/horror/ general megathread - Let's talk about movies and shit.

The killer's motives are never really explained
Sometimes I wonder why the killer bothers wearing a disguise, especially if its a whodunit where nobody sees them except for the people they're killing. Friday the 13th V is a particularly odd example, where the guy mainly seems to be dressing up for the benefit of the movie's cameraman.

But the actual Phantom Killer of Texarkana actually wore a mask for his murders irl, way back before slasher movies existed, so I suppose it's not so unrealistic after all.
 
Sometimes I wonder why the killer bothers wearing a disguise, especially if its a whodunit where nobody sees them except for the people they're killing.
I usually chalk it up to the killer being enough of a freaky lookin motherfucker to have a legit reason to want to hide his face (i.e. Jason and Leatherface) or being enough of a sick fuck to enjoy how much he scares his victims while killing them (i.e. Michael Myers)

Friday the 13th V is a particularly odd example, where the guy mainly seems to be dressing up for the benefit of the movie's cameraman.
Which is why this movie only makes sense if you assume Jason Goes To Hell's explanation of Jason being able to possess people is legit, which is one of many good reasons to disregard both movies entirely
 
I usually chalk it up to the killer being enough of a freaky lookin motherfucker to have a legit reason to want to hide his face (i.e. Jason and Leatherface) or being enough of a sick fuck to enjoy how much he scares his victims while killing them (i.e. Michael Myers)
Those I can buy too. Leatherface was an arts & crafts enthusiast who wore a mask all the time, so that makes sense.

Thinking a little more about it, the Scream franchise might be the worst offender. Not just one, but MANY people go to the effort of wearing an unbreathable Halloween mask and tripping over that little black dress just so the people watching the movie can't guess the ending. Ah well.
 
Has anyone here watched the TV-series The Fall of the House of Usher?

Other works from director Mike Flanagan that I've watched are The Haunting of Hill House, The Haunting of Bly Manor and Midnight Mass (as well as the movies Oculus and Doctor Sleep), but as far as the TV-series of his that I've watched, I only really cared for The Haunting of Hill House. Bly Manor and Midnight Mass aren't bad by any means, but they never hit the same spot as Hill House, as far as I'm concerned.
At any rate, I had heard good things about The Fall of the House of Usher, and so I decided to check it out.

It's clear from the get-go that the TV-series takes inspiration from the ongoing opioid crisis, which I found to be an interesting choice.
I read the excellent book Empire of Pain: The Secret History of the Sackler Dynasty about a year ago, and so I'm familiar with the story behind the family largely responsible for the opioid crisis, i.e. the Sacklers (in the TV-series called the Ushers) which made this angle for horror feel somewhat "relevant", for lack of a better word (or "fresh", maybe — not Current Year though).

Anyways, given how much I like Hill House, and given the praise House of Usher has gotten, I had to check it out.

I will save the writing of several paragraphs of reviewing this TV-show for another time (perhaps), but suffice it to say, I regard The Fall of the House of Usher to be excellent overall. The story is great, as is the acting (even though I hate the fact that Flanagan seems to have the same fucking actors for every one of his TV-series) and whatever you call the process of stringing together all the other aspects of filmmaking, well, I guess that was great too.

Still, having said that, I just can't get over the almost absurd amount of politically correct, SJW-shenanigans that's inserted into it.

It has it all:
Rampant amounts of homo- and bisexuals, racists, homophobia, misogynists, forced diversity, seemingly general distaste of Christianity, sudden insertions of bashing on "right-wing pundits" (like the mention of news presenter Tucker Carlson, which prompts one character in the show to say "I almost puked in my mouth"), a sudden monologue about women's federal right to bodily autonomy in regards to abortion, one particular segment of "old 'republican entrepreneurship' bad", blowjobs with lovely, realistic sound effects accompanied to them, vast amounts of girlpower, actual cuckoldery, and so on and so forth.

It's the whole nine yards of political correct tomfoolery. It's painfully clear that Flanagan likes to include "woke" elements in his previous work, but this was something else.

Has anyone else here seen this TV-series? If so, what do you think of it in general, and what do you think of its "wokeness" in spedific?
 
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Sometimes I wonder why the killer bothers wearing a disguise, especially if its a whodunit where nobody sees them except for the people they're killing. Friday the 13th V is a particularly odd example, where the guy mainly seems to be dressing up for the benefit of the movie's cameraman.
I'll see your selection and raise you Don't Open Till Christmas where one of the characters has a distinct looking face. So the movie decides to spoil him as the killer before the third act by having him wear the least effective mask to hide his identity.
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I'll see your selection and raise you Don't Open Till Christmas where one of the characters has a distinct looking face, so the movie decides to spoil him as the killer before the third act by having him wear the least effect mask to hide his identity.
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Depending on the level of my ennui after this marathon ends, I might consider a Christmas Horror Marathon in December of the least shit Christmas Horror movies.....and one shit Christmas Horror Movie I would not even consider leaving out of the list for rather obvious reasons.


Honestly though, I suspect I will be fighting an uphill battle even getting a halfway decent list together as I genuinely dont want to waste my time with absolute horseshit, meme movie aside, and I doubt there are too many good Christmas Horror movies (especially since one of the few I know to exist will be my final watch of this slasher marathon) however as of my searching today, I have scoped out the following movies I have no memory of watching which hold some potential for entertainment, and hopefully will not be not joyless shitfests.
  • Jack Frost (a horror movie I unironically first caught wind of as a 5 year old in Blockbuster when I walked through the horror aisle and one I have never watched)
  • Krampus (literally everyone else in my family but me has seen it and said it was breddygud)
  • Silent Night, Deadly Night 1/2 (first for quality, second for memes)
  • Gremlins (I have legit not seen this since I was 5....round bout the same time I first caught wind of Jack Frost... so I think its time for a rewatch to see how it holds up and to ensure I have one decent Christmas Horror on the list)
  • Christmas Evil (the only Christmas movie on the Video Nasty list and one I considered for Slasher week)
  • Santa's Slay (I remember seeing clips of this back on old old youtube, including one of Santa killing a jew with a menorah so uh...yeah I'm picking this one)
If anyone can suggest a seventh one I will try to remember this shit come december unless I do some stupid shit like try to watch and review every episode of LAWD DEM RAAAAAAAAAANGZ (of powah) which kills my ability to enjoy visual media for the next few years
 
being enough of a sick fuck to enjoy how much he scares his victims while killing them
Not a murderer, but the "Beast of Jersey," Edward Paisnel, wore a mask when he'd go on the hunt for women and children to rape from 1957 to 1971. Obviously the primary reason for wearing it was to hide his identity, but just look at this thing and tell me it didn't strike even more fear into his victims.

1507512675138.jpgbeast of jersey.jpg
 
I only really cared for The Haunting of Hill House.
I was disappointed at how unfaithful to the book the television series ended up being. There has yet to be a solid adaptation of Jackson's novel (some claim the 1963 adaptation is great, wasn't my thing but I can understand the appeal, at least it didn't have Owen Wilson and CGI Casper knockoffs).
Anyways, given how much I like Hill House, and given the praise House of Usher has gotten, I had to check it out.

I will save the writing of several paragraphs of reviewing this TV-show for another time (perhaps), but suffice it to say, I regard The Fall of the House of Usher to be excellent overall. The story is great, as is the acting (even though I hate the fact that Flanagan seems to have the same fucking actors for every one of his TV-series) and whatever you call the process of stringing together all the other aspects of filmmaking, well, I guess that was great too.

Still, having said that, I just can't get over the almost absurd amount of politically correct, SJW-shenanigans that's inserted into it.

It has it all:
Rampant amounts of homo- and bisexuals, racists, homophobia, misogynists, forced diversity, seemingly general distaste of Christianity, sudden insertions of bashing on "right-wing pundits" (like the mention of news presenter Tucker Carlson, which prompts one character in the show say "I almost puked in my mouth"), a sudden monologue about women's federal right to bodily autonomy in regards to abortion, one particular segment of "old 'republican entrepreneurship' bad", blowjobs with lovely, realistic sound effects accompanied to them, vast amounts of girlpower, actual cuckoldery, and so on and so forth.

It's the whole nine yards of political correct tomfoolery. It's painfully clear that Flanagan likes to include "woke" elements in his previous work, but this was something else.

Has anyone else here seen this TV-series? If so, what do you think of it in general, and what do you think of its "wokeness" in spedific?
Aaaand I'm not terribly surprised that this is the direction Flanagan took with Usher. How dreadful. I shall now continue to fantasize about a Poe adaptation done by Robert Eggers.
 
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If anyone can suggest a seventh one I will try to remember this shit come december unless I do some stupid shit like try to watch and review every episode of LAWD DEM RAAAAAAAAAANGZ (of powah) which kills my ability to enjoy visual media for the next few years
I have these suggestions for your seventh entry:
  • To All a Goodnight (a killer dressed as Santa movie that also predated Silent Night, Deadly Night)
  • Elves (a bizarre post-Gremlins flick that combines Nazi occultism with the Christmas elves)
  • Rare Exports: A Christmas Tale (a Finnish black comedy that satires the image of Santa Claus and the commercialization of the holiday season)
  • Better Watch Out (go into it blind so that you're not spoiled by the big twist at the halfway point)
 
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I have these suggestions for your seventh entry:
  • To All a Goodnight (a killer dressed as Santa movie that also predated Silent Night, Deadly Night)
  • Elves (a bizarre post-Gremlins flick that combines Nazi occultism with the Christmas elves)
  • Rare Exports: A Christmas Tale (a Finnish black comedy that satires the image of Santa Clause and the commercialization of the holiday season)
  • Better Watch Out (go into it blind so you're not spoiled by the big twist at the halfway point)
Already been kinda spoiled to Elves thanks to the RLM hack frauds, and the twist in Better Watch Out was previously spoiled due to some internet troon's seethe piece about muh incels which basically ran down the entire movie in relation to drumpf and the usual boogiemen. Will probably add Rare Exports to the lineup if nothing better manifests between now and December

Anyway, got my collection of snacks together so may as well start MY BLOODY VALENTINE

Premise:
Thanks to some asshole boogieman, a generic small town has a taboo on celebrating Valentines Day, and when the typical bunch of slasher youths decide to break this taboo they wind up getting picked off by some nigga in a gas mask with a pickaxe.

Execution: We start out in a decrepit looking mine as we follow two miners in phenomenally uncomfortable looking full body suits and gas masks which I guess will serve as the slasher costume for this flick. Not a bad look by any means for a killer. Quickly one strips off, revealing one to be an allegedly hot blonde chick with either a heart or a strawberry tattoo on her tit, who starts stripping off the other miner while fondling his gas mask hose until said miner randomly impales her through the back with his pickaxe. Kind of an overacted death but the effects were ok.

Cut to indeterminate amount of time later and a full mining shift is finishing up, giving us our nudity quota in the form of hairy men in the shower soaping themselves up and reminding eachother how straight they all are, before they all depart to banjo music. Gotta say the setting/sets of the mine look pretty damn good thus far. Back in town which is bedecked with signage for a "Valentine Dance" they inflict themselves on the female side of the cast, led by Comic Relief Miner who is about half a scene away from starting to annoy me as we are introduced to what I fear to be our lead, a greasy lookin Cuck who likes to stare creepily at his Ex and her superior new Aryan miner boyfriend. We get an old Man and old Lady exposit over how hyped they are about the upcoming dance, only for the Comic Relief Miner to outlive his welcome less than 10 minutes into the movie at them. Apparently the old man is Cuck's father who owns the mine and is also the mayor, and we meet Sheriff Pipesmoker who makes eyes at Old Lady who excuses herself to get her wrinkly back blown out in the next room by him.

Ten minutes in and Mayor Dad receives a Valentine chocolate box with a threatening note and containing a bloody heart, which causes something of a poorly shot underreaction to the promise of mass murder at the upcoming dance, which the actor seems to play off as him reacting to being told the Town Hall toilets are all backed up again. Later at the local bar, and the town's Crazy Ralph Bartender is holding court within, ominously foretelling doom and murder and the usual while the miners and their sidepieces sneer from the side, and our hero The Cuck continues to stare creepily at his Ex. We get a narrated flashback from Crazy Ralph over why there is a taboo on the Valentines Day dance. Apparently during the last such dance a couple decades before, some evil mining supervisors left their shift early to twerk it up on the dance floor, unwittingly leaving five miners down below during a methane leak, causing them to be buried alive with only one being dug out alive......and we get a random cut to said miner staring like a tweaker at the camera and screaming like a retard. Said retard is promptly hired as town boogieman who spends the next 20 years coming back to town each year to make sure nobody is celebrating Valentines Day. Comic Relief Miner is obnoxious at him, and as I note we are still less than 15 minutes through the movie I sincerely hope he gets killed in the next five minutes because this shit is gonna be miserable if he survives the rest of the runtime.

Cuck seethes at Ex and we cut back to the old people who are trying to find out if the boogieman is back in town. Said Boogieman is busy stalking Old Lady in her laundromat from before who seems unable to hear his annoyingly loud gas mask breathing until he finally jumps her, and she manages to hold him off for a frankly embarrassingly long time until he finally gets a killhit on her....offscreen. Cue more shots of annoying miners, this time at a junkyard which just further adds to the long list of wasted locations. Cuck and Aryan bicker about the ex in a way that makes them both even less likable, before we thankfully return back to the old people who are still trying to find details on where the boogieman is in the psychiatric system as they argue with a random bureaucrat before Sheriff heads off to lay down his Pipe with the Old Lady, only to find her in a somewhat less fuckable state, her now heartless corpse having been spinning in a hot dryer all night.

Back in the mine and the relationship melodrama between Cuck and Aryan continues to burn tepid, though atleast we have yet to see Comic Relief Miner for a while, though the increasingly Canadian accents of the cast are more than making up for his absence. In the laundromat, Mayor Dad lights up a cigar in a way that is unintentionally hilarious as the roasted body of Old Lady is wheeled out, and for absolutely no reason whatsoever Sheriff decides to cover up this death for fear of state police getting involved and possibly panicking people...fuck this is stupid....and they decide to run with the story that the mutilated carcass that unironically looks like it just came out one of the better Hellraiser movies and smells like a burning outhouse actually just suffered a teeny lil heart attack and everything is fine. They do atleast cancel the dance, only for annoying miners and annoying sidepieces to get pissy, and Cuck randomly decides to abduct his Ex which works perfectly at getting her back into his greasy pants and christ this scene literally feels like a shitty canadian soap opera, melodramatic music and all.

Later that night and Ex is being stalked by someone until she runs into Sheriff who is unsubtly searching for the killer, and back in the bar we witness the horrifying return of Comic Relief Miner who has the idea of a Valentines Day party, which Cuck suggests they hold down the mine because he is a fucking asshole like the rest of the characters in this scene......and literally just as I write this the Crazy Ralph Bartender calls them assholes too, so its nice I am not alone in this, before unsubtly hoping they all get killed which is also nice to hear. Sadly he then goes to set up a scarecrow effigy of the killer at the mine, which results in the actual killer nailing him through the face and out the eye, and dragging his body back towards the mine....dang that was a genuinely good kill even if its setup was hilariously contrived.

The miners and their sidepieces all break into the mine's rec room to party with cheap beer and 7/11 snacks, and as we head to the halfway point and the previous kill I am hoping the movie will rapidly start to improve now all the asshole characters have entered the designated killing grounds. My prayers seem to be answered as random asshole miner no.8 has his face shoved into a pot of boiling hotdogs by the killer, thus kicking off the real festivities. Sheriff's pipe-sense is tingling and he decides to go check out the mine, only to find a bunch of dogs chewing at another heart in another box outside the police station with another note bitching about the party. Back at said party and we get our 17th Cuck vs Aryan scene which finally devolves into limp fisticuffs, before Aryan storms out defeated, as Ex whines at Cuck to just stop this shit as she just doesn't care anymore. You and me both skank, but atleast now shit is getting good.

The film shockingly than diverts to well executed black comedy, as the now corpse-free pot of boiling hotdogs is being served out by some of the sidepieces who while talking about how much they fucking hate Comic Relief Miner fish a bigass blob of flesh in the pot which they assume to be a prank as they keep serving up the hotdogs. Meanwhile sidepiece no.3 has the good fortune to be the centrepiece of the next kill, which makes full use of the mine setting (in this case the previously established showers and equipment room) as I hoped back at the start of the movie and yeah shit has drastically improved to the point it feels like a different movie now. Shame the first 45 minutes of setup was mostly godawful because this shit is fucking great. Miner no.3 arrives to try and get his dick wet, only to discover the corpse and understandably freak out given how it was posed.

To my extreme joy Comic Relief Miner suggests he and the two other most prominent miners (fat miner and wop miner) and their sidepieces and Ex go down into the mine itself and ride on the carts like a roller coaster, meaning I shall soon see him die horribly in hopefully a well executed manner. Cuck randomly declares "NO WOMEN IN THE MINE" before cucking out of stopping them, meaning I get to see these fucking assholes die as I had dreamed in the first half. As they head further inside they start splitting up to go and rawdog in the dark, and cut to the rec room where the rest of the cast have discovered the bodies and cheese it aside from Aryan and Cuck who go down to rescue the ones in the mine. Back underground and characters are finally treating Comic Relief Miner like the repulsive vermin he is as we hear the killer drawing close. The sheriff is informed by fleeing kids about the corpse shindig at the mine, and we cut back inside where the Cuck finds the main group and tells them in his godawful canadian accent that there's a killer loose before he randomly vanishes.

Fat miner finds wop miner and his sidepiece impaled by a giant drill, which sadly took place offscreen, and realises how fucked his porky ass is just long enough for the killer to get creative with a nail gun, causing him to stumble off into the dark with a couple rivets in his skull just long enough to scare the fuck out the rest of them, and seeing the killer Comic Relief Miner abandons Fat Miner's Sidepiece and Ex to hightail it out of there, and we get a short but confusing cat fight between the two for poorly explained reasons until they are rescued by Aryan while Fat Miner's Sidepiece endlessly whines about leaving Fat Miner's corpse there as they reunite with Cuck again and start heading for the exit....which has been sabotaged, forcing them to use the ladder, resulting in yet more whining from Fat Miner's sidepiece, until the moment is salvaged by Comic Relief Miner's hanged corpse dropping into frame out of nowhere, the shock of the drop ripping the head clean off which surprisingly does not result in Fat Miner's Sidepiece losing her grip, but instead results in the characters randomly choosing to climb back down....ok I have no idea why but whatever. Shits good now.

As we hit the last 15 minutes they all head back to the mining carts through the sump room, with Aryan randomly making a sound like he got kicked in the nards before falling in the water offscreen, seemingly drowning in either a fakeout or a poorly executed kill, and as cuck vanishes yet again we hear the killer's breathing. Fat Miner's Sidepiece gets a pickaxe to the gut in a shot that makes clear how many different kinds of cameras were used to film this movie as Ex now alone runs....well more like strolls... off into the mine before finding Cuck again and miraculously not being remotely suspicious of this hilariously suspicious greaseball, while up above the Mayor, Sheriff, and cops appear and start heading down into the mine. Starting up the mining carts, Cuck and Ex are able to jump on, but so does the killer as the cops head down the other way, causing a somewhat anaemic fight scene to happen between Cuck and Killer which isnt helped by the slow pace and wide shots, and which eventually proceeds into an abandoned mine shaft, and after losing his mask the killer turns out to be.....Aryan I guess. We get another flashback and it turns out his daddy was one of the evil mine supervisors killed in the last flashback by the OG killer, which he witnessed and which drove him mad and...yeah this is a dumb plot twist poorly executed but whatever, the movie is almost over. Distracted by the flashback he gets sucker punched with a boulder by Cuck which results in a cave in on top of him, while Cuck and Ex escape and find the cops, and Sheriff informs him the OG killer is long dead which wraps up that tangent.

Going to check out the cave in, the cops and miners dig up Aryan's still moving arm under a pile of rubble, which the Ex gets emotional about and reaches out for, only for it to grab her as we cut to Aryan slicing the arm off on the other side of the pile of rubble, and after they pull his bloody severed arm out he randomly starts screaming a cringe monologue about how he will return for his revenge and how Ex was his bloody valentine before he randomly starts singing about the OG killer and....ok thats it movie over.

Characters: Literally every character under the age of 40 is completely and utterly insufferable, wheras the movie's roster of old people are decently likable and enjoyable to watch on screen even if they are just as retarded. Alas this movie spends far more time with the miners which further puts the movie in the red in terms of enjoyability. Best character is probably Mayor Dad as he seems to be the one with the most life about him and he is not as big a retard as the Sheriff.

Scares: Poorly executed for the first half, significantly improved once the scenes in the mine start. There is a decided lack of tension in the first half as the killer's scenes are shot and scored too clumsily and telegraphed too obviously to be effective, but once that halfway point goes by the director gets a whole lot better at ratcheting up the tension and executing kills with decent setup and shock. Best scare would be sidechick no.3's death in the shower due to how it steadily but efficiently ratchets up the tension until the bloody payoff.

Kills: Somewhat clunky at first, but the effects are very good when we do get a decent kill which thankfully ramps up in the second half with some finely executed and varied kills. Best Kill is again the shower kill due to how all out the movie goes with it.

Final Verdict: Unfortunately this movie was crippled by a first half which was just plain bad as a slasher and as a movie in general, which is kinda heartbreaking as the second half goes out of its way make up for it with some of the best kills in the genre and some great tension and scares. I guess you could call this an object lesson in why its important even in slasher movies to make the characters likable or at the very least enjoyable before they all start getting slaughtered, because if they are fucking annoying assholes then they can taint even the best executed payoff. Or perhaps a lesson in ensuring one's movie is given a good editor as I suspect a whole lot of B roll was added in for filler, and whole lot of A grade material was either cut or mangled in the editing room, and it becomes increasingly apparent by the end that this movie's raw footage was repeatedly thrown in a blender and only vaguely edited into a somewhat coherent film. The potential for a truly solid slasher was all there with a perfectly acceptable if cliche story premise, a genuinely good slasher getup and some phenomenal sets and settings, and some phenomenal kills and gore which compete with the best in the genre. However the shoddily executed first half, poor editing, and generally annoying as hell characters and acting all add up to a gigantic fucking millstone round the neck of the movie that just cant be ignored.

Would I Watch Again?: The second half? sure. The first half however is just miserable to wade through.

Tomorrow I wrap this shit up with BLACK CHRISTMAS
 
Incantation is a bloody awesome and my fav. Horror movie for quite awhile now. Hou Ho Xiu Yi, Si Sei Wu Ma indeed.
 
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I saw The Substance this morning. Holy shit, it's insane. 8/10. Dorian Grey meets The Fly '86. And then in the 3rd act, it turns into Sunset Boulevard meets the Evil Dead remake. And Demi Moore turns into Gollum near the end.
 
Anyway, got my collection of snacks together so may as well start MY BLOODY VALENTINE
Did you watch the theatrical cut or the restored Director's cut? At least the director's cut is much less choppy and some things are a bit more clear.
 
Considering watching that South Korean period horror series Kingdom.
Any fans? I know zombies are played out, but setting it at the start of the 17th century has me intrigued.
 
Finally saw Handling the Undead. It's not a horror movie and it's not good.

It does have a couple of good scenes in it, but not enough to justify watching it, because it's really dull.

The characters aren't likeable enough to give a shit about their sadness and confusion. Although, to be fair, they're not immediately hateable like most other modern horrors. Two of the 3 stories start off with the loved ones already in mourning, so they never have an arc, or even anything to moderate the incessant sadness. Which woild be fine, I like slow and depressing movies, but this one is just much too boring to be depressing at all.

I've bitched about it in this thread before, women directors of horror can get the atmosphere right, but literally NOTHING else. Although, I guess, even the men only get it right a couple times a year. I mean Babdook was like a decade ago.

The "twist" in this comes FAR too late in the movie, and is resolved far too easily to actually be interesting. And it's not even menacing, unless you are an 80 year old lesbian.

Anyway, it's got some good music, and, like I said, a couple of good (short) scenes. A few good special effects (not gore or kills or anything, just respectably practical). No titties (well there's a really old zombie woman, but I'm not counting those). 1.5/5, but honestly I don't think the film-makers set out to make a horror movie, it was just marketed that way.
 
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Friday 13th Part VIII: Alrighty the one where Jason randomly goes to new york for like thirty minutes.

I remember getting my mom to PPV this for us because I thought it was gonna be Jason on a cool NYC rampage. But most of it takes place on a very dark and claustrophobic boat. Which is actually a great idea. But not when it's subtitled "Jason Takes Manhattan". Jason disembarking in the city should have been it's own separate sequel. The surviving couple getting reunited with the dog was cool though. I was only about 10 when I first saw this film and worried for the dog the whole time.

It looks like the filmmakers ended up blending two separate plot concepts together. One concept they had was for the boat and that's pretty much most of the movie we got. The other was Jason on the loose in the big city. They wanted to have him stalking in department stores, the Brooklyn Bridge and the Statue of Liberty. Unfortunately we got something that really only did a decent job with the boat concept. Missed opportunity to shake things up a bit and inject some air freshener into a musty old franchise.

On one hand I'd love seeing Jason brought back to Manhattan. But these days they'd screw it up big time. *sigh*

Jason Goes To Hell: Yeah this film is a fuckin mess, and even more than VII feels like an attempt to crowbar Jason into a pre-existing horror script, only this time a crappy 90s horror movie instead of a generic 80s horror movie.

Begged my mom to PPV this one too. Regretted it. It most certainly is a mess. It builds on the jettisoned Tommy concept where the filmmakers had the idea that other people would take on the mask of Jason in subsequent films. This time it was fleshed out as possession. But they bungled it and I consider it mostly unwatchable.

Some of the plot might be leftovers from when they toyed with connecting Friday The 13th: The Series to the movies by making Jason's hockey mask the last cursed object that needed to be recovered. The series was ended abruptly though and there's no real finale. Parents groups hated that show and Freddy's Nightmares for having near R rated levels of violence and gore on network TV.

Best spooky moment was probably the random ending when Freddy Kruger's hand shot out the ground and dragged away Jason's mask, and this purely qualifies because it probably made horror nurds shidd and curm hard when they saw it in theatres for the first time before suffering a decade plus of blue balls, and best kill was Jason getting blowed up at the start.

They waited way too long. It was ok. But there were rumors of a Freddy vs Jason (with possibly Michael Myers) film since the 80s. Most of it was probably schoolyard talk. But the filmmakers knew people wanted it. It should have been done a lot sooner. Maybe they were saving it as a trump card. Lord knows they needed one by then.
 
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Silent Night, Deadly Night 1/2 (first for quality, second for memes)
I tried to hit a bunch of Christmas classics I missed last year, and I thought SNDN 3-5 were pretty entertaining.

The surviving couple getting reunited with the dog was cool though. I was only about 10 when I first saw this film and worried for the dog the whole time.
They must've gotten that from F13 Part 2

Has anyone here watched the TV-series The Fall of the House of Usher?
You talked me out of watching it, but anyway, apparently there's a TV show based on Cronenberg's Dead Ringers, I just wanted to say I'm very angry about that, raargh

Also, I think the b&w cut of Quadrant is out now

mail.jpeg
 
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Also, I think the b&w cut of Quadrant is out now

As a fellow survivor of Quadrant, my big question is why?

Also I wonder if they will leave the red blood in the already B&W segments.

Quadrant really is the Schindler's List of b-horror movies. In that the only reason to watch it is for the titties and the killings.
 
I just watched midsommar which is I guess a horror movie. It is so fucked up. Not really scary just fucking weird. IDK how I feel about it. Any of yall watched it?
 
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