2023–2024 video game industry layoffs

I always hear Burgers talking about the ‘83 crash like it was an apocalyptic event whilst us Europoors sat around with our ZX Spectrums and C64s having a great old times.
I was a kid then and played games on mostly an Apple ][ and hadn't even heard of the crash until years later because the industry was just something I couldn't give a shit less about. I mainly pirated shit anyway.
 
I wonder if we're going to see a January 2025 like January 2024. At the end of the financial year is when the bean-counters often decide to call in the axe-men.
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According to YTers, there's a saying in industries "Survive until 25", but what they expect to get better in 2025 is a mystery.

I find it very stale today with the same fucking type of games being released (2D pixel art platformer / RPG with an allegory for mental shit, retro 3D-styled game usually also a platformer that flops at capturing the aesthetic, walking simulator with a similar cutesy artstyle, etc), and it's equally pozzed with many trannies being involved in the scene and often sneaking their fetish / political agenda into their games.
The games in that image are almost a decade old. Celete and Undertale are from 2015. Enter the Gungeon from 2016. It's so strange that people cling to the idea of indie darlings from the gamergate era. It would be like complaining about how all games are mascot platformers and Street Fighter clones while Halo 2 and Burnout are at the height of their popularity.

I don't think even those games sell a lot, I've seen a lot of twitter seething at steam because their deep rpgmaker game about depression wasn't a smash hit there. At a certain point you can immediately spot them and skimread over their listings, letting you find the real Indie gems by true & honest balding fat men.
Actual gamers know what's a good game and what isn't, that's why Factorio is still a top seller despite never going on sale and barely advertising/promoting the game.
There was a now deleted Reddit post that went viral not long ago where some indie dev was seething that his game failed because of pronouns.

I took a layoff from a big gamedev this year. I chose to leave rather than move into another role because to be honest management at the big firms are just retarded. Something nearly all my friends in-industry feel as well. I'd rather go back to contracting or working in a small firm where the boss is actually there working next to you each day. I also notice that by far most of the layoffs hit the non-development roles first like HR, Marketing, Production, R&D (which is where I was this time), and QA. That is unless the entire studio is going under of course.
That's good to hear. But what's wrong with being honest management?
 
I've read the whole article. Twice. Considering where I'm posting this, it shouldn't surprise me how detached from reality and biased Wikipedia can get, but here I am, absolutely stunned at the fact that a bunch of retards are trying to tell me that the sky is, in fact, green. I can understand obfuscating things related to DEI bullshit and all that jazz, since there's an ideological factor involved, but I'm completely lost about why the fuck they try to blame the consequences of two decades of absolute incompetence and a completely rotten business model for a market that basically prints money on purely socioeconomic factors bad luck and global events outside of their control. Even if we take this absolutely deranged headcanon at face value, there isn't a single mention about how there's an overwhelming negative reception about the majority of products the industry churns out; the hows and whys are irrelevant, the only thing that matters here is that the consumers simply aren't buying the product, and that publishers are adamant about forcing their product and worse, their business model to an unwilling audience. If this was about refrigerators or pencils there would be no pussy-footing around this fact. For people so ideologically opposed to capitalism on average, they write like sweaty bean-counters making up excuses to shareholders for the next quarterly report.
I'm sure that COVID didn't help matters at all (even if this was one of the few industries where money went up instead of down), but if the industry was healthy and had a competent foundation a sudden but brief boost to numbers shouldn't result in such a record-breaking blow to their whole operation. For the life of me I can't understand how the Ukraine war plays a factor on this since by the article's own admission the layoffs are mainly an American/European thing and the Russian/Ukrainian industry is a drop in the ocean. The only examples given are literally who Russian/Ukrainian studios that are doing OK and had no layoffs, but I guess they couldn't help malding at Russian Man Bad. (For some unexplained reason, the Palestinian conflict seems to have no effect on the mystery of the missing gamer money.) 1725827870503.png
How the fuck is this related to a mostly American problem is beyond me, but I guess by Wikipedia's standards, this was more important to mention than the fact that regular people just think modern AAA games suck ass.

The reason that this article can't point to a truth that's obvious to anyone who is part of the hobby even in a casual manner is, funnily enough, the same reason why the industry is in such dire straits: not only is the emperor wearing no clothes, he's been wearing no clothes for so long that there's a whole cottage industry built upon his lack of pants. The local press makes sure to tell everyone how luxurious his clothes are and how people who seem to point at the emperor's exposed balls are deranged lunatics, local weavers offer their consultation services for a reasonable fee to recommend new clothes for the emperor to not wear, the clergy on their pulpits make sure to denounce rumours about the emperor's naked taint as a dogwhistle for devil worshippers to communicate with each other and the eunuchs at the monastery write excuses on their almanacs about why the emperor seems so suspiciously susceptible to pneumonia so it becomes written historic fact (and they do it for free!).
Until the big players make an honest introspection and start to focus on producing things that people actually want and cutting ties with the dead weight that tells them what they want to hear despite all the harsh evidence to the contrary, things will not get better. To make the point clear, this isn't limited to the woke encroachment on the industry; that's a symptom of the system's decadence but not the root of the issue.
Sadly, I don't see a market crash in the future since the money keeps coming and the market keeps growing and growing, until somebody like EA screws the pooch for sure, things will keep being retarded forever. At best we can hope for alternative markets to eat at their share of the pie, like we've seen this year with Wukong and that korean waifu game.
 
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According to YTers, there's a saying in industries "Survive until 25", but what they expect to get better in 2025 is a mystery.
It wouldn't surprise me if some of these idiots have gotten it into their heads that after 100,000,000 dead people "vote" Kamala into office, on day one and with a single stroke of her fountain pen, she'll force congress to pass a six gorillion dollar budget addendum for a special global AAA studio only grant.
 
troons, who hate videogames
There are a number of "transgenders" who like vidya, with "Chris Chan" being a notable -- and notorious -- example.

I like civ V.
CIV THREEEEEEEEEEEEEEEEEEEEEEEEEEEEE!
III and V lack easy customizing AFAIK, while II has that one "Fanstastic Worlds" addon for making custom scenarios.

Also the "vanilla" install of Civ 2 is easily modifiable as the sprites are in GIF sprite sheets, and rules in TXT.
 
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I can’t sleep so I ponder this shit and I think I finally realized what pisses me off so goddamn much about Concord and the AAA big money games industry in general

The games journalist narrative around Concord has been that the studio deserved better, the developers deserved better, every one involved deserved better than they got except us, the audience, the customers

I have not seen one official publication or source or anything indicate that we deserved better. Instead, all I’ve seen is the most cowardly chiding and scolding imaginable, it was a bunch of journos getting mad at those RUDE chuds and haters but never really saying why they were mad, just using our disdain as a stand in for the real issue without ever once alluding to it

It finally hit me when I saw the tweets from Amanda Kiefer, the concept artist for the pile of shit that was Concord. I wish I’d saved the damn image but I’m retarded and did not, but I remember what she said: “Pretty soon these weirdos will have no games to buy at all…”

It’s an easy slam dunk to point out how retarded she is based upon that one tweet (“weirdos” like a poorly coded NPC, that obnoxious ellipsis) but it’s the subtext of the tweet that shone through for me: these fucking pricks have puffed themselves up (with corpojourno assistance and support) to believe that their piles of shit deserve to be bought just for existing, it doesn’t even matter if you play them

It’s the same concept as trooning out, it’s the most prevalent thing so many of the morons we have threads on believe, the undercurrent of their lives: “I exist so you HAVE TO buy whatever I’m selling and afford me all the rights and privileges of the best person you know”

These fucking pieces of shit believe that we’re obligated to buy their crap just because it exists, it’s the Chris Chan/Lucas Werner school of thought in that it’s plenty good because they say it is

I’m really sad because after that revelation I lost all remaining respect for devs and studios and all that shit
 
Except MOST of AAA titles aren't TLOU/RDR2 or GOW.
And MOST indi titles aren't ROR/Undertale/Celest.

What a weirdly selective soyjack.
Of course most indie titles aren't very great. They're indie games.
Most are probably unity asset flips or "my first game maker game buy it pls :)".
The difference is the truly great indie games steps on AAA's toes like it's no-ones business. Maybe not in graphic fidelity, but at least they're fun experiences that gives you hours of enjoyment.
You know - like a GAME.
 
Of course most indie titles aren't very great. They're indie games.
Most are probably unity asset flips or "my first game maker game buy it pls :)".
The difference is the truly great indie games steps on AAA's toes like it's no-ones business. Maybe not in graphic fidelity, but at least they're fun experiences that gives you hours of enjoyment.
You know - like a GAME.
I’ve had more hours of fun in Phasmophobia than any AAA game ever released
 
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I have not seen one official publication or source or anything indicate that we deserved better. Instead, all I’ve seen is the most cowardly chiding and scolding imaginable, it was a bunch of journos getting mad at those RUDE chuds and haters but never really saying why they were mad, just using our disdain as a stand in for the real issue without ever once alluding to it
A related part of this is that only the devs that are in clique deserve this. The guys that made The Last Night, Palworld, and Kingdom Come Deliverance? They also don't deserve jobs, don't deserve opportunities.

These fucking pieces of shit believe that we’re obligated to buy their crap just because it exists, it’s the Chris Chan/Lucas Werner school of thought in that it’s plenty good because they say it is
There's a lot of boomers and millenials who have been handed legacy companies that think this way. They are owed a yacht because they happen to own a legacy brand name.
 
The games journalist narrative around Concord has been that the studio deserved better, the developers deserved better, every one involved deserved better than they got except us, the audience, the customers
All we deserve is to get swindled out of our money by morons in order to eat a shit sandwich we don't want. We're just niggercattle to these people.
 
“Pretty soon these weirdos will have no games to buy at all…”

That is fine, I will emulate all the classics on my PC and keep my legacy consoles hooked to my television. I have zero desire to play any of the new goy slop they release today anyway. I also have no interest in supporting the white beta males, faggots/troons, and the niggers that compose today's gaming development studios.
 
I was a kid then and played games on mostly an Apple ][ and hadn't even heard of the crash until years later because the industry was just something I couldn't give a shit less about. I mainly pirated shit anyway.
The "Great videogame crash of '83" has become far more exaggerated as the years have gone by. It was essentially caused by a glut of third-party companies popping up practically overnight (in the wake of Activision and Imagic's success) to dump loads and loads of shovelware onto the Atari 2600. Things became bumpy on the console front, but arcades were still doing their thing, and many simply switched from console games to computer games. My friends and I never really noticed anything amiss except that 2600 games could be had for much less than a year or 2 prior. It was a bump in the road for a new industry still taking its baby steps and was also a much-needed correction with the way things were going, but it was not some earth-shattering event.
 
All it takes is one company to figure out how to use AI ( im betting a Chinese gacha game is gonna pay their VA extra to translate using AI to English) to break the dam.
Cissy Jones (the Absolute in BG3, Chloe's mom in Life is Strange) founded an AI based voiceover program. Here's hoping 🙏
 
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