- Joined
- Jul 26, 2024
Disappointing. I was really hoping that Mal would end up spreading her wings and flying - not because I think she deserves it, but because it would be funny to watch Joe's reaction. Oh well. It's not a lock that Women's Hotel will sink with few ripples but it's definitely looking more likely after @Wonderland foster child 's writeup and excerpts.
Looking at Goodreads it's up to 200 ratings and 75 reviews. It's also down to a 3.20 overall score. The people who like it, like it for the prose. Even with the spotlight in this thread shined on some fairly egregious examples of wordsmithing, there were still pieces that had a bit of sparkle. Even the people who gave it five stars admitted that there really wasn't much else to the book, and if you're not as in love with Mal's voice as she is then the lack of plot and thin characterization isn't going to keep you invested.
The pity is that there seem like there are real characters in there, that are never really given a chance to open up for the reader to understand what made them they way they are and what they make of their lives. As much as I enjoy the sentence "Whatever else might be said about her, she never again pushed anyone else out a window, and she never stole another cat", Ruth seems like she needed to be explored. She's a long-term resident of a place intended to be a temporary stop on life's journey, she's someone who never figured out how to be around and with people though she desperately wants to form connections. She's a weird hoarder and apparently a cat kidnapper. That's a solid foundation for in interesting character!
This book seems like it would have been so much better if Mal had delved into what makes these people tick and how those idiosyncratic and occasionally self-destructive drives manifest in their interactions with one another and the world at large. But it comes off, at least from the writeups in this thread, that it's mostly about strained politesse. Also, fewer words. Mallory needs to stop reading things Joe writes, or stop getting his notes on her drafts or whatever it is that she's been doing these past years that made her writing more like his. No one who has ever put pen to paper would improve their craft by trying to incorporate lessons from Joe's prose. I'm not saying she needs to be terse, but she's moved way too far into 'deliberately bloated' as a writing style.
Pity.
Looking at Goodreads it's up to 200 ratings and 75 reviews. It's also down to a 3.20 overall score. The people who like it, like it for the prose. Even with the spotlight in this thread shined on some fairly egregious examples of wordsmithing, there were still pieces that had a bit of sparkle. Even the people who gave it five stars admitted that there really wasn't much else to the book, and if you're not as in love with Mal's voice as she is then the lack of plot and thin characterization isn't going to keep you invested.
The pity is that there seem like there are real characters in there, that are never really given a chance to open up for the reader to understand what made them they way they are and what they make of their lives. As much as I enjoy the sentence "Whatever else might be said about her, she never again pushed anyone else out a window, and she never stole another cat", Ruth seems like she needed to be explored. She's a long-term resident of a place intended to be a temporary stop on life's journey, she's someone who never figured out how to be around and with people though she desperately wants to form connections. She's a weird hoarder and apparently a cat kidnapper. That's a solid foundation for in interesting character!
This book seems like it would have been so much better if Mal had delved into what makes these people tick and how those idiosyncratic and occasionally self-destructive drives manifest in their interactions with one another and the world at large. But it comes off, at least from the writeups in this thread, that it's mostly about strained politesse. Also, fewer words. Mallory needs to stop reading things Joe writes, or stop getting his notes on her drafts or whatever it is that she's been doing these past years that made her writing more like his. No one who has ever put pen to paper would improve their craft by trying to incorporate lessons from Joe's prose. I'm not saying she needs to be terse, but she's moved way too far into 'deliberately bloated' as a writing style.
Pity.