What can I say, I must've been unconsciously reminded of how much of a cuck The Raped is by these people's grand strategy for owning the libs being 'shit yourself and do nothing, especially not anything fun, because fun is for dweebs & children'. There's still no man on earth who can unseat him from the cuck throne as far as I know, but they sure are trying hard.
That's the actress in the upcoming HBO show, Black Hermione from that horrible Cursed Child play isn't also voicing Hermione in any audiobook AFAIK. Rowling trying to argue that Hermione can totally be black was from that time, nevermind that it contradicted her descriptions of Hermione having pale/fair skin, blanching in fear & shock, etc. in the books or her own concept art of the HP cast (conspicuously lacking a negress Hermione) dating as far back as 1999. And to think, she could've just said 'it's a play and they racebend actors all the time on stage' instead and gotten away looking less ridiculous, not to mention that trying to justify the racebending won her no points with progressives when the tranny issue came to the forefront just a few short years later...
When did “yearn” become a part of the chud-cabulary. Did it develop from the original Malfoid art post, or is it some recent Xitter slang I'm too Kiwi to have noticed?
When did “yearn” become a part of the chud-cabulary. Did it develop from the original Malfoid art post, or is it some recent Xitter slang I'm too Kiwi to have noticed?
Malfoid and Harry’s relationship ... It wouldn’t be the anime trope of her being antagonistic with the audience given the dramatic irony of knowing her true feelings when other characters don’t, but she would probably be just outright hostile until the after the third book, with things cooling off until the sixth book (the events of which bring Harry and Malloy to some kind of understanding, even if they never actually end up liking each other) before just making her a part of the team for the last book.
Will there be an inflection point where the swarthy gooning masses overflow the levees and splash all over the largely unsexualized nature of it? Yes, there is a time limit, but until then, let us have something that isn't measured by sex position tags like everything else.
No, there is no time limit. NSFW is not necessarily in an antagonistic relationship with SFW. If anything, it's rivalous: in competition, but the competition fuels more interest.
I forget who said this, but someone noted that Tolkien's LoTR would be dead by now if a certain small but critical group of fans hadn't kept him and his work alive. I just read Poul Anderson's The Broken Sword, original 1953 version. It's a compelling vision of Faerie well apart from Dunsany or Tolkien, more grounded, more pulpy and brutal, yet it its own way just as literate, just as soaked in the past.
But it's not very famous at all. If you want to keep good, but the less sexually explicit Malfoid (and like) material current, you need that small, critical group of fans to search out, find, and steadily promote it. I'm not sure people on the center-right are ready enough to endure the "gooner" slurs from another part of the right to do that work.
(You can see the same dynamic with Fuentes trying to displace the traditional right base.)
Its not too deep aside from a cute story and making trannies realize they will never be a woman. This is some girl who has a crush on some boy. No one likes trannies, and (rightfully) think they are disgusting sexual predators. So they are getting a highschool romance shoved in their face. Thats something they will never know since no one loves them. Which is why Malfoid posting will continue.
This thread has brought me warm and fuzzy mirth. As a gift before it reaches 100 pages, here's a drawing of the News Hamster and Dono Kiwi dressed for this Halloween with a Harry-Potter-themed celebration.
One image would be too short so here's some extras. Apologies if it's been uploaded. A media-only search function would be great for threads like these to minimize copy posts and to see all the media in one go.
>this thread
A cute video of Malfoid noticing her daughter has Harry's eyes. I prefer just reading the text without voice acting.
Source
A previous post had the two other songs from the same Youtube channel, Zandran, and there are new ones.
Snape being exhausted by the shenanigans of the two students he's suppose to keep his eyes on is hilarious.
This thread provided fun discussions on the characters and worldbuilding (and the Harry Potter discussion thread I found is dead), so I compiled my own thoughts on the books here. Spoilered so you can skip it.
Malfoid's popularity is in part due to the immense nostalgia everyone has for the books/movies. AI has been especially helpful in putting out large quantities of good quality content quickly, providing more material that would be possible without it. AI has also been largely used by the chud subculture, and their helped push Malfoid, along side artists like Yunayu that draw her simply because they like it.
Malfoid can be the bratty-bully archetype for the first few books. People rag on the tsundere stereotype and say it gets old fast. I agree, but it's more excusable for a little girl to act that way. Malfoid would have a fierce love and loyalty to her family, her House, her school, and all things wizarding. She hates seeing it misused by people she believes are unworthy. She would take great pride to be at the top of her class. She would be perceptive, seeing how her family utilizes their status for political/social gain and learn likewise how to implement it in school life.
Harry contrasts yet mirrors Malfoid's character. Malfoid gets what she wants by cleverly playing the part she needs to and manipulating the people around her. Harry bluntly does what he knows is right, regardless of how messy or unusual it might seem. They trade verbal blows constantly and sharpen their academic and athletic skills against each other when they clash. Both are troublemakers and stick out from their surrounding peers. Both have huge expectations from others; the weight of the prophecy rests on Harry and the weight of her family rests on Malfoid. The relationship covers a lot of great tropes: childhood friends, enemies to lovers, opposites attract, like draws like, redemption arcs, etc.
Ron is a pure blood, but class is the main issue. Malfoid would think it's embarassing that a wizard family would be struggling yet obsessed with muggle junk. Ron would be the biggest source of antagonism towards her for Harry. Eventually they can come to some sort of truce, where Ron sees the lengths she would go for Harry and Malfoid would (begrudgingly) respect the Weasly's bravery against Voldemort.
Hermione had to learn everything on her own the year she was accepted into Hogwarts unlike Malfoid, who grew up in one of the most prestigious wizard families and had the best magic knowledge available at a young age. She is a gifted intellectual but finds herself chasing Malfoid's shadow, causing them to be academic rivals. Plus, Malfoid insisting her low-born status makes her feel she has more to prove; they'd have a more even-handed fued now that they're both girls.
Ron should have been a Hufflepuff and Hermoine a Ravenclaw. All the heroes being in Gryffindor has made everyone else be window dressing, and by putting them in separate houses you can see how their friendship surpasses those divisions and how much they go out of their way for each other. The epic battle against Voldemort would be with four students that represent the strengths of Hogwarts.
Also at the end of Book 1, it would be hilarious if Slytherin went from first place in the House Cup to dead last, fueling Malfoid's ire against the trio.
It's obvious Rowling wrote the villains with her hatred of elites in mind. Every one she doesn't like is an evil racist that came from inbred bloodlines and are all hypocrites. The main bad guy is Hitler because that's the greatest enemy Britain has ever defeated. Draco as is can never be a satisfying character, he is just a punching bag that Rowling uses. This post that she hates the Malfoy family and finds it a problem that girls were even liking Draco. Don't forget, she was the best example for a comically liberal xoomer until the cancel mob got her, and her story was definitely written with that perspective. I'm not saying this to insult her, I'm pointing out her own bias has influenced her writing, just like anyone else. Her ideas aren't guarded against reinterpretation and rewrites.
Voldemort should be Wizard Satan- a man who wants ultimate power at the cost of his own humanity. He has a similar upbringing to Harry's- absent parents, harsh upbringing, gifted with magic at a young age until eventually taken in to be taught at Hogwarts. But unlike Harry, Tom gives into his dark desires and torments anyone he wants to. He first hates the muggles because he thinks they are inferior, then when he meets the wizarding world for the first time he thinks they're fools for not seeking magic to its absolute potential.
No one is equal in his eyes and he believes the only thing that matters is pure power. He pursues ultimate control over eternal life, eventually fracturing his own soul for and completely losing his humanity by his own choice. He is an unstoppable force - immortal and of pure malice. Harry's plea to Voldemort is one last attempt to connect him with him as a human being,
There can be sympathetic Death Eaters instead of everyone being a caricatured racist. Some join because they die if they refuse, others covet Voldemort's power for themselves. Lucius is asked by Voldemort directly to join since he's from a powerful family, and he accepts for selfish gain. But when Voldemort returns, he realizes his zeal has put his beloved family in danger, and now works to ensure their safety.
Muggle and wizard relationship should be uneasy and the wizards would develop a sort of isolationist policy with them: we do our own thing, they do theirs. Rowling downplays the persecution by saying that anytime wizards were attacked they simply magic-ed their way out of any problem. I'm pretty sure this was to erase any serious source of muggle hate that wizards would have because being racist is the worst thing she thinks you could be.
Whenever they meet, it ends either in bloodshed or subjugation from both sides. Salazar Slytherin puts the basilisk in the school as a last defense in case muggles invade the school, not because he hates wholesome diversity. Magic users are a minority, but historically they have hold high positions over the rest of the world. Only relatively recently do the two have a kind of peace between them, probably due to the muggles' development of technology and the wizardkind's isolation. Magic users coming from purely muggle families is a new phenomenon, one that socially the rest of the wizarding world is trying to come to terms with.
The dynamic could within the story of the books with some minor changes. I'm only focusing on the main relationship, so it's more of a list of story beats than a fleshed-out analysis. Call it cringe, but I've seen the atrocities you guys post on this thread (you know what I mean). This is definetly more tame.
Book 1: There's not much to change from the first book. Malfoid's source of teasing would be to show Harry that he does in fact need her friendship, and their rivalry starts. During detention in the forest, she leaves to find help, but Harry takes it as her leaving him to die. At the House cup, she wants to show off her worth by having Slytherin win, but Gryffindor's unexpected victory makes her furious. She decides that if he hates being her friend, she'll make him regret being her enemy.
Book 2: After the humiliating defeat last year, Malfoid would be an active antagonist against Harry and be at her worst (so far). She is the one who takes the diary from her father, under the impression it would contain knowledge she would use to best Potter in their classes. She starts communicating with Riddle unknowingly and vents her frustrations, making him slowly possess her.
Harry would think that Malfoid was the one behind the attacks and go to the chamber to confront her, only to be met by Riddle and being told she was simply a pawn. Harry defeats the Basilisk and saves Malfoid. Being rescued by the boy she was relentlessly cruel to all year would cause her to view him differently.
Book 3: As she grows up, Malfoid loses her more childish characteristics, but keeps her vitriol against Potter. She teases Harry to get back at him and tries to stamp out any affection she might be feeling towards him. She is jealous of Harry's natural gift with Buckbeak, and her impatience leads to the hippogriff attacking her. At first, she plays it up, showing Potter how much her parents care about herself and flaunting her familial connection. She doesn't realize until after that the Ministry means to kill Buckbeak.
Harry becomes devastated and hates her, so she tries desperately to fix it. She does everything she can do in secret because she knows Potter would refuse any help from her, but nothing works. Even Lucius tries to help since she pleads with him, but he does not have the power to change a ministirial decision. When Harry uses the time-turner later, he sees Malfoid in tears alone with Buckbeak. He learns she never meant for the execution to happen, and his opinion of her start to slowly change.
Book 4: When they meet at the stadium, they start jabbing each other during the whole the game to the annoyance of everyone around them. But during the night attack, Malfoid protects Harry, saying that now they're even for the events of Book 2. After Harry is chosen by the Goblet, she would offer her help to Harry for the tournament, excusing it to both him and herself as not wanting to see Hogwarts lose because of him. The trio reluctantly accept since she proves helpful, but Ron and Hermione remain suspicious and think that Harry's misfortune during the tournament could be Malfoid's doing. They'd meet at the Yule Ball due to a mutual deal, but both enjoy it more than they thought. . When her comment on Harry's scar gets in the paper, the other two are quick to blame her, but Harry defends her. By the end of the book, there seems to be a real friendship forming between the two, but the return of Voldemort is a new challenge.
Book 5: This would be the most positive their relationship has been. Malfoid would be insulted at the state of her beloved school now that the incompetent Ministry is in charge and knows that they lied about Voldemort's return. She would use her position as a prefect to gain favor with Umbridge and carry out orders on her behalf, but in reality she is a double agent: informing the Army of her moves, sabotaging what she can, and helps with teaching students.
We'd see how the dynamic would work on amicable terms. I should mention that love triangles are complete trash (and we have whatever is going on with Ron and Hermione relationships) so scenes with Harry and Cho are replaced with building up their relation ship could lead.
But Malfoid would betray Harry at the Department of Ministries. Either, being forced by Voldemort, she plays along to rescue Sirius with the other six until the Death Eaters show up, or she rushes over to defend her father when the fight starts. This, along with Sirius's death, would destroy the friendship they built, leaving their relationship the worst has ever been, and leading into the events of the next book.
Book 6: The absolute apex of Malfoid's villain arc. Threatened with the lives of the ones she loves most, she unwillingly plays the part of Voldemort's pawn again. Maybe she thinks this will all go away if she does everything right, maybe she believes whatever power or position she gets will make her strong enough to protect her family. Her recent experiences with Potter keep giving her pause, and she wonders if she's too far gone. Many would die for love, but she has to kill for it.
Harry is now convinced that Malfoid is evil, in part influenced by his friend's biases, but struggles against his own feelings. Their internal conflicts culminate in the bathroom, where Malfoid attempts to use Crucio against Harry to no avail. Harry decides then she is his adversary and uses the spell he recently read from his trusted book- the one specifically reserved for enemies. Except, like in the book, it almost kills Malfoid to Harry's horror. He's in complete shock until he's shoved away by Snape before he could even think. Both are devastated, both have their hearts shattered, and both think the other hates them completely.
In the tower as Harry secretly watches, Malfoid disarms Dumbledore and breaks down, revealing she must do this to protect her family. Harry would empathize with her love for her parents and witness her inability to strike down Dumbledore. After Snape kills him, Harry chases after him, but she sees him. She thinks that Harry believes she killed Dumbledore, and escapes the ensuing battle.
Book 7: I know Rowling wrote that the Malfoys lost their standing in the Death Eaters as insult to injury, but that's boring. Have them at the highest positions, almost alongside Voldemort, so for Malfoid it would feel like she's trapped in glass. Everyone is watching her; the students think she is the monster that killed Dumbledore and loathe her, while the Death Eaters wait for their next orders with reverence/fear. If she does anything out of place, she feels like the illusion will break and everything she just did to protect her family will be for nothing. She completely resigns herself to her fate, and then Harry shows up captured at the Manor.
She would conceal Potter's identity until he's imprisoned. From here she attempts to help them- she gives her wand to them as a sign of trust and apparates with them. Could be she fakes her death during the fight so she doesn't draw attention towards her family when she escapes. Lucius could become enraged by her "death" and work with Voldemort willingly to avenge his daughter. She pleads with the trio to let her help, but Ron and Hermione don't trust her. Harry does and he lets her join, and Malfoid starts to redeem herself. The love they have for each other is slowly shown. Harry rescues her when the Fiendfyre is unleashed. She uses her Patronus to help defend Hogwarts, to the surprise of the students. Harry fights Voldemort and Malfoid joins him; the Elder Wand refuses to strike its true owner and both of them hold the same wand. Evil is defeated with the power of love yet again.
They had an idle moment and a stray thought struck him. Harry asked, "Hagrid, what is a Mujahideen? Professor McGonagall mentioned an encounter with one and it sounded like something you would be familiar with."
There is a huge gaping void of romance fiction written for the male audience. Men are capable of it, but the content simply doesn't exist. Malfoid appeals to that desire.
There is a huge gaping void of romance fiction written for the male audience. Men are capable of it, but the content simply doesn't exist. Malfoid appeals to that desire.
There's a huge lack of EVERYTHING for the male audience. Book publishers specifically actively avoid publishing the works of (White) male authors due to the editorial Karen cartel.
In a way, this was a good thing, since it allowed the self-publishing market to be created and thrive, but it's just another example of how the whole of Western entertainment deliberately excludes men.
