AMC+ Can We Talk About This? - Retarded D-List Celebirties that say either the most obvious or delusional shit you've heard.

Polentic

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AMC+ Can We Talk About This?

"Can We Talk About This" is AMC rewriting their wrongs by showing classic films and making an issue out of nothing. Sure some of the complaints are valid but often they seem quite retarded.
After helping AMC launch “Can We Talk About This?” this ongoing series features Jordan Carlos and a celebrity discussing the aspects of classic movies that haven't aged well and what may have been acceptable at one point in history is not now and perhaps never should have been
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The description reads as following :
Host Jordan Carlos and writer/podcaster Jason Concepcion examine the impact of Pulp Fiction and while also dissecting its exploitative, graphic violence and problematic use of racial slurs.

I had to sit through one of these retarded segments so now it's your turn!
 
What stupid bastards. They can't pay attention to the fucking film. How do you not get the joke of the Bonnie situation?
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Bonnie is a black woman. It's supposed to offend the viewer to hear Tarantino's character Jimmy shouting out NIGGER, the point the film makes is he uses improper language but he's not a racist if he were he wouldn't be friends with Jules and would have kicked him and Vincent out of the house as soon as he saw them covered in blood and sinew. It's called "black comedy", and that's not due to racial factors. Pulp Fiction will be remembered for ages not these two hacks who can't even break 15,000 views on a corporate media account.
 
Guests of the series have included Margaret Cho, Amy Sedaris
Two actresses that used a lot of racial stereotypes as humor, but Sedaris is actually funny. Also Jenny Slate shows up, Margaret Cho looks horrible and the unfunny shitskin that got rid of Apu bitches about Police Academy and The Breakfast Club.
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Reactions: Polentic
One thing I think is important to communicate, is that these aren't just videos online. They'll show you this shit after the movie airs on TV.

They did the same thing with Saturday Night Fever, the movie ends and next thing you know there's these two fucking muppets on your screen hand wringing about the portrayal of Italian stereotypes and how misogynistic and mean to women the main character is.
That's wrong on the first count because it's an accurate portrayal of New York Italians in Brooklyn in the 70s, and on the second count Travolta's character being selfish and an asshole to women is kind of the point. That's how character development works, someone has to start out being flawed.

Idk if I can blame them though, the fact is that the network is profiting off of material not ordained by the modern progressive orthodoxy. They have to engage in public penance if they want to avoid trouble.
 
Two actresses that used a lot of racial stereotypes as humor, but Sedaris is actually funny. Also Jenny Slate shows up, Margaret Cho looks horrible and the unfunny shitskin that got rid of Apu bitches about Police Academy and The Breakfast Club.
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Because they want films to be bland and sanitized so advertisers won't wince when it comes to paying ads for commercial breaks. Note I am a huge fanboy for Tarantino (I fully endorse his podcast Video Archives - I've watched so many great movies because of him and Roger Avary) so I'm biased as hell because I find that foot loving autist to be very entertaining. But anyway they want you to feel bad because you laughed at Dead Nigger Storage.
Would you look at that 1.7 Million views in 10 years. That scene is so iconic. But no you're supposed to feel bad for enjoying it. They can sincerely fuck off. And one of the youtube commenters on Dead Nigger Storage makes a great observation I've totally overlooked:
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That's how a writer makes a compelling character. It's boring to have a character who is just one-note. We're introduced to Jimmy by him being shocking and offensive. And then it's tapered off by the character being loyal to his friend and acting as a loving husband. He freaks out more than his wife will possibly divorce him rather than him worried that he's now an accomplice to murder. He raises a big fuss because they're going to use his wedding present linens to cover Marvin's body! I don't think any black person (whiny liberals don't count since they're not people) take offense to the character of Jimmy or Pulp Fiction as a whole. This is what a good writer does, they entertain you by being thought provoking. The character Jimmy has maybe 5 minutes of screentime and yet still can spur on conversation. That's a sign of a magnificent storyteller. If the no fun police had their way Tony Soprano wouldn't be allowed to call Meadow's half-black half-jew boyfriend a ditsoon.
 
I really can't take Hari Kondabolu, even before I heard people comparing him to comedy trailblazers like Lenny Bruce and Richard Pryor and others back when. Which was particularly risible, the only thing he had in common with someone like Richard Pryor is that he's angry. Unlike Pryor, who was the abused son of a prostitute and barely made it through the 8th grade (and thus might have had an authentic reason to be angry), Hari Kondabolu went to one of the best public high schools in the country (Townsend Harris High School), and two of the most exclusive liberal arts colleges, Bowdoin and Wesleyan, where he was coddled every step of the way. And while Richard Pryor was authentically, wildly hilarious, Hari Kondabolu is not even especially amusing. His observations are weak, rarely rising above the mundane, and are more about polemic and his simpering. From what I saw, Kondabolu's act over the years has been made up of alternating between ranting about how the industry insists on positioning him as an "ethnic" comedian, and whining about how white people are privileged shitlord dinosaurs who should just fucking die already.
 
I really can't take Hari Kondabolu, even before I heard people comparing him to comedy trailblazers like Lenny Bruce and Richard Pryor and others back when. Which was particularly risible, the only thing he had in common with someone like Richard Pryor is that he's angry. Unlike Pryor, who was the abused son of a prostitute and barely made it through the 8th grade (and thus might have had an authentic reason to be angry), Hari Kondabolu went to one of the best public high schools in the country (Townsend Harris High School), and two of the most exclusive liberal arts colleges, Bowdoin and Wesleyan, where he was coddled every step of the way. And while Richard Pryor was authentically, wildly hilarious, Hari Kondabolu is not even especially amusing. His observations are weak, rarely rising above the mundane, and are more about polemic and his simpering. From what I saw, Kondabolu's act over the years has been made up of alternating between ranting about how the industry insists on positioning him as an "ethnic" comedian, and whining about how white people are privileged shitlord dinosaurs who should just fucking die already.
Das Racist was on tour and Hari's brother was the "hype man" for the duo, so he'd dance like an idiot on stage. Hari opened up and his jokes were bad. It wasn't even anti-humor... it was just boring snark and observations. I guess he found out that race grifting made more money, so he went down that route. Who in their right mind would compare him to Lenny Bruce or Pryor?
 
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