- Joined
- Aug 29, 2016
I'm eager to watch this guy's future career of sex pesting, because there's no way he's learned a fucking thing. Back on Twitch, lol. See ya in a year when the next thot posts receipts.
Jeremy Allen Black / Arcadum - DnD Dungeon Master, Twitch Streamer, creator of Verum and Callous Row, alleged sex pest and only 17.8% of his players become his friends.
- Thread starter Tachibana
- Start date
-
🐕 I am attempting to get the site runnning as fast as possible. If you are experiencing slow page load times, please report it.
- Joined
- Sep 17, 2015
It probably won't be that long. He's a sweaty fat blob with like 100 remaining actual fans and saved up Twitch cash. That only gets you BPD headcases that'll help rip your life apart a la Lowtax.
An Average Sized Rock
kiwifarms.net
- Joined
- Mar 23, 2021
- Joined
- Sep 17, 2015
G19
kiwifarms.net
- Joined
- Feb 3, 2021
Good call, a few months later it seems this really is the case. Low hundreds viewers but high amounts of gift subs from a handful of paypigs.
- Joined
- Feb 2, 2020
I took one look at this autist and thought "he is absolutely a rapist male feminist" I am always right about these things.
If you want to look at a shared world done well. Look up the BroSR's RAW 1:1 real time campaign. Tollopulous. A campaign where everything is done in 1:1 real time and sessions between multiple groups took place over months whilst other players played gods or kingdoms trying to shepard the other players into doing stuff. Quite interesting if messy. And the BroSR are ragging autists who think the way they've played DnD is the ONLY way to play Gygax style DnD. Even though people who knew Gygax have said he never played like them.
The idea of shared world campaigns and documenting of such is not a new idea. It's been around in various forms since the 80's . Hell my cringe and tranny infested LGS has the same idea of a shared world they've kept up since they opened in the early 2010's.
If you want to look at a shared world done well. Look up the BroSR's RAW 1:1 real time campaign. Tollopulous. A campaign where everything is done in 1:1 real time and sessions between multiple groups took place over months whilst other players played gods or kingdoms trying to shepard the other players into doing stuff. Quite interesting if messy. And the BroSR are ragging autists who think the way they've played DnD is the ONLY way to play Gygax style DnD. Even though people who knew Gygax have said he never played like them.
OCRaid
kiwifarms.net
- Joined
- Apr 9, 2023
It’s interesting to see Verum mentioned so soon after I started looking into things on this site. Wasn't expecting it to happen that fast lol
- Joined
- Jun 11, 2024
Came here to revitalize the thread in the wake of the Gordoverse being a thing. Because it's technically an extension of Jeremy's own nonsense. His community.
This is way beyond late, but I can give some clarification on this.
Arcadum was (is) such an autist, he put bits and pieces into the game regarding a lore important cathedral where his self-insert would potentially marry the character his girlfriend at the time played (who the community regarded as his wife, due to how vague he left it. They were essentially engaged.) This would be the 'Good' ending if the party ever managed to do it: Spoilers, they didn't.
He was going to propose in-game to Tiffany in and out of game. Any proof and conversation of this would have been deleted when the Discord was purged. It was lore theorizing that was happening on the Stream Spoiler Chat channel.
The reason you can put together the fact he was going to use the streams to propose to his fiance is due to the truth that his lore is more or less narcissistic self-insert garbage with a lot of really good ideas and players who propped it up to make it come to life.
A lot of the gods are metaphors or representations of himself or Tiffany. Who by now, is long out of the picture. Reuniting the two in-game would have been the True Ending, as opposed to the one that happened.
Keep in mind this is the same guy who cheated on her with his own players and various V-Tubers.
Ser Nurp essentially made all of his custom made and personally requested maps for him, as well as being a generally cool dude. Dunno who's doing Jeremy's maps these days though, probably a community member.
The maps were done in MapTool, a piece of shit software that allowed for some, SOME, interesting production value moments like movable terrain. I think Arcadum has probably moved onto the more user-friendly Foundry at this point.
Last edited:
- Joined
- Jan 15, 2024
Lol, Jeffro and his squeakbox voice and the cult he's got around him would make for a decent lolcow thread.
- Joined
- Feb 2, 2020
Jeffro hasn't done anything lolcow beyond creating a style of play that makes certain people inexplicably angry and bitchy. By all means though, make that thread and give us the milk if you think it's there.
- Joined
- Jan 15, 2024
Lol, you don't think "Only Christians Play D&D Correctly" isn't lolcow style funny? Nah, not worth a thread, just a shitpost or two.
- Joined
- Sep 17, 2015
The Gordon thread jogged my memory of this guy and looking back, I missed this bit. Is that why he set a hard deadline to finish his grand plot arc? I remember thinking it was bizarre that he rushed like a dozen campaigns with big names in them for no good reason.
- Joined
- Jun 11, 2024
Knowing him the deadline was just a genuine deadline he set as a DM for the overall purpose of stakes, or it having a meta contextual purpose, like it would be 7 years and 7 days since the last 7 years 7 days session or something dumb like that.
He was extremely committed to the bit for his own purposes, but would leave players hung up and dry because he's a massive control freak who wanted to execute his own grand vision of things.
Things had to go his way as a DM, and that would include a deadline before he theoretically ends everything. It's why so many living world players were cucked, because it would require his input and he could give less of a shit about his own smaller project. There was the big dumb collaboration ending to do after all, where his old friends (The Colors) would be there, his new friends (MoonMoon and Co.) would be there, and his self-insert would get some amount of closure.
Things felt rushed because they were rushed, and he had to get people where they needed them to be for the finale or the one of many anime endings wouldn't have happened as he wanted it. He had to do coordination for music and artists too, who he admittedly, to his credit, DID pay.
He, Arcadum, was The Enemy. And Tiffany was the Prism, or whatever it was. I could go on a tangent about lore, it'd be on topic, but I don't want this to go into schizoposting unless it's its own post detailing how self-absorbed his worldbuilding is/was.
- Joined
- Sep 17, 2015
- Joined
- Jun 11, 2024
God, where to begin. Alright. Here's the schizo posting.
To start, this motherfucker made the entire world revolve him, his girlfriend, and friends he hadn't been in contact with for over eight years or some shit.
It began with a D&D session when he was 13 or so, where he and his party were being run through an old D&D module by a friend's dad. Something Smith (Not Bob.) This experience was so poignant that I'm PRETTY sure it was theorized this guy was autistically made into one of the gods that act as coded veils for people in Jeremy's life.
To supplement this, the Midgard pantheon were stand-ins / veils for official WoTC content, and were also from this Old World, but because he likes money too much, had to do some public domain fuckery to ensure "no sue." Like how Beholders were called [REDACTEDs] as a semi-joke.
If I remember correctly, Jeremy often cheated details on his character sheet and got assblasted when he was kicked out of the group / left for being too much of an asshole as his thief character. This was him being exiled/outcasted from that world, which more or less became an "Old World", where his self-insert would have come from or a facet of him came from. This will be important for later.
This pattern continued, each and every step of the way, important characters in the world building would represent something or someone that had a meta correlation with something involving him and his journey as a person and dungeon master.
It began with a D&D session when he was 13 or so, where he and his party were being run through an old D&D module by a friend's dad. Something Smith (Not Bob.) This experience was so poignant that I'm PRETTY sure it was theorized this guy was autistically made into one of the gods that act as coded veils for people in Jeremy's life.
To supplement this, the Midgard pantheon were stand-ins / veils for official WoTC content, and were also from this Old World, but because he likes money too much, had to do some public domain fuckery to ensure "no sue." Like how Beholders were called [REDACTEDs] as a semi-joke.
If I remember correctly, Jeremy often cheated details on his character sheet and got assblasted when he was kicked out of the group / left for being too much of an asshole as his thief character. This was him being exiled/outcasted from that world, which more or less became an "Old World", where his self-insert would have come from or a facet of him came from. This will be important for later.
This pattern continued, each and every step of the way, important characters in the world building would represent something or someone that had a meta correlation with something involving him and his journey as a person and dungeon master.
This leads to the lore of the Enemy and Death.
There is a bit of fucked up implications about Death and Life, a lot of themes of ownership, obsession, and control.
In his lore, Lord Death is one of his self-inserts who made 7 promises to Life. Life being the Prism, IE: Tiffany. Each of them having a corresponding color, each of those colors also being someone in real life. The the one we'll focus on, Mercy, the 7th.
One of his self-inserts was the 7th. I believe it was his thief character, but it could be someone else. And the Red, Wisdom, is Tiffany. At some point, the promise of Mercy was broken by this traitor, the Violet, the Enemy, causing the 7th covenant to shatter and leading to the supremely autistic thing Arcadum said when initiative began, "The time for Mercy has passed."
The promise was broken because he as a DM wouldn't provide Mercy / A Mercy Killing on someone he cared about. Death ordered him to kill the Red or something similar. Ordered him to let go of Tiffany. This unleashed the Violet as a power that memoryholed people and their characters from the universe if it killed them. This was Violet Death. This was done to erase Cryotic from his enterprise when that drama unfolded, and used as a way to make Living World players shit themselves in frustration and anger.
From there, the Enemy, Arcadum, was born. And time and time again, the goal of campaigns since that happening was to stop him from erasing the world as the DM. Just fucking deleted and forgotten about.
Seven Years Seven Days was an attempt at stopping Arcadum over so many campaigns. A very roundabout way to have a fucking pity party over some mildly unsavory thing he did. A way to set himself up as the pragmatic Lord Death but also the violent and unreasonable Traitor at the same time. It's literally all about his relationship with Tiffany and his own mental thought processes.
There is a bit of fucked up implications about Death and Life, a lot of themes of ownership, obsession, and control.
In his lore, Lord Death is one of his self-inserts who made 7 promises to Life. Life being the Prism, IE: Tiffany. Each of them having a corresponding color, each of those colors also being someone in real life. The the one we'll focus on, Mercy, the 7th.
One of his self-inserts was the 7th. I believe it was his thief character, but it could be someone else. And the Red, Wisdom, is Tiffany. At some point, the promise of Mercy was broken by this traitor, the Violet, the Enemy, causing the 7th covenant to shatter and leading to the supremely autistic thing Arcadum said when initiative began, "The time for Mercy has passed."
The promise was broken because he as a DM wouldn't provide Mercy / A Mercy Killing on someone he cared about. Death ordered him to kill the Red or something similar. Ordered him to let go of Tiffany. This unleashed the Violet as a power that memoryholed people and their characters from the universe if it killed them. This was Violet Death. This was done to erase Cryotic from his enterprise when that drama unfolded, and used as a way to make Living World players shit themselves in frustration and anger.
From there, the Enemy, Arcadum, was born. And time and time again, the goal of campaigns since that happening was to stop him from erasing the world as the DM. Just fucking deleted and forgotten about.
Seven Years Seven Days was an attempt at stopping Arcadum over so many campaigns. A very roundabout way to have a fucking pity party over some mildly unsavory thing he did. A way to set himself up as the pragmatic Lord Death but also the violent and unreasonable Traitor at the same time. It's literally all about his relationship with Tiffany and his own mental thought processes.
The separation of him and Tiffany didn't last long IRL, at some point they broke up, but got back together. However, this left such a fucking impact on him that a big contentious point in the setting was how two separates universes that were violently separated from one another, represented by two rings pulled apart. That other world is where his thief character is from.
Having to make everything some fucking art piece about his life, he, of course, tied in something as personal as engagement to a woman to a part of his meta story. A huge part of the lore was a Cathedral-like area that was tied to him in a way I can't quite remember. I believe it was a remnant echo of the old world frozen in time / a mirror dimension. Probably his promise to marry Tiffany, that was ruined because of the breakup, probably due to his own faults.
The marriage / bonding symbolism has other footing to show how he just wanted people to do the work for him, by putting an insufferable amount of work into the setup.
Here's where we talk about Tilt. The halfling god of several important key themes to hone in on the grand genius that was Arcadum's thought process. I would like to note his thief character when he first played D&D was a halfling.
An amnesiac warrior who at one point betrayed someone VERY special to him. His shtick is being related to loyalty and reincarnating. Now, this isn't listed, but at ANY POINT you tell Tilt who he really is, he just fucking dies / kills himself and starts the cycle over again.
His symbol is an iron band with a chunk missing out of it, as if separated from a second half it was linked to. See the above mentioned symbolism regarding two worlds being torn apart, then connect it to this. One of his Contacts & Relations is "The Married."
If you couldn't tell, Tilt is one of his self-inserts.
Several other gods are also his Self-Inserts. Viderick is symbolized with a crystal/prismatic rose trapped in a glass container a la Beauty and the Beast. And Jeremy is a self-admitted Disney fan. He also has amnesia regarding someone he had a breakup with, and his Contact/Relations includes the Hopeless. A lack of Hope being the main gimmick of the Enemy, IE: Him.
The god of Redemption Vavren is shown giving redemption to his evil god self-insert, Babylon.
Babylon (Literally Satan) is the god he used to creep on a V-Tuber group that included IronMouse, Zentraya, and Momo. Very consistently getting a bit too into the roleplay as the twink Bondage God people in the community had the hots for. In the art of the god, I'm pretty sure that's based on someone but I forget who, I think SummerSalt. Or it was Momo, I remember the detail because of the hair color choice. Momo rocked a similar shade on her V-Tube avatar.
Regardless, it's someone who had a crush on the twink. So the artist put it in probably as a joke. However, Babylon being JEREMY, makes it extremely suspect.
Possessiveness is a recurring theme if you'll notice. The crime of the Violet was not letting something go, not providing Mercy. The wilting crystal rose. A bondage god who owns others / keeps others to obligation.
In a way that only HE or someone as batshit as I could understand, he was using Vavren to symbolize his own redemption for his faults as a person. Vavren is unironically a stand-in for his belief in Jesus. This isn't a joke. This is the kind of story writing we're working with. it's all about him.
Remember how instead of therapy and quitting the internet, he just went to church? That's what Vavren is based on. That mindset. That even the literal devil can possibly find redemption.
Having to make everything some fucking art piece about his life, he, of course, tied in something as personal as engagement to a woman to a part of his meta story. A huge part of the lore was a Cathedral-like area that was tied to him in a way I can't quite remember. I believe it was a remnant echo of the old world frozen in time / a mirror dimension. Probably his promise to marry Tiffany, that was ruined because of the breakup, probably due to his own faults.
The marriage / bonding symbolism has other footing to show how he just wanted people to do the work for him, by putting an insufferable amount of work into the setup.
Here's where we talk about Tilt. The halfling god of several important key themes to hone in on the grand genius that was Arcadum's thought process. I would like to note his thief character when he first played D&D was a halfling.
An amnesiac warrior who at one point betrayed someone VERY special to him. His shtick is being related to loyalty and reincarnating. Now, this isn't listed, but at ANY POINT you tell Tilt who he really is, he just fucking dies / kills himself and starts the cycle over again.
His symbol is an iron band with a chunk missing out of it, as if separated from a second half it was linked to. See the above mentioned symbolism regarding two worlds being torn apart, then connect it to this. One of his Contacts & Relations is "The Married."
If you couldn't tell, Tilt is one of his self-inserts.
Several other gods are also his Self-Inserts. Viderick is symbolized with a crystal/prismatic rose trapped in a glass container a la Beauty and the Beast. And Jeremy is a self-admitted Disney fan. He also has amnesia regarding someone he had a breakup with, and his Contact/Relations includes the Hopeless. A lack of Hope being the main gimmick of the Enemy, IE: Him.
The god of Redemption Vavren is shown giving redemption to his evil god self-insert, Babylon.
Babylon (Literally Satan) is the god he used to creep on a V-Tuber group that included IronMouse, Zentraya, and Momo. Very consistently getting a bit too into the roleplay as the twink Bondage God people in the community had the hots for. In the art of the god, I'm pretty sure that's based on someone but I forget who, I think SummerSalt. Or it was Momo, I remember the detail because of the hair color choice. Momo rocked a similar shade on her V-Tube avatar.
Regardless, it's someone who had a crush on the twink. So the artist put it in probably as a joke. However, Babylon being JEREMY, makes it extremely suspect.
Possessiveness is a recurring theme if you'll notice. The crime of the Violet was not letting something go, not providing Mercy. The wilting crystal rose. A bondage god who owns others / keeps others to obligation.
In a way that only HE or someone as batshit as I could understand, he was using Vavren to symbolize his own redemption for his faults as a person. Vavren is unironically a stand-in for his belief in Jesus. This isn't a joke. This is the kind of story writing we're working with. it's all about him.
Remember how instead of therapy and quitting the internet, he just went to church? That's what Vavren is based on. That mindset. That even the literal devil can possibly find redemption.
A big part of the Enemy's nature was being unable to say his name without fucking exploding. It was verbodden and mechanically made the universe worse if you thought about him, knew anything about him, or knew his name. His associated resource to make everything awful was Entropy, because he was Oblivion manifest.
Jeremy basically made himself taboo within his own universe out of self-loathing and some... bizarre attempt at self-awareness and reflection? The whole point of reflection also one of his self-insert pieces, Tomen the Mirror God.
There isn't even a page up about Tomen. And the viking gods never got finished. This is due to laziness.
Mirrors were used as a metaphor for the computer screen and as windows into seeing other worlds. Tiffany and Jeremy met online, so mirrors play a significant part in his weird LARP. The Violet, his influence, can travel through mirrors. IE: The internet and computer screen.
Tomen's name is an anagram of "Not Me." If it wasn't obvious, a lot of this was written / fleshed out when he was a teenager. It has that energy because it's the truth I believe.
The idea of the Violet/Enemy came from him looking into a puddle and seeing a dark reflection of himself. A mirror. An evil him. Because the Enemy is an evil him. IE: "Not Me."
Anyone who thought about Arcadum or had information on him in or out of character was immediately linked to him and would be known by him. Why? He's the Dungeon Master. It's a mix of self-loathing and not wanting people to get too close to how he actually is as a person. The Enemy was essentially omnipresent because the Enemy was the DM the whole time.
Painted to be spiteful, cruel, sadistic, selfish, and a pissbaby who throws tantrums and wants to destroy everything when he doesn't get what he wants / is forced to do something he doesn't want to do. He did this with the GTA Roleplay group, and evidence of this behavior was just out in the open for anyone to dissect if they thought about it for two seconds.
To its core, the meat of his content was letting people indulge in his substitute for professional help. The guy has such a chip on his shoulder about the concept of Justice, the God of Justice was painted as having NO good followers who only did atrocities in his name. To the point the community was sure the god was just garbage. It was a gayop that was commentary on religious extremism / corruption of law enforcement. Lo and behold, it worked on idiots with low level creative writing comprehension skills.
Jeremy's obsession with propping up the Black Pantheon with screen time and enthusiasm wasn't just because they're plot relevant, it's because they're his favorite gods. Notice how it's the Black Pantheon. Jeremy Allen Black. God tier writing here.
Jeremy basically made himself taboo within his own universe out of self-loathing and some... bizarre attempt at self-awareness and reflection? The whole point of reflection also one of his self-insert pieces, Tomen the Mirror God.
There isn't even a page up about Tomen. And the viking gods never got finished. This is due to laziness.
Mirrors were used as a metaphor for the computer screen and as windows into seeing other worlds. Tiffany and Jeremy met online, so mirrors play a significant part in his weird LARP. The Violet, his influence, can travel through mirrors. IE: The internet and computer screen.
Tomen's name is an anagram of "Not Me." If it wasn't obvious, a lot of this was written / fleshed out when he was a teenager. It has that energy because it's the truth I believe.
The idea of the Violet/Enemy came from him looking into a puddle and seeing a dark reflection of himself. A mirror. An evil him. Because the Enemy is an evil him. IE: "Not Me."
Anyone who thought about Arcadum or had information on him in or out of character was immediately linked to him and would be known by him. Why? He's the Dungeon Master. It's a mix of self-loathing and not wanting people to get too close to how he actually is as a person. The Enemy was essentially omnipresent because the Enemy was the DM the whole time.
Painted to be spiteful, cruel, sadistic, selfish, and a pissbaby who throws tantrums and wants to destroy everything when he doesn't get what he wants / is forced to do something he doesn't want to do. He did this with the GTA Roleplay group, and evidence of this behavior was just out in the open for anyone to dissect if they thought about it for two seconds.
To its core, the meat of his content was letting people indulge in his substitute for professional help. The guy has such a chip on his shoulder about the concept of Justice, the God of Justice was painted as having NO good followers who only did atrocities in his name. To the point the community was sure the god was just garbage. It was a gayop that was commentary on religious extremism / corruption of law enforcement. Lo and behold, it worked on idiots with low level creative writing comprehension skills.
Jeremy's obsession with propping up the Black Pantheon with screen time and enthusiasm wasn't just because they're plot relevant, it's because they're his favorite gods. Notice how it's the Black Pantheon. Jeremy Allen Black. God tier writing here.
I'll add more / edit if I can think of / remember more and see refinements I can make.
But that's the general breakdown of his world building on a larger scale, and unfortunately not the cooler bits that people really liked (that were less connected to him as a person.)
Last edited:
- Joined
- Sep 17, 2015
I'm surprised by how much more depth there was to his mania that I didn't notice, and at one point I was interested enough to watch a lot of his content (even the cringy VTuber games) to follow the meta-narrative. I do recall things like the BBEG being his self-insert (which IIRC was inadvertently confirmed in-game right before his implosion) and his fixation on the edgy gods but I didn't know the setting was a self-help project down to its bones. I think not using Discord or having gotten around to the "Tyre" games spared me a lot.
I did follow the weeaboo melange fantasyland plot arc more cohesively and the drop in quality was very noticeable compared to pre-clout material like Shattered Crowns. I have a specific memory of thinking "I'm not going to miss this much" when it became obvious his career was over.
I did follow the weeaboo melange fantasyland plot arc more cohesively and the drop in quality was very noticeable compared to pre-clout material like Shattered Crowns. I have a specific memory of thinking "I'm not going to miss this much" when it became obvious his career was over.
- Joined
- Jun 11, 2024
The funny thing is a good chunk of people did notice. He did a whole interview with some wackjob online therapist and opened up about being an absolute narcissist.
But a lot of people didn't notice. Or if they did, conversation about it in public spaces was banned. Stream Spoiler Chat was where the madness truly took place, it being the mecca of conversation about the streams and shit related to the content, specifically lore.
Nobody, and I mean nobody except like... friends of Tiffany or maybe one of the jannies probably knew just how bad he was sexpesting. That part was a genuine shock.
When the main plot finished, a lot of people checked out, because the main thing was over. A lot of people were also salty that Glies (weeb land) won out over Conflux as the next campaign setting. It was talked about that the Living World would be playing on Conflux, so that Jeremy couldn't kill their characters while they're at work. I forgot what came of this, the Living World never got started after the finale of the Violet shit.
He even propagated a "Living World vs Stream Player" mentality due to his OBVIOUS favoritism and shady handling of mechanical resources. To the point britbong Strippin got inflammatory over things the Discord was saying and later went on to apologize for.
"Fuck the Living World," or something along those lines.
A lot of streamers were involved in Stream Spoiler Chat, actively, as well as non-popular streamer players who happened to get their shit broadcasted due to legacy and having been there before the popularity blow up.
In the end, the things people like most about his work is stuff removed from his own life, whether that be the players, area-specific lore, or some of the concepts that were very separate to the stupid 'weh please redeem me I'm so awful' pity party.
When everything blew up, the facade of people wore off and people were taking masks off left and right saying what they really thought in the discord before the mass DFE.
I'm not going to power level, so some goofier / personal bits are left out. OpSec and all that.
Last edited:
- Joined
- Sep 17, 2015
From the nosebleed section I thought he had an ego, was socially awkward and overworked, all of which seemed to track for a newly popular D&D nerd streamer running like 10 campaigns. I think it was easy to rationalise away the weirder moments when the guy was so close to a lot of streamers, including several I assumed wouldn't have tolerated any shit but they were was surprised as anyone at how bad he actually was.