Music Production Thread - Show off your gear, ask questions about DAWs, plugins, presets, search for drum/sample kits, get started on making music?

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infamousbeing

I gots me jelly pony. Awwww riiiight
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General Music Production Thread:

THIS IS NOT A SELF PROMOTION THREAD, I DON'T CARE WHAT YOU MAKE IF YOUR SHARING MUSIC THEN DM IT AMONG YOURSELVES


Index:
Beginners Guide to Music Production

At the time of writing this, this board doesn't receive much attention. Hopefully we can change that

This is a general thread relating to all things that you use to produce music.
  • Do you have a cool drum/sample kit?
  • Have questions on starting music production?
  • Want to voice your thoughts on a production suite/plugin?
  • Want to show off your gear?
  • Want to share a sweet melody?
Well, welcome all music fags! Whether you're just starting out or have been making music for years this is the place to discuss. Variety is the spice of life, teach me about reggae, hip-hop, metal, electronic, production techniques.

As a welcome present, I've attached some cool drum kit/loops I've found online recently. - Thanks for removing it cows, if you want the link PM me!
 
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I like to go oldschool sometimes and just use a 6 track Tascam recorder and plug in a guitar and pedal, then use audacity for some post editing if needed.
I rock with that, I was working with DAW's and felt under accomplished. I recently picked up a Boss BR-600 8 track and after getting inspired by Kevin Parker some years back, taught myself the drum, guitar and recently picked up a bass as well as a new synth and it's so satisfying micing up my amp and just hitting record.
 
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I like to go really old school sometimes and record every sound on a microphone instead of using virtual instruments.
Nobody does that these days so I get a fresh unique sound.
I agree, everything sounds so genuine and listening to stereo vs mono is crazy!
 
I've been using Logic Pro for nearly a decade now, but I'm seriously considering getting a PC and Pro Tools just because of all the plugin software restrictions with Mac, I feel like I'm missing on some interesting new tools even if it's only like freeware synth toys, fucking Apple is shit.

Also, yeah recording everything and then processing is considered fresh in this day and age, but muh synthesis.
 
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I've been using Logic Pro for nearly a decade now, but I'm seriously considering getting a PC and Pro Tools just because of all the plugin software restrictions with Mac, I feel like I'm missing on some interesting new tools even if it's only like freeware synth toys, fucking Apple is shit.

Also, yeah recording everything and then processing is considered fresh in this day and age, but muh synthesis.
You could create a bootcamp VD and install pro tools through there... I do miss the wine days :(
 
I used to compose 8-bit / chiptune style music for fun a long time ago using FamiTracker. I have tried to use DAWs but have never bothered to learn them. I have no audio equipment at all.
 
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I used to compose 8-bit / chiptune style music for fun a long time ago using FamiTracker. I have tried to use DAWs but have never bothered to learn them. I have no audio equipment at all.
thats cool when I was younger I use to slam my favourite songs into audacity to sound like alvin and the chipmunks and then push that through this shitty 8 bit song midi converter.
 
I've been waiting for a sperg to make a thread like this, thanks OP. I've been using FL for a few years and it's fine I guess, but the problem with FL is that once you get into it, its hard as fuck to swap to literally anything else. I want to like ableton. Any tips anyone?

P.S. Your link is already dead OP, someone must've reported it
 
I've been waiting for a sperg to make a thread like this, thanks OP. I've been using FL for a few years and it's fine I guess, but the problem with FL is that once you get into it, its hard as fuck to swap to literally anything else. I want to like ableton. Any tips anyone?

P.S. Your link is already dead OP, someone must've reported it
Thanks for the heads up, I'll repost the link :)

In terms of tips, ease in... I used FL for mixing, and taught myself the midi support (drum rack in particular) then moved onto sequencing. My advice, stick with something and integrate it into your workflow then expand slowly to inch yourself away. Once nifty tool I did find was this:

FLP to Ableton Live Set Converter
 
I've been waiting for a sperg to make a thread like this, thanks OP. I've been using FL for a few years and it's fine I guess, but the problem with FL is that once you get into it, its hard as fuck to swap to literally anything else. I want to like ableton. Any tips anyone?

P.S. Your link is already dead OP, someone must've reported it


Ableton is about as different a paradigm as you can get in DAW land. But it's pretty easy, if not the most easiest way to make music when it clicks with you. It doesn't subscribe to the linear timeline paradigm of most DAWs but it has a kind of 'lateral thinking' or parallel operation where you trigger clips 'Live'.

Some people use it only in that manner. But you can actually use it in linear mode as well by clicking the icon at the top right of the page which will take you to a timeline. But things can get even more confusing here even for experienced users because you might spend 2 years just working in 'Live' clip mode then when you switch between the arrangement timeline on the other 'page' it is sometimes hard to remember which mode you are in. But it's just a matter of practice.

Many people use Ableton has their main primary DAW, and obviously they have to be familiar with both paradigms to do this. Then again there are many people who never touch the linear part and only use it for triggering clips. Other people use Ableton as a second DAW more for creativity and ideas than as a final mixer or renderer. It still has certain limitations with regard to plugin delay compensation that can catch you out. I mix in it, but prefer not to. It's easier to render out stems for mixing in other DAWs.

Bitwig just created the ability to load FLStudio projects with v4 - https://www.bitwig.com/support/technical_support/importing-fl-studio-projects-flp-41/

As they say it's a bit hit and miss, but it's a nice to have feature.

Bitwig also has the same 'Live' clip 'parallel' playing paradigm as Ableton, but it is much more like a conventional DAW with its Linear arrange page (which is the first screen you get when you open it). I have both of them and love them both, but tend to use Live mode more in Ableton and Linear mode more in Bitwig.

Bitwig was programmed by some of the original development team at Ableton, so it does share a lot of functionality. If you get the Live Clip paradigm in Ableton Live, you will get it in Bitwig.

I would just buy a license for the most basic version or demo it and play about. Don't expect anything to click right away, give it a few sessions and you'll eventually get that 'aha' moment. You can pick up a license for the 8 track version for 5 bucks and it will also save projects.
 
I went from using reel to reels and analog 8 tracks, midi on amiga, a drummer in a band had this old yamaha or roland keyboard midi system that worked on a scart TV then a bandmates girlfriend bought us cakewalk for ms dos/98.

Have used most DAW's use FL studio for electro/sequencing stuff, reaper for instruments with guitar VST's and superior drummer.

Is Glenn Fricker from SpectreSoundStudios - SMG a cow?

He sounds pretty autistic.
 
Not to powerlevel too much but I've been making music for over 2 decades now.
Started out using whatever cracked software/freeware I could get my hands on in 2000 (Hammerhead anyone?) And gradually came to learn FL Studio (back when it was actually still FruityLoops) like a second nature, switched to Ableton in the 2010's because I found the loop stretching and fine tuning to be vastly superior compared to FL Studio. Gradually started buying gear and moving to a completely MIDI-only production style, now I tend to just jam and make music for myself at this point, if I do record I tend to dump the session into Ableton Live and mix it in there.

Also for the unaware, Archive.org has a wealth of old 90's sample CDs if you're wanting that old-school feel - https://archive.org/details/old-school-sample-cds-collection-01
 
Not to powerlevel too much but I've been making music for over 2 decades now.
Started out using whatever cracked software/freeware I could get my hands on in 2000 (Hammerhead anyone?) And gradually came to learn FL Studio (back when it was actually still FruityLoops) like a second nature, switched to Ableton in the 2010's because I found the loop stretching and fine tuning to be vastly superior compared to FL Studio. Gradually started buying gear and moving to a completely MIDI-only production style, now I tend to just jam and make music for myself at this point, if I do record I tend to dump the session into Ableton Live and mix it in there.

Also for the unaware, Archive.org has a wealth of old 90's sample CDs if you're wanting that old-school feel - https://archive.org/details/old-school-sample-cds-collection-01
I didn't know about the Samples, that's awesome! :)
 
for any producers
1 literally everybody in trap (since 2011)
have been using the BWB (bigwhitebeats) kits

2 Timbaland's Sound Designer is called Sound Oracle and he puts out kits that are analog processed drums (00s dusty kanye/timbaland/missy elliot type drums if you catch my drift)

3 Everyone Uses Splice and if you didn't know this already you dont need to pay for the subscription you can trim the unnecessary kits and sounds and find the exact you want
however here is the good kits
Modern Pop/Future Bass/Millennial Pop (Oliver Power Tools)
Dusty Riddim/Dancehall/Reggaeton (krs breaks)
Bouncy LoFi Drums (The Kount)
All Around Hip Hop (Scott Storch)
808Mafia Style (Southside)
Experimental / Dirty / Grimey Drum Machine (In Living 808 )
Experimental/Industrial/Hyperpop
(Sophie)

4 In Terms of good acoustic drums (non vst/oneshot) for Metal/Cores/Rock/Alt
CharlesJ kits are pretty good

5 Industrial/Indie/Experimental
Mammoth
Shroom Killer One Shots

6 Where To Get Them
Torrents but i have a massive collection of shit and just a good dude so hmu i have no problem hooking you up

7 These are just tools and overall building blocks always remember to be yourself and try to add your own flair or make your own sounds / experiment
how all the best records were conceived

8 not a self promo but i love all types of music so lets collaborate

9 get out there and knock it out the park
not every track gotta be a hit
 
for any producers
1 literally everybody in trap (since 2011)
have been using the BWB (bigwhitebeats) kits

2 Timbaland's Sound Designer is called Sound Oracle and he puts out kits that are analog processed drums (00s dusty kanye/timbaland/missy elliot type drums if you catch my drift)

3 Everyone Uses Splice and if you didn't know this already you dont need to pay for the subscription you can trim the unnecessary kits and sounds and find the exact you want
however here is the good kits
Modern Pop/Future Bass/Millennial Pop (Oliver Power Tools)
Dusty Riddim/Dancehall/Reggaeton (krs breaks)
Bouncy LoFi Drums (The Kount)
All Around Hip Hop (Scott Storch)
808Mafia Style (Southside)
Experimental / Dirty / Grimey Drum Machine (In Living 808 )
Experimental/Industrial/Hyperpop
(Sophie)

4 In Terms of good acoustic drums (non vst/oneshot) for Metal/Cores/Rock/Alt
CharlesJ kits are pretty good

5 Industrial/Indie/Experimental
Mammoth
Shroom Killer One Shots

6 Where To Get Them
Torrents but i have a massive collection of shit and just a good dude so hmu i have no problem hooking you up

7 These are just tools and overall building blocks always remember to be yourself and try to add your own flair or make your own sounds / experiment
how all the best records were conceived

8 not a self promo but i love all types of music so lets collaborate

9 get out there and knock it out the park
not every track gotta be a hit
i find LABS is also a sick plugin for nondrummers
 
I spent two days sampling my Arturia Drumbrute Impact through a Sound Devices MixPre-3 II AND a Fostex FR-2 (the old one for a different "color"), and burned out so hard editing I haven't really been able to make any music in three months. So if anyone wants the samples I guess I can toss 'em somewhere for downloads. You'd have to manually pitch and envelope yourself though, as I pretty early on realised there's no way in hell I was going to do the whole spectrum on them kicks.

I use Reason 11 for composing shitty technostuff, and bounce the tracks onto Samplitude X6 Pro where I mix it down with bus through a MOTU 16A into my Neve 5060. Been doing this since the 90's, started out with Impulse Tracker on a 486DX2 with OPL3-SA soundcard. Can't say I've come far though, still sounds like farts in a cardboard box.
 
Since my main interest is playing live, I made my studio around that, so I mostly use equipment for mixing instead of plugins. I have a lot of pianos, organs, synthesizers, effect processors, pedals and loopers in between my home and my rehearsal space. I dedicated myself to musical synthesis in the last decade, so I know my way around knobs. My recordings still need more work, but I'm being very hard on myself, and I'm also more a composer/interpreter than a producer. Never had a work rejected because of the quality of the recording, so that's something.
I use reaper for recording because I'm a sucker for opensource software, and since I only use the fab filter eq's for mixing regularly, it does the trick and that's all I need.
I'm stuck in production of a new album now. I need to re-record all the voices (I very stupidly decided to change lyrics, but I'll stick with my decision), and that made me rethink a lot of the songs, so I'm in a state of revision since July.
That's the hardest part for me, when to decide enough is enough. I can always improve a song, the trick is deciding when it's not necessary.
 
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