Can we appreciate this masterpiece from Chris?

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Ramborambo

Rainbow Monkey Dildo Story Hour
True & Honest Fan
kiwifarms.net
Joined
Jul 6, 2021
Chris drew Josh as a pony. Can we all just take a moment to appreciate the fact that he drew Pony Josh with brown skin (or hair, whatever) and glowing?

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Chris literally drew Josh as a glow nigger.
 
That’s a Kiwi fruit on his pony-mark spot 🥝 :

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Review:

The attention to detail is cutting edge, a modern take on the juxtaposition of ponyism, farming, & technology.

Chris-Chan’s choice of color palette, those neutral tones, really clash w/ the typical understanding of Internet forums in the modern age. Especially coming from the typical pony, spending an average lunch-break at Starbucks.

The location choice really speaks to the working man, in need of escape, a break from the doldrums of day in day out. You see the other, lighter pelted-ponies just walking on by, no glances spared for this archetype of a pony of color. Almost an everyman, type of lamentation on society at large.

The use of a mobile phone, in this space, brings us to the ever present dichotomy of public versus private. What is appropriate behavior in public space? Is online discourse, public space?

Or has this modern DaVinci-esque, representation of an everyman, in pony form, claimed dominance over the space around him, in real life & online?

Has space become transformed?

On the other hand, one cannot help but detect a note of melancholy, which artist, Chris-Chan, may be hinting at with his bold, artistic, choices here.

Finally, that glow! Is CC trying to say this kiwi-marked pony has attained an otherworldly, or transcended state? Quite frankly, this piece poses more questions than answers. Perhaps a follow-up piece will be forthcoming, transforming this from a solo vision, into a diptych.
 
The three periods are what gets me. What is Null looking about? Feeder porn? How the Chris-chan patron is going? Only Chris truly knows what's going on inside the mind of his/her creations.
 
  • Agree
Reactions: 3MMA
I think Chris art has honestly improved in recent years. Maybe not so much on a purely technical level, but as far as putting thought into how he wants to lay out his compositions to express what he wants.
Agreed. Still looks like a six year old drew it, but at least now it looks like a six year old with some level of thought and foresight drew it instead of a six year old with a traumatic brain injury.
 
I think Chris art has honestly improved in recent years. Maybe not so much on a purely technical level, but as far as putting thought into how he wants to lay out his compositions to express what he wants.
You may be correct. I found This Example from roughly 3 years ago. Chris has grown in leaps & bounds since then. As can now be observed, he no longer relies on text & dialogue to infer meaning into his work.
It's been mentioned before on the CWCki, but I really admire Chris' dedication to Pre-Raphaelite aesthetics.
It’s no wonder! Chris is well known, in certain circles, to utterly rebel from anything which even slightly hints at Rococo influence. This seems almost counter-intuitive, as the obvious eroticism CC imbibes into his work, is at odds with his denial of said fact. Pre-Raphaelite feels like a safe, happy, medium to land in, when discussing his work circa 2020 & beyond.
 
Hello and welcome to ART 669. Today we will be discussing the work of a famous early 21st century pioneer in queer neuro-divergent digital and mixed media art; Christen Weston Chandler. We will start with one of her later works from deep within what we like to call her 'pony period'.
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Like with many of Ms. Chandler's pieces it unnamed; but scholars of her work often refer to it as 'Joshua Connor Moon'. This the name of the subject of the piece, who was an associate of Ms. Weston. Now, Mr. Moon was also a very controversial figure. He a minor figure in far right political circles, the proprietor of some sort of harassment forum, and a prominent feeder fetishist. Of course, we disavow everything about Joshua Conner Moon (save for his sexual preferences), but we will unfortunately need to acknowledge his existence in order to properly analyze this piece.

When one looks at the piece, the first thing that catches the viewer's eye is the pony character seated in the center of the picture. This is Ms. Chandler's representation of Mr. Moon, who is drinking a warm beverage while using a smartphone (a communication device common in the early 21st century). He appears to be seated in an outdoor dining space or a park. Behind him is a street where there are other ponies milling about. A waist-high brick wall stands between Moon's space and the street.
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Looking more closely at Moon himself, we can see that he is depicted with brown fur and a cyan mane. A cyan energy emanates from Moon's body as he stares quizzically at his smartphone. An ellipses can been seen hanging over his head, signifying that he is in a state of deep thought.

Interestingly, if you look at his thigh, you can see an allusion to the My Little Pony media franchise; a corner stone of the Ponyist movement. This is, of course, a 'cutie mark', a sort of emblems that all ponies within the Ponyist movement possess. It supposed to represent an element of the character's personality. Mr. Moon's cutie mark is a kiwi. The meaning of this decision is still hotly debated amongst art historians to this day. Some believe that it is a callback to Moon's time living abroad in the south pacific, while others believe that it is a reference to his sexual preferences. At the present time we cannot really say what it means.

Moving on to the subject's face, we can see immense discomfort. Some might say that this is due to Moon's position. He is clearly sitting in an extremely uncomfortable position. Others suggest that this is due to the information he is receiving through his smart phone.

Now, would anyone like to explain to the class what they see Mr. Moon's Cyan energy as?
 
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