- Joined
- Aug 22, 2013
For the Internet: I'd never heard of Cool Cat actually. I might look it up sometime soon to see how valid your points may be in comparison to my work.
Please do. Wogglebug is higher quality than Cool Cat but that doesn't mean much in the scheme of people discovering your work without exposure. He had a much higher budget than you and did a ton of advertising and still couldn't make meaningful sales until an audience of people who enjoyed the film ironically became aware of it through a comedic critique video.
And if it is inevitable that my movie will be "pirated" when its released on DVD, I'll just get ahead of everyone and post it online myself at my website the day the Amazon Instant Video and, or, DVD is also released.
That's fine, but the second it's up it will be pirated. Probably out of spite rather than interest to be honest. Forcing people to leave a 5 star Amazon review to get your DVD is incredibly arrogant. Only a troll would have that dedication. Your target audience (parents of children) will not have the time, patience or inclination to jump through hoops for a DVD. It will ensure only the purest trolls will get their hands on your DVDs, not the purest fans. You can't just assume you're going to get that awesome, dedicated fanbase of people as devoted to the character as you are. You're putting the cart before the horse.
And I feel I'll simply have to at least put out 4 movies because the one that almost was completed (before I changed the script again) that I was for a while planning to release first is now going to be the fourth released instead.
What was I saying about carts and horses?
And I am not actually refusing to do market research in the way you mentioned, with the sort of audience you mention. It's just the things that have been stopping me from reaching them is I have a hard time finding the sorts of forums for them when I search. Also, as I said before I've also found a forum that had potential to it that I wasn't qualified to join. The same thing happened not long ago when I signed up for a forum for secular homeschoolers. I couldn't get into the actual forums because I was neither a parent nor a homeschooler.
I'll tell you what, if you or any of you can locate and pinpoint me to a few of such forums and social media groups online that have my targeted audience reachable, I'll spend more time there than here from now on.
No. Just, no. People here have jobs. People here have degrees that they're working on. We are not doing your work for you. If you're having so much trouble finding forums, go on facebook, pinterest, vine, twitter... any social media platform you can to find. I know you have a facebook. Join any groups dedicated to parents (it doesn't matter if you're not a parent, plenty of groups are public), children's films, film making, anything related to your work and post. Advertise, offer free e-samples, link to trailers/teasers on youtube and vine and take any feedback they give you graciously. If you come back and tell me that you can't find groups like those on facebook et al my suspicions will be confirmed that you have no intention of ever putting in the work you need to make your dreams come true and will never listen to anything we have to say unless we wrap it in the softest of kid gloves.
As for the Oz fans, it's just that I consider my fandom to be an opposing team to theirs and people will need to choose which teams to root for. Because the Wogglebug really doesn't receive much respect if any at all in the Oz fandom and so he needs another fandom to himself to get it. So that's what I'm giving him. Also because of certain things in my novels I seriously doubt Oz fans would actually become fans of me even if they became readers. As far as as anyone is concerned the Oz fandom and the Wogglebug's fandom will forever be two completely separated fandoms that dislike each other.
Has it ever occurred to you that the majority of Oz fans don't have a stupid death match grudge against your fandom? The majority of Oz fans don't even KNOW about your fandom. There are probably some loons who are passionate about sticking to 'canon' regarding Oz characters and not taking them out of Oz, but every fandom has spergs like that and to preclude them all because of some of them being idiots is possibly the worst move you could make. These are the only people who will see your work, know who the Wogglebug is and be interested because he is the Wogglebug and he is a character from a fandom they like who somebody is doing something new with. Excluding them will pretty much ensure you don't find success.
Put it this way: do you think that all Harry Potter fans who prefer the canon works are at war against the Harry Potter fanfic writers and fans of HP must choose sides? There's a similar character division in this group: book readers who are only interested in canon usually find Draco Malfoy to be disgusting, complex and cowardly because that is how he is written by JKR. There are a large portion of fanfic writers, however, who see him as deeply misunderstood and ultimately a funny, charming and brave person. Those two interpretations are at odds. Canon book fans (ie the Oz fans) see Draco (ie the Wogglebug) in a mostly negative light and fanfic writers (ie you) see him in a positive light and create new media to reflect this.
Guess what? There are a few spergs who attack each other over this because they're spergs, but the vast majority of the fandom doesn't give a shit about that fanfic even if they don't agree with the character interpretations. In fact, a lot of people who prefer the canon books read fanfic and enjoy it. There is no war, it's completely something in your head. People do not have to pick sides. Fanfic proves that you can passionately love your canon series but also love alternative interpretations made by people other than the author. You should be reaching out to these people to show them how great the Wogglebug can be and I guarantee you you'd pic up fans because so many people love fanfic/alternate character interpretations. And no, I am not calling your work fanfic.
As for Voiceguy's payments, I'm not saying I don't want to pay him all at once but just if I do it will likely have to wait for months and months of saving up to do. And I am also paying not one but two illustrators also at the same time. I've paid off Robert Henry for the first two novels art in the past two years (a total of $1,000), and owe him another $400 for the third book next year which I'll be doing in installments every third Wednesday of the month starting in January.
Okay, now is where I get harsh because you can screw yourself over till the cows come home, but you can't screw over people who have loyally worked for you for years, above and beyond the call.
If you do not have the money to pay him on time, you should NOT be continuing work on the Wogglebug franchise until you are in a position to pay off anything owing to voiceguy and your animator and then only resume when you can pay them in full each time. Yes, installments are better than not at all but the fact you are in that position is extremely unfair and unprofessional. You should be sacrificing everything you have (ie making the movie) to pay these people, not asking them to make compromises so you can have your cake and eat it too.
You say you want to be a film maker, so learn something from someone who worked in the industry. You will never get off the ground if you treat your cast and crew like shit - and this IS treating them badly. Your reputation as unprofessional will proceed you and you will not get hired. Nor will people work for you. I have seen it with my own eyes many times. If you're too difficult to work with, nobody will touch you. I used to be in the same agency as a guy who was phenomenally talented. Like, Heath Ledger talented. He was good looking and a naturally gifted actor. He could have been an oscar winner one day. But he dicked around on set and pissed off directors and it got to the point that nobody would hire him because he was considered unprofessional. He dropped out of acting.
Me and Voiceguy haven't done a contract together yet at all. I was planning to for a long time but never got around to it. But thanks for bringing it up again as it seems important. I want to be able to pay him in the right way for him. I haven't had the chance to discuss these matters with him yet. But I would prefer he tell me what he wants to agree on and not have you actually decide for him. Its disrespectful to both me and him. I admit two things that will make all the difference for me is if I can be able to move to another apartment that has less rent in the spring and have a successful indiegogo campaign next year in the spring also. I can only do my best with all these things.
I'll be upfront with you, Cynthia. I sent a PM to voiceguy telling him you were planning on paying him in installments and not increasing his rate and I advised him to get a contract drawn up ASAP to protect himself. I am giving him this advice as a fellow actor, not because I'm trying to spite you. I am not trying to dictate the terms of the contract (and you're an idiot for thinking I would try to do so, frankly), I'm just telling him he should have one to protect himself because that is standard in the industry. If he had an agent or was a member of a guild you would not be allowed to hire him without a contract. The terms are between you and him, although I think you should both get legal advice to make sure the contract is fair since it seems like neither of you are versed in entertainment contracts.
You should be the first one pushing for it because you say you want to be a film maker and obviously you'd only want to do things above board, right?
Sorry if I'm being too harsh for you, you sound pretty defensive so I guess I am being rough on you but I am out of patience after this thing with voiceguy. I really don't give a shit if you think I'm overstepping my bounds by advising him to get a contract with you, but that is literally all I advised and it benefits both of you (although admittedly my concern is protecting him moreso than you because he's the one in the vulnerable position). I know the industry and what you're doing is not okay so I'm advocating for him. I'm glad you understand the importance of contracts now and I know you don't want to screw him over so please do the right thing and make it a priority immediately.