Star Wars Griefing Thread (SPOILERS) - Safety off

Anyway Thrawn is an idiot again.
Can he really be an idiot again if that's his established character? I know people compare nuThrawn to his EU cousin, but this is a different guy. This is Jake Thrawn. He is supposed to be an idiot and Furloni consistently writes him as such.

Sure, Jake Thrawn tries to imitate and mimic his older, handsomer, and much smarter cousin. They are both the same species and have Thrawn in their name, so it is easy for Jake to pretend they're the same person. Alas, Jake is a moron and keeps making bad calls all the time.

Don't be too mad at Jake, he is written this way.
 
Can he really be an idiot again if that's his established character? I know people compare nuThrawn to his EU cousin, but this is a different guy. This is Jake Thrawn. He is supposed to be an idiot and Furloni consistently writes him as such.

Sure, Jake Thrawn tries to imitate and mimic his older, handsomer, and much smarter cousin. They are both the same species and have Thrawn in their name, so it is easy for Jake to pretend they're the same person. Alas, Jake is a moron and keeps making bad calls all the time.

Don't be too mad at Jake, he is written this way.
To be fair, even EU Thrawn did a few bone-headed things. Working with Joruus C'baoth and trusting a Nohgri Vader cult for starters; especially since the former can easily mind-wipe his men and the latter aren't fully loyal to him, especially when Vader's kids work for the opposing team. The least Thrawn could've done is invite Lumiya instead (she was already established in the early Marvel SW comics) and treat the Nohgri with full respect instead of lording over them as if they were peons.

I can imagine a scenario where Thrawn successfully takes control of the galaxy and becomes Emperor, he wanders the old Imperial Palace wearing a magnificent silk robe while gaining praise from Imperial Admirals and Moffs who come to pay him tribute, then all of a sudden, his own Stormtroopers and the Nohgri Order 66 him and his inner court; the former got their minds "redirected" by C'baoth and the latter got a messege from one of Vader's kids to kill him.
 
...which if true, means that this shit was announced, cancelled, restarted under a new studio, and then cancelled again.
I still can't get over how utterly and completely mismanaged the Star Wars brand is when it comes to video games when it should have been an obvious slam dunk.
Jake Thrawn tries to imitate and mimic his older, handsomer, and much smarter cousin
Jaketh'raw'narudo is trying his best.
 
video games

Two words that make the sort of people Disney have tried to appeal to for more than a decade and the sort of people they have been hiring for the same amount of time screech like banshees.

It's not about the money. They hate anything nerdy and they seem to have been under the impression they were playing on the Unlimited Money/Sandbox mode so of course fucking Star. Wars. Vidya. were going to be neglected and mismanaged.

It's a fucking combo there.
 
Two words that make the sort of people Disney have tried to appeal to for more than a decade and the sort of people they have been hiring for the same amount of time screech like banshees.

It's not about the money. They hate anything nerdy and they seem to have been under the impression they were playing on the Unlimited Money/Sandbox mode so of course fucking Star. Wars. Vidya. were going to be neglected and mismanaged.

It's a fucking combo there.
That's because Disney is primarily a company that sells shit to kids; appealing to grown adults is something they rarely, if ever, do. Look at the difference between TCW under Lucas and Rebels under Disney. Same dude was in charge of them both, Dave Filoni. Yet whatever lingering influence Lucas had made the series just as much for adults as it was for kids, what with them inserting political stuff about terrorism (LOL Death Watch) the increasing power of the state over private matters like banking, the politics of neutrality and even the views of the enemy (Hero on Both Sides arc/Mandalore arc) and of course, having shit like Darth Maul killing kids, lizard-men who kidnap and hunt kids for sport, slave processing centers, among others. Then look at Rebels, where the worst they have is either Vader slapping them around with one hand tied behind his back, or that Thrawn might find where they live and kick the door down. And even when he does, a literal Deus Ex Machina in the form of the Bendu or Ezra and his magic space whales save the day. They just can't end an episode with most of the good guys massacred; they have to be shown retreating in good order with some dignity instead of an utter disaster like what happened on Umbara in TCW.

Just look at how they handled the Mandalorians. Like the KOTOR game and comic before it, TCW spared no expense to show you that these are a violent, savage people who are ready to kill you on a moment's notice if the thought so much as crosses their minds. The warrior Mandos were unapologetically portrayed as techno-barbarians with murder-boners, and even Bo-Katan was OK with Pre Vizsla blowtorching a village full of people whom they promised to be friends with. Other folks that they've tried to make deals with, like Maul and Dooku, they either tried to betray, or they burned bridges with. All so they can overthrow a pacifist government that wasn't hurting anyone; if the Death Watch just decided to set up shop somewhere else as mercenaries and chose not to interfere in Satine's affairs, the pacifist Mandalorians would've left them alone.

Yet in both Rebels and the Mandalorian shows (which include BoB and Ahsoka) the Mandalorians are portrayed as straightforward good guys, almost like the Jedi with their adherence to "The Way". Sabine Wren, despite coming from Death Watch, just tags along with a merry band of rebels who are portrayed as Robin Hood in space. Bo-Katan and the other Mandalorians are portrayed almost as shining knights of justice and good, fighting against the evils of the Empire. Gone is any mention of the Death Watch being terrorists on the same level as the IRA or the Wahhabis. Even the extremist group, the Children of the Watch, are at worst, weirdos who keep their masks on, doing odd jobs for a living. The only "bad" Mandos are the ones working for the Empire, and even they're just soldiers doing their jobs rather than the butchers or terrorists that TCW portrayed.

Disney can't afford having their main characters be portrayed in any sort of shades of grey, unless they're bad guys like Baylan Skoll or NuThrawn. The good guys have to be unequivocally good, because there's shrieking harridans who will savage them if they try to make the Empire look even the least bit sympathetic on purpose, and their stockholders want them to focus on selling to kids, so trying to market to adults is something they will rarely do. And straightforward heroes sell better to kids than morally grey heroes like say, Revan.

In both the SW and Marvel fanbase, there's this sense among adult fans that they've been left behind, that Disney no longer gives a shit about them, when in reality, Disney is a kids' media company, and they bought Marvel and Star Wars because both properties are appealing to kids who like to see shit blow up. Comics like those of Marvel were initially made for kids, Lucas said that Star Wars is for 12-year-olds, so Disney likewise thought that appealing to kids the most is the way to go with these franchises.
 
@LORD IMPERATOR I agree with nearly everything you say about the outcome though I had a different rationale for why it's come about. I had just considered Filoni's work to have gone off a cliff the way a lot of successful people's just do, rather than it be lack of Lucas's influence and deliberate marketing guidance from Disney. Maybe is those things rather than my rather simpler "he's lost it". I don't know how we'd tell.

I think some people here get a little too into their Hate and judge TCW series more harshly retroactively. I found the writing mostly strong and I very much enjoyed the nuance and politics you talk about. I enjoy the PT but whilst the themes and subjects are there in the background there isn't enough space to explore how the Jedi Order really fails the Republic, how Palpatine is able to use the war to get himself ever greater power, how the Separatists feel and think. You mention 'Heroes on Both Sides'. It's a good episode not only because it brings nuance and more background to the war, but because it does so whilst seamlessly interleaving that with character development. At the start, Padme talks about politics with Ahsoka who says: "Truthfully, I don't understand any of it. I know the Separtists are evil but all people talk about is bank deregulation..." What this achieves is:
  • It shows flaws and youthfulness in Ahsoka. She just has this received viewpoint of Good vs. Evil that she hasn't arrived at herself but just inherited and not questioned.
  • It shows flaws in the Jedi Order that they bring people up like this. The Jedi Order is far removed from the ordinary world. They understand philosophy and idealism but are at see with the chaos of reality. Chaos that the Sith are both fully immersed in and thrive in - Palpatine in the world of banking, politics and corruption, Maul in the world of crime and terrorism.
  • It ties what the episode is going to do for its wider purpose - show us another perspective - to a character sharing that change in perspective and character development. In this arc Ahsoka is forced to choose to do things Anakin and / or the Order might not fully approve of and start making her own judgement on things.
It's very well written. On the whole, TCW is in this regard. Aside from the more overt arcs like the Death Watch, the banking arc with Rush Clovis, Heroes on Both Sides, etc. it doesn't miss chances to just also weave these things into other storylines. I distinctly remember the Jedi agreeing to pay Hondo for something and Hondo laughing "so long as it isn't in Republic credits". Inflation is wiping out their value and tiny little lines like that keep adding to the wider tapestry even in an episode about hunting droids or whatever it was. IIRC, they end up paying Hondo in missiles which you can see Obi Wan isn't happy about but he does it anyway.

Obi Wan and Anakin's relationship is also something that benefits from the extra room. There's a great scene where Obi Wan talks to Anakin about his relationship with Padme. And you can see that Anakin really wants to tell Obi Wan the truth. Obi Wan clearly has some idea of what is going on but seems to think that it's a temptation Anakin is resisting and that a mentor like speech about making the 'right' choice. After all, he faced the same choice with Satine and made the 'right' one. All Anakin needs is a little reminder of his duties because that's all Obi Wan would need, after all. And you also see Anakin's room in that scene as an aside. Immeasurably sad to see his pod racing poster on the wall and little model Naboo fighter reminding you that in some ways he was just a kid whose childhood was stolen from him.

(I also think Ahsoka's "I know" when Anakin confesses to her that he understands wanting to leave the order as meaning she knows about Padme. He does a very significant facial reaction to what she says that I think supports that.)

TCW is great in SO many ways. It really expands and builds on what Lucas created adding a lot of the detail that frankly a movie couldn't put in. It really enriches the setting and it does it very well through use of interesting characters, their experiences and through taking the viewer from episodes about clones being hunted down by evil bald women to stories about personal betrayal, civic unrest and undercover diplomacy. Padme is the one who actually comes closest to stopping Palpatine's plans by very nearly brokering a truce between the Republic and the Separatists behind his back. But ultimately, TCW is a Tragedy in the classical sense - the events are larger than the characters, they're swept along and cannot change their fate and ultimately their own flaws bring them down. That's the awful of beauty of Palpatine's plans. He's not some Thrawn-like "just as planned" villain who magically knows every detail. He's working with the tide of history and nudging things along. The Jedi discovered the droid army being built on Geonosha early due to Obi Wan and Anakin's meddling but he still makes it work not because he secretly planned for them to do so all along but because when they did so they responded by launching an attack which kicked off The Clone Wars and he was able to build on that politically and because he'd managed to conceal from the Jedi (due to their own detachment) the full weight of the political momentum behind separatism. The Jedi thought they were performing a quick strike to prevent a war. Instead, they gave Palpatine the rationale he later needed to say that they started it.

As I said, this is Tragedy in the classical sense. And you really get a sense of it in the arc where Ahsoka finds herself on the run from the very forces she helped establish and the helplessness of the Council to save her.

How we went from this to the TV show Ahsoka I don't know but is a tragedy of a less classical kind. Whether it's the merchandising of the Mouse or the lack of Lucas in the background with his - whatever flaws he may have had with dialogue - strong feel for an epic story and morality; or if it's simply success and age undoing someone, I don't know.

But I wont retroactively take away credit for something that was great for the sake of criticising something that isn't. There was a Grand Republic before there was a strife-filled tyranny. Just as there was The Clone Wars before there was Ahsoka.

I think there's still chance of better days. This isn't like Doctor Who where the blow is mortal and so much damage is done the only thing you could do was pretend years of it never happened. Star Wars is still a rich universe. Disney will fuck up (has done) and it may lie fallow for a while. But it will return.
 
Looking into the leaks subreddit to see the copium is pure insanity sometimes. There's people literally arguing "They don't need to resolve or answer anything in the finale, that's what the second season and the movie is for." Stories are supposed to be able to stand on their own. Any of the OT movies are solid films in their own right, no one has to excuse any of the movies by insisting that one of the sequels will retroactively make it good.
 
The thing is, even if say, Disney fell into the ownership of Ron DeSantis, and he started purging the company of SJWs and replacing them with his friends, that won't remove the fact that Disney primarily sells shit to kids, and the only thing that will disappear is the tranny/feminist/LGBTQ shit, you'll still have Marvel and Star Wars be continually set to at best, a mid-level quality, and at worst, kiddie fluff, because Disney sells shit to kids.

Looking into the leaks subreddit to see the copium is pure insanity sometimes. There's people literally arguing "They don't need to resolve or answer anything in the finale, that's what the second season and the movie is for." Stories are supposed to be able to stand on their own. Any of the OT movies are solid films in their own right, no one has to excuse any of the movies by insisting that one of the sequels will retroactively make it good.
That's the problem with a cinematic universe. They expect you to stay on board for the payoff with a later work. Lucas wrote his films as epics; each one can stand on their own. Ahsoka as a show is basically the appetizer course for Filoni's movie, and it was created with SW Rebels nostalgia in mind, therefore it cannot possibly stand on its own given that it's meant to allude to past events and serve as an appetizer for future works.
 
I think it's cute to say Disney sells to kids when their marketing intentionally finds ways to make it not interesting at all for them despite their dishonest attempts. Their dropping sales of all toys barring the classics that manchild collectors take on, their parks as a whole, and the fact that their movies and shows even designed for kids just drop with no fanfare to me says that they ain't buyin' any more than the adults do. Honestly it's a less for them if anything, hence why this brand is dead and gay no matter how many bots or retards playing CorpSec for free or for less than an Arby's meal wants to pretend otherwise.

And can you really blame them? Their shows are so unfocused and dull as dishwater that despite some attempts to go "oh hey, the episodes of Dave's fanfic have gotten better?", you can probably still cut the run time by two thirds. This should've been a made for TV film at best, and even then it'd suck due to Dave and Disney being a cunt and demanding you watch all their shit to care. Even though the characters in this pile of shit aren't even reasonable evolutions of the characters from TCW or even Rebels.

And TCW also isn't as good as what is being posited either. Dave Filoni's unfocused fetch quest horseshit has not changed since Avatar: the Last Airbender was a thing; it is a testament to how dogshit and overhyped he ever was as a writer; he makes Joss 'one tone' Whedon look like Stephen King in his prime. Because of that, TCW relies on its cast, which I will grant they did a decentish job of making you like the core cast. They cocked up Anakin in terms of accuracy, but in some ways people and kids probably would prefer him the way TCW did him. Other characters were at least okay... except Grievous. Fuck you Dave and fuck you George for being baby brains and not making him a cartoon slasher villain or at least letting him be a threat.

Speaking of which, yeah, Dave's faults and flaws were always there. Difference was he actually had to bow down when Lucas put his foot down; there was no one he could brownnose and snitch to if George insisted on X because it's his goddamn property. He also was still clashing with other writers who actually had talent during this time, meaning they covered for him. This factor definitely helped the show, even if I consider it middling.
 
@Adamska
There's tons of toys that Disney sells that are for kids. The "manchild" toys are actually slowing down to a trickle; the Black Series is updating really fucking slow, (LOL they've only got a Starkiller figure now, despite the fact that people have wanted it for years) whereas Marvel/SW toys that are low-quality and made for kids to smash around are very much still present in stores. I mean, would the "manchildren" be really that invested in buying Hot Wheels cars made with SW imagery on the side? No. That's for little kids to play with and smash around.

And again, the fact that Disney is a publicly-traded company that relies on stockholders to market things means the glory days of Star Wars being this wild-card IP that can try everything from Republic Commando to KOTOR 2 are long dead. That shit doesn't market to kids; which means the stockholders won't throw money at it.

Star Wars was at its best when Lucas was in charge and any author could try anything so long as they had the old man's approval; after it got bought out, the franchise was altered to pander to kids, to normies who go see movies, to OT purists, to Tumblrinas, to Filonifans, etc.. Even if the SJW influence was totally purged from the company, it won't return to the glory days considering that it is now part of a publicly-traded company whose stockholders want it to appeal to the broadest audience possible, whether or not it actually works.

Which again, is why I despise the prequel-hate/RLM crowd really fucking much. They were the ones that wore down Lucas and got the old man to sell his baby to white slavers, mostly because the media world and the internet kept repeating the line that he was the worst director in modern history, even though that was objectively untrue. Those people are responsible for downgrading Star Wars permanently. Even if SW gets separated from Disney and gets purchased by another company, be it Paramount, Warner Bros., or some other media entity, it will always just be used to pander to a certain demographic instead of being allowed to organically grow and prosper like it did in the Lucas years.
 
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And those toys don't get sold, even with the massive shrinkage of floor space to account for the previous shrinkage. Forcing a store to stock them does not equate to sales, and oh so many of them just wind up in dumpsters and Ollies. If kids actually gave a shit about Star Wars and those toys did sell, it wouldn't have repeatedly flopped over and over again; toy residuals can often make up for a show or film's mediocre view times. But they don't, and the only shows ever really greenlit are out of vaporware reasons, delusional pride on creatives, or it was because it did okay originally, like Mando did.

But none of them really do anything after they're done, no matter what agitprop is fed to the free CorpSec. It's to the point where one of the couple of shows that was put on TV for life support reasons and got Disney sued by investors was a Star Wars show. Andor still flopped like a salmon on the rocks.

Like it can bleat and honk all it wants, but Star Wars is dead and gay.
 
And those toys don't get sold, even with the massive shrinkage of floor space to account for the previous shrinkage. Forcing a store to stock them does not equate to sales, and oh so many of them just wind up in dumpsters and Ollies. If kids actually gave a shit about Star Wars and those toys did sell, it wouldn't have repeatedly flopped over and over again; toy residuals can often make up for a show or film's mediocre view times. But they don't, and the only shows ever really greenlit are out of vaporware reasons, delusional pride on creatives, or it was because it did okay originally, like Mando did.
The stockholders won't care. They'll keep peddling shit to kids, because they bought Disney stock to profit off kids.

But none of them really do anything after they're done, no matter what agitprop is fed to the free CorpSec. It's to the point where one of the couple of shows that was put on TV for life support reasons and got Disney sued by investors was a Star Wars show. Andor still flopped like a salmon on the rocks.

Like it can bleat and honk all it wants, but Star Wars is dead and gay.
Like I said, the glory days of Star Wars being this wild card IP that can try anything from grimdark commando shit to deconstruction with a brain cell is dead and gone the moment Lucas sold it. It doesn't matter if Disney SW fails and some other publicly-traded company buys it; they'll just do the same exact shit and pander to demographics to make a cheap buck. Unlike Lucas who wanted SW to grow beyond its constraints, Disney and every other company see nothing but dollar signs when they look at SW.

And again, the RLM/Prequel-hate crowd is to blame, because they're the ones whose endless tirades about how George Lucas raped their childhoods, or how George Lucas is ruining Star Wars, or how George Lucas is the worst director in existence got the old man to sell. He was just originally going to quiet down after Revenge of the Sith and just profit off the franchise and its expanded universe stuff, which continued to be made, but the endless chorus of condemnation got him to sell to Disney so that Disney could make movies. Which in the end, downgraded the franchise forever.

And if you were there when TFA came out, yes, that sentiment was very much alive, with the same people who bitched endlessly about the Prequels saying that TFA was a marked improvement over them and that the franchise is better off without Lucas.
 
I think it's cute to say Disney sells to kids when their marketing intentionally finds ways to make it not interesting at all for them despite their dishonest attempts.

The thing we must remember is who is saying Disney is selling stuff to kids.

For most kids, they would not be interested in a 30 minute methodically paced segment of two priests going on board a ship to discus tax rates, or an analysis of the gamesmanship of navigating politics using a very precise wording of a highly detailed rule set.

But for a certain type of child, those subjects are just as riveting as their collection of Train schedules.
 
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The thing we must remember is who is saying Disney is selling stuff to kids.

For most kids, they would not be interested in a 30 minute methodically paced segment of two priests going on board a ship to discus tax rates, or an analysis of the gamesmanship of navigating politics using a very precise wording of a highly detailed rule set.
Most kids watching Phantom Menace are more excited by the Jedi cutting through the droids like butter, the space battles, or the fights with Darth Maul.

You do realize there's a fast forward, rewind, and a scene select button, right? Kids would just fast forward past the bureaucratic shit and get straight to the action, while the adults would actually listen to the political shit.
 
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Looking into the leaks subreddit to see the copium is pure insanity sometimes. There's people literally arguing "They don't need to resolve or answer anything in the finale, that's what the second season and the movie is for." Stories are supposed to be able to stand on their own. Any of the OT movies are solid films in their own right, no one has to excuse any of the movies by insisting that one of the sequels will retroactively make it good.

I haven't read the leaks but it was obvious early on in the series it was going nowhere. It's mostly padded out filler. Here's an idea that some people in the Government are Imperial agents. Lets just keep having scenes about that when one would be enough. Even to the point it makes everyone and everything dumb.

Is the leak that it ends with Thrawn getting back to the Galaxy? Or not even that?

Writers these days seem to have gotten really lazy. Got an 8 episode series. Just think of the plot that would be one episode 20 years ago. Stretch it over 8 episodes. Oh this is part of an extended universe? Let's think of the plot of a movie. The season can be the first act.
 

"Ahsoka Series Erases History By Retconning Disney’s First Star Wars Tale"

Disney SW fans are mad that Filoni doesn't give a crap about their canon.

Silly journos. Filoni is loyal only to his own definition of SW canon. Not the EU, not the Sequels, not the new canon, only his own stories. He'd retcon the Sequels and replace Rey with Ahsoka if he could get away with it.
 

"Ahsoka Series Erases History By Retconning Disney’s First Star Wars Tale"

Disney SW fans are mad that Filoni doesn't give a crap about their canon.

Silly journos. Filoni is loyal only to his own definition of SW canon. Not the EU, not the Sequels, not the new canon, only his own stories. He'd retcon the Sequels and replace Rey with Ahsoka if he could get away with it.

The Chuck got cucked again!

Sad! I'd rather have Filoni including that one scene where everyone started farting in unison like it was out of Family Guy.
 

"Ahsoka Series Erases History By Retconning Disney’s First Star Wars Tale"

Disney SW fans are mad that Filoni doesn't give a crap about their canon.

Silly journos. Filoni is loyal only to his own definition of SW canon. Not the EU, not the Sequels, not the new canon, only his own stories. He'd retcon the Sequels and replace Rey with Ahsoka if he could get away with it.
Lol you think they actually read the books?

Disney wars may have one of the worst lore to canon ratios I've seen in a franchise. There's like 20 times they ignored shit in movies/games/books to tell an inferior live action story.


I am glad the Jedi survivor game ignored it's book though. That was hilarious
 
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