🐱 Inside the lawsuit that could upend the Internet Archive as you know it

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In the early days of the pandemic, as physical libraries, schools, universities, and bookstores closed—and people were restricted from leaving their homes with very few exceptions—long waiting lists developed to access popular ebooks at public libraries.

To alleviate that problem, the Internet Archive launched a short-term project. Dubbed the National Emergency Library, it allowed anyone who signed up—for free—to their website to borrow digital copies of 1.4 million books in their possession without a waiting list. Most of these materials were 20th-century books that the Internet Archive had previously digitized to make up for the lack of commercially available ebook versions.

The National Emergency Library was part of the Open Libraries initiative—a web-accessible public library containing the full texts of over 1.6 million public domain books as well as over 647,000 books not in the public domain.

In the Internet Archive’s announcement, published on March 24, 2020, digital librarian Brewster Kahle said that allowing anyone to borrow these 1.4 million books without a waiting list in a time of crisis “was our dream for the original Internet coming to life: the Library at everyone’s fingertips”.

Two years later, though, the Internet Archive’s dream is playing out as a legal nightmare.

Following public criticism from several writers, and accusations of “acting as a piracy site” by the Authors Guild, a group of major publishing houses sued the Internet Archive in summer 2020.

Hachette, Penguin Random House, John Wiley, and HarperCollins claimed that the Internet Archive’s Open Libraries initiative acted as an “unlicensed aggregator and pirate site” that operated to the detriment of authors and publishers.

Now, both the Internet Archive and the publishers are hoping to settle the matter without needing a full trial: both parties requested a pre-motion conference on a motion for summary judgment—meaning a federal judge will rule on the suit instead of a jury.

As both the Internet Archive and the publishers prepare for the next steps in the legal proceedings, the heavily publicized lawsuit is renewing worries about the significance and the future of the archive.

The matter seems far from resolved both from a legal and an ethical point of view: the applicability of copyright law in an age of infinite digital replicability itself is an enormous and ongoing point of contention that can’t be solved by a single lawsuit.

In this suit, the Internet Archive—represented by the Electronic Frontier Foundation (EFF)—argued that its Open Libraries initiative is basically equivalent to traditional library lending thanks to what is known as Controlled Digital Lending. According to this argument, the Internet Archive has been making digital copies of books that it physically owns, but only lending out the digital file to one user at a time, essentially replicating the experience of physical libraries only loaning a book to one person.

“The Internet Archive and the hundreds of libraries and archives that support it are not pirates or thieves,” EFF Legal Director Corynne McSherry recently stated. “They are librarians, striving to serve their patrons online just as they have done for centuries in the brick-and-mortar world. Copyright law does not stand in the way of a library’s right to lend its books to its patrons, one at a time.”

The National Emergency Library seemingly circumvented the Controlled Digital Lending system for a few months, allowing students, academics, and everyone else to borrow up to five digitized books or ebooks for a two-week period. As opposed to how the Controlled Digital Lending system usually works, during this emergency period, the Internet Archive allowed people to access the same digital copy of a text at the same time.

Some authors and publishers, regardless of the benevolent act at a time of a national emergency, believe that the Controlled Digital Lending theory fundamentally misinterpreted copyright law. As the Authors Guild stated, “There is simply no basis in the law for scanning and making copies of entire books available to the public.”

This dispute has played out for years: In 2019, the British Society of Authors threatened to sue the Internet Archive unless it stopped the alleged unauthorized lending of digitized books. The launching of the National Emergency Library at a time when most libraries were closed frustrated many authors, who worried their income could be further endangered at a time of particular precarity.

The Internet Archive maintains that its work does not actually harm writers or publishers.

“In a copyright lawsuit against a practice that has continued for years, one would expect the copyright holder to be able to point to some metric showing that the defendant’s conduct has harmed them,” the recent motion seeking summary judgment, presented in early July, reads. “Plaintiffs have failed to quantify any market harm from CDL. And there’s a good reason: because the lending, licensing, and sales data demonstrate that no such harm has occurred or is likely to occur.”

Still, the plaintiffs are asking for the Internet Archive to repay financial damages for 127 copyrighted titles present in the Open Libraries: according to an estimate by Vox, if the publishers win they could receive up to $19 million dollars in damages—equivalent to one year of the Archive’s operating revenue.

Although the lawsuit clarifies that the publishers don’t want the rest of the Internet Archive to close, it asks for a preliminary and permanent injunction of the Internet Archive’s digitization and lending processes, claiming that the fact that the Internet Archive offers more than 33,000 of their copyrighted works for free download means the digital library is unfairly competing with their authorized ebooks. A permanent injunction would leave the digital library depleted and risk future efforts by the Internet Archive

According to the EFF’s McSherry, the stakes far surpass the Internet Archive. “The publishers are not seeking protection from harm to their existing rights. They are seeking a new right foreign to American copyright law: the right to control how libraries may lend the books they own,” he stated.

“Beyond the monetary damages, the publishers are asking for the destruction of 1.4 million books, many of which do not exist in digital form anywhere else. That would be a real tragedy for people who depend on us for access to information,” Internet Archive founder Brewster Kahle told Vox in 2020.

Neither the Internet Archive nor the plaintiff’s attorneys replied to The Daily Dot’s request for comment.

I am ride or die for the internet archive. It’s like the only good website left and it must be guarded by its bravest posters.
— chris person (@Papapishu) July 12, 2022
Now, as the summary judgment process plays out, many users are showing their support for the Internet Archive, highlighting the revelatory work the non-profit organization has been doing since it started in 1996.

Its biggest feat by far is the maintenance of the Wayback Machine, an invaluable collection of over 390 billion web pages that represents the most thorough archive of internet history and culture in the world.

Most of the posts stress the Internet Archive’s importance in their pursuit of knowledge and information.

“The data loss if the Internet Archive went down would be comparable to the Library of Alexandria,” one user said.

“I have access to a major university library, and all its databases. The Internet Archive library is a better tool than most discovery systems. It can search *inside* ALL its books. This helps me find useful sources at my libraries, at other libraries, and books to PURCHASE,” another wrote.

The Archive’s importance for academic research was also stressed in a tweet stating that: “Without Internet Archive, much of my research would not be possible. Most of what I access are out-of-print books from the nineteenth century.”

Considering that the print copies of these books are usually incredibly hard to access, let alone borrow, having a free, digitized copy at a click’s distance can speed up the research process significantly—and make knowledge more attainable for people who don’t work in academia.

The Mosul Eye, a news blog that documented the Islamic State’s occupation of the Iraqi city of Mosul, said that “In many cities like Mosul, where our libraries have been destroyed by terrorism, websites like the Internet Archive have become our only window to knowledge”.

Not everyone can acess the average library and absolutely not everyone has the means to buy books.
This is why the internet archive is important! It's a library for anyone in the world as long as they have an internet connection! It is as I said a humanitarian service!
— Signe (@Kaijumara) July 9, 2022
Some are also underlining how the whole lawsuit can be interpreted as a dispute on the nature of libraries itself, since the plaintiffs are essentially going after the Controlled Digital Lending system as an alternative to the more conventional approach to buying ebooks that brick-and-mortar libraries mostly employ.

“This isn’t authors vs piracy. It’s about the possibility of forging a pathway, in our existing, awful, law, for libraries to function like they’re supposed to. Every copy of every book a library owns could be checked out as an ebook. Want a rare book? If any library has a copy, they can loan your library theirs instantly through interlibrary loan. The Internet Archive has already digitized it, and all the other library has to do is set their copy aside,” @cozyunoist wrote.

With the parties’ request to proceed with summary judgment being granted, a ruling is expected sometime toward the end of 2022 and beginning of 2023.
 
If the internet archive ceases to exist because some kike author lost 3 cents I'm going to ruin their lives. That's a fact
Greetings, Agent 47. Your next assignment is one Chuck Wendig. Our clients would like you to make sure his copyrights become copywrongs. We're counting on you, Agent 47. Don't let us down.
 
Greetings, Agent 47. Your next assignment is one Chuck Wendig. Our clients would like you to make sure his copyrights become copywrongs. We're counting on you, Agent 47. Don't let us down.
Beware, Agent 47, there is photographic evidence that he is able to unhinge his jaw and may be able to swallow you whole.

We do not recommend any disguises that may resemble black cock or food.
 
Greetings, Agent 47. Your next assignment is one Chuck Wendig. Our clients would like you to make sure his copyrights become copywrongs. We're counting on you, Agent 47. Don't let us down.
The worst part is that it's not like the cunt even wrote anything worth archiving in the first place, it was shitty Star Wars fiction FFS. Utterly worthless in the grand scheme of things. Chuck Wendig is one of the few people on planet Earth who is an objective net negative for the world of literature.
 
This whole suit is retarded greed spearheaded by the book companies - the authors are ultimately irrelevant. It's very transparent and malicious.
Ebooks are in a weird spot with lending right now where the 4 major publishers license out X number of copies to libraries who can then only "lend" out those copies to people with appropriate ereaders.

So instead of books being made easier to lend via digitization, they are intentionally being made to be more difficult. Archive.org bent over backwards to make a reasonable system where people had to check out books using an Archive.org account and then it would have to be renewed manually every 2 weeks or else it'd become inaccessible and whoever was next would get it. You couldn't easily download a copy unless it was the gay DRM ebook file format if I remember right, meanwhile actual book pirates just hit up libgen like usual as it's a better choice for piracy anyway.

A good example to show how stupid this is: I was looking into something where one of the best resources is no longer in print, quite expensive, and relatively rare. No author or publisher was making money on it anymore and I could find it on Archive.org as a scanned pdf. So I made an account, checked it out, and sifted through it for the info I was after. That is the spirit of the old internet and as it should be but these companies saw a market that they were losing out on so flipped out and even when Archive.org took the service down it wasn't enough.
 
The best part of the Internet Archive is the Wayback Machine. As long as that remains intact, I couldn't care less about the rest of it. The Wayback Machine is priceless. I have been able to dig files out of it that haven't been available in 25 years.

However, if the publishwhores manage to win this one, it will basically ensure that I will absolutely never buy another book, if I have any other choice, ever again. They really need to think about the negative value of the hate this will generate over the very small potential profits that may have lost.
 
My 32nd act as temporary dictator of America (after stripping California of statehood and putting them under military occupation) will be to revoke the copyright acts of 1978 and 1909 and if the Mouse complains...well, I would rather avoid summary executions but I'm not taking them off the table either.
 
The worst part is that it's not like the cunt even wrote anything worth archiving in the first place, it was shitty Star Wars fiction FFS. Utterly worthless in the grand scheme of things. Chuck Wendig is one of the few people on planet Earth who is an objective net negative for the world of literature.
Let me guess: it was erotic Star Wars fanfiction where everyone is a furry, Harry Potter characters were present, and they put themselves in the story.
 
The ebook "lending" is typically just UI wrapped around a bunch of JPEG files that get cached on your system. You can pirate most books that you "borrow" on the Internet Archive, although an automated tool would make it much more convenient.

The publishers could win this, not that I want them to.
 
Revert copyright back to its original length. 14 years. If you can't make money off your creation within 14 years, tough shit. Try again.
Honestly I'm okay with natural lifetime of the creator or 14 years, whichever is longer, provided one caveat: it defaults to and locks in 14 years from date of creation if it is transferred for any reason. Want to protect your life's work and pursue your passion? You get more protection since you're actively working on the material. You want to acquire IP like some Borg-like entity? Okay well you're on way tighter deadlines now.

P.S. https://weboasis.app/ is an index-of-indexes I shill frequently. Little download arrow has the list of torrents/trackers, the book is books. Right side pop-out is a full list of sites. Very helpful when archives are not.
 
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