Was David Dees a flatearther?

Raging Capybara

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Later in his life, he started to create images like that, which suggests he believes the flat earth theory is an evil conspiracy perpetrated by the united nations:

dees flat earth.jpg

But at the same time, this makes no sense because all the elites in the world adamantly promote the idea the earth is a sphere. So what the fuck did DDees believe in?
 
I think he was, at the very least, pointing out that elites, globalists if you will, matriculate false information into the public, be it propaganda or just sheer static, to drown out your better senses and fill your mind with paste.
In this state, the state of a poisoned farm animal, endlessly chewing our cud, we never have the time, or that platform, to look up and question, to gaze beyond the comfortable confines of our boarder, a boarder inside which good and bad are boiled down to concepts as simple as truth and falsehoods.
When, I believe, the entire concept of Satan, or Set/Seth, is predicated off of the notion that both truth and lies are in the domain of worldly things, and the inner-confines of a conch shell may house a precious truth, but is wrapped and adorned in lies, so much so that while you delve, seeking the truth, you are trapped within the spiraled structure of a carefully configured trap.
Morality, instincts, community, kinship, all must be maintained. However, how easy is it to divide up and conquer a population that's ingratiated in a battle between one inaccurate truth and another accurate lie?
I would wager that it's quite easy, at that point, to squelch, suppress, and subjugate.
 
We can begin with the "flat earth" UN logo on the prison wall. This states the idea that the UN worldview is an obviously false, constructed and narrow-minded one. One of the children is also pointing to the flat earth "globe" with a wand-like object. This can be a sign that globalism is unsustainable (the celestial objects that aren't being held up by anything other than, perhaps, this magic wand) or that it's devilish at its core (associations of wands with the occult, and thus the devil). The absent adults and invasive cybernetics on the children also suggest that the wand and model are metaphorical for the interfaces to electronic propaganda systems, such as video games, television, or the internet.
 
Later in his life, he started to create images like that, which suggests he believes the flat earth theory is an evil conspiracy perpetrated by the united nations:

View attachment 2152973

But at the same time, this makes no sense because all the elites in the world adamantly promote the idea the earth is a sphere. So what the fuck did DDees believe in?
>img
The UN logo is in the background.

I think it's meant to be a commentary of globalism and miscegenation.
 
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>img
The UN logo is in the background.

I think it's meant to be a commentary of globalism and miscegenation.
Yeah, I was thinking globalism too. The Flat Earth is a metaphor used by optimistic globalists ; it's not meant to be taken as a belief in a literal, topologically-flat Earth, but rather in a belief that the global marketplace is, will be, or at least should be, a level playing field mediated by supranational organizations (like the UN). Miscegenation is a possible theme, although with a limited knowledge of Dees as an artist, and just going off the painting as it is presented, I think the emphasis is less on race mixing and more on the inherent racial inclusiveness of flat-earth globalization. The world is flat because ALL people have equal access to the global marketplace (or at least, have equal access to being dominated by the globalist elite).

Without knowing more about Dees, I'd defer to Kabuki Actor's analysis above:
We can begin with the "flat earth" UN logo on the prison wall. This states the idea that the UN worldview is an obviously false, constructed and narrow-minded one. One of the children is also pointing to the flat earth "globe" with a wand-like object. This can be a sign that globalism is unsustainable (the celestial objects that aren't being held up by anything other than, perhaps, this magic wand) or that it's devilish at its core (associations of wands with the occult, and thus the devil). The absent adults and invasive cybernetics on the children also suggest that the wand and model are metaphorical for the interfaces to electronic propaganda systems, such as video games, television, or the internet.
Assuming that Dees is anti-NWO (is he?), that seems pretty sound. The "false sun" and "wand" which the children hold clearly evokes Luciferian gnosis and the occult (albeit a weak, false, twisted gnosis), and the prison bars, external light source, and UN flag on the wall, all seem to point towards Plato's Allegory of the Cave. The absence of parents and the transhuman elements are definitely a good catch, too; the children are so distracted by the false world created by technology and the global elites, so cut off from epistemological guidance outside their microchips and government-appointed child handling AI programs, that they cannot look backwards and perceive the true light of the World of Forms.
 
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