I'd say something about how "if only people started making anime on their own outside of Japan that would help", but I realize now that a lot of the problems in allowing that to happen doesn't just lie in society and its factors, but the fans themselves. It doesn't help that a lot of (the worst) fans who cling on tightly from the so called "golden age of anime" that happened in the United States and the 1990s have shown themselves to be absolutely culturally clueless clingons who can't let go from the past and are both moral and niche hobby social elitists who now dominate related major publications on their interests, and bitter spoiled working world exposed fujoshits and aforementioned anime elites angry that their hobby didn't get them laid, make the entire continental USA suck their dick for "showing them great animation" and give them awards for being a fucking hobbyist, and be accredited by Japan itself by them for "saving anime" or whatever trivial self important nerd faggotry, or in the former's case, are angry that Japan isn't their wonderland to fuck about and see okama do it all night everywhere they go and be treated like the spoiled first world suburbanite princesses/emasculated manlets they are.
And even then, I'd hate to see what kind of garbage they'd put out. We're already seeing RWBY turned into a full on self indulgent lesbian orgy on a man's grave, and the sickly off hue pastel pile of shit known as "High Guardian Spice" dumped from each of the creator's asses. Zac and Mike and everyone at ANN are such mainstream sensation tailing faggots despite their objections to the contrary, and Zac isn't just some artsy fartsy wannabe TGWTG faggot, but he and his fuck-thing created some gay faggot crap about fairies that divebombed into the earth facefirst for being everything the Bad Webcomics Wiki documents. Sean O' Mara is nothing but an ignorant and arrogant trust fund white boy baby who dicks his 1000 dollars a pop toys from 1980s Bubble era anime yet never knows "the eternal mystery" of why 1980s anime stopped being 1980s anime. This doesn't even count the endless hordes of internet journal "anime professionals" who waste their time yelling about current day anime and blame Japan anytime nothing goes their way. Fucks aren't just losers who can't draw or write, but are the epitome of "out of touch with present trends and seeing the bigger picture of things" that geeks and nerds have been stereotypically typecast with.
But what's this? A new challenger appears!
Now we have a wide range of ass end voice actors who have revealed themselves to be the omega grade sloppy seconds that not even independent film world America wants to touch (for fuck's sake Pauly fuckin' SHORE, CARROT TOP, TARA REID, AND MACKULAY CULKIN are still able to find work). And incoming MeToo? Dicksplash central there. This isn't even telling of how many of them don't even like anime and use it as a means for a paycheck. But wait! There's more!
Now we have these said voice actors coming out of the woodwork to gang up on someone they are absolutely jealous of, and are now willing to band up with the aforementioned "anime should be high art in the Western World" faggots to "depose feminism, sexist objectification, and sexual exploitation in the US anime and manga community".... when Marche and Rial have voiced countless hentai and sexy females in various anime. Gee, doesn't just sound like WHORE to me, but fucking THOTS as well. Don't forget their employers! Christopher Sabat fucking HATES anime fans!
tl;dr Talentless Self Absorbed Anime Fan Elitists Who Promote And Gatekeep their Hobby On A Professional Level + Self Entitled Fujoshis + Unenthusiastic WHORES of Money Grubbing Voice Actors Who Hate Their Fans = A Metaphorical Primordial Chaos that not even fucking Chronos and Uranus would know how to make creation and the universe out of.
I need a fucking drink and some fucking nootropics to go with it. This brain of mine ain't getting any younger or smaller!
And, a new frontier awaits. Let's welcome it.
