>Implying that Daisy Ridley has that kind of cleavage game going on underneath that Scavenger Outfit
Seriously, the woman is flat enough to double as a dejarik board, which is impressive considering she's following Portman as the female lead.
ROTJ was my favorite in the franchise before I finally saw ROTS in theaters when I was in middle school. Even from childhood, my favorite entries in long-running franchises were often the "finale entries", since they tend to heighten the stakes the most, pack an emotional punch, and have a retrospective feel to the story (a good example of what I'm talking about is the scene in the Ewok village in ROTJ where 3PO is relating all of Han, Luke and Leia's adventures through Ewok-speak and sound effects, and we see Leia lean on Han's shoulder, as if feeling overwhelmed by all that they've been through up till this point. It's the kind of warmth you can only capture with the final entry). To me, it's that essence that makes the final chapter of the story the most fulfilling. ROTJ had that in spades.
ROTS succeeds in this as well, but more as a tragic curtain call for the characters and story of the PT. Forgive my swinging of my Arthurian boner yet again in this thread, but ROTS is a lot like the final act of Excalibur: the third act is relentlessly bleak, with the world falling apart around the characters as a golden age is flung into ruin, and the protagonists become shackled with loss and defeat, but not before the audience is given a glimmer of hope just before the story ends. Unsurprisingly, this is what edges ROTS over ROTJ as my favorite, largely due to my preference in stories.
But they're both spectacular, IMO, and embody Star Wars at its best for me.