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I'm not a fan of the new seasonal anime. Nothing really grabbing my attention.

Also wanted to comment that one of the indirectly funnier Gintama opening is Dilemma, primarily because it's a very serious sad song but if you know the context of the arcs it's referencing that's some of the more retarded arcs in the series.
 
Sadly she's worried about altering the future, since future-kids are precious to her too now, so she has to stay pretty tight-lipped. The party does figure it out/she tells them after being forced to use some future magic, so they help her no questions asked because Himmel's just like that. But at least she gets to hang out with them again for a few months. No doubt the anime will crank up the sweetness slider for all this.

But like I said I doubt we've seen the last of time travel and I bet she'll end up giving a real goodbye to elderly h.dogg after he returns to the stele or something. Though that might be a while since it's ostensibly why she's going to Aureole in the first place.
I'm up to date with the manga (will, unless a new chapter has come out in the last month or so), so I did see that bit and yeah, it was very frustrating that they couldn't be honest about anything, also shows the insane amount of devotion Himmel had for her, clearly he pieced things together and that almost kiss where they were both going all in was very indicative. Poor guy knew that she would eventually love him... 30 years after he died.

I will say though, if the second season ends up getting greenlit sooner rather than later, it will be a full season for sure, but a third season would be incredibly barren of content unless it goes with an anime only approach or puts it on ice to let the manga cover more ground. I honestly thing that the trip to the past can give a sense of "closure" to the journey if they don't think a season 3 is possible/is expected to take a very long time. Almost like if the mangaka planned it to be the last arc of it.

My hot take was more focused on how they end the series, I do think that reaching the land of the dead and everybody being allowed to chill to their hearts content is a copout, but I do want it to be enough to let Frieren and Himmel set the record straight (and while at it, give Fern some moments with Heiter, and some with Eisen as well assuming he is still alive by that point). Something bittersweet that just seems much more apt for Frieren than an outright happy ending.
 
I'm up to date with the manga (will, unless a new chapter has come out in the last month or so), so I did see that bit and yeah, it was very frustrating that they couldn't be honest about anything, also shows the insane amount of devotion Himmel had for her, clearly he pieced things together and that almost kiss where they were both going all in was very indicative. Poor guy knew that she would eventually love him... 30 years after he died.

I will say though, if the second season ends up getting greenlit sooner rather than later, it will be a full season for sure, but a third season would be incredibly barren of content unless it goes with an anime only approach or puts it on ice to let the manga cover more ground. I honestly thing that the trip to the past can give a sense of "closure" to the journey if they don't think a season 3 is possible/is expected to take a very long time. Almost like if the mangaka planned it to be the last arc of it.

My hot take was more focused on how they end the series, I do think that reaching the land of the dead and everybody being allowed to chill to their hearts content is a copout, but I do want it to be enough to let Frieren and Himmel set the record straight (and while at it, give Fern some moments with Heiter, and some with Eisen as well assuming he is still alive by that point). Something bittersweet that just seems much more apt for Frieren than an outright happy ending.
Huh, I got the opposite feeling from it. Like that was the chapter where the author realised they really need to start laying the groundwork for an ending arc and opened up a bunch of new mysteries.

For the last part I'm pretty confident Aureole won't be what it's being set up to be; there's zero chance of her arriving and just high-fiving Himmel's ghost. I mean in literally any other anime you'd expect a destination with that setup to either turn out to be something sinister or be a poignant disappointment, right? So Frieren has no shot. Cue timeskip to 400 years later when she's mastered spacetime magic right as the demon apocalypse arrives, then she jumps back and grabs Himmel and they fake his death so they can become time cops together
 
I'm not a fan of the new seasonal anime. Nothing really grabbing my attention.

Also wanted to comment that one of the indirectly funnier Gintama opening is Dilemma, primarily because it's a very serious sad song but if you know the context of the arcs it's referencing that's some of the more retarded arcs in the series.
My favorite detail from this opening would be the elevator sequence when Gintoki puts his head down and how the entire reason why he does that as soon as you get to the scandal arc. Such a good opening.
 
Maybe i'm aging out, but it seems there are fewer and fewer shows worth watching every season. I used to have several a day but now i'm lucky to have 1. Or maybe anime is going to shit? I'm tired of everything being censored and toned down to appease western audiences. mahou shoujo ni akogarete was refreshing because it went all out and didn't hold back. The new kenshin was shit, everything feels generic and the same. Good shows also seem to go on for far too long, take too long to produce and will never finish in my or the authors lifetime (made in abyss).
I find myself watching less seasonal anime as I get older but for slightly different reasons. When I was a kid in school I had plenty of time to watch whatever I saw based on the flimsiest of reasons and keep watching it because I had nothing better to do and anime was free as far as I was concerned (iirc the first website I used was one called anime freak). But now I'm usually busy with real life responsibilities and quite a few more interests outside of anime I can do thanks to a bit of disposable income to kill time. So the only thing that really changed is I'm more picky, I'm faster to drop something and more wary to pick something up in the first place. I'm looking back at some seasonal shows I watched 5-10 years ago and most I probably would of never watched if it came out today and I had nothing better to do, and a few I'm wondering how younger me even finished in the first place.
 
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Huh, I got the opposite feeling from it. Like that was the chapter where the author realised they really need to start laying the groundwork for an ending arc and opened up a bunch of new mysteries.
Fair, won't deny the goddess thing isn't one of the bigger mysteries in the setting.
For the last part I'm pretty confident Aureole won't be what it's being set up to be; there's zero chance of her arriving and just high-fiving Himmel's ghost. I mean in literally any other anime you'd expect a destination with that setup to either turn out to be something sinister or be a poignant disappointment, right?
Probably, but Flamme has been a pretty reliable presence in the narrative, I can't believe she would actively fuck with Frieren. So I do believe there is a truth to it. I also think that circumstances have changed after ... what, 900 years? But though I expect the journey to be daunting,I do expect Flamme's intel to be correct, even if very outdated.
Cue timeskip to 400 years later when she's mastered spacetime magic right as the demon apocalypse arrives, then she jumps back and grabs Himmel and they fake his death so they can become time cops together
Or we can do this. Which reminds me when was the "fuck you spell" from the short haired girl demon going to trigger? Was it like 2 years off or something like that? I expect that to be the next big arc.
 
So I do believe there is a truth to it. I also think that circumstances have changed after ... what, 900 years? But though I expect the journey to be daunting,I do expect Flamme's intel to be correct, even if very outdated.
Yeah that's my expectation too. Maybe she planted that big tree we see there in her illustration everywhere and that did something, or the demon king set up shop next door for a ~reason~, or something. I mainly just think it's such a goofy idea that arriving there will need to kick off more plot rather than being the real destination.

Or we can do this. Which reminds me when was the "fuck you spell" from the short haired girl demon going to trigger? Was it like 2 years off or something like that? I expect that to be the next big arc.
She said like a century but it was vague, and that was 80-90 years ago so it could be any minute or it could be something to deal with when we're babysitting Fern's kids.
 
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Fair, won't deny the goddess thing isn't one of the bigger mysteries in the setting.

Probably, but Flamme has been a pretty reliable presence in the narrative, I can't believe she would actively fuck with Frieren. So I do believe there is a truth to it. I also think that circumstances have changed after ... what, 900 years? But though I expect the journey to be daunting,I do expect Flamme's intel to be correct, even if very outdated.

Or we can do this. Which reminds me when was the "fuck you spell" from the short haired girl demon going to trigger? Was it like 2 years off or something like that? I expect that to be the next big arc.
Yeah, Flamme definitely wouldn't fuck with Frieren. And since she could read Serie like an open book, I'm guessing she could read a young Frieren too. Flamme probably knew Frieren would be like the typical elf, not realize the value of someone close to her, and would regret it later. Her tome that Frieren read said as much in the beginning.

The biggest question for me is why the fuck the Demon King's shit is up where "heaven" is supposed to be. Granted Ende, or "The End" will be used as a fairy tale story book ender for sure.
 
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Admittedly, I wasn’t even going to log in tonight to post on this thread, but I‘ve just finished reading the latest chapter of Nagatoro:

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I find myself watching less seasonal anime as I get older but for slightly different reasons. When I was a kid in school I had plenty of time to watch whatever I saw based on the flimsiest of reasons and keep watching it because I had nothing better to do and anime was free as far as I was concerned (iirc the first website I used was one called anime freak). But now I'm usually busy with real life responsibilities and quite a few more interests outside of anime I can do thanks to a bit of disposable income to kill time. So the only thing that really changed is I'm more picky, I'm faster to drop something and more wary to pick something up in the first place. I'm looking back at some seasonal shows I watched 5-10 years ago and most I probably would of never watched if it came out today and I had nothing better to do, and a few I'm wondering how younger me even finished in the first place.
If you just want to see what happens and get a general feel of the visuals rather than soaking in the animation or something, you can just keep skipping ahead 5 seconds and watch a whole episode in a few minutes. If you're watching subbed, you'll even pick up most of the dialogue.
 
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I just started rewatching GT. It’s not good but I’m kind of floored by how much better it is than Super. GT feels like a real continuation of Dragon Ball & Z, basically following Toryama’s old formula of having each main arc relate back to and bring full circle a plot point from a prior series. Goku’s tail for instance in the original series was unexplained for the most part and as such the Sayain saga and Namek arc explored that heritage and brought that plot device to its natural end point. The Android & Cell sagas then do much the same for the loose ends left by the Red Ribbon Army from the original series. The Buu saga on the the other hand is horse shit and doesn’t really reference anything prior with its main villians. I dunno maybe there’s a Gohan potential thing there but I don’t really care enough to explore that.

My point is, GT feels like a true and natural continuation of Z. Where it seems to fall apart is that it’s all kind of tacked on instead of circling back but in a way that isn’t as terribly retcon happy as Super thanks to most of these plot points being expansions on old ideas instead of attempts at tying up loose threads. For instance the Black Star Balls. They didn’t exist before but thanks to some light retconning, they do now and it’s all directly tied into a lot of history from the original series and Z. In this way I think it’s far more agreeable than say, changing peoples ages and hair colors at random like they did in super. Then there’s the Tuffles, another callback to Z via a retcon. Again, I think this is mostly okay. Obviously the writing could use some work but I don’t feel like it’s wasting my time like I usually feel with Super.
 
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If you just want to see what happens and get a general feel of the visuals rather than soaking in the animation or something, you can just keep skipping ahead 5 seconds and watch a whole episode in a few minutes. If you're watching subbed, you'll even pick up most of the dialogue.
I think I actually did do this back then as I can think of several series where I used that to "skip the boring parts", but I don't really think that's a good idea since it might be on the same level as watching an anime a 2x speed, your basically watching anime just to watch it, not because you actually enjoy the show at the point, and if your in the camp that thinks that there are less and less good anime to watch, your kind of shooting yourself in the foot a bit by speedrunning the few remaining good ones.

I generally think the OP and ED of an anime gives a good picture of what a show is about, who the cast is, the overall animation quality, etc. Aside from that imo random clips do a decent bit of convincing (it convinced me to watch bochi because of one of the random freak out scene and shangri-la frontier because of the bird shit death loop) and if its a adaptation from a manga I'll flip through a few chapters online since I can usually get through a good handful in the same time it takes to watch one episode give or take the specific series to get a rough idea.
 
Admittedly, I wasn’t even going to log in tonight to post on this thread, but I‘ve just finished reading the latest chapter of Nagatoro:


View attachment 5910763

Apologies for double posting, but for Nagatoro, I forgot to post the edgy stuff:

THE APEX OF ANIMATION
THE CROWN JEWEL OF COMICS
THE MAGNUM OPUS OF MANGA
THE PEAK MOTHERFUCKING FICTION

Also, no 3 week break this time so the curse has ended. Nagasisters, we are victorious today... now I'm sad at the absolute state of Komi-san.
I just started rewatching GT. It’s not good but I’m kind of floored by how much better it is than Super. GT feels like a real continuation of Dragon Ball & Z, basically following Toryama’s old formula of having each main arc relate back to and bring full circle a plot point from a prior series. Goku’s tail for instance in the original series was unexplained for the most part and as such the Sayain saga and Namek arc explored that heritage and brought that plot device to its natural end point. The Android & Cell sagas then do much the same for the loose ends left by the Red Ribbon Army from the original series. The Buu saga on the the other hand is horse shit and doesn’t really reference anything prior with its main villians. I dunno maybe there’s a Gohan potential thing there but I don’t really care enough to explore that.

My point is, GT feels like a true and natural continuation of Z. Where it seems to fall apart is that it’s all kind of tacked on instead of circling back but in a way that isn’t as terribly retcon happy as Super thanks to most of these plot points being expansions on old ideas instead of attempts at tying up loose threads. For instance the Black Star Balls. They didn’t exist before but thanks to some light retconning, they do now and it’s all directly tied into a lot of history from the original series and Z. In this way I think it’s far more agreeable than say, changing peoples ages and hair colors at random like they did in super. Then there’s the Tuffles, another callback to Z via a retcon. Again, I think this is mostly okay. Obviously the writing could use some work but I don’t feel like it’s wasting my time like I usually feel with Super.
GT is great in it's own way, specially with the Baby Saga. It's essentially a lot of great ideas with bad execution. Ironically, it birthed even greater ideas used to this day in the series. Fake Vegeta in DBS is basically a shitty Baby Vegeta, Goku Black's very concept is also a lazily rehashed Baby Vegeta (whose design might actually be stolen from DeviantArt), Zamasu is technically from DBAF, which was supposed to be after DBGT, etc.. Hell, there's a reason that Dragon Ball Heroes, a series basically made of fanservice games have a lot of SS4 cards.

Also, Baby Vegito Black needs to be a thing, even if it's in something like DB Heroes. It's the best creation of the fandom to this day.
 
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Maybe i'm aging out, but it seems there are fewer and fewer shows worth watching every season. I used to have several a day but now i'm lucky to have 1. Or maybe anime is going to shit? I'm tired of everything being censored and toned down to appease western audiences. mahou shoujo ni akogarete was refreshing because it went all out and didn't hold back. The new kenshin was shit, everything feels generic and the same. Good shows also seem to go on for far too long, take too long to produce and will never finish in my or the authors lifetime (made in abyss).
Personally I tend not to follow trends. I just pick up whatever shows seem to stick in collective memory a few months/years after the fact along with anything else that looks up my alley. Absent the sugar rush of hype it's much easier to enjoy something for what it does well without having unrealistic expectations of it doing everything well.
Of course some hyped series really are trash through and through.
 
The live-action ‘ONE PUNCH MAN’ movie is moving forward. ‘Rick & Morty’ writers Dan Harmon & Heather Anne Campbell are now writing the script. Justin Lin is still set to direct.

Which disgusts me more, that it's a Hollywood live-action version of an anime, which have such a track record for quality, or that it's from the creator of Rick & Morty and one of that shows writers. As other people have noted, among Heather Anne Campbell's credits is an episode of that Twilight Zone reboot entitled "Not All Men" where a fallen meteor was supposedly making men act like violent fiends and the reveal was "the meteor didn't do anything, men are just inherently violent rapists and wanted an excuse".

Hollywood execs refuse to hire people who actually like the source material of the things they adapt, so they choose the same aging millennials to handle these properties instead only to put jokes like “haha piggy poop balls” in them rather than write actual humor.
 
Which disgusts me more, that it's a Hollywood live-action version of an anime, which have such a track record for quality, or that it's from the creator of Rick & Morty and one of that shows writers. As other people have noted, among Heather Anne Campbell's credits is an episode of that Twilight Zone reboot entitled "Not All Men" where a fallen meteor was supposedly making men act like violent fiends and the reveal was "the meteor didn't do anything, men are just inherently violent rapists and wanted an excuse".
Remember the Nigger Cthulhu series that got made? Which just took Lovecraft stories and made them with Niggers instead, offering nothing new or original except forced Niggers? The real Lovecraft, being Based, wrote things like "The Queer-looking Nautical Negroid" in his works, and he also had a Cat with a great name, which makes the commie crowd rage. Shows now are blatantly made for propagandistic purposes, mask off, and the agenda has been clear for over a decade.
 
Does anyone know what went on with Kaiju No.8's animation? The show looks amazing but the trailers looked extremely lackluster to the point I wasn't even gonna bother watching until someone here said how great it looked to my surprise. Even the friend I watched it with wasn't going to watch it because of how unimpressive the trailers were, maybe I missed the one that actually looked good but I find it really weird that most of the trailers advertising it just showed simple story beats instead of the amazing animation.
Oh shit, I just found out GTO got put on Netflix recently! Gonna finally bite the bullet.
You will not be disappointed, it's a great series but the anime is kind of a censored version of the manga and cuts a lot of shit (like literal fecal matter sometimes) out. It even cut the first chapter where you see Onizuka's physical transition from delinquent to wannabe-teacher along with his reason for wanting to do it in the first place although it didn't remain his reason for long. The anime is great but if you like it, definitely give the manga shot, I also recommend the dub because 3 people voice like half the cast and 2 of those people are Steven Blum and Wendee Lee who imo are some of the best english VA's out there.
 
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