserk becoming a quarterly artbook by Miura. But when I start reading a narrative driven manga about a man seeking revenge I want my narrative driving. In the best possible timeline Miura would have realized that his diminishing interest was a problem that he couldn't solve with Idolm@ster and writing a short manga about a wrestler fighting an evil empire with the power of drinking 1000 year old loli pee and would have stepped aside to an adversary position to someone else like Akira Toriyama did for Dragonball Super.
I'm sure there were developments in his life that didn't allow him to constantly draw. Like fatigue, burnout, writer's block and whatever else. Outside of his work, enjoying Idolmaster, even though it's a myth that he'd sunken a huge amounts of time into it, is not something outrageous.
I don't know what you mean, but I'm assuming it's related to Gigantomakhia, but I've never read it. If you think branching off into other stories was a problem, you should know that Miura has had dozens of one-off manga done while he had worked on Berserk at the same time.
 
I watched it because I saw clip of Mikasa saying "nyaa". Don't know why it's such a hard sell. OP's really good too. When selling an anime, you just have to trick someone into watching the first episode.

EDIT: Rewatching the first episode. It really has a strong first scene and the audio mix is really good.
I say hard to sell in a comparison, Watamote I kinda view as lighthearted ribbing NHK isn't the type of show I would recommend as someone's first anime or to try and change there mind about it although some might beg to differ.

Although I do agree on the audio, NHK has one of the most underrated OSTs out there with Youkoso Hitori Bocchi probably being my one of my favorite insert songs
 
I'm sure there were developments in his life that didn't allow him to constantly draw. Like fatigue, burnout, writer's block and whatever else. Outside of his work, enjoying Idolmaster, even though it's a myth that he'd sunken a huge amounts of time into it, is not something outrageous.
Sure, but he never addressed them. George RR Martin has shit to do outside of putting pen to paper, but it's still OK to shit on his lack of content. Like if you're out of gas and working anyway but making no progress and it's clear you aren't really enjoying it but you do nothing to address it that's something you should be criticized for.

I could have at least respected the hustle if he just pulled a Yoshihiro Togashi with HxH where he sort of finished an arc and then went "You know what? I'm satisfied with the story just consider it the ending if you want. I'm gonna continue dribbling out content as long as I feel like it though I guess"
I don't know what you mean, but I'm assuming it's related to Gigantomakhia, but I've never read it. If you think branching off into other stories was a problem, you should know that Miura has had dozens of one-off manga done while he had worked on Berserk at the same time.
Yes; there was an awful lot of cope at the time that because he took the time off to write a short manga about drinking loli pee that he would comeback rejuvenated. He didn't.
 
Black Skin Shitty Gyaru: Tied to the city, doesn't care what class she's in because she skips anyway, couldn't care less about you.
Lily White Yuki Gyaru: Concerned about your homeroom placement, wants to sit together, walks with you to class to be near you more.
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I don't actually know which "literally me" show I would recommend more, way more or NHK.
I overall like NHK more but I kinda see watomote as more normies/weeb friendly (although I have seen a few anons complain that the more recent chapters or nothing but CGDCT, but I haven't seen past that anime so I don't know where it goes)
NHK is a hard sell and not just because it's a mid 00s gainax show that's visually aged like milk in some places. I'm mainly thinking about some of the jokes like the punchline when sato gets addicted to online porn, to the serious parts, specifically Mikasa's whole motivation to "save" a 22 year old hikikimori.

Both the Manga and Novel are worth reading. They have different stories.
 
but it's still OK to shit on his lack of content
Seems incredibly pointless, you're shitting on nothing then, since nothing is produced during the time there is no new episode. Hiatuses although annoying are a consequence of how the manga industry does things. Incredibly long working hours and tight deadlines. While you're younger you might be able to meet most of them, but that's not the case when you're becoming older. You should take into account the switch to digital drawing, also. That probably took a long time until Miura became comfortable with the new technology. Teaching his assistants would have also taken time, and interestingly, he still did not consider them good enough to work alongside with him on Berserk. AFAIK they only helped with small panels and added detail under his supervision.
Like if you're out of gas and working anyway but making no progress and it's clear you aren't really enjoying it but you do nothing to address it that's something you should be criticized for.
It's your speculation whether he enjoyed working on Berserk or not. I don't think it's true he didn't, but just because you love doing something doesn't mean you shouldn't take a break from it.
I could have at least respected the hustle if he just pulled a Yoshihiro Togashi with HxH where he sort of finished an arc
I don't think you realise how disrespectful you're coming across. Neither you, nor I, have any say when the manga should be finished. Since it was continuing with all the hiatuses that means the audience was still there, enjoying a high-quality work.

Just think about the contrast of the characters, their interactions and observations and their call to action differ now. Guts does not act at all like he was previously. Neither does Isidro or Pluck. Even established plot points are completely discarded. Why did Elfhelm creatures disappear? Because they were natives of the island? Why didn't Guts' party disappear then, I thought Isma's mom said that the island considered them to be natives? And especially Pluck who was already a native? Why did Isma disappear and not Pluck? How did Zod appear on the island? The only way possible is if he took the dolmen or branch pathways of the World tree. But it's said that only Griffith and Sonia can guide through them, otherwise the others would be lost. But had he just flown there, somehow not succumbing to exhaustion, how did he even know where it was located?

Whichever way you look at it, Miura took the necessary time to at least make sense of his universe's laws and worked not to contradict them. How characters interact, what they say, what abilities they poses. He wasn't just playing "Idolmaster". The community is so strangely fixated on that it thinks that if he never took it up somehow there would be more Berserk. If he had rushed his work the outcome would have been worse for him as a mangaka. This already happened once before, with the terrible Grunbeld novel.

Besides, you could just consider episode 364 to be a massive cliffhanger. It was probably the beginning of the last third of the Fantasia arc.
 
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Black Skin Shitty Gyaru: Tied to the city, doesn't care what class she's in because she skips anyway, couldn't care less about you.
Lily White Yuki Gyaru: Concerned about your homeroom placement, wants to sit together, walks with you to class to be near you more.
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This episode was very sweet and it's wrapping up things nicely. I am surprised how good Hokkaido Gals has been tbh. It has no right being this solid of a show, but it is
 
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Teaching his assistants would have also taken time, and interestingly, he still did not consider them good enough to work alongside with him on Berserk. AFAIK they only helped with small panels and added detail under his supervision.
Which speaks as much to trust issues as anything. He clearly didn't want anyone else taking over for him, but he clearly worked much much slower than he did in his youth. They aren't as good as he was but they are good enough and if he was still alive people would have trouble telling apart their output from his.

I don't think you realise how disrespectful you're coming across. Neither you, nor I, have any say when the manga should be finished. Since it was continuing with all the hiatuses that means the audience was still there, enjoying a high-quality work.
Oh I absolutely understand how disrespectful I am being, but I think his work output in the final decade of his life was more disrespectful to his audience. He probably didn't intend for it to be that way but he never fixed it. He died too soon but at the rate he was writing even if the Fantasia arc was actually the penultimate arc I doubt another 10 years of life would have got him there.

He wasn't just playing "Idolmaster". The community is so strangely fixated on that it thinks that if he never took it up somehow there would be more Berserk.
It's a meme you dip. It doesn't actually matter what actually was distracting him, it's a symptom not the sickness.
 
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Sure, but he never addressed them. George RR Martin has shit to do outside of putting pen to paper, but it's still OK to shit on his lack of content.
Yes but keep in mind GRRM is a terminally smug lardass who is not afraid of dishing out unwanted political/culture war takes and has an openly hostile relationship with his fanbase, so the contempt he gets is coming from more places than just his lack of output. Most manga artists, in contrast, tend not to go out of their way to attract attention. This is largely due to the more private nature of Japanese culture, granted, but the end result is artists like Miura don't tend to catch nearly as much flak for slow output.
 
I'm a big fan of Osamu Dezaki's work and started watching his adaptation of Dear Brother.

It's my first time really watching a shojo show and it's a delight. Dezakis iconic character designs and those still shots he loves to do brought me to it but the incredibly psychopathic characters has me hooked. A great unintended comedy to drink to before bed.

Everyone's personalities are to such an extreme, gives me Gundam Wing vibes.
 
Sure, but he never addressed them. George RR Martin has shit to do outside of putting pen to paper, but it's still OK to shit on his lack of content. Like if you're out of gas and working anyway but making no progress and it's clear you aren't really enjoying it but you do nothing to address it that's something you should be criticized for.

I could have at least respected the hustle if he just pulled a Yoshihiro Togashi with HxH where he sort of finished an arc and then went "You know what? I'm satisfied with the story just consider it the ending if you want. I'm gonna continue dribbling out content as long as I feel like it though I guess"

Yes; there was an awful lot of cope at the time that because he took the time off to write a short manga about drinking loli pee that he would comeback rejuvenated. He didn't.
Martin pissed people off by saying his book was nearly done for like a decade and a half. He wrote side material, became a media darling, sperged about Trump, and updated people saying almost done within that time.

People are pretty sure he’s either stopped caring, got pissed people called his ending, got angry that the HBO writers fucked up the ending that he told them, or is pissed people remarked that his story is no where near Tolkien and that his smug attitude isn’t earned because he literally just copied the War of the Roses.
 
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