On Sept. 16, Sheng sent out a formal apology to the department. He wrote that after doing more research into the issue, he realized the true extent to which racism impacts American culture, adding that he failed to recognize the racist connotation of blackface makeup.
“In a classroom, I am a teacher representing the university and I should have thought of this more diligently and fundamentally; I apologize that this action was offensive and has made you angry,” Sheng wrote. “It also has made me lost (sic) your trust.”
However, the apology has been another source of controversy among students. Students have taken particular issue with the section of the letter where Sheng lists multiple examples of how he has worked with people of color in the past.
“At the world premiere of my opera The Silver River in South Carolina in 2000, I casted an African American actress (for the leading role), an Asian female dancer and a white baritone for the three main characters,” Sheng wrote.
After a few more examples, Sheng concludes by writing that he has “never thought (of himself as) being discriminating against any race.”
Cook told The Daily she felt the letter was shallow. By listing out all of his contributions to people of color, he failed to understand the gravity of his actions, Cook said.
“He could have taken responsibility for his actions and realized that this was harmful to some of his students that are within his class,” Cook said. “Instead, he tried to make excuses. Instead of just apologizing for it, he tried to downplay the fact that the entire situation happened in the first place.”
The blackface incident also elicited response from the graduate students in the program. According to a graduate student, who requested anonymity for fear of retaliation, many of the graduate students started reaching out to the undergraduate community after they heard about the incident.
“It was sort of a protective reaction from the grad students, like ‘what can we do to help the undergraduates? What do they need?’” the graduate student said. “Clearly they’re not going to be in a room with (Sheng) anytime soon.”
The graduate student was also a part of a team who wrote an open letter that was sent to Gier on Sept. 23 addressing Sheng’s actions. The letter — signed by 18 undergraduate composition students, 15 graduate composition students and nine SMTD staff and faculty members — directly discusses Sheng’s formal apology letter.
“Professor Sheng responded to these events by crafting an inflammatory ‘apology’ letter to the department’s students in which he chose to defend himself by listing all of the BIPOC individuals who he has helped or befriended throughout his career,” the letter reads. “The letter implies that it is thanks to him that many of them have achieved success in their careers.”
The letter also called for Sheng to be immediately removed from teaching the undergraduate composition seminar, saying he failed to create a safe environment despite the fact that SMTD faculty are required to take training courses regarding racism in academia and have access to multitudes of resources. In an email to The Daily, University spokesperson Kim Broekhuizen confirmed that 100% of full-time faculty had attended these training sessions in the previous academic year.