I agree, but it doesn't change the fact (also it was mastered by the best dude in the industry for vinyl mixes). And there are a good solid handful of other vinyl releases through the years that truly do sound incredible and are worth collecting. I don't think many people have heard how good vinyl can actually sound on a proper system, it's EASILY AS GOOD as digital--not really better per se, but it can be kind of shocking just how good the technology actually can be. Not something consoomers will ever have experience with, buying shitty presses at the mall. It's a thoroughly obsolete technology, but it peaked pretty damn high.
Anyway, re: audiophiles, there is two kinds. One who sees audio equipment as a means to an end, and one who gets into some weird ass mysticism about the whole thing buying literal 'magic beads' to place on top of their speaker wires and thousand dollar IEC power cables. Really the whole audiophile thing could be its own thread. It's a weird symbiotic relationship between people willing to drop tens of thousands of dollars on literal "magic boxes" and the grifters who are all to happy to spin them a yarn about the garbage they're selling.
I'm an audiophile, in that I listen to a lot of music and equipment is a means to an end. My stereo costs around 6k, and it's about as good as you can get for the size room that I have. It's part of my home theater so it does double duty, and I can tell you it is well worth the cost for the amount of hours I have on it. I have people over and they are literally left speechless by it. For a frame of reference, it's moderately better in sound quality, loudness, and accuracy than a typical high-end megaplex theater. But I don't have magic beads, I have handmade horn-loaded loudspeakers and a subwoofer that was delivered via freight on a pallet.