‘Cowboy Bebop’ Canceled By Netflix After One Season


‘Cowboy Bebop’ Canceled By Netflix After One Season​


Exclusive: The streamer has canceled the anime adaptation of the space Western after its premiere less than a month ago.


By
James Hibberd, Borys Kit
December 9, 2021 3:11pm



Cowboy Bebop


Netflix's 'Cowboy Bebop' Netflix



That was fast: Netflix has canceled its ambitious, widely hyped and, ultimately, widely disappointing anime adaptation Cowboy Bebop, The Hollywood Reporter has learned.
The move comes less than three weeks after the show’s Nov. 19 debut on the streaming service.

The space Western had a rough reception. The 10-episode series garnered only a 46 percent positive critics rating on review aggregator Rotten Tomatoes. Fans seemed to agree, giving the show a 56 percent positive audience score on the site. According to Netflix’s Top 10 site, the series has racked up almost 74 million viewing hours worldwide since its debut – so it got plenty of sampling out of the gate – but it plummeted 59 percent for the week of Nov. 29-Dec. 5.


Insiders pointed out Netflix’s renewal rate for scripted series that have two or more seasons stands at 60 percent, in line with industry averages, and, like all Netflix renewal verdicts, the decision was made by balancing the show’s viewership and cost. The streamer also prides itself on taking big swings on projects like Cowboy Bobop and has many other genre shows on the air and in the works.
The project is the latest attempt to reinvent Japanese anime as a live action series that failed to draw viewers following titles such as 2009’s Dragon Ball Evolution, 2017’s Ghost in the Shell, and Netflix’s 2017 movie Death Note. The biggest success in the space so far was arguably 2019’s Alita: Battle Angel, which pulled sizable foreign dollars ($319 million) if not domestic ($85 million).
Cowboy Bobop series starred John Cho, Mustafa Shakir and Daniella Pineda as three bounty hunters, aka “cowboys,” all trying to outrun the past. From the show’s description: “They form a scrappy, snarky crew ready to hunt down the solar system’s most dangerous criminals — for the right price. But they can only kick and quip their way out of so many scuffles before their pasts finally catch up with them.”
The Hollywood Reporter‘s Angie Han wrote that Cowboy Bobop was “faithful to a fault” with “leaden pacing” and “the sharp [anime] visuals [were] reduced to muddy CG, the playful humor translated as phony laughter, the lived-in grittiness replaced with shoddy-looking sets” and that the remake “seems to have no point at all.”
The show was based on the popular 1998 Japanese anime TV series and the 2001 anime film. Netflix first ordered the project direct to series back in 2018. A live-action feature film version starring Keanu Reeves was also previously in development at Fox.

André Nemec (Teenage Mutant Ninja Turtles) serve as showrunner, with original anime series director Shinichirō Watanabe as a consultant on the series and original composer Yoko Kanno returning for the live-action adaptation.
 
Who saw this coming aside from literally everyone? I'm trying to think of one of these live-action anime adaptations that hasn't sucked a tailpipe and am coming up blank.

Maybe... these two mediums don't translate into each other very well?
Alita: Battle Angel had a pretty good live action adaptation. Largely because it avoided coopting the medium for Woke points. So of course critics panned it.
 
I regret to inform you that Netflix was way ahead of you there, because that's exactly what happens.

Haven't watched the abomination, but from what people were saying in the thread related to this trainwreck they just shuffled up all the content. Yes, they didn't introduce Ed until the very end, but by the end of that first season they'd had the big Final Battle between Spike and Vicious... except I think Julia kills Vicious so she can be the real Antagonist, and Spike survives?

Idk, it's all very confusing and generally A Bad Move. Kind of funny they decided to completely rewrite the iconic ending of a very beloved series because they decided they could do it better and milk more seasons out of it... and then get canceled. You get what you fucking deserve.
The first season ended with Ballad of Fallen Angels, which was the first Spike and Vicious fight, where Spike throws the grenades and falls through the stained glass window. I mean, they fucked that one up too by having Julia involved and the actual mastermind.

This scene:

This is the one they ended on and fucked up.
 
I don’t remember much about watching the orignal anime because it has been at least 15 years and a nasty head injury since seeing it. But I do remember having very negative feelings about how the anime ended.

I’ve watched a few of the episodes of netflix’s Cowboy Bebop and I’ve really enjoyed the cinematography. Some of the dialogue has been stilted, but seeing it as actors and actresses attempting to be dramatically anime-like…it makes sense to me why it is like that.

I know a lot of people hate it. From what I have seen, I don’t hate it…yet.
 
Ed in the anime made me uncomfortable so I can only imagine how bad the live action version would be.
She's a weirdo so she really should make you uncomfortable.
How do you fuck up such an iconic ending? It's such an easy premise to get right, getting Spike to go on a revenge rampage through a building ending with a final fight and this ending where it appears he dies. Oh right, they wanted season 2.
They wanted Julia to have agency as a character and YAAAASSSS QWEEEEN... even though that misses the point and function of the character entirely.
 
Haven't watched the adaptation, but what the fuck is this? They manage to make a sitcom and make everyone who was cool in the anime seem really lame.

How do you fuck up such an iconic ending? It's such an easy premise to get right, getting Spike to go on a revenge rampage through a building ending with a final fight and this ending where it appears he dies. Oh right, they wanted season 2.
Also it isn't even like the anime where he falls out the window all chill. This time he falls out but John Cho has old man face so of course he looks shocked. It's a stupid expression.
 
Also it isn't even like the anime where he falls out the window all chill. This time he falls out but John Cho has old man face so of course he looks shocked. It's a stupid expression.
They don't understand the characters. Spike is "chill" because he's always ready to die, and he's always ready to die because he feels he should have died a long time ago.

But these amazing writers had to rewrite all the characters because they knew better.
 
She's a weirdo so she really should make you uncomfortable.

They wanted Julia to have agency as a character and YAAAASSSS QWEEEEN... even though that misses the point and function of the character entirely.
Her character was kind of funny and quirky, but it was the way she was always dressed that weirded me out.

I was nervous on how pedo-friendly Netflix would have handled her wardrobe.
 
I'm surprised. I thought for sure they'd carry through to the bitter end, but the viewer backlash and criticisms must have been too much to justify continuing it. Maybe the Edward introduction was the final straw, too.

Well, I'm not saddened by its cancellation. This was too much of a radical departure from the anime that it just fell flat on its face repeatedly. Better to quit while they were behind.
 
I disagree, there are adaptations that work and work well - even if the source material is kind of crazy. Some of the Marvel adaptions are good, the DC ones can be, The Witcher is doing well.

This show failed because it contained exactly 0% heart and that was readily apparent from the first cast interviews and seeped into every single pre-production thing that they made. The funniest thing about any of the trailers is the idea that cast/crew/execs watched it and all thought "this is excellent, release it at once!" instead of going "this doesn't feel right" and re-figuring it all out.

Specifically I'd point at "The Mandalorian" as a show with not a huge scale but made with a lot of noticeable heart that drastically elevated the show's reception. Considering the very similar themes and scale, making something similar out of Cowboy Bebop would be pretty simple, if only a few people gave a very real shit about it.
The Mandalorian did well because a lot of people love Star Wars and its the only Star Wars we've had for 20 years. Kathleen Kennedy doesn't get that slapping a name on something and adding laser swords doesn't make it Star Wars.

This live action, no soul show with the name Cowboy Bebop tacked on fell victim to the exact same hubris.
 
I disagree, there are adaptations that work and work well - even if the source material is kind of crazy. Some of the Marvel adaptions are good, the DC ones can be, The Witcher is doing well.

This show failed because it contained exactly 0% heart and that was readily apparent from the first cast interviews and seeped into every single pre-production thing that they made. The funniest thing about any of the trailers is the idea that cast/crew/execs watched it and all thought "this is excellent, release it at once!" instead of going "this doesn't feel right" and re-figuring it all out.

Specifically I'd point at "The Mandalorian" as a show with not a huge scale but made with a lot of noticeable heart that drastically elevated the show's reception. Considering the very similar themes and scale, making something similar out of Cowboy Bebop would be pretty simple, if only a few people gave a very real shit about it.
Witcher is doing well despite a lot woke shit intertwined in it.

Goes to show the strength of the source material.
 
Pray 🙏
One piece
Yu Yu hakusho
Gantz
Akira
Evangelion
My hero academia

Pray they all disappear into limbo hell.
I'm so thirsty for Yu Yu Hakusho that I'd take the typical Netflix adaptation butchery at this point, if only to stir conversation about the franchise. I wouldn't actually watch it but still.
 
I unironically think Monster could work as a live action show, especially since the show has plenty of filler that could be trimmed without feeling rushed. I was happy to hear Del Toro was working on an adaptation but that apparently fell to shit. Would have been hard to insincerely wokeify since our main lead is already a poc Japanese man and our villain is intentionally written to be Aryan and thus, desirable by actual neo Nazis.
 
I unironically think Monster could work as a live action show, especially since the show has plenty of filler that could be trimmed without feeling rushed. I was happy to hear Del Toro was working on an adaptation but that apparently fell to shit. Would have been hard to insincerely wokeify since our main lead is already a poc Japanese man and our villain is intentionally written to be Aryan and thus, desirable by actual neo Nazis.
Asians are Schrodinger’s POC, they’ll just make the lead black.
 
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