Jamie Lee Curtis Thinks Colbert’s Cancellation Isn’t Just About Ratings — & Her Words Are Chilling - Elderly poop-yogurt saleswoman and trans-kid enjoyer notices things; is not afraid to name them.

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https://www.yahoo.com/entertainment/articles/jamie-lee-curtis-thinks-colbert-165500209.html
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Jamie Lee Curtis Thinks Colbert’s Cancellation Isn’t Just About Ratings — & Her Words Are Chilling
Maggie Clancy
Sat, July 19, 2025 at 12:55 PM EDT
3 min read

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Jamie Lee Curtis has a sharp eye for patterns. And this week, she’s spotting one most people would rather not say out loud.

After CBS announced that The Late Show with Stephen Colbert will end in May 2026, the Oscar winner was blunt. “It’s bad,” she told the Associated Press. “He’s a great, great guy. They just cut NPR and, you know, public broadcasting. Yes, they’re trying to silence people. But that won’t work. We will just get louder.” It wasn’t just a statement of support. It was a warning, especially given everything else shaking out with media over the past week.

Colbert’s show is still number one in its time slot. CBS says the decision was financial, citing rising production costs and shrinking ad revenue across late night, per CNN. But the timeline is hard to ignore. Paramount, CBS’s parent company, is currently pushing through a high-stakes merger with Skydance Media, led by David Ellison — a longtime Trump ally. That merger still needs sign-off from the Trump administration. Just days before Colbert’s cancellation was announced, CBS settled a lawsuit with Trump and agreed to allocate $16 million to his future presidential library. Trump celebrated the move online and hinted that other late-night hosts could be next.

So no, this isn’t just about the money. And Curtis knows it.

Her reference to NPR and PBS wasn’t casual either. Just days before Colbert’s announcement, the House passed a $9 billion rescission package that stripped $1.1 billion in funding from the Corporation for Public Broadcasting — effectively cutting off federal support for NPR, PBS, and their member stations. NPR’s CEO called it an “irreversible loss.” PBS warned it could force small, rural, and tribal stations off the air.

This is what Curtis is talking about. First, the local stations. Then the national ones. One public institution after another being chipped away. And in the background, a steady push to control which voices are heard — and which ones are quietly written out of the picture.

It’s not her first time saying so. After Trump won the 2024 election, Curtis — whose daughter Ruby is transgender — posted a message to other parents who felt scared for their children’s futures. “Many fear their rights will be impeded and denied,” she wrote. “Gay and trans people will be more afraid… Me included.” She encouraged people to keep showing up, to fight back however they could. “That’s what it means to be an American.”

That same energy is showing up here. Curtis isn’t interested in playing the neutral game. She’s paying attention to who gets cut, who gets funded, and who gets pushed to the margins under the guise of “cost-cutting.”


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And she’s not alone. The Writers Guild has called on the New York Attorney General to investigate whether Colbert’s cancellation was politically motivated. Nathan Fielder, who is Jewish, publicly accused Paramount+ of erasing uncomfortable Jewish content after the platform quietly pulled a Nathan for You episode centered on Holocaust education. He addressed the move on his HBO series The Rehearsal, framing it as part of a broader discomfort with politically challenging material. In both cases, the rationale was vague. The result wasn’t.

Curtis isn’t making noise for the sake of it. She’s flagging the erosion of public platforms, brick by brick. It’s not always dramatic. Sometimes it looks like paperwork and press releases. Sometimes it looks like your favorite show disappearing — or your favorite talk show host from the ’90s having her citizenship threatened. But the impact is the same.
 
There's a new Spinal Tap movie coming out? That's the worst news I've heard all day. Why can't Hollywood leave well enough alone?
Oh, great. I was just thinking how we really need to revisit the Spinal Tap Cinematic Universe, so we can learn that David is a troon, Nigel now regrets ever subjecting women to the Male Gaze, Derek's been recast as a black dude for no apparent reason, and the new new NEW drummer is a young lesbian quantum physicist and actually the whole movie is just about her opening a vegan bakery, even though Trump says "no".

Maybe Jamie can pull some strings and get Colbert a role in the film?

Assuming THAT DANG TRUMP doesn't use his president powers to shut down the film!
:mad:
 
We will just get louder.
Go ahead. We'll just keep tuning you out like we've already been doing for years.

And in the background, a steady push to control which voices are heard — and which ones are quietly written out of the picture.
Huh, just like what leftist-controlled Twitter was doing to conservatives before Elon Musk, despite his many faults, dealt them a blow by taking their fucking hugbox away from them and set free the N-bomb. The shoe is on the other foot now and it's kicking the shit out of you. Cope.
 
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or your favorite talk show host from the ’90s having her citizenship threatened.

Rosie O' Donnell was never anyone's favorite anything. Neither was Jamie Curtis, they were always the worst part of any movie they appeared in.

Shit article about shit people with shit opinions. Go tell it to the other residents of the nursing home, grandma. There's a reason these people don't get work anymore.
 
Neither was Jamie Curtis, they were always the worst part of any movie they appeared in.
I have long stood on the idea that the only reason she has an Oscar is because the majority vote couldn't make up its mind to give Everything Everywhere All at Once the Diversity Sweep, or give it to Angela Bassett.

There is no god damn way Jamie Lee Curtis ever gave a better performance to Angela Bassett in anything ever.
 
And yet couldn't crack 3 million total viewers and not even a quarter million in the demo (18-49 year olds). There are tens of thousands of youtube channels that you've never heard of that get more views than Colbert.
The Gutfeld show on Fox News regularly gets 3 million total and over a quarter million in the demo. But most importantly they do it for a fraction of the price of $100 million it costs for Colbert.
 
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