Twelve-Foot Tall Sculpture Of A Black Woman Stands Tall In Times Square.

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Price's "Grounded in the Stars" sculpture is a subtle nod to Michelangelo’s David and inspires deeper reflection around the human condition.

Visitors and residents of Times Square have a new piece of artwork on view these days: a 12-foot-tall sculpture of a woman, titled Grounded in the Stars, stands at Broadway and 46th Street.

The bronze sculpture is the brainchild of London-based figurative artist Thomas J Price. By creating the fictional character, Price aimed to encapsulate the observations, images, and open calls of New York, Los Angeles, and London.

According to Times Square’s official website, “Times Square stands as an iconic symbol and site of convergence, uniting people from all walks of life, individual stories and experiences intersecting on a global platform.”

The new installation, presented by Times Square Arts, is a subtle nod to Michelangelo’s David and captures familiar everyday qualities through the woman’s stance, countenance, and clothing.

Grounded in the Stars contrasts two permanent statues of men in Duffy Square, and the installation invites the busy city to embrace a moment of personal reflection and empathy. “The intention of my public works is to become part of the place they inhabit and its physical, material history, as well as the visitors that pass through and around the location, no matter how fleeting.”

The sculpture of the young woman is just one of Price’s works for onlookers to observe as they pass through the iconic area. Throughout May, Price’s stop-motion animation Man Series will be featured on over 90 billboards. The multi-channel presentation is part of the world’s largest digital public art initiative, Midnight Moment, and passersby can catch the nightly presentation on screens from 11:57 p.m. to 12 a.m.

“I hope Grounded in the Stars and Man Series will instigate meaningful connections and bind intimate emotional states that allow for deeper reflection around the human condition and greater cultural diversity.”

Grounded in the Stars is supported by the Jacques and Natasha Gelman Foundation, Morgan Stanley, the New York State Council on the Arts, public funds from the New York City Department of Cultural Affairs and the City Council, and the Times Square Edition Hotel. The sculpture will be on display through June 17.


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If there was ever a reason to trek to Times Square, this is it: a massive, 12-foot tall bronze sculpture of a young woman by figurative artist Thomas J. Price was just installed in the area, on the north side of Duffy Square on Broadway and 46th Street facing 47th Street. It will be on display through June 17.

The public art piece is part of a series called "Grounded in the Stars," which "confronts preconceived notions of identity and representation," according to Times Square's website.

Anchored by a wide base, the woman in Grounded with the Stars invites passersby to gawk and engage—standing in stark contrast to Duffy Square’s two other permanent statues, both of men. Unlike those, she wears everyday clothes, her stance a subtle nod to Michelangelo’s David.

The statue of the woman was woven from observations, images and open calls that happened across New York, Los Angeles and London.

Alongside the massive sculpture, passerby should on the lookout for another work by Price, this one on display across the neighborhood's screens. "Man Series," stop-motion animations set to play on billboards nightly in May, also involves a sculptural installation that "foregrounds the intrinsic value of the individual and amplifies traditionally marginalized bodies on a monumental scale."

“Times Square stands as an iconic symbol and site of convergence, uniting people from all walks of life, individual stories and experiences intersecting on a global platform," said Price in an official statement. "The intention of my public works is to become part of the place they inhabit and its physical, material history, as well as the visitors that pass through and around the location, no matter how fleeting. I hope 'Grounded in the Stars' and 'Man Series' will instigate meaningful connections and bind intimate emotional states that allow for deeper reflection around the human condition and greater cultural diversity.”
 
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The other offensive thing about this is how fucking BORING it looks

BORING COMPOSITION
BORING POSE (wow awkwardly standing with hands on hips! so inspiring!!!1!)
BORING CLICHE SYMBOLISM
BORING REGULAR FAT AMERINIGGER FACE & BODY
blablabla nigger worship copypasta blabla blah.
 
fuck this jurnoslime

This "art" is a insult to be compared to Michelangelo's David. It's not even in the same category let alone "a comparable match".

It's an ugly ass she-boon with a "sassy" look. And she's fat. While it does perfectly capture the mentality of the progressive left it's nothing worth even the metal it's made from.

Get fucked, it's not art it's propaganda.
To be fair, all art is pretty much propaganda, or at least can be turned into propaganda. The David statue was meant to promote Florence triumphing over their enemies, with the sublime craftsmanship showcasing how sublime Florence is too - When you see David, you see Florence.

Now the fat Black single mother is the perfect representation of America at the moment, the Dark devouring Mother goddess brooding over an over-feminized and over-civilized civilization. She is Kali-Cybele, or better yet, the fat Venus.

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The other offensive thing about this is how fucking BORING it looks

BORING COMPOSITION
BORING POSE (wow awkwardly standing with hands on hips! so inspiring!!!1!)
BORING CLICHE SYMBOLISM
BORING REGULAR FAT AMERINIGGER FACE & BODY
blablabla nigger worship copypasta blabla blah.
Bronze sculptures peaked with Gustav Vigeland
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Grounded in the Stars contrasts two permanent statues of men in Duffy Square, and the installation invites the busy city to embrace a moment of personal reflection and empathy.
I'm familiar with this artist because he's had installations in London before. And he's very much a one-trick pony.
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Artists are allowed to have a niche, and I will say that from a technical perspective they're good pieces of statuary. But they're all on the same theme - "ordinary black people are not typically the subjects of monumental bronzes, so by having ordinary black people cast as monumental bronzes I am showing the contrast".
It's like my feelings about the fourth plinth in Trafalgar Square; almost every piece that gets that displayed is specifically trying to have a "dialogue" with the other statues. It's an artistic statement, it's just not a particularly groundbreaking one.
 
Ordinary people are not typically the subject of monumental bronzes, unless they are black.
Well yeah. But again, the idea of "an ordinary person cast in bronze, which is surprising since ordinary people aren't normally cast in bronze, since bronze statues are usually of famous people" is still nothing new. Brixton station has had these since the 80s:
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Two of them are based on black local residents which again goes to show this idea isn't particularly cutting edge. Same rationale for the upcoming temporary fourth plinth sculpture;
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or painters like Harmonia Rosales, who repaints works of classical art to feature black people;
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"Traditional art style but black people" is not groundbreaking but you'd think it was a novel original idea based off of articles like this.
 
The other offensive thing about this is how fucking BORING it looks

BORING COMPOSITION
BORING POSE (wow awkwardly standing with hands on hips! so inspiring!!!1!)
BORING CLICHE SYMBOLISM
BORING REGULAR FAT AMERINIGGER FACE & BODY
blablabla nigger worship copypasta blabla blah.
This is a common pose among progressive art that they think it's of defiance.

It's not. David is on defiance, he's about to use that sling against Goliath. Everything about his body is tense bc he's about to shoot. Good ol' Mike knew how the body works during movement. And then, Bernini's David, that's in the actual movement.

This woman, like all the other works of this man, is in resting. If David's about to strike, she looks like she already did and she's waiting the results. There is no tension or anxiety.

I'll never understand why nigger worshippers portray their object of worship in such a disgustingly ugly, obnoxious way. They do a better job than the most nigger hating caricature drawer. It really boggles the mind.
It's not just blacks. It's a thing among leftists to portray themselves just like they are. They don't make art of people to admire and imitate, but rather art of people who are as ordinary and mediocre as they are as a form of self validation.
 
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