🐱 How 'Steven Universe' Subverts Toxic Masculinity and Normalizes Trauma

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Along with championing LGBTQ representation and body positivity, Rebecca Sugar’s Cartoon Network cult hit Steven Universe garnered its status as one of the best animated series of the past decade through the care put into its characters and how they served the series’ core themes. Over the course of its six-season run, the underlying values of personal identity, love, and the power to change were told with a compassionate lens focused on the growth and development of each of its principal cast of Crystal Gems. However, the story of its titular hero demonstrated the show's most powerful exploration of self-awareness while also countering archetypal gender norms.

Steven Universe himself, voiced by Zach Callison, is the heart and soul of his family of alien rebel guardians. Poised from the first episode as the Crystal Gem-in-training and surrogate little brother, the overarching plot sees Steven grow throughout the series from a rookie to a leader to the savior of the entire galaxy, along the way being the one-man sympathetic ear for the other gems and their eons of emotional baggage. The tale of Steven is not unlike any other story centering on a kind-hearted child hero with a clandestine destiny akin to Aang in Nickelodeon's Avatar: The Last Airbender or Son Goku in DragonBall. Like most coming-of-age epics, Steven’s story pits him at the center of a world-shaking conflict that presents him with challenges and opportunities to mature as a person and emerge a hero to his friends.

Where the series deviates from these traditional hero stories is that it puts first and foremost the perspective of Steven still being an innocent child well over his head and how his responsibilities affect him. Apart from imbuing Steven with childlike naïveté, the show makes it clear that Steven’s life is anything but ordinary and that his placement at the center of a centuries-long conflict as the de facto rebel leader is a strain on his impressionable and sensitive youth. While he does make friends with everyone in town and enjoys the typical childhood pleasures of video games and fry bits, his duties to the Crystal Gems make him unable to relate to fellow human children and long lacked a stable home life with his beach bum father living out of a van. Despite being the hybrid-reincarnation of his warrior mother, Steven does not seek to battle in the war he spends his childhood fighting, yet he is expected to by the other gems for what his very existence as a gem represents. These expectations and the content of his character manifest in an openly visible vulnerability.

From even the first episode, Steven had been portrayed as a sensitive and overtly empathetic child all the way through the majority of the series' run, with the earliest episodes even making him out to be an utter scaredy-cat and crybaby. What made Steven a compelling hero by the end of the original series was that his vulnerability was just as much his strength as it was something for him to conquer as he grew. In being the emotional core of practically his entire social circle, he could not afford to deny or hide his feelings or the feelings of others in order to save face and stay strong, and that mindfulness is what made him a well-rounded person and capable hero. His powers themselves even manifested through his matured emotional strength and reflected the control and honesty he had over them. Steven’s burdens did not make him stronger, but being honest about the strain it put him under and why he chose to fight did. His human emotions were what made him powerful, not a liability.

Steven did not withhold his feelings until they were bursting at the seams for he was acutely aware of how he felt and expressed it openly and regularly to his friends. He would cry, sing and display compassion for even his enemies because he did not let his position of being a warrior leader supersede his emotional awareness and trusting nature. While traditionally masculine heroes grew to keep up a steadfast projection of strength void of weakness, Steven’s greatest strength was that he wore his sensitivity on his sleeve, which would result in his greatest personal challenges.

In the subsequent follow-up limited series Steven Universe Future, Steven began to keep his stirred feelings and the effects of his childhood trauma bottled up behind a destructively self-assured cover. Upon reaching young adulthood after bringing peace to the galaxy, Steven started to reflect on the impact his stressful childhood responsibilities put him under and the experiences he suffered through. Just as his powers grew over the series to become the hero everyone needed him to be, they began to fluctuate in catastrophic ways as a response to his traumatic feelings and stress. It was here that Steven began to hide his emotions from his loved ones behind a masculine facade to avoid them, complete with a muscular physique and violent outbursts of power.

After spending so many years fighting the war he was fated to and putting other people’s needs ahead of his own, Steven had grown to deny his own mental health and hide it from his friends as to not worry them and carry on the role of the hero. Steven had grown out of the pure-hearted innocent that was able to take on the universe and began to dwell on what the war had done to his childhood development, culminating in an explosively and literally monstrous meltdown. The series’ penultimate moments are of Steven releasing all of his rage about what had become of him in a terrible display of destructive power, calmed only by the embrace of his loving friends who wish to help him the same way he helped them.

Unlike the traditional hero narrative, Steven’s story ends with him not ascending to even greater responsibility or position of power as a hero, but realizing that he must work on himself as a person to achieve and maintain a healthy sense of self. Of all the show’s themes, Steven’s struggles with his past help normalize recognizing trauma as a valid method of growth and change. Where Steven takes his story in the closing moments of Futureexactly is unclear, but he does so with a regained sense of self-awareness after facing his pain and being re-opened to his own vulnerability.
 
Fat 35 year old redditors are not young despite having many proclivities that swing that way.
Steven Universe was watched by 20-something Tumblrinas and the occasional man that may have wanted below mediocre pussy. The show ended ages ago, so anyone watching reruns now would be in their early 30's. None of my younger cousins, nieces, or nephews cared about Steven Universe. They loved Adventure Time, Gumball, and Regular Show. They loved giggling at snails making out and watching a bird simp and his raccoon friend get in trouble.

If any of them watched Steven Universe, it was as background noise while making stories with toy dinosaurs or something. I'm sure a lot of Kiwis vaguely remember some boring cartoon they used as background noise. For me, it was Filmore and Totally Spies.
 
Steven Universe is a show I tried to get into it thanks to a close friend of mine being a big fan (he is a nice guy minus that fact. He is a victim of the hype and the promises of payoff rather than caring about the progressive shit).

But I couldnt, it wasnt just not my cup of tea but there was a lot of "fucked up" on this series being treated with little to no seriousness that it actually deserves (and the rare ocassion that it is, they somehow are able to screw it up).

This show was a disaster from beginning to end. Steven was an average protagonist but what is done with him feels inconsistent. Somethings are done relatively well, while others were mishandled out the ass.

I think the problem ultimately lead to its inconsistency problem being far more dire than it seemed. It goes right down to every other character and its world building. Both dont make a hint of sense if you think about it and now that the show is over, there is no "oh it will make sense eventually" excuse.

The crystal gems are awful protagonists. They are insecure, uncaring, insensitive, inhuman (tho maybe that one was intentional even tho the series was inconsistent how much of it was intentional or not). Pearl was absolutely one of the worst characters I have seen in recent history. I wont go into details since Im sure there are other posts that go into details but you all probably know the stuff Im refering to.

Steven parental models are 3 alien lesbians and a fat loser of a father, he was fucked from the get go.

I feel like Steven Universe feels like an anime that caught on with the manga and nows had to make filler after filler that adds and builds literally nothing and then make up its own ending while trying to pretend that was the plan all along. But turns out there was never any manga to speak of and shit was just always like this. There was no plan and they were trying to trick morons that there was.

Feels like Sugar was inspired by quite a few sources but not understanding what made them good to begin with. I legit think they gave her too much credit.

Interesting ideas and setups can only get you so far with proper payoffs and a plan to speak of.

As a creative person, this series is a train wreck to witness
 
IIRC Steven is a mentally retarded, hysterical, overly emotional sped, that bumbles through life and fails upwards.

I feel like "Future" kind of tries to compensate that by making Steve a man-child that is afraid of change and cant accept that he kind of has no future prospect thanks to him never going to school thanks to the rock lesbians and his failure of a father never thinking about his future (again, they are AWFUL caretakers...maybe his father being worse because he was suppose to know better, but that would force him to actually have a back bone and be confrontational, which Sugar probably wasnt a big fan of)

It has awful consequences for everyone (I didnt watch it but I did see some friends of mine giving me a run down) and in the end, the series gives a "shrug" over if things would ever improve. Again, it all feels aimless, like solving a problem while creating 10 new ones
 
Was Steven Universe ever that successful among its intended demographic of children? It mostly seems to be watched by young adults, but maybe that's just my bias?
I don't ever remember seeing Steven Universe toys at Walmart or any other store that sold toys. Any Marvel movie would have a single panel-full at least, My Little Pony had a lot of shit, but SU? There was always a bunch of crap at Dragoncon by different fanartists, but that is deliberately targeted at adults who can afford to go to that. Kids are pretty much an afterthought there.
 
I don't ever remember seeing Steven Universe toys at Walmart or any other store that sold toys. Any Marvel movie would have a single panel-full at least, My Little Pony had a lot of shit, but SU? There was always a bunch of crap at Dragoncon by different fanartists, but that is deliberately targeted at adults who can afford to go to that. Kids are pretty much an afterthought there.
Steven Universe had a shit ending where they just cried at the end to solve all there problems. It's more saccharine than Teletubbies.
 
The tale of Steven is not unlike any other story centering on a kind-hearted child hero with a clandestine destiny akin to Aang in Nickelodeon's Avatar: The Last Airbender or Son Goku in DragonBall
Goku is not like Aang. Aang was destined to be the Avatar, Goku in the original series was a monkey boy hermit who goes on an adventure with his newfound friend which evolves into a life-spanning journey fueled by his desire to see the world and get stronger.
He was never expected to do anything. Everything he did was out of personal will. At any point, he could've walked away and returned to a life of peace and solace. Aang had no such luxury; he was expected to save the world or at least die trying.

Fucking posers.
 
Steven Universe is slowly becoming the cult that Harry Potter was/is.

It also is fucking stupid, badly drawn, and has a retarded message.
Yeah, I feel like this isn't the last time we're gonna see these kinds of articles. Expect "Steven Universe, the first show to have ACTUAL REAL Lesbians!!!' in the next decade or so.
 
The author apparently isn't a full-time journoswine.

He's "an aspiring artist" and also works in some low-level menial job in a theatre.

EDIT, if you guys are interested in the type of shit he draws. Yes, it's all CalArts.
what the actual flying fuck did you just link me to

wtffff.png

It looks like a CalArts rendition of Conchita Wurst. Easily the worst thing I have seen all month, INCLUDING Ukraine war gore vids.

There was this lady who I worked with once, supposedly a staunch Christian conservative, but something seemed real off about her to me. Then one day she told me she was a huge fan of Steven Universe and I knew what the problem was. Sure enough she came out supporting various pride shit soon after, self-diagnosed herself with a half dozen diseases, and now is perma disabled with "long covid" aka neurasthenia.
 
The author apparently isn't a full-time journoswine.

He's "an aspiring artist" and also works in some low-level menial job in a theatre.

EDIT, if you guys are interested in the type of shit he draws. Yes, it's all CalArts.

She leaves a business card after signing a receipt? UGH. How incredibly pretentious.

As far as I know, Steven Universe was about some short, fat retarded kid with severe emotional issues, who killed his mother when he was born, and has a negligent, neglectful, homeless, bald, fat guy who lives in a van as his father. Instead of his father having his shit together, he lives with his mother's 3 lesbian friends, two that are severely autistic, and one that is fat and has an eating disorder. No one ever makes him go to school, and he only has a few friends his own age. One is a dumb blond kid with a shitty attitude who hates his family, another is an autistic mute albino kid whose mother is a burnt out artist of no renown, and the last is a neurotic pajeet girl who thinks she is better than everyone around her. The street shitter's father is a spineless simp and her a mother is an hysterical, verbally abusive, workaholic physician who is borderline incompetent. He is friends with a few young adults several years older than him and Steven is too retarded to realize they only keep him around to laugh at his obvious mental retardation. He is "friends" with several adults who are likely grooming him or actively molesting him and are likely planning to sell him into child sex slavery. As a result of his mother being a miserable bitch who was little more than a sentient pile of shit he tends to encounter life threatening danger on a regular basis as well as several individuals who actively want him dead. Given his future as a severely emotionally unstable schizo young adult, with no formal education and no prospects, he likely would have been better off being killed by one of those individuals that wanted revenge for his mother being a worthless, self-important, dumpster fire.
 
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Everything he did was out of personal will. At any point, he could've walked away and returned to a life of peace and solace.
Too bad Toriyama forgets all that, and now writes Goku like a retarded fight monkey. But we're here to mock SU:
 
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