DC Comics Multimedia General - A crisis of infinite fuck ups

  • 🐕 I am attempting to get the site runnning as fast as possible. If you are experiencing slow page load times, please report it.
I've now watched Superman 2025 and would like to share my thoughts. I'll preface it by saying following Gunn's comments and history tanking my enthusiasm I happily read other takes, spoilers, the lot. I avoid spoilers like crazy if it's something I care about but here I did not. That negative start said up front, here are my thoughts.

I recalled a comment here about how people were just taking selfies whilst Superman fights in front of them and when Eve is doing that I thought this was someone unfairly exaggerating because she was actually safe and it was in character. But then later on I saw what that person meant - other people start doing it too. I don't mind entirely that there's no sense of danger in this movie. Not every movie that's good is good because of tension. But here it became a little grating. And this despite the rather bold choice to open the movie with Superman being defeated.

People weren't kidding about the frenetic pace of the film. By the 20 minute mark we've had Superman defeated, introduced a dog, revealed Lex doing evil things, had interactions with the Daily Planet characters, a meeting at the Pentagon, TV shots of the president of Borovia and a make-out scene between Lois and Clark. And by the 26 minute scene we have Lois and Clark breaking up as she says she warned him she was no good at relationships and he walks out. I think a Justice Gang cameo might have been squeezed in there somewhere too.

I generally like an efficient movie but this is both rushed and leads to every second line being some heavy-handed exposition. E.g.

Lex: "We need to stop Superman".
Engineer: "I know, Lex, I sacrificed my own humanity to be rid of him." (pretty much word for word).

It's not good. What is good? Well the interview scene that precedes their row is interesting. I see what @dick brain meant about it and it's an interesting insight about how men have to be more restrained because the same outburst is much more frightening to a woman than the reverse. And I enjoyed Lois in this - she came across very well and a good reporter. Clark? Well as I said the scene was interesting but is this the version of Superman I want? That I'm less sure of. I prefer Reeve's calmer portrayal. It had a lot more authority and a quiet authority as well. I wont go so far as to call this Superman petulant but it got a little too close to that for me to relate.

Casting generally was only so-so for me. Lois stood out as did Mr. Terrific's actor. He made Mr. Terrific both charismatic and arrogant at the same time. I like that combo. His emotions were very understated like the little uh-oh as he sees Krypto zooming in on a t-sphere or the vague irritation in which he says "Spheres. Circles are two-dimensional". Although the set up line like a fair bit of this movie is quite forced. Who would ever actually call them "circles". Still, Lois and Terrific were the best casting. Guy Gardner is one of my two favourite DC heroes (other is The Question. Don't read two much into the fact that my favourite heroes are all assholes, please) but Nathan Fillion as him was, okay-ish. He was somewhat the Guy Gardner from the comics, but nothing special. And Corinswet is adequate I guess. In a weird way he's better as Ultraman / Bizarro than Clark, just for the contrast. And I appreciated Cat Grant's decolletage. But the worst casting is probably Jimmy Olsen. And it's not because the actor is bad, I thought he was quite good actually. But what the Hell were they going with in the woman-magnet thing? It was utterly over the top. If some women have a crush on him that's fine. But it's random girls around the office and elsewhere swooning over him. Is it supposed to be humorous because he doesn't look the part? I think the whole thing was a running joke which just didn't land. At all.

Incidentally I thought the worst casting would be Hawkgirl because she's about 5'1 and in every physical sense wrong for the character except for being female. But she just squeaks ahead of Olsen by virtue of the actress being likeable. Still terrible casting though. Also, I couldn't not laugh at her hawk cry. Also, now I think about it - are her wings detachable in this movie? In some scenes she doesn't have them or is my memory playing tricks.

And to finish up on casting, lets talk about Lex. He had his good points. Hoult has energy and is entertaining. But he veers too much towards the Snyder Lex and he lacks stature and authority. I don't see Lex having tantrums and throwing coffee mugs to the floor. And I certainly don't see him crying and giving a speech about how much he envies Superman. That's just not Lex.

What else? The politics, I guess. I didn't see this as Israel and Palestine though a case could certainly be made. For me the more natural fit was Boravia = Russia and Jahandapur seemed more India inspired from the names and ethnicities. Though it was a deliberate and focus-grouped hodge-podge. And given Russia and India have some minor conflict history but are currently on better terms than the West would like them to be, I can see some subtle poking of that bear.

The whole plotline with the bad real parents I just flat out did not like. I've written elsewhere how I don't like the suspicious degree to which Found Family gets pushed by Hollywood but even aside, I just think it's not a pleasant twist and I do not like it. I will concede it works for the film and I do disagree with some posters who found it a flawed plan. I could see it being exploitable the way Lex played it. I just don't like it for what it makes his parents. I guess a Krypton like that sets up Zod's mindset pretty well if he appears (if there are more movies).

The rest is just a grab bag of odd and jarring things. The way one of Corenswet's eyes seems to stare off to the side when he's flying at the camera. He reminds me bizarrely of the mutant version of Sentator Kelly in the old X-men movie. Where he's squeezing his face between the bars. Incredibly forced stuff like the front page spread of "Metropolis's True Hero" with a picture of Mali the falafel guy. The completely over done stuff with the kid with the flag chanting "Superman!" in the face of Borovia's invading army (incidentally one of the worst military deployments ever depicted on film - it's just half a dozen tanks and some soldiers standing out in the open walking about). The abrupt Peacemaker cameo. Hypno-fucking-glasses. Oh, and why if John and Martha Kent have such thick whatever-they-were accents, why doesn't Clark have an accent anything like them?

Lots of the film just felt undercooked, really.

Out of five? I'd give it a two. It feels like a film put together by focus group going through YouTube comments about Marvel and Snyder movies, ticking things off and saying "more zany monsters" mixed with James Gunn's personal issues. We get it - you characterise your critics as monkeys and you were put in Twitter jail.

I feared this movie would be a bad movie done well. That is a movie which is fundamentally not good in morals, structure or characters, but which is sprinkled with enough things people do want to make people like it. For me, I was almost right except it wasn't sprinkled enough.

I did like seeing a brick bounce off Superman's head, though.

EDIT:
Apparently The Batman is confirmed to be its own thing, which makes me think WB's lost faith in Gunn and don't want their only profitable franchise outside of Harry Potter connected to his failing Trainwreck.
In that case, I wish Gunn had been prevented from sabotaging Reeve's sequels. He setting things up very nicely for a strong follow-up, I thought and I'd love to have seen it. If we even still get a sequel it will no longer be Reeve's original intent.
 
Last edited:
Apparently The Batman is confirmed to be its own thing, which makes me think WB's lost faith in Gunn
1752874205477.webp
1752874588011.webp
1752874886467.webp
Or David Zaslav was pissed they put Gaza and anti-Israel shit in Superman. Gal Gadot confirming, James Gunn dropped her as Wonder Woman without a heads up. James Gunn also teasing Henry Cavill rerunning. Superman budget was almost $400 million.
 
View attachment 7661304
View attachment 7661324
View attachment 7661350
Or David Zaslav was pissed they put Gaza and anti-Israel shit in Superman. Gal Gadot confirming, James Gunn dropped her as Wonder Woman without a heads up. James Gunn also teasing Henry Cavill rerunning. Superman budget was almost $400 million.
You know? When capeshit is officially dead, I make you a bet that James Gunn will hang out with Todd Philips and other directors who scammed the studios for millions.

Also, with the budget being $363 million then that means that this HAS to make 1 billion at the box office in order to be profitable.
 
Last edited:
Also someone needs to get Gunn a PR guy to vet everything he says because goddamn he shoots himself in the foot every time he opens his mouth.
We're at that point one PR guy with questionable non existing authority vetting anything is going cut it. Need to bring back that part of the old studio system which manages all of the "talent" so no one says anything without multiple PR managers, lawyers and tard wranglers having pre-approved the scripts.
 
The completely over done stuff with the kid with the flag chanting "Superman!" in the face of Borovia's invading army (incidentally one of the worst military deployments ever depicted on film - it's just half a dozen tanks and some soldiers standing out in the open walking about).
I don't know if that is better or worse then in Netflix Gundam which had Zeon forces marching in parade formation in hostile territory and right into ambush.
 
I had no idea that was even a thing. The Shard is 72 stories high. The statue will be a speck from ground level and how many people will go there specifically with binoculars to look at it? 10 million? Really?

I'm quite interested in the financial success side of this movie but from the industry side and it's shills they make it sound a success. From the other side you hear joyful doomcasting because they know what's what their viewers want. As I know so little about the industry or who is a reputable analyst on this stuff, I'm kind of left without a clue.

apparently
Yeah, I checked a clip. She's lounging around on a chaise longue with no wings in sight. So either they magically appear or disappear as needed or more likely, it's a costume she wears. But the look in flight is organic with real feathers.

We're at that point one PR guy with questionable non existing authority vetting anything is going cut it. Need to bring back that part of the old studio system which manages all of the "talent" so no one says anything without multiple PR managers, lawyers and tard wranglers having pre-approved the scripts.
Need from the studio's point of view - absolutely. But as a member of the public, I kind of like knowing what these people really think of us.

Having slept on it overnight, I have decided that my favourite part of the movie is Guy Gardner's haircut. It's great.
 
lol $363 million production budget? yes yes and then add marketing and remember the theaters' cut of ticket sales. this thing's been out 9 days and has made $273 million box office. i'm sure superman 2025 merch is flying off the shelves! this thing is gonna end up struggling to break $400 million. i can't wait for the new DCU coming 2030
 
I had no idea that was even a thing. The Shard is 72 stories high. The statue will be a speck from ground level and how many people will go there specifically with binoculars to look at it? 10 million? Really?

10 million is a ridiculous sum for a statue. Jurassic World had fibreglass dinosaurs put up all over London to promote the film, and I bet all of those combined wouldn't even cost 10 million.

I mean, maybe the cost of the statue, plus the labour, risk assessment and the insurance for putting it up... 72 stories is very, very high, and potentially dangerous... But even then? 10 million?

Hang on. Who owns the Shard?

1000024563.webp

Ah. Money laundering. That explains it. Warner Bros just gave 10 million to the Qatari government.

Aren't movies MAGICAL?! You'll believe a man can fly... but you won't believe how much money we gave to a hostile foreign government.
 
Last edited:
I had no idea that was even a thing. The Shard is 72 stories high. The statue will be a speck from ground level and how many people will go there specifically with binoculars to look at it? 10 million? Really?

I'm quite interested in the financial success side of this movie but from the industry side and it's shills they make it sound a success. From the other side you hear joyful doomcasting because they know what's what their viewers want. As I know so little about the industry or who is a reputable analyst on this stuff, I'm kind of left without a clue.
I suspect that the justification for the Shard stunt was the indirect PR from articles about the event rather that the event itself. For the reason you state, the direct impact of the event itself is inconsequential. Of course it may just have been really bad decision making.

We'll never get the full truth about the financials, something that always amazes me with these publicly traded companies, but we already have enough to know it's in trouble. Dire trouble.

That $463m comes from a state tax incentive/rebate filing from WB. That led to the first big lie with Gunn claiming that was just some low level employee's error (if true this would be a public admission of tax fraud so can be discounted)and tried to draw attention to the net production budget figure of $225m. The very purpose of the tax filing discloses that a proportion of the tax expenditure went back to WB but to get from the disclosed cost to Gunn's net budget would require a state taxation rate in excess of 105% every penny of which gets refunded. It's obvious nonsense and far more credible to assume that the tax breaks amount to a few tens of millions.

As for the marketing, last month The Hollywood Reporter was citing $200m ("according to sources") as opposed to the usual $150m for an "all-audience summer tentpole" and we can see (it's kind of inherent in marketing that it's public!) that abnormal marketing expenses have been incurred.

So between production and marketing we can safely say that WB is in the hole for somewhere between $600m and $650. We know that about 55% of the domestic box office, 45% of the overseas (exc China) and 20-25% of the Chinese goes back to WB. So in broad terms if WB gained all of their box office from the domestic they would need a $1.1bn box office to recover $605m. This film's box office does favour the domestic but not to that extent!

The first weekend (4 days) was $125m domestic with $95m overseas. i.e. it would need a multiple of more than 5 to get $1.1bn. As of yesterday morning THR was reporting domestic box office of $177m and global (domestic and overseas) passing $300m after stronger than usual midweek receipts and predictions are floating around of a predicted second week figure as high as 50% of the first weekend as opposed to the generally higher drop offs of capeshit. This is rearranging deckchairs on the Titanic though. Stronger than usual retention is trivial if the baseline you're trying to retain was low in the first place.

There's merch to consider and licensing to a streamer as unlike Disney, WB licenses its stuff to a third party so the money received is real, not just passed from one part of the same corporation to another. Merch costs and there doesn't seem to be runaway demand despite the merch-bait pooch and whilst licensing to a streamer has minimal direct costs the real cost here was the destruction of the DVD/blu ray market which formerly saved many a box office underperformer.

We've had WB head honcho Zaslav announce it as a success immediately after the first weekend and comical suggestions that a $500m box office would be a success. The current cope doing the rounds is that it doesn't have to make money itself as it's establishing the universe for subsequent films to make money.

TLDR - it's flunking and flunking hard.
 
All these Hollywood blockbusters have such ridiculously bloated budgets. What the fuck are they even spending that much money on?
I think "Hollywood Accounting" (money laundering) has gotten worse over the past twenty years, for a variety of reasons. In particular, I think things like hoarding cash before the economy breaks permanently, doomsday shelters, and even money embezzled to support human trafficking operations are all listed as bullshit line items in budgets. Drugs were commonly purchased with Hollywood budgets and listed as "catering" or "party favors" in the 1980's. I think it's gotten exponentially worse since then.
 
Yes. I know alot of people enjoyed the Snyderverse
I don’t understand how people can defend this.

1000065900.webp


1000065899.webp


1000065898.webp


But somehow, Snyder guys just mentally redact those moments. The discourse is entirely centered on Snyder himself: he’s out there in the trenches, bravely fighting the Disney shills and woke mind virus.
I'm curious to see how Supergirl goes. Ngl she's a bitch but Faye Dunaway should return as Selena in some form. Not as the main villain obviously.
They’ll absolutely jam Helen Slater into a cameo because she’s the only reason anyone even remembers that film.

But Faye is completely unusable. Polanski was apparently the only one who could get her to shut her mouth and hit her mark, now she’s just feral.
 
Last edited:
All these Hollywood blockbusters have such ridiculously bloated budgets. What the fuck are they even spending that much money on? The japs somehow made Godzilla Minus One for less than $15 million and it looks much better than anything Hollywood shits out.

I think "Hollywood Accounting" (money laundering) has gotten worse over the past twenty years, for a variety of reasons. In particular, I think things like hoarding cash before the economy breaks permanently, doomsday shelters, and even money embezzled to support human trafficking operations are all listed as bullshit line items in budgets. Drugs were commonly purchased with Hollywood budgets and listed as "catering" or "party favors" in the 1980's. I think it's gotten exponentially worse since then.

I don't recall the source now but someone asked why there weren't more films with low budgets that generated perfectly respectable returns, rather than so many colossal budget things that didn't necessarily make that much more but for far more risk. It was a question I'd often wondered myself and the answer was quite obvious afterwards. The interviewee replied: "You can't hide two-million misused funds in a fifteen-million dollar movie. But you can in a hundred-and-five million movie". Or words to that effect.
 
I simply do not have the ego required to make a movie about Superman, of all characters, that's a thinly veiled exercise in trying to work through my feelings about people trying to cancel me online one time, but I guess that's why James Gunn is the big Hollywood director and not me.
There’s this line from that LBJ biographer documentary where the editor straight-up says he has a massive, delusional ego and that’s exactly why they keep letting him edit other people’s writing. And I think about that all the time now, especially when people start fucking with these properties that have been around since Prohibition. No matter what you do, someone’s gonna get their ass chapped.

Then there’s the opposite problem, when the director goes so far up their own ass, they think they're saving it from the person who created it. and we’re all just prisoners. It’s a tightrope walk.
 
Back