- Joined
- Jan 15, 2018
I sat down and watched Taxi Driver for the first time in years last night- literally hadn't seen it since my "Appreciating Cinema 101" or whatever it was called back in college. It's still an amazing and often imitated portrait of a particular place and time (specifically New York in the high crime days of the 70's). It manages to make the ugliness and run-down nature of New York's boroughs at the time beautiful in their own grimy way.
It also captures that, even post 60's unrest and knee-deep in filth, it was in some senses a more innocent time. Anyone watching today, if they met Travis Bickle, would be suspicious, we'd think something was off about him. A real life Travis Bickle might even be a potential lolcow. But he just kind of blends; Cybil Shepard's character doesn't seem to give it a thought going out for coffee with him. It's not until his idea of a date movie turns out to be a porno that she figures out Travis doesn't have all his marbles. Travis and his fellow taxi drivers almost serve as a medium between the seedy underbelly of New York and its leading figures. He shuttles hookers and johns around just as readily as a presidential hopeful. To borrow a phrase from the 30's musical 42nd Street, "where the underworld meets the elite".
Watching it has encouraged me to dig up a few more and watch them. Will have to wait on The Irishman since I don't use Netflix. I don't think all of Scorcese's movies are great (Shutter Island was nothing special in my book) but I think they're worth revisiting. Thought I'd make a thread to discuss the movies and the man himself. I love when he shows up as an interviewee on TCM or what have you because he's both insightful and passionate about films and film history.
It also captures that, even post 60's unrest and knee-deep in filth, it was in some senses a more innocent time. Anyone watching today, if they met Travis Bickle, would be suspicious, we'd think something was off about him. A real life Travis Bickle might even be a potential lolcow. But he just kind of blends; Cybil Shepard's character doesn't seem to give it a thought going out for coffee with him. It's not until his idea of a date movie turns out to be a porno that she figures out Travis doesn't have all his marbles. Travis and his fellow taxi drivers almost serve as a medium between the seedy underbelly of New York and its leading figures. He shuttles hookers and johns around just as readily as a presidential hopeful. To borrow a phrase from the 30's musical 42nd Street, "where the underworld meets the elite".
Watching it has encouraged me to dig up a few more and watch them. Will have to wait on The Irishman since I don't use Netflix. I don't think all of Scorcese's movies are great (Shutter Island was nothing special in my book) but I think they're worth revisiting. Thought I'd make a thread to discuss the movies and the man himself. I love when he shows up as an interviewee on TCM or what have you because he's both insightful and passionate about films and film history.
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