Incoherent Rambling
kiwifarms.net
- Joined
- Jul 17, 2021
Sure, but should they monetize a clip channel? That's the real question.Do clippers need to put subtitle? NO. They need to make clips to be called clippers.
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Sure, but should they monetize a clip channel? That's the real question.Do clippers need to put subtitle? NO. They need to make clips to be called clippers.
Never said they had to, never insinuated that they had to.Do clippers need to put subtitle? NO. They need to make clips to be called clippers.
Yes. Alot of seeth and drama can be born from that.Sure, but should they monetize a clip channel?
Or you know, there's more demand for Hololive than Niji. Not everything has to have a convoluted explanationYup. It's not an even playing field at all, unfortunately.
I've just found a channel that is doing 20-30min English subbed clips of every Niji captain's streams of PowerPro for the Koushien tournament. Which means they're releasing these huge compilations only a day or two after the original stream and have been doing that consistently for the last week or so. Barely breaking 5K views.
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There's lots of reasons for this (clickbait works, familiarity with the streamer, the size of clips etc) but overall it's clear that the demand is for people like SodaFunk who can give them quick and easy satisfaction rather than hardworking translators who can offer new and insightful clips from all kinds of V-Tubers.
Sure, but should they monetize a clip channel? That's the real question.
Never said they had to, never insinuated that they had to.
I'm saying I consider the act of putting same-language subtitles as the language spoken to be the bare bones minimum amount of work needed for me to feel monetization is justifiable for a clipper. Not that clippers who don't subtitle aren't clippers.
Case in point; I personally look down upon SodaFunk Ch for having a heavily monetized clipping channel with membership enabled when he doesn't even subtitle the clips he releases. That's not to say I look down on all clippers who doesn't add subtitles to their clips.
And its just one element of potential work put in. If a clipper makes clips where they edit in context for what the girl is talking about, or other girls reactions, I think monetization is justifiable. But this is my take on it. There's no universal answer to any of this, and I'm not saying I am right and anyone who disagrees is wrong.
I don't understand what's so hard to comprehend about my stance on this.
Hell they could add a slow-mo effect after whoever they're clipping says something funny and add an obnoxious laugh track and I'd think they'd be justified in monetization. Would I watch it? Hell no. But its a bit more work than just clipping out the funny bit and adding a copypaste outro & stolen fanart thumbnail.
From my understanding, Cover doesn't allow the derivative works (in this case: clips). So the clips/video can't be monetized. But how about the channel? How about other videos in that channel that not related to Hololive? AFAIK, it's okay to monetized the contents unrelated to Hololive.
Keep Hololive contents not monetized and only use them to gain exposure. Meanwhile create your own content unrelated to Hololive to be monetized. I think that's the correct way.
If HoloBass do that, probably he'd still be around.
I personally dislike clips with too much self insert from the clipper. I admit that I don't really watch SodaFunk's clips. But, his thumbnails scream self insert.
Or you know, there's more demand for Hololive than Niji. Not everything has to have a convoluted explanation
Looking at the channel in question though.I understand you want to respond to everything I say passive-aggressively in this thread and I'm not losing sleep over it, but try not to argue with someone when they're literally in agreement with you.
'Hard work isn't rewarded' and 'Niji has less demand' are not mutually exclusive statements. I even said that 'familiarity with the streamer' (i.e. I like Miko therefore I'll be more likely to watch Miko clips) was one of the core reasons people would rather watch SodaFunk than the person in the image I posted.
I didn't even MENTION Hololive, that was you, and the person I was responding to was talking about Veibae.
Looking at the channel in question though.
Before the Koshien streams, their videos were mostly in Japanese. No previous clips in English, at least not obviously.
To me, it makes sense that people prefer other clippers to Ganneko, as Ganneko quite literally began clipping & subtitling with the Koshien event. I wish them success and really hope they take off to become a source of good quality Nijisanji clips, God knows to value diversity and hololive's stranglehold over vtubing in the west can be quite suffocating. But wouldn't it be more fair to compare them to Ajasapa or another well known Niji clipper?
I'd argue she has the best intro of any vtuber I've seen purely based on how catchy the music is and how effortful the beat timed animations are
Long clips (run time in minutes is double-digit) usually get less views, doesn't matter if it's Holo, Niji or the brand Pippa belongs to. There is a guy (or a group?) who translated Watame's complete playthrough of Link's Awakening:Or you know, there's more demand for Hololive than Niji. Not everything has to have a convoluted explanation
Subbing stuff is time-consuming and requires language skills (and if you are translating something you have no interest in, it is also painfully boring, at least for me).
You posted a clipper's work of translating Niji talents that only reached 5k views in a few days despite the amount of effort they put in. We have had instances of other channels that translate the other company's clips and gets hundreds thousands of views instantly (e.g. the Holo sportfest megaclip)Absolutely. I was just using an example of someone who, recently or no, has churned out five 20-30 minute translated clips (and I believe they even made a compilation on the history of Koushien just before that), as someone clearly putting the time in against people doing brain-dead clips like the aforementioned hypothetical Veibae one.
You could absolutely compare him to Ajasapa, or even compare Soda to Ajasapa if you wanted to go the route of untranslated content and what is more likely to merit monetisation, but my response was solely that it's a shame that work ethic doesn't translate to popularity on YouTube because the demand exists for people LIKE Soda (and not specifically Soda) who is plugged in to the clickbait positive feedback loop.
There was no mention of comparing companies or company talents, or any intent to compare a 'Niji clipper' to a 'Holo clipper'. If you were to ask me the same question about the Pomu/Elira clipper's popularity compared to the likes of Ganneko or Yuri Shizu I would still agree with you. Especially the Pomu one, who dumps clips in bulk when he gets off work.
"I'm back! I'm gonna sing a song! And this serve as my graduation stream! Good bye!"
You posted a clipper's work of translating Niji talents that only reached 5k views in a few days despite the amount of effort they put in. We have had instances of other channels that translate the other company's clips and gets hundreds thousands of views instantly (e.g. the Holo sportfest megaclip)
I'm not being passive aggressive here - I'm telling you that your premise was wrong from the get go.
You explain that people would rather watch Sodafunk's effortless clips (of Hololive that would get thousands of views either way) by showing fully translated clips of Niji as proof (that would get less in any given day)
If you had shown a non translated NijiEN clip having more views than the fully translated Koshien Cup, I wouldn't even argue with you.
But as it stands there are obvious other factors as to why more people watch Sodafunk than the fully translated Baseball clips - and I am willing to bet it isn't because "people would rather watch clips that took no effort"
Domino's should get a deal with Haachama. The pepeloni copypasta alone is more than enough to generate traction.Hungry Jack's partnership with Hachama.
When your response to a goat yelling is to yell back to it.Screaming goat vs normal Rushia.