RWBY - The Hindenburg on which Rooster Teeth rests its hopes, dreams and future

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Are these the sort of people who actually try to make it better, or is it just thinly veiled attempt for you to hear about their fanfic?
From my experience with overhaul/repair jobs, repairing RWBY from a writing and worldbuilding standpoint requires so much editing of the source material it makes any repair job a fanfiction. The best ones are when the creator is honest about it: "This is a fanfiction. Welcome to the bottom of the barrel, we have fun here."
 
Fill me in here, I have good enough grasp on the lore, but not on YTbers in the community.
Long story short, Jerry Freeman did a rewrite project called RWBY:Alt. The only notable things about it were:

1. He had a Discord for that fell into chaos so badly he dropped the project.
2. So much was changed in terms of the world and the characters, that the consensus is “Jerry is better off taking his groundwork to make a new IP, he he won’t because he hates RT and wants to one up them.”

 
Jerry Freeman did a rewrite project called RWBY:Alt. The only notable things about it were:

1. He had a Discord for that fell into chaos so badly he dropped the project.
2. So much was changed in terms of the world and the characters, that the consensus is “Jerry is better off taking his groundwork to make a new IP, he he won’t because he hates RT and wants to one up them.”
Was it any good?
 
Was it any good?
Mind you it has been 2 years since I've touched this but from what I remember it was interesting. The best thing I got from it was the lesson that some characters in RWBY serve no purpose for the plot or worldbuilding, so the best fiction written using RWBY's sandbox repurposes said characters for meaningful roles. Some changes that I remember admiring were:
  • Having Penny be around the main cast as a regular supporting character and using her autistic robotic-ness to spout exposition about things wherever she is while having it double as a character interaction with the people around her that shows she's a little 'different.' I think that was supposed to naturally get reigned in as she learned how to people better.
  • Ren and Nora are spies from Vacuo... or Mistral (or whatever equivalent he used, I don't remember). Point being they have actual goals which sets up plot hooks for later.
 
From my experience with overhaul/repair jobs, repairing RWBY from a writing and worldbuilding standpoint requires so much editing of the source material it makes any repair job a fanfiction. The best ones are when the creator is honest about it: "This is a fanfiction. Welcome to the bottom of the barrel, we have fun here."
This is the fundamental problem with RWBY. Its so broken, on such a basic, storytelling level, that any attempt to "fix" it basically lapses into fan fiction. Which is why anybody whose giving you a truthful appraisal of the property will tell you to just read the fanficiton. Because Fan Fic authors like Coeur Al'Aran honestly write better stories than the RWBY writers will ever write, even accidentally. And any RWBY fixers should just write a fan fiction at this point.

To put it succinctly: if Warner Media fired the writers of Rooster Teeth, put me in charge, and basically said, "Hey Pimp, we need you to help fix RWBY and give us a good story!", my response would be, "We either need to torch everything and start over from scratch, or give me the team from the RWBY anime and we will just pick up from there, because RWBY as it is can't be saved. It would require a literal rewrite to produce anything of value, and it wouldn't be worth the work."

Was it any good?
While some people in this thread may not have cared for it, I would say that it was actually interesting, and he had good ideas. Jerry had a good grasp of world building, and did a good job building a believable world and finding good ways to give the characters good roles within it, even if he had some weird hang-ups (he didn't want his world to have cars just because cars didn't feel "fantasy" to him, though everything else about RWBY was A-OK).

As we've stated, it just fell somewhat into the rut of being better either as its own fanfiction or even its own original story, but, that just seems to be the issue with RWBY in general.
 
Yang is now 19 (as per wiki)
Only 19? Holy shit. I honestly thought there was a time skip or more that bumped them all into being 21 by now but that's because RWBY dragged on like a bitch.
? I don’t remember that.
They're as far back as her first appearance and as late as the fight with Amber, they're the markings that show up on the ground and make a distinctive noise before blowing up. The landmine things. I have no idea why I called them 'portals', it was a long day when I posted that. As for the fire powers thing I was being loose with it, I meant that visually and themetically 'Cinder' always used flames like within the dust weaving thing that you said, which was an interesting twist on a very cliché element (molten glass instead of plain fire) wielded by a cliché villain, only to 'upgrade' into Maiden powers which did nothing but take away her previous moveset in exchange for jetpacking around, slashing her sword and throwing a fireball or two. I could autistically break down how everyone's fighting style has changed (read: gotten worse) over time, character by character, but it's not that interesting when we already know why that is and I don't miss RWBY enough to write about the new things they tried to replace that loss with.

"But take comfort in knowing that I could use [that power] in ways you could never have imagined."
She never did.
 
Only 19? Holy shit. I honestly thought there was a time skip or more that bumped them all into being 21 by now but that's because RWBY dragged on like a bitch.
The show moves so slowly it's almost as if they found inspiration from 24. Each episode is happening in real time. Except RWBY is super boring.
 
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For a "lets use an IP to virtue signal about autists" this clip is actually not that bad. I could sorta even imagine her saying that. I guess they've learned something after the failure that was their Vaccine PR (Yang getting a vaccine shot to her robot arm)
Only 19? Holy shit. I honestly thought there was a time skip or more that bumped them all into being 21 by now but that's because RWBY dragged on like a bitch.
She started off as 17. Volumes 1-3 take place in around a year, then there's a time skip between 3 and 4 of a few months, and I guess 4-9 take place in around half a year. That's from my recollection, as wiki doesn't cite anything for their 19 claim.
They're as far back as her first appearance and as late as the fight with Amber, they're the markings that show up on the ground and make a distinctive noise before blowing up.
In the fight against Amber, Cinder uses her semblance to make destroyed things into glass (by superheating them and shit) and throw that shit against Amber. She abandoned her semblance because her Maiden powers are just that OP (except for when they're not.)
 
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For a "lets use an IP to virtue signal about autists" this clip is actually not that bad. I could sorta even imagine her saying that. I guess they've learned something after the failure that was their Vaccine PR (Yang getting a vaccine shot to her robot arm)
Dear god it really is a Sailor Says program.
 
Something that popped up to my head. What are all of your thoughts on Cinder's backstory? Is it just me or was it done rather poorly? I guess it's supposed to make her sympathetic and excuse her actions, but, and I'm sorry if I am being reductive (I don't think I am), but her backstory boils down to, "cartoonishly evil relatives are cartoonishly evil for no reason, that turns the character evil, and powerhungry to make sure this never happens again" with a sprinkle of "the law enforcement knew everything about the abuse, sympathized with the abused, and did fuck all for no decirnable reason, and then got shocked when the abused murdered the abusers". Unironically, her teacher is the most evil character in all of this. Fuck that guy.

But, like, what narrative purpose does this serve? This does nothing to her character (bar have two scenes of her clenching her fingers at Salem). This has never before, or never after been relevant or did anything to her character. Take for example, Raven and Qrow's backstory. It's very simplistic (and lacking detail) but what is there works really well. Both had bad childhoods (and teenage years) being essentially forced to (in the sense that there likely wasn't much of an alternative) do evil shit like killing and robbing, but when they got the taste of a better life, that's when their true characters were revealed.

Qrow wanted to make sure that nobody has to go through that (as a victim or the offender) and wanted to make the world a better place. He grew as a person and the guilt he learned along the way helped condition him into being the perfect loyal soldier of Ozpin. That's extremely important to understanding his character and his devoted relationship (pre-vol 6) with Ozpin. The relationships he formed were lifelong, and made him extremely loyal. Even to Raven who he frequently addressed as "not family".

Raven also grew as a person learning emotions like love, and even got convinced to settle down and start a family, despite her not thinking she's the mother material. But then she finished learning everything about Ozpin and Salem, got disillusioned by Qrow's and Summer's loyalty to a (in her thoughts) dying cause (or alternatively Ozpin manipulating them all to die in a battle they could not win), and went back to the family she left behind, her tribe. There's still lots missing about her, but the important pieces are there. And it's not like her character got reset to before she joined Beacon (unlike what Qrow claims). Despite her supposedly only helping family members once (rule Qrow says Raven supposedly follows), she helped Yang more than that (once against Neo, once for the relic, once as a help to find her sister (and allowing Yang to take Weiss with her who Raven planned to sell off)), she kept Qrow informed of dangers to Beacon (despite her not liking his life choices), etc. This shows how much she has progressed from the point Qrow remembers her at.

All of this with less than an episode of screentime explaining it, just bits and pieces dropped where relevant, trusting that you'd be able to piece them together. Neither one of these characters are "they had bad childhood, therefore bad" or "they had bad childhood but like Naruto didn't let that affect them one bit". While I'm not a fan of what they did with Qrow Vol 6 and beyond (him stuck in permadepressionn and "i never had friends" is unlike his character in previous volumes, and while certainly revelations about Ozpin were bound to depress him, 3 volumes of depression is a bit too much), Qrow still remains a nuanced character, and so is Raven.

I'm curious to see what others think, or if I'm wrong about something. I might be wrong about the guilt part, as I can't find a source for it, but I thought he mentioned something like that somewhere between Vol 6 and 8
 
What are all of your thoughts on Cinder's backstory? Is it just me or was it done rather poorly?
I think the universal opinion (among anyone who isn't a RWBY simp) is that Cinder's backstory was a waste of time that did absolutely nothing for her character and didn't make her likeable in the least. She's not anymore interesting after the revelation, nor does it humanize her in any way. Its the most generic villain backstory. The backstory that Coeur gave her in his fanfics prior to the reveal (that she was young girl who was orphaned by a Grimm attack caused by huntsmen) was more interesting.
 
I think the universal opinion (among anyone who isn't a RWBY simp) is that Cinder's backstory was a waste of time that did absolutely nothing for her character and didn't make her likeable in the least. She's not anymore interesting after the revelation, nor does it humanize her in any way. Its the most generic villain backstory. The backstory that Coeur gave her in his fanfics prior to the reveal (that she was young girl who was orphaned by a Grimm attack caused by huntsmen) was more interesting.
I’ve also heard some say that it’s so edgy, we were a few steps away from Cinder being a sex slave.
 
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It was based on the story of Cinderella, so they never resorted to that.
Anyone knows why they went so heavy on the fairy tale stuff? Back in Vol 1 it was more like "haha, look this girl looks like Red Ridding Hood, and she fights evil monsters, isn't that cool?", "hey this super pale rich girl is sorta like snow white, but ha! her character doesn't fit!" and in comparison, since Vol 6 they've basically been checking boxes on their checklist of fairy tales to rip off parts off (Vol 9 aside, which was in its entirety a Alice in Wonderland fanfic (albeit it became less of a one once the volume started developing))
 
Back in Vol 1 it was more like "haha, look this girl looks like Red Ridding Hood, and she fights evil monsters, isn't that cool?", "hey this super pale rich girl is sorta like snow white, but ha! her character doesn't fit!" and in comparison, since Vol 6
The short answer to any inquiry along the lines of "why did early seasons treat [x] like [y] but then later seasons treated [x] like [z]?" is ALWAYS "Because Monty had no real vision or direction for the show, was terrible at planning/communicating/writing, and after he died two hacks who also cannot plan/communicate/write took over and immediately fell into massive scope creep".
 
Because Monty had no real vision or direction for the show, was terrible at planning/communicating/writing
Idk, I still prefer the way he handled earlier volumes. Sure, planning was not his strong part (which is why its so hilarious when current writers and VA's insist he secretly wrote 10 volumes worth of content on his deathbed), but he also knew his, and the stories limitations, something current writers don't seem to be able to do.
 
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