Stable Diffusion, NovelAI, Machine Learning Art - AI art generation discussion and image dump

FLUX.2 [klein] 9B Distilled

fat boy with cheese.jpgfat homosexual with mug.jpg

Very fast and without the typical issues of Qwen Image Edit
 
playing around with the new LTX-2 video model in ComfyUI and it's pretty good, gotta say.
 
I think this is AI with a lot of prompts and editing:

NVIDIA F#K YEAH! - Skyebrows

Skyebrows said:
FLASHING LIGHTS WARNING! (may have to make a version for the photosensitive peeps) As a Canadian I'd like to pay homage to the greatest work of American culture and contribution to cinema of all time.
...


Sorry about the part with the marionettes...
ChinaUncensored said:
1:43 well that certainly wasn’t on my 2026 bingo card…
 
Someone liked an old comment, so it's time for this again:
We should make a thread where people input the random.txt from the site into AI and then post the results
“I only know because I googled their name and kiwi exposed their dead name, weight, employment status. I feel horrible knowing that name.”
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”I'm not here to make friends, I'm here to put a stop to CYBERBULLYING, and there are cyberbullies on here. It is your duty to have them banned.”
1769621018217.jpeg
”I curse all of you in the name of YHWH, that you die, and that YHWH takes your life, and that your insides rot with pestilence!”
1769621077737.jpeg
”Also, there is no 'elephant in the room', because elephants are said to never forget.”
1769621174214.jpeg
”Stop realising personal info on kiwifar and tell your friends to back off,I will no hesitate to involve the police!”
1769621248342.jpeg
 
Can anyone recommend an AI which I can train on custom voices (I just want to make my own audio models)? Thanks
P.S. I know its not really relevant to this thread but i just couldnt find a more relevant one.
 
Can anyone recommend an AI which I can train on custom voices (I just want to make my own audio models)? Thanks
P.S. I know its not really relevant to this thread but i just couldnt find a more relevant one.
Applio worked like a charm for me many years ago. Free, local, handles voice training and voice interpolation. Installation is as simple as downloading the whole thing in one chunk (5 gigs in size). Should still be good to this day.
 

It's over. Also, thank you Xi Jinping.
> Start watching.
> This is cool.
> Is this still going?
> Oh, it's over 20 minutes long...

It's impressive in terms of realism - the detail, the lighting. It's especially impressive in how well the fights are coordinated - blocks, parries, impact points. Even some good degree of how the bodies respond first from where the impact point actually is (not not always, quite often they're acting like solid bodies where they're punched in one point but the whole body goes flying back in a uniform way.

But there are some notable limitations. Mostly the scenes are all very quick shots of 3 seconds before the next rapid cut because they're limited in how long they can generate for due to RAM or tendency to diverge from the start. Things blip when they get close to being something else. For example, the Teenage Mutant Ninja Turtles' weapons flip to something else repeatedly. A katana becomes a nunchuck the moment it goes small enough to be mistaken by the AI and similar.

It's advanced to a whole new level but the gap between this and the next is still going to need a lot of skillful human interaction to bridge, for now.

Jackie Chan vs. Mr. Bean Johnny English is hilarious, though. Really impressive all round.
 
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It's advanced to a whole new level but the gap between this and the next is still going to need a lot of skillful human interaction to bridge, for now.
It's good enough that I'm paying more attention to what it did right than wrong.

Watching ~7 minutes of that convinced me that kids are going to consume the slop feed forever and love it (as if Elsa Spidergate didn't already prove that), even if it doesn't get much better. Adults too. You can bet that somejeet is itching to create years of fake cat video content, or pitbulls playing nicely with kids. Imagine all the cool things we can get Jesus to do.
 
Pretty sure that’s meant to be Johnny English.
I originally wrote Johnny English but didn't want to go back and check and I always thought Johnny English wasn't that well-known despite the second one being a genuinely great film (third one not so much).

I have corrected.

It's good enough that I'm paying more attention to what it did right than wrong.

Watching ~7 minutes of that convinced me that kids are going to consume the slop feed forever and love it (as if Elsa Spidergate didn't already prove that), even if it doesn't get much better. Adults too. You can bet that somejeet is itching to create years of fake cat video content, or pitbulls playing nicely with kids. Imagine all the cool things we can get Jesus to do.
I am once again reminded of the post someone made about humans limitations in distinguishing between fiction and reality and how fiction is used to program people to behave in ways maladaptive to real life. All your examples just fill me with further dread.
 
the shape store

found at https://x.com/FalconryFinance/status/2028339602822692876 , copied from tiktok at https://www.tiktok.com/@a.i.solation/video/7612337372667071774

Also inspired this text piece in the quote tweets:

The Shape Store is the afterlife for black people. It represents the bacchanalian tempest of chaos that stirs in their hearts. It is neither heaven nor hell, but a tense purgatory of motion, wonder, violence, and colors. The Shape Store is what they grasp for while alive.

The Shape Store represents the Platonic perfection of consumer indulgence that fulfills the black impulse for status hierarchy. The absurdity of the premise highlights the purposeless trinketry in the shoes, chains, and clothes they steal, harm, and kill for. At a macroscale, there is functionally no difference between a limited edition pair of Jordans and a green rhombus made of plastic.

The Shape Store is perpetually in a nighttime urban liminal space. Beyond the corporate McDonald's playpit funhouse aesthetics, everything is lit with the hostile comfort of streetlamps and concrete. The sky is a kindred darkness, beckoning ancient memories of African dirt finally cooling to a reasonable temperature in the dead of night.

The Shape Store embraces incoherent traffic from clown vehicles. You can go to JeffVanderLou in St. Louis right now and find at least three black men stuffing themselves into toddler car frames with lawn mower engines, zooting around at 30 miles per hour between sidewalks and streets like Roblox NPCs. A ghetto rigged solution to suspended driver's licenses becomes a hidden portal into a childlike whimsical sensation that only Miata owners could ever hope to come close to in the civilized dimension. This tender succulence is immortalized in Black Afterlife, a world where the joy of vehicles is divorced from the risk and mental anguish of navigating rules or considerations that traffic normally invokes.

The Shape Store is a place where squabbles and beefs openly occur without any sobering reality of death to haunt the participants. Much like the pool punch pudding plodding of dream combat, occupants of the Shape Store fight in ragged sitcom-esque tussles. They grab each other in gesticulating pratfalls, shaking each other around onto the ground. They point fingers to make their opps heads explode into a cloud of smoke like Looney Tunes characters, falling onto the ground in stiff wooden cartoonish fashion only to pop up later and dance a jig.

The Shape Store is decorated in the same clinical simple colors and setpieces that remind black people of the mandatory public school attendance from early childhood before a self imposed 8th grade permanent hooky graduation. A place and time where they saw the most color in their physical lives that wasn't immediately degraded into ramshackle shades of black, brown, and gray.

The Shape Store is simple, easy, intuitive. It is a place where the rules only exist to the point of visceral emotion. Logic is restricted to 5 second periods of visual coherence. Games are simulacra of their real life counterparts. Chess is arbitrary uniform pieces being slammed onto the board while slogans are chanted out like magic spells by old uncs wearing suits and fedoras, their versions of wizard's robes. Gambling is just shaking pieces on tables with winners being decided by who screams the loudest. Carnival games reward unconsidered raw speed and velocity and they always end in explosions.

The Shape Store is the perfect balance between form and formlessness. The shapes are hard enough to retain their shape, yet soft enough to throw or be thrown into without pain or injury. It is a colorful padded room where nobody can harm anybody. Much like basketball, it allows for the furthest displays of violence and aggression without actually having to cross into a realm of consequence. Objects can be thrown at anybody any time for any reason without consideration, but unlike a snowball fight, nobody has to deal with the labor of constructing something.

The Shape Store's only bodies of water are all 1-foot shallow, making sure that nobody ever has to swim.

The Shape Store is pristine theatrics, a place where the inner primate can hop, jump, run, swing, and tumble to its hearts content. The Shape Store is always noisy, never allowing the disturbing silence to encroach its patrons. The Shape Store always smells vaguely of weed, play-dough, and grape juice.

The Shape Store is perfect in that it is a store where nobody ever pays for anything and everyone is a customer. The shapes are abundant, but each one is unique. The 12 basic shapes and 6 basic colors available are essentially infinity to the black mind, the endless dimensionality of facing two mirrors against each other allowing for the satisfaction of eternity while heavily reducing the RAM usage on God's computer.

The Shape Store is a mirror image of the modern black urban environment. Blacks live inside of video games every day of their lives. Everyone who is an outsider is an NPC who can be harassed or harmed without consideration. Any object is loot, any environment is destructible, any importance is relegated to physical stats, and jail is just the respawn lobby. The Shape Store is the sandbox, infinite time limit and infinite fun for the discerning customer.

The Shape Store is black afterlife, a place of ease and peace through turmoil. A perfect playpit hamster wheel where nobody has to do anything or be anyone so they can do everything and be anyone else other than themselves. It is the world in the black mind reduced to parity of what a dim consciousness perceives it to be: Colors and Shapes.
 
. Mostly the scenes are all very quick shots of 3 seconds before the next rapid cut because they're limited in how long they can generate for due to RAM or tendency to diverge from the start
to be fair, for american fight scenes that's rather accurate


mind you the Bourne series was considered one of the greatest movies of its genre in america and influenced fight scenes up until the 2010s. not that you'd be able to recreate scenes like this, but in the US quick cuts for action scenes were the norm until about a decade ago. I do wonder if movies will take into account what AI can do and they'll embrace longer cuts and more movement in films to differentiate from AI. the close shots that you're seeing in slop now with the shit lighting was easily recreated with AI.
 
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