You know, once you start unravelling all those things like you, me, and everyone else at this topic (and others) are doing - you begin to see how shallow the worldbuilding is: despite it seeming to be very deep and fantastic (while being """deeply realistic""") - Martin borrowed a lot and at the same time did a very sloppy job at adjusting things that he "didn't like" about certain areas of the world, while making it stand out like a sore thumb.
As a historian, I find GRRM's continued line of how Westeros is a realistic depiction of the Medieval age to be absolute horse-shit; the way he builds his world, he just takes a dystopia, paints Medieval characteristics over it, and calls it a day. He does little in the way of research on how nobles and feudalism works, his world has too many godless people in an age when faith ruled supreme and the Church could burn you at the stake for heresy, and his idea of a kingdom holding off a superpower makes no sense in the Medieval context; a nation like Dorne which has light cavalry and armor would've been conquered easily by the likes of the First Crusade, which was just a mob of lords, knights, and peasants armed with swords, spears, crossbows and chain mail who marched on Jerusalem. Much less a continent-wide Targaryen army that has thousands of plate-armored soldiers and knights, which also has air support in the form of dragons acting as Medieval Fantasy F-16s.
When people took GRRM to task about women getting raped and abused in his books, he barks back and says that women had it like that back then, when in reality, people were harsher towards rapists back then. Some regimes like Byzantium under Empress Theodora simply executed rapists, whereas in other kingdoms, rapists were lumped alongside other criminals and put into suicide squads like the Forlorn Hope where they soak up enemy arrows and crossbow bolts at the vanguard of an army.
Then there's the fact that Martin can't decide whether or not the Targaryens are an imperial, Renaissance-style absolute monarchy or a Medieval monarchy that has to beg their lords for support and manpower after the Dance of Dragons. There's a difference between the two. Martin makes his Targaryen monarchs act like Roman Emperors who can execute nobles on a whim, like the Mad King, yet he still sells the Targaryen-ruled Westeros as a Medieval-era nation, when in Medieval times, kings were careful not to offend their nobles, and in some cases, nobles elected the king and even reminded him that they can replace him if he screws up. No noble would've fought for Aerys II after he barbecued the Stark lords for no good reason. Especially when Brandon Stark had a genuine grievance of Rhaegar Targaryen kidnapping his sister. If that's how Aerys acted, his lords would've deserted him and joined Robert in droves. Even the lords of the Reach and Dorne would've deserted him.
There's also the lack of consequence when someone actually hurts a royal. Jaime Lannister getting pardoned after shanking the Mad King, I can see that happening since Aerys was setting nobles on fire for no good reason, but Tywin Lannister sending his mad dog Gregor Clegane to kill Elia Martell and her royal children-children who were probably named in the Faith of the Seven-would've been a blasphemy that screams to God for vengeance. Innocent royals, a woman and her children, with the woman raped and murdered after being forced to watch her children die, that would've been the kind of sacrilege that would end with Tywin having a crusade declared on his ass. Royalty were considered sacred in the Medieval era, and if we applied that to Roman Catholicism, Tywin would have the Pope declaring war on him, freeing his vassals from their obligation to serve him. With the forces of the Pope backing him, Ned Stark would probably have the legal power and the military might to just arrest and hang Tywin and Ser Gregor for the deaths of Elia and her children.
As a fantasy fan, I just can't get behind the shallow aspects of fantasy that GRRM shits out. So the dragons are supposed to be smart, bordering on sapient, yet they still allowed some silver-haired incest mongrels to use them as weapons, even against each other. All the Targaryen dragons are descended from the original three, Balerion, Vhagar, and Meraxes, and to have Targs use dragons against each other makes me question their intelligence, because it's like you fighting your cousin just because some dipshit who's smaller than both of you, who's riding on his back, told him to fight you.
And I already went over how weaksauce the Others really are; the supposed final boss of the ASOIAF series, the existential threat against humanity, and it's a rabble of walking corpses and overrated abominations that some twat with enough men, wildfire, and obsidian can bury six feet under. Forget Arya Stark defeating the Night King, a dragonglass crossbow unit can shred the Others from afar while fire arrows or some wildfire trap can incinerate the Others' undead armies.
It's just so funny how works from my childhood, works which did not get the mainstream love that Game of Thrones did, handled this shit better. Warcraft 3 handled zombies better, Skyrim handled dragons better, LOTR handled magic better, hence why I'm disappointed that ASOIAF, despite being hailed as a modern fantasy masterpiece, handles fantasy elements like a drunk fratboy when compared to video games and books made for kids and teens.
The hack writers for television make it even worse.
The writers and GRRM have the same social agenda. It's just that the TV writers suck ass at hiding their biases, while GRRM at least hid it behind enough power politics, gore, and porn to sweeten the pot.
That's when you see the fans of the series should take a step back and see how perhaps they have a rose-tinted glasses over their favourite series.
That's how I see most ASOIAF fans who act like it's the next best thing since sliced bread. Sure, Season 1 of HOTD and Seasons 1-4 of Game of Thrones are good shows, but it's more due to the actors carrying the material rather than just the material itself. But there's still a lot of room for improvement, especially since the material when stripped to its basics is just barely above average, and the fans just can't admit it.
For example, Tywin in the books is a petty, rich asshole who, while being good at politics, is basically every ruthless rich white man that hippies like GRRM rail against. He had his dwarf son's wife raped by his soldiers because she was a commoner. Him slaughtering royal babies or killing his rivals at a wedding just cements it. But it's Charles Dance's performance which elevated Tywin from a hippie's punching bag to Machiavelli with an army, and it was that kind of compelling characterization which made people into fans of Tywin Lannister-ironically enough, something GRRM wouldn't like since he hated Tywin so much he had the man's dwarf son kill the guy in the shitter.
Also especially true for aspiring writers and to those who take it as a form of hobby - how careful you have to be: It seems GRRM has taken a liking to worldbuilding more than writing a plot, especially in his later years. It doesn't seem to be doing him much favors. How is it that someone that established something more focused on language work like Tolkien, or Robert Jordan managed to pull off something better? (Albeit I confess I never read Jordan's works so I cannot know much).
Other writers actually cared enough about the plot that they kept a structure and only allowed things to grow a certain level before they limit things and ensure that everything comes to plan. GRRM cares more about subversion and letting plot threads develop wildly without guidance, which is why his last two books on the main ASOIAF story is 30 percent story and 70 percent useless sidequest filler.
Also I guess I see I can relate/maybe understand why it hurts to GRRM the idea of fanfiction - that someone could pull off something... better?
Of course. At this point, some devoted ASOIAF fans could probably write a better version of the Winds of Winter or A Dream of Spring better than GRRM. Hell, some fans could probably rework the Targaryen Conquest, Dance of Dragons, and Robert's Rebellion to be better than the source material or the HBO shows.
As an aside I will add that
the Gardeners, the old royal house of the Reach, are one of the most sensibly written houses in Martin's work and that the way they died out was strange AF. The Reach houses seem to be the only ones that even try to treat their subjects as human beings and while the Gardeners did produce some notable warriors, their reputation is overall one of being friendly, agreeable and benevolent, absorbing rivals into their fold with strategic marriages/bribes/negotiations rather than open warfare and giving the Reach peace & prosperity; exemplars of their style of rule include
Garth the Goldenhand and the
Three Sage Kings who peacefully assimilated (and in some ways were assimilated by) the Andals. They were also famous for being fertile in a more personal sense of spawning tons of kids in each generation, and forging blood ties with pretty much every one of their vassal houses (from big ones like the Tarlys & Hightowers down to minor vassals like Houses Oldflowers and Uffering), with their last king
Mern IX having at least four sons, two grandsons, one nephew, and an indeterminate but probably high number of brothers and cousins. And this
entire millennial dynasty, famed for having no end of spares & cadet branches - gets wiped out in a single battle, the Field of Fire, while such a fate never befell the likes of the Starks who
don't breed like rabbits and thus should logically have been more vulnerable to similar game-ending disasters? C'mon now. I must be whistling past the graveyard at this point, but realism should dictate that Mern leave at least one grandson (a page or squire still too young to fight, most probably) at Highgarden or something even as he marched against the dragons with the rest.
Going off my own version of Aegon's Conquest where Rhaenys died fighting the Gardeners, I'd have it so that the extinction of that House was completed after the battle. After the Field of Fire, Aegon's host marches towards Highgarden, but the castle still has a formidable host guarding it. The battle exhausted Balerion and Vhagar, and Meraxes is on life support. Aegon doesn't have the manpower to just besiege the castle conventionally without losing thousands, so the remaining Gardeners in the castle, mostly grandchildren, cousins, and lesser sons of Mern IX, find their spine and tell Aegon to shove his sword up his ass.
But with Lannister gold in his pockets, Aegon has Visenya sneak in and speak with the Tyrells, the stewards of Highgarden, promising a hefty bribe as well as lordship of the Reach if they could help with House Gardener. Visenya convinces the Tyrell soldiers and retainers to turn against their Gardener masters. The Tyrells then lure the new Gardener king and his entourage into a meeting where supposedly, Aegon was ready to surrender and talk shop with them. Instead, they run into Loren Lannister and his men, as well as Visenya and her handpicked troops. The Tyrells then help the Lannisters and Visenya slaughter the Gardeners who went to the meeting, and the Tyrell retainers inside Highgarden assassinate what's left of the Gardener family, leaving nobody but them to inherit the castle, since the Tyrells were also part-Gardener thanks to past marriages.
The Tyrells Order 66-ing the Gardeners would be their way of proving to Aegon that they had the strength of will to seize the day, and that they could obey orders, no matter how distasteful. Aegon's hate for the Gardeners would be due to them killing Rhaenys, whom he dearly loved, and so, he has the Tyrells, the Lannisters, and Visenya eradicate them down to the last man, woman, and child. Once that is finished, Aegon grants Highgarden to the Tyrells, as well as a hefty bribe from House Lannister which he now controlled.