YABookgate

Ooh, is it all non-sexualised violence?
I've got a teen girl who's grown out of kidfic and likes a bit of gore but (understandably) doesn't have any tolerance for rapey storylines...I tried giving her some Anne McCaffrey dragon books but she declared them to be 'the bad kind of gay'.
She really liked the Abercrombie Half a King series but I'm struggling with what to give her next

Lol not to worry, she went looking on the actual bookshelves and found Sirens of Titan, read the whole thing in a weekend.
So I'm directing her to the rest of Vonnegut, Bradbury, Douglas Adams etc and feeling like I dodged a bullet.
 
You know why I can't emphasize enough that people exercise their local library system's "request a book you want us to order" forms as often as possible?

Because if you don't decide where library acquisition funds go, they will.

That's your tax money, why shouldn't you get a say how it's spent?
Looks like a community in Texas is taking matters into their own hands.

Link (Bookriot) / Archive

HUNTSVILLE PUBLIC LIBRARY (TX) PRIVATIZED AFTER PRIDE DISPLAY​

Kelly Jensen Dec 21, 2022
The Huntsville Public Library (HPL) has been under fire since this summer, when a book display riled up city officials. Now, following the removal of two book displays at the public library, the city decided to privatize the library.

Though officials claim the move to hire Library Services & Systems (LS&S) will reduce library operational costs over the next ten years, it comes on the heels of the city removing a Pride book display and a Banned Books Week display in September. City Manager Aron Kulhavy called for the displays to be taken down, temporarily closing the library. Following the removal of both displays, the library was told they could not create any additional displays, pending the city’s review of policies and procedures about them. The City Librarian was also placed on leave.

When asked why the displays were taken down, Kulhavy said it was to “better respond to citizen concerns from all viewpoints.”

In October, a library user identified additional suspicious behavior. A city police officer was behind the circulation desk reviewing books, reportedly taking one with him and approving the rest of the titles as ones that were okay to return to the collection. The library board has had no say in any of these decisions.

Three months later, the library still has no ability to put up displays.

The library and city have been at odds since, culminating in a proposal by the city to have the public library taken over by LS&S. Employees at HPL received letters last week stating that their jobs would end in late January were LS&S to take over. In order to keep their jobs, employees would need to re-interview with the company. The president of the library board, Michelle Lyons, has asked the city to delay voting on the privatization, but the city proceeded with the vote at the December 20, 2022, meeting.

“If they’re making a decision as big as privatizing our library and taking away our ability and our library’s ability to choose the programming we have and how the staff is handled, that’s something we should have at least been aware of,” Lyons said to Houston Public Media. “We have had no opportunity to have conversations with anybody from the city about how we feel or our concerns about this particular vendor. None of it has been discussed.”

LS&S is notorious in the world of public libraries for how it has changed the fundamental purpose of the institution. While it is possible employees currently at HPL may be rehired by the company, when a private enterprise takes over a public institution, it is fundamentally altered. No longer is it local and tailored to its community. LS&S will be beholden to the city of Huntsville, meaning that the city manager and his team will have direct input on the library’s operations.

The American Library Association (ALA), the largest professional association for library workers, responded to the potential takeover by LS&S on Twitter yesterday, prior to the meeting, stating “ALA affirms that publicly funded libraries should remain directly accountable to the public they serve. Therefore, the ALA opposes the shifting of policymaking and management oversight of library services for the public to the private for-profit sector.” But when asked whether anyone from ALA would be in attendance at the meeting or communicating with the city, they did not respond. ALA has a toolkit opposing outsourcing of public library operations available on their website, but has historically allowed companies like LS&S to sponsor scholarships for the organization. LS&S led a presentation at this year’s ALA Annual Conference.

The city of Huntsville voted 6-3 to hire LS&S, who will take over in January. Both the city manager and the chief of police have declined interviews with Houston area media. Citizens had the chance to speak at the meeting, but they were not heard. Moreover, the speed by which the city moved to make this change without any input or discussion with the library, its board, or its users, is especially concerning. Documents show the city entered discussion with LS&S November 2, but did not show up on the public meeting agenda until December 15–five days prior to the vote.

That same day, December 15, library workers received honors by the city for their excellent customer service at the annual holiday luncheon. They returned from the event with the notice of LS&S’s potential takeover and that their contract with the city would end in January.

There was no time for public input or an information forum prior to the meeting where the vote happened.

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Huntsville is a college town of 45,000, and it has a growing LGBTQ+ population. With LS&S now entering the picture and a city manager eager to erase the existence of queer people (and banned books), the library will no longer be a resource for the community, but a tool for the city government to push their own agendas and beliefs.

A major concern for citizens and library advocates following this takeover is LS&S’s stance on censorship. Given that their directive will come from the city, it’s hard not to imagine that book removal–”weeding,” as it will likely be framed–will happen at the discretion of city leaders. Moreover, the most vocal advocates for the public library and its commitment to the First Amendment rights for all may no longer see themselves working at the institution.

This is a devastating loss for the city, for its citizens, and for public services and goods more broadly.
Would kind of like to find out what books "riled up" the City Council, but I'm too lazy to look. Bet there's trannies and graphic sex in their somewhere, since the lack of titles are conspicuous by their admission.
 
This article has pictures of the displays. Would upload images directly to the site, but for some reason it won't recognize a png file.

Google maps has this image of, or atleast under the library images.

I'm a little confused as to why the local government needs to privatize a local library to have control over the "library’s ability to choose the programming we have." Yet not already possess that power from the get go. Perhaps it's simply easier to bring in a third party to boot the bad apples than do it themselves? Either way, good luck to them in their anti-LGBTQP+ endeavors.
 
@Elwood P. Dowd I can't reply, but it's always "troon out kids" books that raise a stink when they get pulled from a library of some sort. Notice how "banned books" that people talk about now that get put in "banned books" sections in big chain book stores are what I mentioned and never stuff like bomb building instructions, stuff that was pulled from Amazon for wrongthink, or memoirs of people involved in Fascist political movements.
 
Their money, their library. If the queers don't like it, they can start their own library.
Everytime I've been to Huntsville for work outside of the I-45 corridor, be it from TX-19, US-190, or TX-30 that city is just nothing but gangbanging. So I'm not sure it'd make much of a difference.

Of course, it could be worse by being Gunpoint, Houston. That's not a high bar though.
 
@Elwood P. Dowd I can't reply, but it's always "troon out kids" books that raise a stink when they get pulled from a library of some sort. Notice how "banned books" that people talk about now that get put in "banned books" sections in big chain book stores are what I mentioned and never stuff like bomb building instructions, stuff that was pulled from Amazon for wrongthink, or memoirs of people involved in Fascist political movements.

"Banned book" is a meaningless marketing title, because a library deciding to not spend its limited budget on a book does not mean that said book is banned.
 
With the holidays out of the way I'm back catching up with the news and the first thing I see is that mormon bigot Brandon Sanderson giving Audible a much needed clip around the ear.

On the tenth or eleventh of each month a book goes to backers, we will put the audiobooks up for sale. They will be on several services, but I recommend the two I mentioned above. Spotify and Speechify.

The books will not be on Audible for the foreseeable future.

This is a dangerous move on my part. I don’t want to make an enemy of Amazon (who owns Audible). I like the people at Audible, and had several meetings with them this year. But Audible has grown to a place where it’s very bad for authors. It’s a good company doing bad things.

Again, this is dangerous to say, and I don’t want to make anyone feel guilty. I have an Audible account, and a subscription! It’s how my dyslexic son reads most of the books he reads. Audible did some great things for books, notably spearheading the audio revolution, which brought audiobooks down to a reasonable price. I like that part a lot.

However, they treat authors very poorly. Particularly indie authors. The deal Audible demands of them is unconscionable, and I’m hoping that providing market forces (and talking about the issue with a megaphone) will encourage change in a positive direction.

If you want details, the current industry standard for a digital product is to pay the creator 70% on a sale. It’s what Steam pays your average creator for a game sale, it’s what Amazon pays on ebooks, it’s what Apple pays for apps downloaded. (And they’re getting heat for taking as much as they are. Rightly so.) Audible pays 40%. Almost half. For a frame of reference, most brick-and-mortar stores take around 50% on a retail product. Audible pays indie authors less than a bookstore does, when a bookstore has storefronts, sales staff, and warehousing to deal with.

I knew things were bad, which is why I wanted to explore other options with the Kickstarter. But I didn’t know HOW bad. Indeed, if indie authors don’t agree to be exclusive to Audible, they get dropped from 40% to a measly 25%. Buying an audiobook through Audible instead of from another site literally costs the author money.
Again, I like the people at Audible. I like a lot about Audible. I don’t want to go to war—but I do have to call them out. This is shameful behavior. I’ll bet you every person there will say they are a book lover. And yet, they are squeezing indie authors to death. I had several meetings with them, and I felt like I could see their embarrassment in their responses and actions. (Though that’s just me reading into it, not a reference to anything they said.)

Here’s the problem. (I’m sorry for going on at length. I’m passionate about this though.) There are no true competitors to Audible. Sure, there are other companies that can buy your book—but they all just list on Audible, and then take a percentage on top of what Audible is taking. Apple? Their books come in large part from Audible. Recorded Books? They are an awesome company, whom I love, but their biggest market is Audible. Macmillian, my publisher? They just turn around and put the books on Audible.

I had a huge problem finding anyone who, if I sold the Secret Projects to them, wouldn’t just put them on Audible—and while I can’t tell you details, all of their deals are around the same low rates that Audible is paying indie authors. Audible runs this town, and they set the rates. For everyone. Everywhere. (I had one seller who really wanted to work with me, who will remain unnamed, who is consistently only able to pay authors 10% on a sale. For a digital product. It’s WILD.)

I found two companies only—in all of the deals I investigated—who are willing to take on Audible. Spotify and Speechify. My Spotify deal is, unfortunately, locked behind an NDA (as is common with these kinds of deals). All I can say is that they treated me well, and I’m happy. Here’s where the gold star goes to Speechify. Let me tell you, they came to me and said—full of enthusiasm for the project—they’d give me 100%. I almost took it, but then I asked the owner (who is a great guy) if this was a deal he could give other authors, or if it was a deal only Brandon Sanderson could get. He considered that, then said he’d be willing to do industry standard—70%—for any author who lists their books directly on Speechify a la carte. So I told him I wanted that deal, if he agreed to let me make the terms of our deal public.

I’ve made enough on this Kickstarter. I don’t need to squeeze people for every penny—but what I do want to do is find a way to provide options for authors. I think that by agreeing to these two deals, I’m doing that. We have the open offer from Speechify, and we have Spotify trying very hard to break Audible’s near-monopoly.
I hope this will rejuvenate the industry. Because I do like Audible. I worry that they’ll stagnate, strangle their creators, and end up burning away because of it. Real competition is good for everyone, including the companies themselves. Lack of it leads to a slow corporate death.

So I’m not putting these books on Audible. Not for a year at least. Maybe longer. I need to be able to make a statement, and I realize this makes it inconvenient for many of you. I’m sorry. I really am. And I know it’s going to cost me a ton of sales—because right now, people tend to just buy on the platform they’re comfortable with. The Lost Metal preorders were 75% audio—almost all through Audible. I know many of my fans, probably hundreds of thousands of them, simply won’t buy the books because it’s super inconvenient to go somewhere else. Indeed, Audible locks you into that mentality by making you sign up for a subscription to get proper prices on audiobooks, which then makes you even more hesitant to shop around.

But please take the time to try these books somewhere else. I’ve priced them at $15—the current price of a monthly subscription to Audible at their most common price point. You can get these books with no subscription and no credit. (Though you do have to buy on Spotify/Speechify’s websites—and not through their apps—because of monopolistic practices by certain providers. Something I’m not qualified to say much about currently. Besides, this rant is already too long.) Each book you buy somewhere else helps break open this field. It will lead to lower prices, fewer subscription models, and better pay for authors. Plus, these partners I’ve gone to really deserve the support for being willing to try to change things.

He's mormon and far too nice for my liking since I'd like to see Audible shit the bed and throw him off the platform forcing him to make his own (or god help us make a deal with Spotify). Consolidation in any industry is bad and with the big publishers throwing money away on stupid women, niggers and trannies while being propped up by the heavy hitting White Legacy Authors, there is no one that competes with Amazon and Audible and it's about god damn time someone did something about it. Sanderson has the clout to do something and I'm glad he does.
 
(Quote is being fake and gay, again. Sigh.)
He's mormon and far too nice for my liking since I'd like to see Audible shit the bed and throw him off the platform forcing him to make his own (or god help us make a deal with Spotify).
@Commissar Fuklaw , he did make a deal with Spotify, though, at least as far as his latest round of super secret projects is concerned. He does seem to mostly be pushing some platform I'd never heard of (Speechify?) as well. From the little I've seen, Spotify works great for music but is horrible for podcasts. I guess audiobooks remain an open question. I'm skeptical they can be the Pepsi to Audible's Coke, but I guess they're going to try.

And there's no way Tor/Macmillan/Holtzbrinck is going to have the books he publishes through them not show up on Audible, IOW all the main Cosmere stuff. That's completely out of his hands.

while being propped up by the heavy hitting White Legacy Authors,
The way I like to phrase the question is, if a Robert Jordan, Orson Scott Card, or (yes) a Brandon Sanderson turned up on Tor's doorstep today, would they publish them? FWIW, Sanderson really wanted to be published by Tor because they had published Jordan.

Having said that, Sanderson's latest novel launched with great fanfare, but only spent one week on the NY Times bestseller list. I would have expected it to have done better than that, even given the BS way bestsellers are determined by them.
 
The way I like to phrase the question is, if a Robert Jordan, Orson Scott Card, or (yes) a Brandon Sanderson turned up on Tor's doorstep today, would they publish them? FWIW, Sanderson really wanted to be published by Tor because they had published Jordan.
I guarantee you, that all the main publishers have left tons of money on the table, over the years with their attempts to "diversify" their author pool. Eventually someone is gonna figure it out and swoop in on them.
Having said that, Sanderson's latest novel launched with great fanfare, but only spent one week on the NY Times bestseller list. I would have expected it to have done better than that, even given the BS way bestsellers are determined by them.
I'm reading it right now, Mistborn isn't his big series anymore. Besides a lot of Sanderson's humour is splattered over the first 100+ pages, and it wears on you after a while. So I can see why it's not doing well. So far it's a serviceable adventure novel.
 
I'm a little confused as to why the local government needs to privatize a local library to have control over the "library’s ability to choose the programming we have." Yet not already possess that power from the get go. Perhaps it's simply easier to bring in a third party to boot the bad apples than do it themselves? Either way, good luck to them in their anti-LGBTQP+ endeavors.

Not sure about Huntsville, but in most cities librarians are usually included in public sector unions and are thus nearly impossible to fire. The best way to get around this is to have some private 3rd party take over services. You can hire and fire staff or the private company at will without dealing with unions or their federal protections. You see this in a lot of red states and even in blue states.
 


Lol lmao, imagine being called out in a soy goyslop "news" outfit.
Nice catch, there's always more milk to squeeze out of this cow-corpse yet.

Infuriatingly, the article confirms that every time the Kingkiller KroniKles gets optioned for film/TV, the Other Pat-Not-Tomlinson gets a whole heap of dollarydoos, three years later when that option expires, some other shmuck producer offers another option amount, rinse and repeat.

I'd even wager that none of those options have been for less than six big figures, and given the popularity of the book(s), one will definitely have been in the ballpark of over a million bucks.
 
Those two need a strong kick up the arse, but their publishers and editors are too soft to do it.

'Kingkiller Chronicle' Editor Believes Author Hasn't Written Anything for Years / archive

'Course:
  • This was two years ago (now) and the only thing Rothfuss has done since is make a scam promise from his charity to release a chapter that he never did
  • She pretty quickly deleted what she wrote on Facebook and hasn't said a word since, is my understanding
  • The Reddit bughive has, by and large, NOT turned on him. Dude has an almost cult-like following, for what at the end of the day is a (personal opinion) decidedly mediocre fantasy series.
 
The damage Rothfuss and Martin have done is biblical. If you got burned by those two, why would you get invested in or even try an unfinished series? Those two need a strong kick up the arse, but their publishers and editors are too soft to do it.
I must've spoken to a dozen people last year who specifically cited those two as why they only buy series when they're finished. Okay, fair, makes sense, I can't fault anyone for wanting to avoid authors never finishing their story, it's a bad feeling. But publishers don't see "Ah, sales will increase when your trilogy is complete" they see "no one is buying books one and two." It also really saps some enthusiasm when someone tells you they won't buy your first book until the third book is out.
I don’t understand publishing at all but how in the hell do authors like Martin and Rothfuss go decades without showing so much as a single chapter of progress and still get kept on as a client let alone keep getting paid?
Because it doesn't really cost them anything to just sit there waiting for Martin or Rothfuss to send them something. Once they have a manuscript, it's going to sell so many copies. If they drop him and either of them go on to complete their next novel, the publisher who dropped them will lose out big time.
'Kingkiller Chronicle' Editor Believes Author Hasn't Written Anything for Years / archive

'Course:
  • This was two years ago (now) and the only thing Rothfuss has done since is make a scam promise from his charity to release a chapter that he never did
  • She pretty quickly deleted what she wrote on Facebook and hasn't said a word since, is my understanding
  • The Reddit bughive has, by and large, NOT turned on him. Dude has an almost cult-like following, for what at the end of the day is a (personal opinion) decidedly mediocre fantasy series.
This was a legendary post by Wollheim and I'm not sure I've ever heard of any other editor ever coming out and dragging their author like this.

When it comes to both Martin and Rothfuss, they (and their readers) need to just accept that the next book in their respective series just isn't happening. I think Martin has two problems. The first is that ASOIAF got too sprawling and almost impossible to finish neatly, and the second is that someone on Reddit appeared to pretty accurately guess the ending of the series.

But Rothfuss, I think, knows he can't live up to the reputation people have created for him as this fantasy auteur when the first novel is this story where the key fantastical element is, like, going to university and getting one over the crusty old dean. I think he's openly said that the second novel was a bunch of old short stories he wrote slapped together, some from before he wrote the first book. The other thing about Rothfuss is that he strikes one as the classic case of someone who wants to be known as a writer rather than be a writer, he just happened to strike gold with his first book.

Rothfuss should be getting raked over the coals for obviously lying about the state of his trilogy, though. When he queried the first novel, he apparently claimed that all three books were ready to go. Another issue Rothfuss has is that the third book would need to cover an immense amount of territory, because the second book did basically no work on the overarching plot side of things, which would only complicate the process of actually writing it much further.
 
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This was a legendary post by Wollheim and I'm not sure I've ever heard of any other editor ever coming out and dragging their author like this.
Well, she didn't stand by it, since she very quickly deleted it. I'm guessing she was told to shut up by higher ups, since the extant books continue to sell. IIRC she inherited her father's publishing company and ran it as her own before selling out, so I guess she was kind of used to doing her own thing. Edit: Huh, Daw didn't sell out until recently, and that to something called Astra Publishing. (Never heard of 'em.) What they have is a distribution deal through Penguin, they're not a Penguin imprint, which is what I thought.

When it comes to both Martin and Rothfuss, they (and their readers) need to just accept that the next book in their respective series just isn't happening.
Melanie Rawn had a well received series in the 1990s (Exiles) that she never finished. But she had the intellectual honesty to flat out say she wasn't going to finish it, due to some sort of personal issues, I think her husband died while she was writing it. Dunno why Martin, Rothfuss and (don't forget) Scott Lynch can't all stop being faggots and do the same. She didn't even stop being published by major publishers for her other books, though it looks like her last book came out in 2017 sometime.
 
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