@Chilson
My main thesis is that Moana is a "good" Disney film not that it's the cream of the crop.
If my initial comment sounds overly praiseworthy, then it just says more about where Disney is quality wise currently as opposed do anything about the film.
My money, I think it's unfair to compare Moana to anything from the Disney Renaissance because I wasn't just the peak of disney, it was the Apex of Western animation in general
From 1989 to the mid-2000s, studios delivered stories infused with genuine passion, experimentation, and innovation. Today? Animation feels like a cynical, algorithmic wasteland—less art, more assembly line. Disney used to have a baseline quality. Even if
Cinderella isn’t
Aladdin, you can still appreciate it as a solid piece of storytelling. Now, you’re lucky if the latest Disney film is even coherent.
I honed it on the music specifically because we live in an era where everything wants to be Hamilton like, the fails to understand what makes LMM's work.
Yes, You're Welcome does indeed have a "rap" section but Maui himself never says anything that feels out of character and the song actually told you who he is as a person.
Nothing in the song sounds like it's trying to desperately appeal to terminally online teenagers.
Even Shiny for as over the top it is still acts as a character piece that tells you more about the world and Maui himself.
The same kind of goes for the main character because she feels like a character as opposed to a walking caricature of what Disney thinks the Twitter crowd wants to see in a Polynesian woman nor does it constantly beat us over the head to remind us that everything wrong with Moana is good actually.
I know it's fun to bash disney, but I think we got to identify why they suck and identify what they used to do correctly so that they can (hopefully) get back on track
I don't think Moana OG will ever be an All time Disney movie but at least it was all right as opposed to anything they do now