@For The Internet you should be ashamed of yourself for jumping to conclusions and making me feel SO bad for a while when it was SO completely unnecessary. Like I said before, Voiceguy should be the one to tell me what he prefers and wants for the future of our working together, and not you acting like you want to decide it for him. I expect an apology to both Voiceguy and me.
I haven't jumped to any conclusions, Cynthia. I'm sorry, but you tend to ignore or dismiss good advice and that's fine when you're only hurting yourself by ignoring it, but when your unprofessional conduct hurts someone else - someone who has been as good to you as Voiceguy - I am going to be as blunt as I need to be to get my point across. It seems to have worked, since you've actually negotiated with him and are presumably getting right on drawing up a written contract to protect you both. I didn't set out to hurt your feelings and I'm sorry I did, but I don't regret giving you the shove you needed to realise the importance of professionalism in regards to contracts for your cast and crew. If a studio couldn't get away with it, neither should you.
I asked if you had a contract. I said
if (if being the key word - I was speculating) you had a contract whereby you had stipulated a certain payment and were then reneging on that contract you would be in violation, which is fact. I then said that
if you did not have a contract with Voiceguy you were being unprofessional, and as it turns out you
did not have a contract. At no time did I state either of those things to be true until you yourself confirmed that no contract existed. I stated that changing a worker's payment on the fly because of your financial situation rather than halting production until you can cover your debts is unprofessional because it is. It doesn't matter that Voiceguy is a sweetheart and agreed to do so because he's a compassionate and loyal person. It's still unprofessional, you will not find professional film makers doing it without hurting their reputations.
The statements I made about how actors are paid and how important contracts are are not speculation, they are real things that I dealt with for many years in the industry. I've worked with one man operations like yours to major studios and everything in between. Part of what bothered me was you announcing those pay changes (that again, couldn't have happened if you'd had a contract without renegotiation) here before even telling Voiceguy. In fact, you pretty much jumped to a dreaded conclusion:
"I am sure he will never charge me the same amount again."
Again, I am not jumping to conclusions, your post on the matter said you hadn't talked to him about it yet. So, I PMed him literally quoting what you said and telling him he should ask for a contract. At no point did I advise him on terms. I told him I was fine with him showing you the PMs I wrote him if you wanted to see them, and I am, because there's nothing in there that I haven't said here. Of course, if he doesn't want to share them that's his prerogative.
Almost everything I have said to you has been based on your own words. In my last, extremely long (and frankly, boring) post I literally quoted every word you said and responded to your statements in full.
The only conclusion I've ever jumped to regarding you was that Voiceguy was ripping you off by being paid $750 for half and hour of voice work. Even that conclusion was based on my experience in voice acting and I know how people are usually paid so it seemed abnormal. Voiceguy came along and explained the situation and I apologised for assuming he was taking advantage of you. He and I are fine, he doesn't seem to bear me any ill will based on our conversations over PM and this thread, so I don't know why you still hold that over my head, especially considering that the only reason I mentioned it at all was because
I was concerned someone was doing the wrong thing and hurting you.
Speculation based on your own words, or on professional experience, or on easily proven fact isn't the same thing as jumping to conclusions. I have pretty extensive experience in the industry, and as an aspiring film maker I would think you could do with all the professional advice you can get. Even when I was upset on behalf of Voiceguy I still said the contract was as much about protecting you and your reputation as a film maker as it was about protecting him. When I PMed Voiceguy I said he should suggest you, not he, contact a lawyer to advise you on drawing up a contract so it will be fair to you both.
Please highlight where you believe I have jumped to conclusions. I have a fair idea of what you might say, though.
Also, please show me where I've tried to tell you or Voiceguy what the terms of your contract should be? Please copy-paste text.
I love that you think I should be ashamed of myself for telling you to be professional so you can have a future in the industry and for advising both you and Voiceguy to protect yourselves by creating a legal contract ASAP. Such shame. Much regret. I am truly a terrible person for giving you advice that will only benefit you both.
I know you think I dislike you and I want to sabotage you for some reason, but I've offered you nothing but advice that is intended to help you succeed. I'd love to see you actually get The Wogglebug off the ground. I don't dislike you. I dislike some of the things you do, but I have no bad will towards you.
In reply to your other post to me:
Good job on finding those FB groups. Try instagram and tumblr too, just make certain you actually start posting to them ASAP.
I am very, very glad that you understand how important contracts are and I also think you did the right thing by not talking shop while Voiceguy was dealing with such awful personal issues. I never said or thought you were trying to hurt him, just that you inadvertently were.
As for your issues with the Oz fandom, I've read about them at length. I will never agree with you about excluding the fandom, regardless of how you have clashed with them in the past.
Honestly, the problem with the Oz fandom seems to be
you because even in that little sample above you couldn't resist insulting them instead of just saying 'Hey, I've made a film about an alternate universe Wogglebug for kids and I'd love some feedback so please check out these clips'.
Go to facebook, instagram and tumblr and find Oz groups. There's a chance a few of the people there will be from the communities you clashed with, but if you're polite, keep your cool, don't insult them or insinuate that you dislike the fandom I'm sure you'd pick up a lot of people who would be interested in Wogglebug even if he's from Genoma now. Fandoms are all very similar in that, as I explained before, you have people who like fanfic/AU stuff and people who don't. You WILL pick up fans if you blanket Oz-related social media.
I'm not trying to insult you but I think you come across better on social media, where you have less room for lengthy responses. You come across very well on FB from what I've seen, and I'm sure you could continue to put your best foot forward on twitter and the other platforms I've mentioned. Just don't respond negatively or to negativity. If you're not sure how to respond to something or you're not sure if a person is being negative you could always ask friends/family/voiceguy or even ask here.
People here really are trying to help you, even if the advice is sometimes worded in ways you find insulting. You've put in a ton of hard work and your product has improved enormously. I don't think anyone who frequents this thread would disagree with that.