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"Rahu" might be a name helpful to your pursuits there.The Third body
I think we might be able to travel to different universes and timelines, I feel like time travel might even be possible. I’m not sure if it would follow the same rules it does in fiction, the only realistic take on it I’ve seen might be the grandfather paradox when it comes to time travel.
We could have the tech already and it’s just not accessible to the public. That and the public’s recent gaining of ai video and photo generation could explain the mandela effect. Maybe they’ve been using that to change shit for years and we didn’t even notice?
the sun is white, not yellowThe Sun, The Moon, The Third body
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It gets even weirder with the Frieren thing.I believe there is an intentional campaign to "normalize" demons, by removing cultural stigma around them. There are lots of examples but the most recent one was regarding the new anime Frieren: Beyond Journey's End. I have only seen about half of it thus far, but the show depicts demons in a very negative (and imo accurate) way. Among other things they manipulate people's emotions to feed on and ultimately devour them, and they have no beliefs or ideology beyond using whatever rhetoric they can to manipulate people.
What Snow White is this referring to? It's not the Rachel Zegler movie, innit?
It's all kinda arbitrary, back then there was barely any standardization for pitches. An orchestra would tune to the instrument that had the least tuning capabilities. By the 19th century, concert halls and orchestras had grown quite large, and higher tunings were desirable because it'd simply sound better. Together with better instrument construction which could take the higher tensions, tunings went up. It's called pitch inflation. The French limited that in the 19th century (because at some point the poor vocalists couldn't keep up anymore) to 435 Hz as the standard pitch. Before that they went up to and over 450 Hz. With the invention of the radio and broadcasts, international standards were starting to become required, or things would quickly sound like shit.
Why is 432 connected to pi-the golden ratio, the flower of life? If 432 is connected to natural mathematical design, you'd ideally want a natural sound? hmIt's all kinda arbitrary, back then there was barely any standardization for pitches. An orchestra would tune to the instrument that had the least tuning capabilities. By the 19th century, concert halls and orchestras had grown quite large, and higher tunings were desirable because it'd simply sound better. Together with better instrument construction which could take the higher tensions, tunings went up. It's called pitch inflation. The French limited that in the 19th century (because at some point the poor vocalists couldn't keep up anymore) to 435 Hz as the standard pitch. Before that they went up to and over 450 Hz. With the invention of the radio and broadcasts, international standards were starting to become required, or things would quickly sound like shit.
So why 440 Hz? It's a compromise between what vocalists can commonly do and the better sound of slightly higher pitches with many instruments. Higher tuning on string instruments means higher tension and more high overtones, more brilliance. Might as well have been 439 Hz or 435 Hz, as these were also common concert pitches, and in the end the decision was kinda arbitrary as well.