Business Box Office Meltdown: ‘Garfield' Claims Victory Over ‘Furiosa' With Worst No. 1 Memorial Day Opening in Three Decades

Archive: https://archive.ph/pUkOo
Source: https://www.msn.com/en-us/movies/ne...rial-day-opening-in-three-decades/ar-BB1n2Ilq
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Alcon and Sony’sThe Garfield Movie is claiming victory ahead of George Miller’s Furiosa with an estimated four-holiday gross of $31.9 million, the worst Memorial Day No. 1 opener since Casper debuted to $22.5 million nearly 30 years ago in 1995 (and that’s not adjusted for inflation). This stat excludes 2020, when theaters were closed during the pandemic.
Furiosa, a prequel that sees Anya Taylor-Joy play a younger version of Charlize Theron’s character in the last film, had been expected to open to $40 million to $45 million for the four-day holiday but instead is the latest summer event pic to underperform in its launch (an exception is The Kingdom of the Planet of the Apes). Mad Max: Fury Road started of with a three-day gross of $45.4 million.
However, the race isn’t over just yet. Furiosa made more than Garfield for the three-weekend with an estimated $25.6 million versus $24.8 million, but the four day number is the key stat. Rival studios either show Furiosa slightly ahead for the four days, or have the two movies tied. Warners has taken the unusual position of not reporting a four-day estimate until Monday (with the race so close, and the headlines so bad, it’s easy to understand why the studio is deviating from tradition).
Miller’s film cost a pricey $168 million to make before marketing. Garfield - voiced by Chris Pratt and financed entirely by Alcon - cost a much more modest $60 million and opened in line with expectations.
Elsewhere, Angel Studios continues to try to emulate the stunning success of last summer’s Sound of Freedom, but so far hasn’t come close to doing so. This weekend, it is opening the faith-adjacent film Sight, which may only gross $3.5 million from 2,100 cinemas for the four days for a seventh-place finish.
Back in the top five, IF is holding firmly at No. 3 in its sophomore outing with an estimated four-day gross of $21 million from 4,068 locations for a 10-day domestic total of $63.6 million. The family pic’s estimated three-day gross of $16.1 million is down 52 percent, a decent hold considering it is competing with Garfield for families. That’s needed good news for Paramount, director John Krasinski and star Ryan Reynolds after a soft opening.
The Kingdom of the Planet of the Apes, playing in 3,550 theaters, placed No. 4 in its third outing as it nears the $300 million mark globally. The 20th Century/Disney tentpole reported an estimated four-day gross of $17.1 million for a domestic total of $126.5 million and at least $298.5 million globally through Monday.
And despite now being available to rent on premium VOD, The Fall Guy‘s estimated three-tally of $6.2 million marks a drop of just 25 percent. For the four days, the Ryan Gosling-Emily Blunt starrer is expected to round out the top five with $8 million from 2,955 locations for a domestic tally of $74 million.

May has been a brutal start to the summer season as the box office continues to suffer from marquee titles being pushed back because of last year’s labor strikes. Marvel Studios usually kicks off summer over the first weekend in May with a superhero tentpole, and this year it was going to be Deadpool & Wolverine. Marvel and Disney, however, had to push the film - which had to halt production because of last year’s SAG-AFTRA strike - back by nearly three months to a planned July 26 release date.
At the specialty box office, Neon’s Babes cracked the top 10 as it expanded into 589 theaters. The dramedy earned an estimated $1.3 million for the four days for a solid domestic total of $1.5 million through its second Sunday.
A24’s I Saw the TV Glow placed No. 13 as it expanded into 458 theater, earning a so-so $642,000 for the four days for domestic cume of $2.8 million.
More to come.

May 25, 9:45 a.m.: A previous version of this story incorrectly said it has been 40 years since a No. 1 Memorial Day movie opened so low.

May 26, 7:35 a.m.: Updated with revised weekend estimates.

This story was originally published on May 25 at 8:40 a.m.

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I got better shit to do than see "Jim Davis' talentless abortion 4" or "Mad Max stolen by feminists and they made Venom cry." Drinkin', boatin', layin' some pipe, maybe other stuff. I'd have maybe gone to a Marvel movie if they weren't all about brown women I hate the past few years.
Maybe politisperging but. This was the only method that Marvel and Disney does nowadays, it is the main priority of doubling down even further by shitting on their fans, caring about quantity over quality more, repeating the same shit over and over again with no second thoughts, heavy layoffs, manipulations, burning bridges with multiple actors not listening to their greedy beliefs and propaganda, pandering to grifters and shills alike, 0.1% of the world population, and still girlbosses like a real girlboss with more DEI for ESG brownies.
Most westoid corporations always double down further by repeating the same method as Disney, Lucasfilm and Marvel does and makes them a massive turnoff for normies in general.
What even keeps Hollywood afloat these days?
Papa Larry's cash injections?
Desperation to keep Hollywood relevant by overhyping worthless projects, raceswapping, more girlbosses, catering to 0.1% of the world population, more fuckload of CGI, excessive movie budget and clinging to daddy Larry's wealthiness? :thinking:
Memorial Day is on Monday.

Garfield hates Monday.

Garfield loves lasagna.
I hate Memorial Day, which is Monday Jon. But I love lasagna.
 
Based on a decade and a half of bad experiences, I will not watch a film or tv show with a woman, a nigger, or a gay prominently displayed as protagonists in the promos.

You know it's going to be offensive political garbage, and if it's somehow accidentally not, it's a mediocre rehash of something you've seen from the 90s that did it better, or just a flat out rip off of a 70s film that they are counting on young people not knowing.

The Platform (2019) is the only good film made in the 2010s, and it would have been considered a cult B-movie in the 80s on par with Miracle Mile. And it was a Spanish production!
 
Pretty curious nobody mentioned the possibility that box office receipts are shit because the fucking economy is shit. It's more a sign that people in general just have less to spend, and those who can are not, for whatever reason.
But think of HOLLYWOOD! Why don’t you want to spend $12 a head to see a movie that’s going to be on HBO Max (and pirate sites) in 3 months.
 
I think George Miller has wanted to flesh out the Mad Max world and the backstories of these characters for decades, so at least there's some passion behind it and it's not a pure shameless cash-grab.

But yes, it's still completely unnecessary.
The irony is that the Mad Max video game did a amazing job fleshing out the world of Fury Road and should have been the prequel.

People just have fatigue about another girl boss lead movie.
 
It's not the economy, though that doesn't help. It's because Hollywood hasn't made a good movie in years.

Over half of the movies currently showing at my local movie theater are anime or other foreign language films. Theater owners want to stay in business and if Hollywood can't produce content that gets people in seats, then they'll buy content from someone else.
 
Pretty curious nobody mentioned the possibility that box office receipts are shit because the fucking economy is shit. It's more a sign that people in general just have less to spend, and those who can are not, for whatever reason.
Why the fuck you'd spend on movie tickets when everything worth watching will end in 90 days at either Apple TV, or HBO max anyway?

For 300$ you can buy a Oculus quest and watch films on a movie screen set on the fucking moon/or a big ass 4k tv.
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You guys are lucky though, basically every movie theater on a non english country offers dubbed only because zoomers are too retarded to read subtitles, so you pay a fortune for having basically shitty dubs by voice actors who cornered the market despite being in their 60s and having to basically have only dialogue audio because mixing engineers aren't a thing anymore and they have to mute the English voice track.
 
me and many others assume that any action film with a woman lead is going to be bitchy girlboss nonsense and don't want to see it.
This is what NPCs have an extremely difficult time understanding: yes, prominent female or non white leads create skepticism these days. But the reason isn't that Donald Trump injected us all with The Racism. It's because we've spent the last 12 (at least) years being told that every time it happens, it's a hostile act against white men. They said this in their own words. We're simply assuming that they're telling the truth.
 
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